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345:
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133:
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642:, where Des Esseintes describes his fervour-infused enthusiasm for the poet: "These were Mallarmé's masterpieces and also ranked among the masterpieces of prose poetry, for they combined a style so magnificently that in itself it was as soothing as a melancholy incantation, an intoxicating melody, with irresistibly suggestive thoughts, the soul-throbs of a sensitive artist whose quivering nerves vibrate with an intensity that fills you with a painful ecstasy."
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25:
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was never published in the typography and format conceived by
Mallarmé. In 2004, 90 copies on vellum of a new edition were published by Michel Pierson et Ptyx. This edition reconstructs the typography originally designed by Mallarmé for the projected Vollard edition in 1897 and which was abandoned
520:
most difficult to translate into
English. The difficulty is due in part to the complex, multilayered nature of much of his work, but also to the important role that the sound of the words, rather than their meaning, plays in his poetry. When recited in French, his poems allow alternative meanings
745:, as well as by private collectors. A copy has been placed in the Museum Stéphane Mallarmé at Vulaines-sur-Seine, Valvins, where Mallarmé lived and died and where he made his final corrections on the proofs prior to the projected printing of the poem.
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that were to blossom in the next century. Most of this later work explored the relationship between content and form, between the text and the arrangement of words and spaces on the page. This is particularly evident in his last major poem,
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after the sudden death of the author in 1898. All the pages are printed in the format (38 cm by 28 cm) and in the typography chosen by the author. The reconstruction has been made from the proofs which are kept in the
726:
in a letterpress edition of 60 copies, its typography and format based on examination of the final (or near final) corrected proofs of the poem in the collection of
Harvard's Houghton Library.
1200:
Hendrik Lücke: Mallarmé - Debussy. Eine vergleichende Studie zur
Kunstanschauung am Beispiel von „L'Après-midi d'un Faune“. (= Studien zur Musikwissenschaft, Bd. 4). Dr. Kovac, Hamburg 2005,
457:
On 10 August 1863, he married Maria
Christina Gerhard. They had two children, Geneviève in 1864 and Anatole in 1871. Anatole died in 1879. Mallarmé died in Valvins (present-day
711:, with his purposeful use of blank space and careful placement of words on the page, allowing multiple non-linear readings of the text. This becomes very apparent in his work
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509:
407:), and through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge,
1628:
1568:
Sethna, K. D. (1987). The obscure and the mysterious: A research in
Mallarmé's symbolic poetry. Pondicherry: Sri Aurobindo International Centre of Education.
649:
has emphasized
Mallarmé's influence on twentieth-century French criticism and theory: "It was largely by learning the lesson of Mallarmé that critics like
1353:. Melbourne: Melbourne University Press on behalf of the Australian Humanities Research Council, 1958; in French translation: Brussels, J. Antoine, 1974.
1465:. "Erasing Panama: Mallarmé and the Text of History", "Les Fleurs du Mal Larmé: Some Reflections of Intertextuality", and "Mallarmé as Mother". In
756:, a rigorous attempt at 'deciphering' the poem on the basis of a unique interpretation of the phrase 'the unique Number, which cannot be another.'
399:, occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry, art and philosophy. The group became known as
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between 6 or 9 October 1852 and March 1855. He worked as an
English teacher and spent much of his life in relative poverty but was famed for his
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A copy of this edition is in the
Bibliothèque François-Mitterrand. Copies have been acquired by the Bibliothèque littéraire Jacques-Doucet and
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738:, taking into account the written corrections and wishes of Mallarmé and correcting certain errors on the part of the printers Firmin-Didot.
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627:(1929), was greatly influenced by Mallarmé's work, prominently featuring the line "A roll of the dice will never abolish chance".
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1343:. Melbourne: Melbourne University Press in association with Oxford: Oxford University Press, 1934; New York, AMS Press, 1979.
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895:
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75:
622:
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by Eric Zboya, an
English edition that transforms the poem not only through erasure, but through graphic imaging software.
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780:, using Mallarmé's typographical layout but with the words replaced by black bars. In 2018, Apple Pie Editions published
767:. Another dual-language edition, translated by Henry Weinfield, was published by University of California Press in 1994.
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poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as
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1455:. "Allegory's Trip-Tease: 'The White Waterlily'" and "Poetry and Performative Language: Mallarmé and Austin". In
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657:' in the making of literature. Rather than seeing the text as the emanation of an individual author's intentions,
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537:' aspect of his poetry has been the subject of musical analysis and has inspired musical compositions. These
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The Book as Instrument: Stéphane Mallarmé, the Artist's Book, and the Transformation of Print Culture.
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are very difficult to reproduce in a translation which must be faithful to the meaning of the words.
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411:, and king, were considered the heart of Paris intellectual life. Regular visitors included
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529:('her pure nails'), whose first syllables when spoken aloud sound very similar to the words
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1405:. Associate ed. Gerard Gillespie. Madison, NJ: Fairleigh Dickinson University Press, 1998.
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1243:. "A Poetic Dialectic: Labîd ben Rabi'a and Mallarmé" and "Philosophy of the Faun". In
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574:(1876), which creates powerful impressions by the use of striking but isolated phrases.
