1524:
again, to 25 cents, in
November 1948, and the page count increased again to 180 pages. This higher page count did not last; it was reduced to 164 in March 1949 and then again to 148 pages in July 1951. The October 1953 issue saw the page count drop again, to 132, and a year later the Fall 1954 issue cut the page count to 116. The magazine remained at 116 pages and a price of 25 cents for the rest of its existence.
1537:
more or less bimonthly beginning in mid-1952. The issues were numbered from 1 to 18. Three different
Canadian reprint editions also appeared for a total of 21 or 22 issues (sources differ on the correct number). Six quarterly issues appeared from Summer 1945 through Fall 1946 from Publication Enterprises, Ltd.; then another three bimonthly issues appeared, from May to September 1948, from
511:
502:
520:
529:
550:
22:
743:, whose first story, "The Black Deep Thou Wingest", appeared in June 1953. The artwork was also high quality; Virgil Finlay's interior illustrations were "unparalleled", according to science fiction historian Robert Ewald. Other well-known artists who contributed interior work included Alex Schomburg and
731:'s "The Lovers", a taboo-breaking story about aliens who can reproduce only by mating with humans. Illustrated with an eye-popping cover by Bergey, Farmer's ground-breaking story integrated sex into the plot without being prurient, and was widely praised. Farmer, partly as a consequence, went on to win a
1523:
was a pulp-sized magazine for all of its 99 issues. It initially was 132 pages, and was priced at 15 cents. The page count was reduced to 116 pages with the Summer 1944 issue and then increased to 148 pages with the March 1948 issue, at which time the price went up to 20 cents. The price increased
1536:
There was a
British reprint edition from Pembertons between 1949 and 1954. These were heavily cut, with sometimes only one or two stories and usually only 64 pages, though the October and December 1952 issues both had 80 pages. It was published irregularly; initially once or twice a year, and then
328:
subcommittee hearing led to a backlash against comics, and the publishers dropped titles in response. The financial impact spread to pulp magazines, since often a publisher would publish both. A 1955 strike by
American News Corporation, the main distributor in the U.S., meant that magazines remained
726:
s editorial policy was more eclectic: it did not limit itself to one kind of story, but printed everything from melodramatic space opera to sociological sf, and Mines had a reputation as having "the most catholic tastes and the fewest inhibitions" of any of the science fiction magazine editors. In
1527:
The original bimonthly schedule continued until the March 1943 issue, which was followed by June 1943 and then Fall 1943. This inaugurated a quarterly schedule that ran until Fall 1946, except that an additional issue, dated March, was inserted between the Winter 1946 and Spring 1946 issues. The
488:
in 1940, soon after its launch, Bergey quickly became identified with the magazine; between 1940 and 1952 (the year of Bergey's death) he painted the great majority of covers. Bergey's covers were visually striking: in the words of science fiction editor and critic
Malcolm Edwards, they typically
756:
s instantly recognizable title logo was redolent of the magazine's pulp roots, and in early 1952 Mines decided to replace it with a more staid typeface. The covers became more sober, with spaceships replacing the women in brass bras. With the Spring 1955 issue, at the start of its final year,
400:. The "Hall of Fame" reprint was D.D. Sharp's "The Eternal Man", from 1929. Other features included a pictorial article on Albert Einstein, and a set of biographical sketches of scientists, titled "Thrills in Science". The letter column was called "The Ether Vibrates", and there was a regular
537:
Four covers from 1944 to 1950 that demonstrate the clichés of science fiction art of that time. From left to right, a brass bra; a ludicrously unrealistic spacesuit; an implausibly revealing costume; and a gravity-defying woman's costume. All four of the covers are the work of Earle K.
660:, which Merwin had commissioned from Asimov in the early summer of 1947. After the unusual step of allowing the editor to twice read the work-in-progress and receiving nothing but approval, Asimov delivered a completed draft in September. This time, Merwin asked for revisions:
347:, another companion publication, but the combined magazine lasted only three more issues. Mines left the magazine at the end of 1954; he was succeeded for two issues by Theron Raines, who was followed by Herbert D. Kastle for the last two. The final issue was dated Fall 1955.
