482:" (UK No. 14). The act were one of only a few who were given co-writing credits with the producers, with Stock describing the creative relationship as challenging; explaining he was obliged to collaborate with them due to a deal with their management. "It's very difficult to be creative if someone's just going to mock you, or laugh at you," he said. "With Bananarama it was just awkward, all the time very awkward, and I didn't feel comfortable writing with them." In 1986,
890:" (No. 4), the partnership began to disband. The week of 13 October 1990 became the first with no SAW-produced singles in the UK Top 75 in over two years. In mid-1991, Aitken left the team due to stress and deep dissatisfaction with business and creative decisions made by Waterman. Stock stayed with Waterman to write and produce Minogue's fourth album,
192:, scoring more than 100 UK Top 40 hits (many of which were also worldwide successes) and earning an estimated £60 million in royalties. The trio had 13 UK No. 1 singles including three consecutive UK No. 1's and three US No. 1 singles. They also had at least one record in the UK Top 100 Singles Chart every week between March 1986 and October 1990.
396:". The song became Stock Aitken Waterman's first Top 10 hit, reaching No. 4 in the UK. This period saw a rapid refining of the core production team and their roles, with a fourth collaborator, Pete Ware, who was co-credited on the team's earliest records, leaving after Stock and Aitken objected to him taking a job touring with Dean.
415:, who mixed the track, said tensions were running so high between the band members and producers Stock and Aitken during mixing, that it almost escalated to violence. Stock has disputed the seriousness of studio tensions, alleging that Burns, Harding and Waterman have all "exaggerated" what happened in their recounting of events.
708:. Stock was informed by Minogue's manager, Terry Blamey, that she had been in London for ten days waiting to work with SAW though Waterman had not informed Stock. By the time Minogue entered the studio, she was due on a plane back to Australia later that day. In forty-minutes Stock and Aitken had written the song, "
411:", which became SAW's first UK No. 1 in March 1985. Although a massive commercial success, the trio were still in dire financial straits and the record set the scene for SAW's often fractious creative relationship with those bands and artists who demanded creative involvement in their records. Engineer
712:", recorded a backing track and Minogue's vocals. The single was released by PWL in February 1988 and climbed to the No. 1 spot in March where it stayed for five weeks, the joint longest running No. 1 of 1988. It also went to No. 1 in 25 other territories including Minogue's native country
916:" made it into the Top 20 (No. 18) in the US. Later that year, Stock ended his relationship with Waterman following a disagreement over their finances; by the end of their partnership, SAW had written and/or produced over 300 Top 75 hits and 30 platinum-selling albums.
596:, typically performed by attractive singers. Their usual method for creating the music was to write the songs themselves, although some of their early artists wrote or co-wrote their own material. Next they would record the music with extensive use of synthesizers,
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was released in August 1988 it sold 2.8 million copies. Minogue spent more weeks on the singles chart that year than any other artist. Minogue went on to record three more studio albums with SAW, scoring fifteen successive Top 10 UK hits including
373:" was voted by the Cypriot public to represent their country in the competition and the re-recorded version would be Stock and Aitken's second collaboration with Waterman. The team were then asked to produce a song for
719:
With demand for a follow-up single, Minogue was not keen on returning to
England to work with SAW again after the rushed treatment she had received. Stock flew to Australia to meet Minogue and her parents at her
1993:
778:", sang the demo with a SAW backing singer and Aitken flew to Australia to record Minogue and Donovan's vocals in time for a Christmas release. Donovan returned to the studio to record the song "
270:
shuffle elements into their songs. The producers' legacy has been increasingly positively reassessed, with contemporary analysts praising the quality and enduring impact of their music.
514:, "Never Gonna Give You Up" went straight to No. 1 in 17 different countries including America and the UK where it became the biggest selling record of 1987. Astley's fourth single, "
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186:. The trio had great success from the mid-1980s through to the early-1990s. SAW is considered one of the most successful songwriting and producing partnerships of all time by the
612:
would criticise SAW for their methods, describing that "they took our sound and just basically wheeled it off with a load of other imbeciles, and that makes me a bit sour."
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In 1985, the trio built a new studio at The
Vineyard recording studio complex, The Borough, which would later be dubbed "The Hit Factory". Whilst working with the band
1997:
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also held to the top spot for three weeks, selling 1.5 million copies. Donovan went on to have numerous successful singles with SAW, including the No. 1 hit "
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Bananarama went on to make Stock, Aitken and
Waterman their main producers, and would collaborate with them on some of their biggest hits, including "
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and their records are utterly and totally
Thatcherite records. In which sense they are perfect pop because they are totally records of their time.
