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269:, responsible for weapons logistics and military operations. His death is widely attributed to Mossad, the Israeli intelligence agency, though he had numerous other enemies in the region. The operation involved agents using fake identities from multiple nationalities, along with disguises such as wigs and sports equipment, allowing them to infiltrate the hotel and exit without raising immediate suspicion.
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was praised by critics for being a disturbing and thought-provoking piece. Despite its short runtime, the film made a lasting impression by combining real footage with Marker's minimalist artistic approach. It raises important questions about modern surveillance, the ethics of covert operations, and
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ontrasts the seemingly mundane images—ordinary people going about their day in urban settings—with the knowledge that beneath these routine activities lies a carefully planned assassination. The attention to detail in the footage, such as disguises, identity changes, and the assassins’ methodical
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The film debuted quietly on a pseudonymous website called
Gorgomancy, surprising many of Marker's admirers. Despite its politically sensitive subject matter, the documentary was received as a contemplative work of art rather than a direct political statement.
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soundtrack, known for its melancholic and contemplative tone, plays a key role in the film's atmosphere. Performed by the
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is a short documentary that uses found footage to reconstruct the assassination of
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behavior, reveals the complexity of the covert mission.
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461:(in French)
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79:French film
599:Categories
567:2024-09-24
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520:2024-09-24
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364:2024-09-24
342:References
280:Soundtrack
255:January 19
155:27 minutes
98:Written by
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337:as Figure
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274:assassins
46:. Please
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359:IFFR EN
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160:Country
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58:. See
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145:Color
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335:Byel
311:Cast
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