676:. Asimov, "for the first and only time of life...openly lost temper with an editor", stalked out of the room with his manuscript and never submitted anything to Merwin again, though he later expressed a softening of feeling and admitted Merwin had been within his rights.
561:
When Merwin became editor in 1945 he brought changes, but artist Earle K. Bergey retained the creative freedom he had come to expect given his relationship with
Standard. Some argue that Bergey's covers became more realistic, and Merwin managed to improve the interiors of
133:, who became strongly associated with the magazine, painting almost every cover between 1940 and 1952. He was known for equipping his heroines with brass bras and implausible costumes, and the public image of science fiction in his day was partly created by his work for
1532:
switched to a monthly schedule, which lasted until the June 1953 issue which was followed by August and
October 1953 and then January 1954. The next issue was Spring 1954, and the magazine stayed on a quarterly schedule from then until the last issue, Fall 1955.
300:, its sister magazine, which remained bimonthly. Merwin left shortly before this switch, in order to spend more time on his own writing. He was replaced by Samuel Mines, who had worked with Standard's Western magazines, though he was a science fiction aficionado.
1541:. Finally 12 more bimonthly issues appeared from March 1949 to January 1951, from Better Publications of Canada. All these issues were almost identical to the American versions, although they are 0.5 inches (1.3 cm) taller. A Mexican magazine,
456:
Weisinger set out to please the younger readers, and when Friend became editor in 1941, he went further in this direction, giving the magazine a strongly juvenile flavor. For example, Friend introduced "Sergeant Saturn", a character (originally from
396:; Weinbaum had died in 1935 and was well regarded, so even though the story was not one of his best, it was excellent publicity for the magazine. Otto and his brother, Earl, also contributed a story, "Science Island", under their joint pseudonym
306:, one of the longest established and most respected publishers, shut down all of their pulp magazines in the summer of 1949. The pulps were dying, partially as a result of the success of paperbacks. Standard continued with
404:
review column, providing contact information so that readers could obtain the fanzines directly. Initially the stories for the "Hall of Fame" were chosen by the editor, but soon
Weisinger recruited well-known
3069:
185:
in 2007. Wild Cat Books folded in 2013. A statement of the closure is still posted on the
Facebook page All Pulp dated March 12, 2013 (as of January 29, 2019). The magazine was again revived by
493:) and a hideous alien menace". The brass bra motif came to be associated with Bergey, and his covers did much to create the image of science fiction as it was perceived by the general public.
689:, and featured the adventures of the superhero after whom the magazine was named. When it folded with its Spring 1944 issue, the series of novels was continued for some time in the pages of
2541:
364:
contained a complete novel, along with one or two short stories; long stories did not appear since the publisher's policy was to avoid serials. When
Standard Magazines had bought
1569:, edited by Leo Margulies and Oscar Friend, which included stories that had appeared in the "Hall of Fame" reprint section of the magazine. Then in 1954 Samuel Mines edited
329:
in warehouses and never made it to the newsstands; the unsold copies represented a significant financial blow and contributed to publishers' decisions to cancel magazines.
597:, who wrote both under Kuttner's name and as "Keith Hammond": in a four-year period from 1946 to 1949 the writing team of Kuttner and Moore had seven novels published in
3094:
3089:
3038:
2810:
1609:
According to science fiction historian Robert Ewald, this is the only time the junior science fiction magazine at a publisher has become the more successful publication.
2106:
1872:
477:
2534:
201:
Although science fiction had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of
2502:
1629:, gives Samalman as the editor of the last four issues. Both Malcolm Edwards and Mike Ashley (in the latest (online) edition of the Nicholls & Clute
3043:
1528:
next issue, January 1947, began another bimonthly sequence, which ran without interruption until November 1951. With the following issue, January 1952,
2831:
2733:
105:
in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by
233:, printed an editorial in February 1938 asking readers for suggestions for a companion magazine. Response was positive, and the new magazine, titled
2527:
241:, as many readers had requested), dated January 1939. Initial pay rates were half a cent per word, lower than the leading magazines of the day.