686:-like output and similar song structures led to them being referred to as "The Hit Factory" and attracted criticism from many quarters, including
307:. The track was re-recorded and produced by Collins; Stock sang on the track under the alias Chris Britton. In January 1984, Stock and songwriter
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1545:"Journal on the Art of Record Production " Undervalued Stock: Britain's most successful chart producer and his economy of production"
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in 1963) and fifteen Top 5 hits. During that year, SAW wrote and produced over seven albums' worth of material for artists such as
510:" – though initially Stock and Aitken were unsure of its appeal with Astley's strong but unorthodox voice. When it was released by
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featuring many of the acts associated with
Waterman's record labels. In December 2015, SAW made a return producing a remix of the
1474:
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2474:"A Journey Through Stock Aitken Waterman: Ep 8: It's A Man's Man's Man's World to Whenever You Need Somebody on Apple Podcasts"
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2940:"A Journey Through Stock Aitken Waterman: Ep 69: Roadblock 91 to All Mixed Up and Matt Aitken's departure on Apple Podcasts"
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770:", a duet with Kylie Minogue, went to No. 1 in January 1989. A duet had not initially been planned by SAW until retailer
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549:" went to No. 1 in the UK where it stayed for three weeks. In 1989, SAW would have another No. 1 with McCartney on the
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994:, each giving interviews both individually and as a group. On 21 March 2023, it was announced that a musical entitled
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3036:"I Should Be So Lucky, based on the catalogue of Stock Aitken Waterman hits, to premiere this autumn | WhatsOnStage"
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1812:"A Journey Through Stock Aitken Waterman: Ep 1: The Upstroke to Whatever I Do (Wherever I Go) on Apple Podcasts"
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704:(the in-house label of SAW) and one of the first artists to be released on the label was Australian soap star,
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458:". The result was a pop/hi-NRG reworking which became a worldwide chart hit, reaching No. 1 on the U.S.
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384:" at the Marquee Studio, which was released by Proto Records in July 1984. The song reached No. 16 on the
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3010:"Kylie's new Christmas single given truly 80s remix in comeback for producers Stock, Aitken and Waterman"
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2134:"A Journey Through Stock Aitken Waterman: Ep 13: I Can Prove It to More Than Physical on Apple Podcasts"
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They'd say, 'We're just making records for people to have a good time to.' They are utterly and totally
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to record the song "The
Upstroke" for Agents Aren't Aeroplanes - a front for their concept of a female
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2059:"A Journey Through Stock Aitken Waterman: Ep 3: You Spin Me Round (Like A Record) on Apple Podcasts"
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had taken huge orders for hundreds of thousands before the song had even been written. Stock wrote "
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in 1980 when John Milton, Mark Stock and Mike wrote a song – "One Nine for a Lady
Breaker" – for a
625:. Waldron went to work as an assistant engineer to Harding when Waterman opened his new studio in
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eventually earned the right to perform the song at the contest. He finished in 25th place in the
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1969:"A Journey Through Stock Aitken Waterman: Ep 9: Taking Stock with Mike Stock on Apple Podcasts"
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2449:"The Hit Factory Limited, Bridge House 4 Borough High Street, London Bridge, London, SE1 9QR"
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In 1989, SAW had their most successful year with seven UK No. 1's (a feat equalled only by
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2340:"Gerry Marsden, Paul McCartney, Holly Johnson and the Christians – Ferry Cross The Mersey"
8:
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1579:"Stock Aitken Waterman: it's time to reassess the '80s hit factory - The Sydney Sentinel"
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before embarking on a UK tour. The musical is written and directed by the creator of the
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SAW started producing underground club hits, but earned worldwide success with a mix of
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got its name and title track from a minor hit the trio had produced a year earlier for
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766:'s first single, "Nothing Can Divide Us", became a Top 5 hit. Donovan's next single, "
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1691:"Stock Aitken Waterman - time to reconsider the pop classics of the SAW hit factory"
1632:"The 100 greatest UK No 1s, No 5: Dead or Alive – You Spin Me Round (Like a Record)"
1519:
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2984:"'I crawled on my knees to Kylie' – the inside story of Stock, Aitken and Waterman"
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930:, with some of their best-known and most successful singles. In 2007, SAW released
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The tendency toward interchanging artists and repertoire was well established when
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newspaper, who unflatteringly dubbed the team, "Schlock, Aimless and
Waterdown".
650:. Similarly, many of their songs were tried out and recorded by multiple artists;
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211:'s "This Time I Know It's for Real" and Best Selling A-Side for Jason Donovan's "
859:. In January 1990, SAW had their last UK No. 1 single, Minogue's cover of "
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chart on July 1986 and reaching the Top 10 in the UK and many other countries.
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home to apologise and successfully convinced her to record a follow-up single "
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2499:"A Journey Through Stock Aitken Waterman: Ep 18: Heartache on Apple Podcasts"
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since 1979, reaching No. 3, and becoming Summer's final Top 10 hit on the US
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Following their early success, SAW's style evolved into a more mainstream
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2084:"A Journey Through Stock Aitken Waterman: Ep 11: Venus on Apple Podcasts"
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1394:(1990 compilation released on Chrysalis Records' Dover Records sub-label)
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In 2005, the three producers reunited again and released a CD+DVD album,
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The group have sold 400 million units globally, and they also received a
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Despite continued success in the early-1990s with
Minogue's singles and
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439:. These chart successes and the trio's sound attracted the attention of
279:
Formation and Early Hits: Divine, Hazell Dean, Dead or Alive (1984–1985)
3800:
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938:", which reached No. 91 in the UK. A reunion concert event called
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609:
608:; and then finally bring in a singer solely to record the vocal track.