138:
554:
708:
149:
570:, acknowledged leader of the field. Critics' opinions vary on the relative quality of the magazines of this era; Malcolm Edwards regards
2894:
2649:
333:
was one of the casualties. The schedule had already returned from monthly to bimonthly in 1953, and it became a quarterly in early 1954.
1646:
Tuck says that there were 22 but then enumerates them and only lists 21. Malcolm Edwards gives the figure as 22 but does not list them.
557:, demonstrates the sober look the magazine acquired later in its life, with a staid title typeface and slightly more realistic cover art
3074:
273:, who was an established writer of pulp fiction, though his experience was in western fiction rather than sf. During Friend's tenure
593:, whose first story, "The World Thinker", appeared in the Summer 1945 issue. He also regularly published work by Henry Kuttner and
1674:
Rikke Schubart, Super bitches and action babes: the female hero in popular cinema, 1970-2006, page 225, McFarland & Co., 2007,
1621:
Unusually, science fiction magazine references give multiple versions of the editorship for the last year. The Tymn & Ashley
2726:
461:) who answered readers' letters and appeared in other features in the magazine. Many subscribers found the approach irritating.
3079:
2993:
2977:
2922:
2964:
2775:
392:
that had previously appeared only in an edition limited to 250 copies. There was also a tribute to Weinbaum, written by
761:
dropped its long-standing policy of printing a novel in every issue, but only three issues later it ceased publication.
370:
in 1936, they had also acquired rights to reprint the stories that had appeared in it and in its predecessor magazines,
101:
as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by
3099:
2477:
2458:
2439:
2402:
2383:
2356:
2329:
2302:
2283:
2249:
2230:
2207:
2188:
1679:
700:
Merwin's successor, Mines, also published some excellent work, though increased competition in the early 1950s from
2600:
1625:
says that Alexander Samalman and Herbert D. Kastle edited the last four issues together, while Donald Tuck, in his
2614:
1886:
449:
415:
was popular, and soon "became one of the core science fiction magazines", according to science fiction historian
277:
slipped from bimonthly to quarterly publication. Friend lasted for a little over two years, and was replaced by
38:
2550:
2908:
431:. In addition to space opera, some more fantastical fiction began to appear, contributed by writers such as
382:
also included a "Hall of Fame" reprint from one of these magazines in every issue. The first lead novel was
2852:
2817:
215:. By the end of the 1930s the field was booming. Standard Magazines, a pulp publishing company owned by
141:
took over; the standard remained fairly high but competition from new and better-paying markets such as
3064:
2971:
2929:
2901:
2691:
2162:
2845:
2796:
2754:
2712:
2621:
2593:
465:
320:
115:
2747:
2554:
343:
259:, who had been an active fan in the early 1930s and had joined Standard Magazines in 1935, editing
174:
54:
489:
featured "a rugged hero, a desperate heroine (in either a metallic bikini or a dangerous state of
3084:
2957:
2740:
2719:
2684:
2677:
2663:
2635:
384:
186:
81:
153:
impaired Mines' ability to acquire quality material. In mid-1952, Standard attempted to change
2761:
2586:
2375:
2367:
2348:
2340:
2321:
2313:
1538:
702:
631:
406:
143:
62:
1585:
in 1954, published by Cassell, and then in 1956 as a Science Fiction Book Club edition titled
605:, a subgenre not common at that time. Notable novels that appeared in the late 1940s include
2915:
2880:
2782:
2768:
2656:
2519:
288:
popular and successful, and the bimonthly schedule was resumed in 1947. At the start of 1952
265:
109:
in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing
33:, has "an engaging art deco stylishness to it" in the words of science fiction art historian
2200:
The Time Machines:The Story of the Science-Fiction Pulp Magazines from the beginning to 1950
1868:
1545:, ran for 16 issues from August 1955 to May 1958; it included many reprints, primarily from
728:
3007:
2838:
2698:
2510:
440:
416:
325:
324:, a book in which he asserted that comics were inciting children to violence. A subsequent
719:
s rates—one to two cents per word—could not compete with the leading magazines. However,
8:
3021:
2607:
389:
270:
86:
693:; over the next six years ten more "Captain Future" novels appeared, with the last one,
93:
in 1936, it also gained the rights to stories published in that magazine's predecessor,
2986:
2859:
2789:
2219:
1721:
1590:
614:
428:
2393:
Ewald, Robert (1985). "Startling Stories". In Tymn, Marshall B.; Ashley, Mike (eds.).
510:
2473:
2454:
2435:
2398:
2379:
2352:
2325:
2298:
2279:
2269:
2245:
2226:
2203:
2184:
1695:
1675:
744:
656:
303:
501:
2936:
2803:
2705:
2642:
2514:
2275:
1573:, published by Henry Holt; despite the title, the stories were reprinted from both
626:
549:
528:
519:
444:
110:
21:
2950:
2628:
2579:
1498:
1476:
during 1955. Underlining indicates that an issue was titled as a quarterly (e.g.
740:
602:
481:
436:
424:
315:
203:
130:
102:
34:
30:
1637:
agree, however, and as these are the latest sources their version is given here.
3014:
2866:
2824:
1504:
1492:
681:
469:
366:
278:
256:
255:
moved to a monthly schedule that lasted for over a year. The first editor was
226:
221:
212:
190:
161:
106:
71:
66:
735:
as "Most Promising New Writer". New authors first published by Mines include
3058:
2873:
2557:
2430:
Pessina, Hector (1985). "Mexico". In Tymn, Marshall B.; Ashley, Mike (eds.).
2221:
Transformations: The Story of the Science Fiction Magazines from 1950 to 1970
1866:
See the individual issues. For convenience, an online index is available at
736:
661:
606:
473:
432:
208:
51:
1472:
Weisinger, Oscar J. Friend, Sam Merwin Jr., Samuel Mines, Theron Raines, and
37:. This iconic image, Bergey's 43rd cover for Startling Stories, connects to
2670:
2102:
651:
419:. The target audience was younger readers, and the lead novels were often
397:
1581:. The anthology was reprinted twice in the UK under different titles; as
3000:
2572:
1474:
Herbert D. Kastle, though different references disagree on who was editor
594:
420:
393:
178:, in early 1955, but by the end of that year it too ceased publication.
1470:
show who was editor for each issue. The editors, in sequence, were Mort
732:
590:
589:
s closest challenger in the late 1940s. Merwin's discoveries included
2943:
216:
164:
of the covers, but by 1955 the pulp magazine market was collapsing.
58:
2271:
The World of Science Fiction: 1926–1976: The History of a Subculture
263:
from 1936. Weisinger left in 1941 to take a new post as editor of
238:
1890:
639:
in abbreviated form, in the November 1948 issue, under the title
401:
337:
published its last issue in early 1955, and was then merged with
237:, was duly launched, with a first issue (pulp-sized, rather than
160:
s image by adopting a more sober title typeface and reducing the
3070:
Defunct science fiction magazines published in the United States
1696:"Culture: Startling Stories: SFE: Science Fiction Encyclopedia"
1593:
praised it as "an excellent collection by anyone's standards."
739:, who debuted with "Looking for Something?" in April 1952, and
439:
stories were popular with the readers, and contrasted with the
2549:
247:
was launched on a bimonthly schedule, alternating months with
668:
needed to focus more on action and adventure in the style of
2261:
Science-Fiction Handbook: The Writing of Imaginative Fiction
2181:
The History of the Science Fiction Magazine Vol. 2 1936–1945
97:, and selections from this early material were reprinted in
3039:
History of US science fiction and fantasy magazines to 1950
2470:
The Encyclopedia of Science Fiction and Fantasy: Volume 3
2451:
The Encyclopedia of Science Fiction and Fantasy: Volume 2
292:
switched to a monthly schedule; this was unusual in that
1693:
1565:
have been published. In 1949 Merlin Press brought out
41:
and slave-girl attire as intermedial visual influence.
2432:
Science Fiction, Fantasy and Weird Fiction Magazines
2395:
Science Fiction, Fantasy and Weird Fiction Magazines
1884:
An index to the Canadian and British reprints is at
468:(more usually known as "Wesso"), Mark Marchioni and
314:, but the end came only a few years later. In 1954,
3044:
George Kelley Paperback and Pulp Fiction Collection
2397:. Westport, CT: Greenwood Press. pp. 611–617.