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and discos where many new records were promoted into the mainstream as
235:
196:
3062:"Stock Aitken Waterman musical I Should Be So Lucky to open this year"
557:" – recorded to raise funds for the victims and their families of the
174:) are an English songwriting and record production trio consisting of
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1378:(1988 UK/Japan compilation album released by Fanfare Records and PWL)
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club. A version of the track found its way to
Waterman who managed
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Christians, Holly Johnson, Paul McCartney, Gerry Marsden and SAW
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533:, and Stock got the chance to work with his musical inspiration
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1410:(2005 compilation released by PWL in association with Sony BMG)
362:
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223:
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66:
45:
728:", which reached No. 2 on the UK charts. When her debut album
615:
SAW's early work was recorded and mixed at Marquee Studios in
419:
The Hit Factory: Bananarama, Mel and Kim, Princess (1985–1986)
3806:
3127:
682:
gave vocals for "More Than Words Can Say". Their prodigious,
1837:"Agents Aren't Aeroplanes – The Upstroke (Vinyl) at Discogs"
1386:(1989 compilation album released by Fanfare Records and PWL)
1665:"Top 40 Stock Aitken Waterman songs - Classic Pop Magazine"
1605:"A Journey Through Stock Aitken Waterman on Apple Podcasts"
600:(drums were often credited to "A Linn", a reference to the
323:
701:
619:, where Phil Harding and Rob Waldron worked with them on
2441:
633:
programmer (A Linn) and Harding was the mixer/remixer.
2415:
2401:
Pete Burns Interview by Sveta Breakfast Radio Show 1997
2229:"Classic Tracks: Rick Astley 'Never Gonna Give You Up'"
2756:
2754:
2522:
2159:"Mel And Kim – Showing Out (Get Fresh at the Weekend)"
1370:(1987 UK compilation album released by Stylus Records)
812:
Donna Summer, Cliff Richard and later work (1989–1993)
782:", which went to No. 1 in March 1989. His debut album
490:" went to No. 3 on the UK charts and their follow-up "
3531:
A Ton of Hits: The Very Best of Stock Aitken Waterman
2827:
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2691:
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1566:
Classic Tracks: Rick Astley 'Never Gonna Give You Up'
1391:
A Ton of Hits: The Very Best of Stock Aitken Waterman
696:
Kylie Minogue, Jason Donovan, Band Aid II (1988–1989)
262:. During 1984–1989, their musical style was labelled
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662:
all recorded the song "Who's Gonna Catch You", both
207:
for Songwriter of the Year, Most Performed Work for
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2564:
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1785:
1766:
1440:(37th ed.). Enfield, Middlesex: Guinness Pub.
203:between 1988 and 1990. In 1990 SAW picked up three
3510:The Hit Factory: The Best of Stock Aitken Waterman
2822:
2686:
2589:
2427:find-and-update.company-information.service.gov.uk
1994:"Item Display – RPM – Library and Archives Canada"
1367:The Hit Factory: The Best of Stock Aitken Waterman
986:In 2023, the trio reunited for the filming of the
629:. Waldron became the chief recording engineer and
330:. The record was released on Proto Records run by
199:for Best British Producer in 1987 along with nine
1741:
1739:
1000:, making use of SAW songs, would premiere at the
3832:
497:
3569:List of songs produced by Stock Aitken Waterman
2781:"1989-03-11 Top 40 Official UK Singles Archive"
2733:"1989-01-07 Top 40 Official UK Singles Archive"
2707:"1988-09-24 Top 40 Official UK Singles Archive"
2662:"1988-05-28 Top 40 Official UK Singles Archive"
2610:"1988-03-05 Top 40 Official UK Singles Archive"
2314:"1987-04-04 Top 40 Official UK Singles Archive"
2184:"1987-03-28 Top 40 Official UK Singles Archive"
1940:"1984-08-18 Top 40 Official UK Singles Archive"
1914:"1984-08-04 Top 40 Official UK Singles Archive"
1629:
1361:List of songs produced by Stock Aitken Waterman
311:arranged to meet Waterman at his office in the
3538:The Hit Factory: Pete Waterman's Greatest Hits
1750:. Stockaitkenwaterman.itgo.com. Archived from
1736:
1720:. Stockaitkenwaterman.itgo.com. Archived from
1399:The Hit Factory: Pete Waterman's Greatest Hits
1197:' 1964 hit (charity single for victims of the
427:, Stock wrote a song for their backing singer
3600:
3153:
541:were sent to the production team by producer
27:English songwriting and record producing trio
2023:
942:took place ion 21 December 2012 at London's
299:, then a successful producer with acts like
3616:Brit Award for British Producer of the Year
1568:– Sound on Sound. Retrieved on 2 July 2010.
3607:
3593:
3160:
3146:
2636:"Love is in the Air: I Should Be So Lucky"
1882:
1880:
1715:
399:In September 1984, SAW were approached by
3167:
2251:"Top Ten Best Selling UK Singles of 1987"
2019:
2017:
2015:
1996:. Collectionscanada.gc.ca. Archived from
1861:. Electronic Music Styles. Archived from
1435:
1418:(2012 compilation released by Sony Music)
965:". It was revealed in the final round of
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2030:The Virgin Encyclopedia of Popular Music
1796:sfn error: no target: CITEREFStock2004 (
1777:sfn error: no target: CITEREFStock2004 (
1438:The Guinness Book of Records : 1991
587:discussing Stock Aitken Waterman in 1989
529:" in aid of the victims involved in the
2523:Caspar Llewellyn Smith (11 June 2011).