2149:
Encyclopedia of Science Fiction and Fantasy, Vol. 2
2024:
Encyclopedia of Science Fiction and Fantasy, Vol. 3
679:Another title in the Standard Magazines stable was
388:, a revised version of "Dawn of Flame", a story by
3095:Bimonthly magazines published in the United States
3090:Science fiction magazines established in the 1930s
2218:
1733:Edwards & Nicholls (1993), pp. 1066–1068.
1468:, showing volume/issue number, and color-coded to
3056:
672:, and less on cerebral stories in the style of
476:. The initial cover art was mostly painted by
219:, acquired its first science fiction magazine,
193:in February 2021, with Douglas Draa as editor.
137:and other magazines. Merwin left in 1951, and
79:ran a lead novel in every issue; the first was
2434:. Westport, CT: Greenwood Press. p. 887.
2047:
2045:
2043:
2041:
1724:." Article on blackgate.com, February 4, 2021.
2535:
2018:
2016:
2014:
2012:
1754:
1752:
1750:
1748:
709:The Magazine of Fantasy & Science Fiction
150:The Magazine of Fantasy & Science Fiction
2125:
2123:
1808:
1806:
1804:
1802:
2312:Edwards, Malcolm; Nicholls, Peter (1993a).
2063:
2038:
1991:
1800:
1798:
1796:
1794:
1792:
1790:
1788:
1786:
1784:
1782:
1516:Herbert D. Kastle: Summer 1955 – Fall 1955.
464:The interior artwork was initially done by
119:, and several other well-received stories.
75:, Standard's other science fiction title.
57:, published from 1939 to 1955 by publisher
25:The robot on the cover of the January 1950
2542:
2528:
2370:. In Nicholls, Peter; Clute, John (eds.).
2343:. In Nicholls, Peter; Clute, John (eds.).
2316:. In Nicholls, Peter; Clute, John (eds.).
2054:
2009:
1984:
1982:
1912:
1910:
1908:
1745:
1617:
1615:
712:did lead to some dilution of quality, and
2374:. New York: St. Martin's Press. pp.
2347:. New York: St. Martin's Press. pp.
2320:. New York: St. Martin's Press. pp.
2225:. Liverpool: Liverpool University Press.
2202:. Liverpool: Liverpool University Press.
2132:
2120:
2078:Asimov (1979), pp. 498–499, 507–508.
2029:
1972:
1970:
1968:
1966:
1964:
1930:
1928:
1926:
1924:
1922:
1869:"Magazine:Startling Stories — ISFDB"
1862:
1860:
1858:
1856:
1854:
1842:
1689:
1687:
1556:
1513:Theron Raines: Winter 1955 – Spring 1955.
566:to the point of being a serious rival to
350:
2141:
2096:For convenience, an online index of the
2090:
1962:
1960:
1958:
1956:
1954:
1952:
1950:
1948:
1946:
1944:
1824:
1779:
1510:Samuel Mines: November 1951 – Fall 1954.
764:
548:
20:
2727:Flash Gordon Strange Adventure Magazine
2081:
2000:
1979:
1905:
1833:
1815:
1612:
1478:"Fall 1949") rather than as a monthly.
685:, which had been launched a year after
3057:
2994:Vargo Statten Science Fiction Magazine
2103:"Captain Future – Series Bibliography"
1919:
1851:
1684:
1659:
196:
168:absorbed its two companion magazines,
2523:
1941:
1736:
1694:Edwards, Malcolm & Ashley, Mike.
2965:Two Complete Science-Adventure Books
2425:. London: Science Fiction Book Club.
2072:
2060:Ashley (1976), opposite p. 153.
181:Ron Hanna of Wild Cat Books revived
89:. When Standard Magazines acquired
2776:Miracle Science and Fantasy Stories
2511:Archived Starting Stories Magazines
2372:The Encyclopedia of Science Fiction
2345:The Encyclopedia of Science Fiction
2318:The Encyclopedia of Science Fiction
544:
423:by well-known pulp writers such as
360:From the beginning, every issue of
13:
2297:. New York: The Wonderland Press.