1877:
1468:, London, 12 March 2005, reproduced at
957:Stock and Waterman collaborated on the
848:", which became her biggest hit in the
361:, a Greek Cypriot, to write a song for
14:
3833:
3552:Pete Waterman Presents the Hit Factory
2012:
1745:
1415:Pete Waterman Presents The Hit Factory
1402:(2000 compilation issued by Universal)
1249:Charity single to raise money for the
488:Showing Out (Get Fresh at the Weekend)
446:towards the end of 1985. Group member
357:In 1983, Stock had been approached by
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1963:
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992:Legends of Pop: Stock Aitken Waterman
844:. The team supplied Summer with her "
670:recorded "Got To Be Certain", whilst
1630:Beaumont-Thomas, Ben (1 June 2020).
564:
450:wanted to record a cover version of
3118:Stock Aitken Waterman Official Site
2273:"Rick Astley Music News & Info"
1512:
796:", and the Christmas No. 2 record "
506:recorded the team's biggest hit – "
24:
3083:
2123:
1958:
1547:. Arpjournal.com. 15 November 2005
1484:
968:Eurovision: Your Country Needs You
936:(I'm So) Happy Happy (You're Mine)
25:
3907:
3128:PWL / Pete Waterman Official Site
3111:
1888:"The Stock Aitken Waterman Story"
1052:You Spin Me Round (Like a Record)
409:You Spin Me Round (Like a Record)
334:and Nick East and distributed by
2914:"Official Singles Chart Top 100"
2888:"Official Singles Chart Top 100"
2862:"Official Singles Chart Top 100"
2823:Gambaccini, Rice & Rice 1990
2687:Gambaccini, Rice & Rice 1990
2590:Gambaccini, Rice & Rice 1990
1272:Little Anthony and the Imperials
1145:Kylie Minogue and Jason Donovan
983:, receiving 10 points in total.
800:", kept off the top spot by the
435:", which peaked at No. 7 on the
388:. Soon after, the team recorded
346:. It achieved popularity in the
3871:British record production teams
3464:You'll Never Stop Me Loving You
3107:, New Holland Publishers, 2004.
3054:
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3002:
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2906:
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2628:
2602:
2525:"Kylie gets lucky | Music"
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2076:
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1986:
1932:
1906:
1851:
1829:
1804:
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1581:. 10 March 2023. Archived from
1227:You'll Never Stop Me Loving You
919:
877:You'll Never Stop Me Loving You
3443:This Time I Know It's for Real
1716:mike stock (27 October 1994).
1623:
1597:
1571:
1559:
1537:
1454:
1429:
1097:' hit (charity single for the
871:" and gave 18-year-old singer
846:This Time I Know It's for Real
394:Whatever I Do, (Wherever I Go)
13:
1:
3319:Whatever I Do (Wherever I Go)
1499:www.stockaitkenwaterman.co.uk
1495:"Home: Stock Aitken Waterman"
1436:McWhirter, Norris D. (1990).
1422:
537:whose original recordings of
498:Rick Astley, Ferry Aid (1987)
2638:. Abc.net.au. Archived from
1251:1983–1985 famine in Ethiopia
981:Eurovision Song Contest 2010
806:Do They Know It's Christmas?
222:-influenced sound, romantic
7:
3574:Pete Waterman Entertainment
3354:Nothing's Gonna Stop Me Now
1354:
1241:Do They Know It's Christmas
1018:, the creative director of
869:I Just Don't Have the Heart
794:Every Day (I Love You More)
287:had briefly worked with DJ
230:melodies with singles from
10:
3912:
3846:English dance music groups
3545:Stock Aitken Waterman Gold
3485:Beyond Your Wildest Dreams
3388:Whenever You Need Somebody
3133:Phil Harding Official Site
3091:PWL From The Factory Floor
1407:Stock Aitken Waterman Gold
1270:Cover of the 1958 song by
952:Every Day's Like Christmas
927:Stock Aitken Waterman Gold
643:Whenever You Need Somebody
602:Linn brand of drum machine
525:. That year SAW produced "
273:
18:Stock, Aitken and Waterman
3876:British songwriting teams
3622:
3561:
3501:
3478:Better the Devil You Know
3310:
3204:
3175:
3093:, Cherry Red Books, 2011.
2423:"The Hit Factory Limited"
2374:(2020 ed.). London:
1718:"Pete Waterman Interview"
1332:
1322:
1151:
1063:
753:Better the Devil You Know
700:In 1987, Waterman formed
328:Frankie Goes To Hollywood
137:
133:
112:
90:
59:
41:
34:
3861:British hi-NRG musicians
3841:English record producers
3524:The Hit Factory Volume 3
3517:The Hit Factory Volume 2
3471:Happenin' All Over Again
3382:Love in the First Degree
3123:Mike Stock Official Site
2371:Pet Shop Boys, Literally
1383:The Hit Factory Volume 3
1375:The Hit Factory Volume 2
1195:Gerry and the Pacemakers
888:Happenin' All Over Again
798:When You Come Back to Me
551:Gerry and the Pacemakers
531:Zeebrugge Ferry disaster
472:Love in the First Degree
3886:Record production trios
3375:Never Gonna Give You Up
3333:Say I'm Your Number One
2918:Official Charts Company
2892:Official Charts Company
2866:Official Charts Company
2810:29 October 2011 at the
2785:Official Charts Company
2737:Official Charts Company
2711:Official Charts Company
2666:Official Charts Company
2614:Official Charts Company
2344:Official Charts Company
2318:Official Charts Company
2188:Official Charts Company
2163:Official Charts Company
1944:Official Charts Company
1918:Official Charts Company
1481:. Accessed: 4 May 2008.
1328:Never Gonna Give You Up
1108:Never Gonna Give You Up
1014:, and choreographed by
950:-written Minogue song "
914:That's What Love Can Do
906:When I'm Good and Ready
745:Wouldn't Change a Thing
737:Je Ne Sais Pas Pourquoi
508:Never Gonna Give You Up
433:Say I'm Your Number One
367:Eurovision Song Contest
3457:I Don't Wanna Get Hurt
3450:Too Many Broken Hearts
3423:All of Me (Boy Oh Boy)
1185:Ferry Cross the Mersey
1157:Too Many Broken Hearts
1002:Manchester Opera House
997:I Should Be So Lucky
963:That Sounds Good to Me
780:Too Many Broken Hearts
577:
555:Ferry Cross the Mersey
382:You Think You're a Man
338:and was championed by
213:Too Many Broken Hearts
189:Guinness World Records
3881:English musical trios
3851:English pop musicians
3669:Stock Aitken Waterman
3430:Take Me to Your Heart
3169:Stock Aitken Waterman
3100:, Virgin Books, 2000.
1669:www.classicpopmag.com
1199:Hillsborough disaster
1020:Strictly Come Dancing
863:". SAW also produced
569:
559:Hillsborough Disaster
407:to produce the song "
164:Stock Aitken Waterman
36:Stock Aitken Waterman
3395:I Should Be So Lucky
3040:www.whatsonstage.com
2376:Penguin Random House
2109:"Venus – Bananarama"
2033:(Concise ed.).
1462:Return of the hitmen
1123:I Should Be So Lucky
875:a debut No. 1 with "
710:I Should Be So Lucky
478:" (UK No. 20), and "
3340:Looking Good Diving
3272:Pepsi & Shirlie
2713:. 24 September 1988
1865:on 29 November 2009
1477:11 May 2008 at the
1464:, Alexis Petridis,
380:and they recorded "
205:Ivor Novello Awards
201:Ivor Novello Awards
3891:Brit Award winners
3866:Eurobeat musicians
3819:Chase & Status
3436:Especially for You
2231:. Soundonsound.com
2000:on 21 October 2012
1314:Cover of the 1969
1280:US number-one hits
1262:Tears on My Pillow
1208:Sealed with a Kiss
1171:Hand on Your Heart
1140:Especially for You
1099:Zeebrugge Disaster
1093:Cover of the 1970
1026:UK number-one hits
959:UK Eurovision 2010
861:Tears on My Pillow
790:Sealed with a Kiss
776:Especially for You
768:Especially for You
749:Tears on My Pillow
741:Hand on Your Heart
640:'s breakout album
518:" also topped the
170:and also known as
3828:
3827:
3582:
3581:
3492:Step Back in Time
3409:Got to Be Certain
3016:. 3 December 2015
2920:. 14 October 1990
2894:. 4 February 1990
2868:. 21 January 1990
2453:uk postcode check
2253:. Popreport.co.uk
1352:
1351:
1277:
1276:
867:'s No. 3 single "
726:Got to Be Certain
656:Pepsi and Shirlie
565:The assembly line
494:" reached No. 1.
486:'s first single "
161:
160:
16:(Redirected from
3903:
3856:Dance-pop groups
3609:
3602:
3595:
3586:
3585:
3562:Related articles
3416:The Harder I Try
3402:Together Forever
3361:I Heard a Rumour
3326:I'm So Beautiful
3162:
3155:
3148:
3139:
3138:
3096:Waterman, Pete.
3077:
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3025:
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2758:
2749:
2748:
2746:
2744:
2739:. 7 January 1989
2729:
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2080:
2074:
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2069:
2055:
2049:
2048:
2037:. p. 1141.
2021:
2010:
2009:
2007:
2005:
1990:
1984:
1983:
1981:
1979:
1965:
1956:
1955:
1953:
1951:
1946:. 18 August 1984
1936:
1930:
1929:
1927:
1925:
1910:
1904:
1903:
1901:
1899:
1894:. 25 August 2021
1884:
1875:
1874:
1872:
1870:
1859:"Hi-NRG – House"
1855:
1849:
1848:
1846:
1844:
1833:
1827:
1826:
1824:
1822:
1808:
1802:
1801:
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1782:
1770:
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1761:
1759:
1743:
1734:
1733:
1731:
1729:
1724:on 25 April 2012
1713:
1707:
1706:
1704:
1702:
1687:
1681:
1680:
1678:
1676:
1671:. 18 August 2021
1661:
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1652:
1650:
1627:
1621:
1620:
1618:
1616:
1601:
1595:
1594:
1592:
1590:
1585:on 10 March 2023
1575:
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1516:
1510:
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1491:
1482:
1458:
1452:
1451:
1433:
1343:Together Forever
1284:
1283:
1030:
1029:
940:Hit Factory Live
785:Ten Good Reasons
588:
516:Together Forever
480:I Heard a Rumour
437:UK Singles Chart
386:UK Singles Chart
266:. They also put
166:(abbreviated as
93:
32:
31:
21:
3911:
3910:
3906:
3905:
3904:
3902:
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3900:
3831:
3830:
3829:
3824:
3618:
3613:
3583:
3578:
3557:
3497:
3306:
3205:Notable artists
3200:
3171:
3166:
3114:
3105:The Hit Factory
3098:I Wish I Was Me
3089:Harding, Phil.