664:, Merwin's boss, had decided that
621:, later published in book form as
14:
3111:
2496:
1714:
697:, printed in the May 1951 issue.
646:One novel that did not appear in
3075:Magazines disestablished in 1955
2671:Dusty Ayres and His Battle Birds
2069:Ashley (2000), pp. 188–190.
2051:Ashley (2000), pp. 187–190.
1997:Ashley (2000), pp. 220–225.
1848:Ashley (2000), pp. 187–188.
1758:Ashley (2000), pp. 136–139.
1561:Two anthologies of stories from
527:
518:
509:
500:
2472:. Chicago: Advent: Publishers.
2453:. Chicago: Advent: Publishers.
2154:
1976:Ewald (1985), pp. 611–617.
1889:. Terry Gibbons. Archived from
1640:
1603:
1571:The Best from Startling Stories
1507:: Winter 1945 – September 1951.
1452:
1443:
1434:
1425:
1411:
1402:
1393:
1384:
1372:
1367:
1362:
1359:
1356:
1353:
1350:
1347:
1339:
1336:
1333:
1330:
1327:
1324:
1321:
1318:
1315:
1312:
1309:
1306:
1296:
1291:
1286:
1281:
1276:
1271:
1261:
1256:
1251:
1246:
1241:
1236:
1226:
1221:
1216:
1211:
1206:
1201:
1191:
1186:
1181:
1176:
1171:
1166:
1156:
1151:
1146:
1141:
1136:
1131:
1117:
1108:
1099:
1096:
1089:
1075:
1066:
1057:
1048:
1034:
1025:
1016:
1007:
993:
984:
977:
972:
962:
957:
952:
947:
942:
937:
927:
922:
917:
912:
907:
902:
892:
887:
882:
877:
872:
867:
857:
852:
847:
842:
837:
832:
281:, as of the Winter 1945 issue.
2944:Terence X. O'Leary's War Birds
2506:cover gallery with large scans
2022:"Startling Stories", in Tuck,
2006:Ashley (2005), pp. 69–73.
1830:Edwards (1993c), p. 1311.
1812:Edwards (1993b), p. 1156.
1770:
1761:
1727:
1668:
65:. It was initially edited by
1:
3080:Magazines established in 1939
2601:A. Merritt's Fantasy Magazine
1988:Ashley (2005), p. 12–16.
1653:
69:, who was also the editor of
2853:Scientific Detective Monthly
2818:Out of This World Adventures
2263:. New York: Hermitage House.
2259:de Camp, L. Sprague (1953).
2138:Pessina (1985), p. 887.
2129:de Camp (1953), pp. 118–119.
2035:del Rey (1979), p. 120.
1700:Science Fiction Encyclopedia
1484:The editorial succession at
355:
39:Princess Leia's metal bikini
7:
2087:Ashley (2000), p. 253.
1916:Ashley (2000), p. 250.
1839:Ashley (2000), p. 123.
1821:Ashley (2000), p. 254.
1665:di Fate (1997), p. 35.
727:late 1952, Mines published
284:Merwin succeeded in making
129:s cover art was painted by
16:US science fiction magazine
10:
3116:
2923:Tales of Magic and Mystery
2692:Famous Fantastic Mysteries
2366:Edwards, Malcolm (1993c).
2339:Edwards, Malcolm (1993b).
2244:. Garden City: Doubleday.
2183:. Chicago: Henry Regnery.
2172:
2163:Astounding Science Fiction
2147:"Mines, Samuel", in Tuck,
1767:Williamson (1984), p. 116.
1742:Ashley (2000), p. 91.
1495:: January 1939 – May 1941.
1463:
484:began to paint covers for
225:, from Gernsback in 1936.
3100:Fantasy fiction magazines
3031:
2846:Science Fiction Quarterly
2713:Fantastic Story Quarterly
2594:Amazing Stories Quarterly
2564:
2487:Williamson, Jack (1984).
2293:di Fate, Vincent (1997).