3086:
3084:Further reading
3081:
3080:
3070:
3068:
3060:
3059:
3055:
3045:
3043:
3042:. 21 March 2023
3034:
3033:
3029:
3019:
3017:
3008:
3007:
3003:
2993:
2991:
2990:. 28 March 2017
2982:
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2826:
2821:
2817:
2812:Wayback Machine
2804:
2800:
2790:
2788:
2787:. 11 March 1989
2779:
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2421:
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2416:
2406:
2404:
2398:
2397:
2393:
2386:
2378:. p. 245.
2363:
2359:
2349:
2347:
2338:
2337:
2333:
2323:
2321:
2312:
2311:
2307:
2297:
2292:
2288:
2278:
2276:
2275:. Billboard.com
2271:
2270:
2266:
2256:
2254:
2249:
2248:
2244:
2234:
2232:
2227:
2226:
2222:
2212:
2207:
2203:
2193:
2191:
2190:. 28 March 1987
2182:
2181:
2177:
2167:
2165:
2157:
2156:
2152:
2142:
2140:
2132:
2131:
2124:
2114:
2112:
2111:. Billboard.com
2107:
2106:
2102:
2092:
2090:
2082:
2081:
2077:
2067:
2065:
2057:
2056:
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2013:
2003:
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1992:
1991:
1987:
1977:
1975:
1967:
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1959:
1949:
1947:
1938:
1937:
1933:
1923:
1921:
1920:. 4 August 1984
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1479:Wayback Machine
1459:
1455:
1448:
1434:
1430:
1425:
1357:
1282:
1028:
922:
908:" (No. 5), and
904:" (No. 3) and "
902:The Love I Lost
893:Let's Get to It
814:
755:" (No. 2) and "
698:
684:production line
676:Carol Hitchcock
627:Borough, London
590:
579:
567:
500:
476:I Can't Help It
474:" (UK No. 3), "
421:
371:Anna Maria Lena
281:
276:
172:The Hit Factory
129:
108:
91:
86:
37:
28:
23:
22:
15:
12:
11:
5:
3909:
3899:
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3848:
3843:
3826:
3825:
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3816:
3810:
3804:
3798:
3792:
3786:
3783:Charlie Andrew
3780:
3774:
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3758:
3752:
3746:
3740:
3737:Bernard Butler
3734:
3720:
3714:
3708:
3702:
3696:
3690:
3684:
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3672:
3666:
3660:
3654:
3648:
3642:
3636:
3633:Martin Rushent
3630:
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3227:Brother Beyond
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3142:
3136:
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3130:
3125:
3120:
3113:
3112:External links
3110:
3109:
3108:
3101:
3094:
3085:
3082:
3079:
3078:
3053:
3027:
3001:
2975:
2966:, p. 115.
2956:
2944:Apple Podcasts
2931:
2905:
2879:
2853:
2834:
2815:
2798:
2772:
2750:
2724:
2698:
2689:, p. 288.
2679:
2653:
2642:on 26 May 2012
2627:
2616:. 5 March 1988
2601:
2582:
2563:
2544:
2515:
2503:Apple Podcasts
2490:
2478:Apple Podcasts
2465:
2440:
2414:
2391:
2384:
2357:
2331:
2320:. 4 April 1987
2305:
2286:
2264:
2242:
2220:
2201:
2175:
2150:
2138:Apple Podcasts
2122:
2100:
2088:Apple Podcasts
2075:
2063:Apple Podcasts
2050:
2043:
2027:, ed. (1997).
2011:
1985:
1973:Apple Podcasts
1957:
1931:
1905:
1876:
1850:
1828:
1816:Apple Podcasts
1803:
1784:
1765:
1754:on 21 May 2014
1735:
1708:
1697:. 12 July 2012
1682:
1656:
1622:
1609:Apple Podcasts
1596:
1570:
1558:
1536:
1524:pwl-empire.com
1511:
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1395:
1387:
1379:
1371:
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1350:
1349:
1348:UK No. 2
1346:
1338:
1337:
1336:UK No. 1
1334:
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1309:
1302:
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1267:Kylie Minogue
1265:
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1236:
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1213:Jason Donovan
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1176:Kylie Minogue
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1162:Jason Donovan
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1129:
1128:Kylie Minogue
1126:
1118:
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1116:US No. 1
1114:
1111:
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1102:
1091:
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1057:Dead or Alive
1055:
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1034:
1027:
1024:
1016:Jason Gilkison
921:
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850:United Kingdom
842:Paul McCartney
813:
810:
697:
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617:Wardour Street
568:
566:
563:
535:Paul McCartney
499:
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429:Desiree Heslop
420:
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375:drag performer
332:Barry Evangeli
321:Wardour Street
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3627:George Martin
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3257:Lonnie Gordon
3255:
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3247:Jason Donovan
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3232:Dead or Alive
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2668:. 28 May 1988
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2592:, p. 14.
2591:
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2346:. 20 May 1989
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1839:. Discogs.com
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1793:
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1611:. 4 June 2023
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3767:Alan Moulder
3761:Paul Epworth
3749:Markus Dravs
3743:Paul Epworth
3723:Chris Potter
3681:Chris Thomas
3675:Dave Stewart
3668:
3663:Dave Stewart
3657:Dave Stewart
3645:Steve Levine
3550:
3543:
3536:
3529:
3522:
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3508:
3502:Compilations
3297:Donna Summer
3252:Samantha Fox
3193:
3186:
3179:
3168:
3104:
3097:
3090:
3069:. Retrieved
3065:
3056:
3044:. Retrieved
3039:
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3018:. Retrieved
3013:
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2992:. Retrieved
2988:The Guardian
2987:
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2908:
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2789:. Retrieved
2775:
2741:. Retrieved
2727:
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2701:
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2670:. Retrieved
2656:
2644:. Retrieved
2640:the original
2630:
2618:. Retrieved
2604:
2585:
2566:
2547:
2535:. Retrieved
2530:The Guardian
2528:
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2506:. Retrieved
2502:
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2400:
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2366:Heath, Chris
2360:
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2322:. Retrieved
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2091:. Retrieved
2087:
2078:
2066:. Retrieved
2062:
2053:
2035:Virgin Books
2028:
2025:Colin Larkin
2002:. Retrieved
1998:the original
1988:
1976:. Retrieved
1972:
1948:. Retrieved
1934:
1922:. Retrieved
1908:
1896:. Retrieved
1891:
1867:. Retrieved
1863:the original
1853:
1841:. Retrieved
1831:
1819:. Retrieved
1815:
1806:
1787:
1768:
1756:. Retrieved
1752:the original
1746:mike stock.
1726:. Retrieved
1722:the original
1711:
1699:. Retrieved
1694:
1685:
1673:. Retrieved
1668:
1659:
1647:. Retrieved
1636:The Guardian
1635:
1625:
1613:. Retrieved
1608:
1599:
1587:. Retrieved
1583:the original
1573:
1561:
1549:. Retrieved
1539:
1527:. Retrieved
1523:
1520:"About Pete"
1514:
1502:. Retrieved
1498:
1469:
1466:The Guardian
1465:
1461:
1456:
1437:
1431:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1333:Rick Astley
1246:Band Aid II
1218:Brian Hyland
1113:Rick Astley
1074:Mel and Kim
1012:Debbie Isitt
1005:
995:
991:
990:documentary
985:
977:Josh Dubovie
966:
956:
948:Chris Martin
939:
925:
923:
920:Recent times
900:1993 hits, "
891:
881:
854:
834:Donna Summer
815:
804:SAW record "
783:
762:Soon after,
761:
751:" (No. 1), "
747:" (No. 2), "
743:" (No. 1), "
739:" (No. 2), "
729:
718:
699:
689:The Guardian
687:
641:
635:
620:
614:
591:
581:Neil Tennant
578:
570:
520:
501:
469:
459:
422:
413:Phil Harding
398:
356:
282:
244:Donna Summer
217:
209:Donna Summer
194:
187:
171:
167:
163:
162:
105:2015–present
92:Years active
29:
3755:Ethan Johns
3717:John Leckie
3687:Trevor Horn
3651:Trevor Horn
3639:Trevor Horn
3347:Respectable
3287:Mandy Smith
3262:Mel and Kim
3237:Hazell Dean
3212:Rick Astley
3188:Matt Aitken
2791:31 December
2743:31 December
2717:31 December
2672:31 December
2646:31 December
2620:31 December
2508:18 December
2483:18 December
2350:31 December
2324:31 December
2279:31 December
2257:31 December
2235:31 December
2194:31 December
2168:31 December
2143:18 December
2115:31 December
2093:18 December
2068:18 December
2004:31 December
1978:18 December
1950:31 December
1924:31 December
1892:Classic Pop
1869:31 December
1843:31 December
1758:31 December
1728:31 December
1695:Getintothis
1551:31 December
1311:Bananarama
1069:Respectable
1010:franchise,
975:, in which
932:The Sheilas
802:Band Aid II
772:Woolworth's
759:" (No. 6).
680:Hazell Dean
672:Mel and Kim
668:Mandy Smith
652:Mel and Kim
648:O'Chi Brown
638:Rick Astley
573:Thatcherite
539:The Beatles
504:Rick Astley
492:Respectable
484:Mel and Kim
390:Hazell Dean
317:Camden Town
309:Matt Aitken
305:Nik Kershaw
240:Mel and Kim
232:Rick Astley
228:Italo disco
226:lyrics and
180:Matt Aitken
149:Matt Aitken
3835:Categories
3801:Fred Again
3217:Bananarama
3181:Mike Stock
2994:10 January
2964:Stock 2004
2924:8 December
2898:8 December
2872:8 December
2842:Stock 2004
2761:Stock 2004
2571:Stock 2004
2552:Stock 2004
2537:10 October
2458:22 January
2433:22 January
2294:Stock 2004
2209:Stock 2004
1792:Stock 2004
1773:Stock 2004
1423:References
1039:Artist(s)
934:' single "
830:Bananarama
622:Youthquake
610:Pete Burns
606:sequencers
444:Bananarama
441:girl group
405:Pete Burns
315:building,
285:Mike Stock
236:Bananarama
197:Brit Award
176:Mike Stock
144:Mike Stock
3789:Steve Mac
3727:The Verve
3711:Brian Eno
3699:Brian Eno
3066:The Stage
2407:1 January
1748:"History"
1644:0261-3077
1089:Ferry Aid
1083:Let It Be
1007:Nativity!