2179:Ashley, Michael (1976) .
2160:"The Reference Library",
1722:Startling Stories Returns
1577:and its sister magazine,
784:
781:
778:
775:
641:Against the Fall of Night
321:Seduction of the Innocent
296:was notionally junior to
116:Against the Fall of Night
2895:Stirring Science Stories
2468:Tuck, Donald H. (1982).
2449:Tuck, Donald H. (1978).
2268:del Rey, Lester (1979).
1596:
1579:Thrilling Wonder Stories
1551:Fantastic Story Magazine
1501:: July 1941 – Fall 1944.
459:Thrilling Wonder Stories
344:Fantastic Story Magazine
249:Thrilling Wonder Stories
222:Thrilling Wonder Stories
175:Fantastic Story Magazine
72:Thrilling Wonder Stories
55:science fiction magazine
2958:Tops in Science Fiction
2741:G-8 and His Battle Aces
2685:Dynamic Science Stories
2678:Dynamic Science Fiction
2100:series is available at
578:, but Ashley considers
553:The May 1953 cover, by
187:John Gregory Betancourt
2762:Marvel Science Stories
2734:Future Science Fiction
2587:Amazing Stories Annual
2421:Mines, Samuel (1956).
2412:Mines, Samuel (1954).
2240:Asimov, Isaac (1979).
2166:, July 1954, pp.148–49
1776:Ashley (2000), p. 107.
1557:Derivative anthologies
695:Birthplace of Creation
632:The City and the Stars
558:
376:Science Wonder Stories
351:Contents and reception
269:, and was replaced by
144:Galaxy Science Fiction
42:
2916:Super Science Stories
2491:. New York: Blue Jay.
2368:"Weisinger, Mortimer"
2217:Ashley, Mike (2005).
2198:Ashley, Mike (2000).
765:Bibliographic details
619:Flight Into Yesterday
552:
409:to make the choices.
24:
2839:Science-Fiction Plus
2699:Fantastic Adventures
441:hard science fiction
407:science fiction fans
3022:Wonder Story Annual
2608:Astonishing Stories
2341:"Startling Stories"
2242:In Memory Yet Green
2026:, pp. 594–595.
1567:From Off This World
635:first saw print in
472:, and occasionally
197:Publication history
87:Stanley G. Weinbaum
2615:Astounding Stories
2416:. London: Cassell.
1887:"Visco navigation"
1591:P. Schuyler Miller
1539:Pines Publications
729:Philip José Farmer
615:Charles L. Harness
574:as second only to
559:
447:was pioneering at
429:Manly Wade Wellman
372:Air Wonder Stories
304:Street & Smith
63:Standard Magazines
43:
3065:Startling Stories
3052:
3051:
3008:The Witch's Tales
2888:Startling Stories
2504:Startling Stories
2414:Startling Stories
1583:Startling Stories
1482:
1481:
1466:Startling Stories
657:Pebble in the Sky
611:What Mad Universe
251:, though in 1940
235:Startling Stories
183:Startling Stories
47:Startling Stories
27:Startling Stories
3107:
2937:10 Story Fantasy
2804:Oriental Stories
2706:Fantastic Novels
2544:
2537:
2530:
2521:
2520:
2515:Internet Archive
2492:
2483:
2464:
2445:
2426:
2417:
2408:
2389:
2362:
2335:
2308:
2289:
2276:Ballantine Books
2264:
2255:
2236:
2224:
2213:
2194:
2167:
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1619:
1610:
1607:
1488:was as follows:
769:
768:
755:
725:
718:
627:Arthur C. Clarke
588:
580:Thrilling Wonder
545:Merwin and after
531:
522:
513:
504:
466:Hans Wessolowski
445:John W. Campbell
390:Stanley Weinbaum
335:Thrilling Wonder
298:Thrilling Wonder
261:Thrilling Wonder
231:Thrilling Wonder
229:, the editor of
170:Thrilling Wonder
159:
128:
111:Arthur C. Clarke
91:Thrilling Wonder
50:was an American
3115:
3114:
3110:
3109:
3108:
3106:
3105:
3104:
3055:
3054:
3053:
3048:
3027:
2972:Uncanny Stories
2951:The Thrill Book
2930:Tales of Wonder
2902:Strange Stories
2832:Science Fiction
2629:Captain Hazzard
2580:Amazing Stories
2560:
2551:Science fiction
2548:
2499:
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2467:
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2305:
2295:Infinite Worlds
2292:
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1936:Transformations
1933:
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1720:ONeill, John. "
1719:
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1692:
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1660:
1656:
1651:
1650:
1645:
1641:
1635:Transformations
1633:) and Ashley's
1620:
1613:
1608:
1604:
1599:
1559:
1499:Oscar J. Friend
1477:
1475:
1473:
1471:
1469:
767:
753:
741:Robert F. Young
723:
716:
623:The Paradox Men
603:science fantasy
586:
547:
542:
541:
540:
539:
534:
533:
532:
524:
523:
515:
514:
506:
505:
482:Earle K. Bergey
437:science fantasy
435:. These early
425:Edmond Hamilton
385:The Black Flame
358:
353:
316:Fredric Wertham
271:Oscar J. Friend
204:Amazing Stories
199:
157:
131:Earle K. Bergey
126:
103:Oscar J. Friend
82:The Black Flame
35:Vincent Di Fate
31:Earle K. Bergey
17:
12:
11:
5:
3113:
3103:
3102:
3097:
3092:
3087:
3085:Pulp magazines
3082:
3077:
3072:
3067:
3050:
3049:
3047:
3046:
3041:
3035:
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3029:
3028:
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3018:
3015:Wonder Stories
3011:
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2870:
2867:Secret Agent X
2863:
2856:
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2842:
2835:
2828:
2825:Planet Stories
2821:
2814:
2807:
2800:
2793:
2786:
2779:
2772:
2765:
2758:
2755:Jungle Stories
2751:
2744:
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2723:
2716:
2709:
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2695:
2688:
2681:
2674:
2667:
2660:
2653:
2650:Cosmic Stories
2646:
2639:
2632:
2625:
2622:Captain Future
2618:
2611:
2604:
2597:
2590:
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2576:
2568:
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2558:pulp magazines
2547:
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2539:
2532:
2524:
2518:
2517:
2508:
2498:
2497:External links
2495:
2494:
2493:
2489:Wonder's Child
2484:
2478:
2465:
2459:
2446:
2440:
2427:
2423:Moment in Time
2418:
2409:
2403:
2390:
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2363:
2357:
2336:
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2314:"SF Magazines"
2309:
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2153:
2151:, p. 314.
2140:
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2119:
2098:Captain Future
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2028:
2008:
1999:
1990:
1978:
1940:
1938:, p. 343.
1918:
1904:
1893:on 9 July 2008
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1587:Moment in Time
1558:
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1505:Sam Merwin Jr.
1502:
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1493:Mort Weisinger
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682:Captain Future
546:
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470:Alex Schomburg
367:Wonder Stories
357:
354:
352:
349:
279:Sam Merwin Jr.
257:Mort Weisinger
239:bedsheet-sized
227:Mort Weisinger
213:Hugo Gernsback
198:
195:
191:Wildside Press
162:sensationalism
107:Sam Merwin Jr.
95:Wonder Stories
67:Mort Weisinger
15:
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2979:Uncanny Tales
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2909:Strange Tales
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2790:The Octopus
2573:Ace Mystery
2107:Al von Ruff
1873:Al von Ruff
1706:February 1,
745:Kelly Freas
555:Walter Popp
480:, but when
417:Mike Ashley
394:Otto Binder
3059:Categories
2981:(Canadian)
2881:The Spider
2783:New Worlds
2769:Mind Magic
2657:Doc Savage
2112:January 9,
1702:. Gollancz
1654:References
1464:Issues of
733:Hugo Award
674:Astounding
595:C.L. Moore
591:Jack Vance
584:Astounding
576:Astounding
568:Astounding
491:déshabillé
450:Astounding
318:published
2565:Magazines
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1934:Ashley,
266:Superman
122:Much of
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2720:Fantasy
2555:fantasy
2513:on the
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1878:July 4,
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