988:Channel 5
910:Boy Krazy
855:Billboard
722:Melbourne
714:Australia
631:Linn 9000
547:Let It Be
527:Let It Be
521:Billboard
502:In 1987,
461:Billboard
425:Brilliant
403:frontman
359:Andy Paul
348:gay clubs
344:John Peel
283:Musician
102:2005–2010
99:1984–1993
82:dance-pop
3896:Eurobeat
3277:Princess
2949:10 April
2808:Archived
2429:. Gov.uk
2368:(1990).
1898:9 August
1821:6 August
1529:9 August
1504:9 August
1475:Archived
1470:Cafe 80s
1355:See also
944:O2 Arena
594:synthpop
431:called "
293:CB radio
264:Eurobeat
72:Eurobeat
3368:Toy Boy
3282:Sinitta
3222:Big Fun
3071:5 April
3046:5 April
3014:Itv.com
1701:12 June
1675:12 June
1649:12 June
1615:12 June
1589:12 June
1472:website
1318:single
1293:Artist
1220:single
1095:Beatles
973:BBC One
961:entry "
898:Sybil's
857:Hot 100
757:Shocked
660:Sinitta
553:hit – "
523:Hot 100
465:Hot 100
365:in the
340:Radio 1
274:History
248:Sinitta
138:Members
50:England
3821:(2024)
3815:(2023)
3809:(2022)
3803:(2020)
3797:(2019)
3791:(2018)
3785:(2016)
3779:(2015)
3773:(2014)
3769:&
3763:(2013)
3757:(2012)
3751:(2011)
3745:(2010)
3739:(2009)
3733:(1998)
3729:&
3719:(1997)
3713:(1996)
3707:(1995)
3701:(1994)
3695:(1993)
3689:(1992)
3683:(1991)
3677:(1990)
3671:(1988)
3665:(1987)
3659:(1986)
3653:(1985)
3647:(1984)
3641:(1983)
3635:(1982)
3629:(1977)
3242:Divine
3020:17 May
2382:
2041:
1642:
1444:
1296:Notes
1290:Title
1232:Sonia
1101:Fund)
1042:Notes
1036:Title
604:) and
378:Divine
363:Cyprus
352:Hi-NRG
224:Motown
220:hi-NRG
182:, and
113:Labels
67:Hi-NRG
60:Genres
46:London
42:Origin
3807:Inflo
3771:Flood
3731:Youth
3302:Sybil
3292:Sonia
1323:1988
1306:Venus
1301:1986
1287:Year
1257:1990
1152:1989
1135:1988
1064:1987
1047:1985
1033:Year
873:Sonia
731:Kylie
456:Venus
268:swing
3073:2023
3048:2023
3022:2020
2996:2021
2970:help
2951:2024
2926:2023
2900:2023
2874:2023
2848:help
2829:help
2793:2011
2767:help
2745:2011
2719:2011
2693:help
2674:2011
2648:2011
2622:2011
2596:help
2577:help
2558:help
2539:2011
2533:. UK
2510:2021
2485:2021
2460:2023
2435:2023
2409:2022
2380:ISBN
2352:2011
2326:2011
2300:help
2281:2011
2259:2011
2237:2011
2215:help
2196:2011
2170:2011
2145:2021
2117:2011
2095:2021
2070:2021
2039:ISBN
2006:2011
1980:2021
1952:2011
1926:2011
1900:2022
1871:2011
1845:2011
1823:2021
1798:help
1779:help
1760:2011
1730:2011
1703:2023
1677:2023
1651:2023
1640:ISSN
1617:2023
1591:2023
1553:2011
1531:2022
1506:2022
1442:ISBN
954:".
912:'s "
886:'s "
879:".
840:and
792:", "
678:and
666:and
658:and
392:'s "
324:Soho
303:and
258:and
125:Epic
1022:.
971:on
808:".
716:.
702:PWL
583:of
545:. "
512:RCA
369:. "
342:'s
336:RCA
215:".
168:SAW
120:PWL
77:pop
3837::
3725:,
3064:.
3038:.
3012:.
2986:.
2942:.
2916:.
2890:.
2864:.
2783:.
2753:^
2735:.
2709:.
2664:.
2612:.
2527:.
2501:.
2476:.
2451:.
2425:.
2342:.
2316:.
2186:.
2161:.
2136:.
2125:^
2086:.
2061:.
2014:^
1971:.
1960:^
1942:.
1916:.
1890:.
1879:^
1814:.
1738:^
1693:.
1667:.
1638:.
1634:.
1607:.
1522:.
1497:.
1486:^
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1330:"
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1264:"
1243:"
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1201:)
1187:"
1173:"
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1142:"
1125:"
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