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673:, sound, semantics, etymology, and even individual letters. The theoretical styles of
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1301:. "The Silence of Mallarmé", "Mallarmé's Silence", and "Mallarmé and the Novel". In
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1281:. Trans. Susan Hanson. Minneapolis: University of Minnesota Press, 1993. 422–436.
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1565:. Trans. Ernest Sturm. Philadelphia: Pennsylvania State University Press, 1988.
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It has been suggested that "much of Mallarmé's work influenced the conception of
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which are not evident on reading the work on the page. For example, Mallarmé's
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Mallarmé. Begegnungen zwischen Literatur, Philosophie, Musik und den Künsten
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1469:. Baltimore: Johns Hopkins University Press, 1987. 57–67, 116–33, 137–43.
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La révolution du langue poétique: l’avant-garde à la fin du XIXe siècle:
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1006:. Librairie Gallimard (copyright by Nouvelle Revue Française). July 1914.
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1309:. Stanford: Stanford University Press, 2001. 99-106, 107–111, 165–171.
1085:, trans. Johnson, Cambridge, MA: Harvard University Press, 2007, pg. 301
763:, a dual-language edition of the poem, translated by Robert Bononno and
1573:
Le "Livre" de Mallarmé: Premieres recherches sur des documents inedits.
1457:
The Critical Difference: Essays in the Contemporary Rhetoric of Reading
1447:
Défigurations du langage poétique: La seconde révolution baudelairienne
451:
376:
1271:. Trans. Ann Smock. Lincoln, NE: University of Nebraska Press, 1982.
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Mallarmé's L'après-midi d'un faune: An Exegetical and Critical Study
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24:
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The Number and the Siren: A Decipherment of Mallarme's Coup De Des
1459:. Baltimore: Johns Hopkins University Press, 1980. 13–20, 52–66.
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style, on the other hand, anticipates many of the fusions between
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Symbolism, Synesthesia, and Semiotics, Multidisciplinary Approach
617:
1528:. Trans. Steve Corcoran. London and New York: Continuum, 2011.
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1251:. Stanford: Stanford University Press, 2005. 46–56, 122–41.
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Mallarmé is referred to extensively in the latter section of
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has been the inspiration for several musical pieces, notably
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Stéphane Mallarmé as a faun, cover of the literary magazine
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Barbara Johnson, "Translator's Note" to Stéphane Mallarmé,
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584:(1913). Other composers to use his poetry in song include
513:('A roll of the dice will never abolish chance') of 1897.
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Mallarmé's earlier work owes a great deal to the style of
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1126:(in French). Bibliothèque de la Pléiade. p. LXIII.
1323:. Stanford: Stanford University Press, 2003. 224–244.
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article - International Herald Tribune , March 17, 2007
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un coup de des jamais n'abolira le hasard: translations
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Un coup de dès...pour la première fois grandeur nature
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also owe a great deal to Mallarmé's 'critical poem.'"
1295:. Stanford: Stanford University Press, 1995. 26–42.
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Pensionnat des Frères des écoles chrétiennes à Passy
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Mallarmé was born in Paris. He was a boarder at the
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Unfolding Mallarme. The development of a poetic art
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49:. Unsourced material may be challenged and removed.
1516:A Throw of the Dice: The Life of Stephane Mallarme
1384:. Berkeley: University of California Press, 1981.
1370:. Berkeley: University of California Press, 1965.
1020:. Oxford: Oxford World's Classics, 2006, p. xxix.
1016:Stéphane Mallarmé, trans. E.H. and A.M. Blackmore
936:
665:followed the paths and patterns of the linguistic
1429:. Trans. Rachel Bowlby. Èditions Galilée, 2001.
568:(1894), a free interpretation of Mallarmé's poem
488:who was recognised as the forerunner of literary
351:; 18 March 1842 – 9 September 1898), pen name of
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1363:. Manchester: Manchester University Press, 1962.
1555:, in La Quinzaine Littéraire, numéro 319, 1980.
1518:. New York: Farrar, Straus & Giroux, 1994.
1391:. Cambridge: Cambridge University Press, 1987.
1333:. Cambridge: Cambridge University Press, 1978.
1261:. Cambridge: Cambridge University Press, 1981.
1490:. Ithaca, NY: Cornell University Press, 1999.
1419:. Chicago: University of Chicago Press, 1981.
1396:Mallarmé’s Divagations: A Guide and Commentary
890:(18th ed.). Cambridge University Press.
816:A Throw of the Dice will Never Abolish Chance
461:), near Fontainebleau, on September 9, 1898.
1626:Stéphane Mallarmé, his work in audio version
761:A Roll of the Dice Will Never Abolish Chance
635:
1655:Eric Zboya offers a graphic translation of
1237:Chicago: University of Chicago Press, 2011.
718:In 1990, Greenhouse Review Press published
669:, paying new attention to syntax, spacing,
1545:. New Haven: Yale University Press, 1996.
403:because they met on Tuesdays (in French,
131:
1101:. Xlibris Corporation. pp. 163–165.
1000:Un Coup de Dés Jamais N'Abolira Le Hasard
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516:Some consider Mallarmé one of the French
510:Un coup de dés jamais n'abolira le hasard
109:Learn how and when to remove this message
1389:Mallarmé’s Prose Poems: A Critical Study
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957:
887:Cambridge English Pronouncing Dictionary
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604:
468:
1341:Towards Hérodiade. A Literary Genealogy
1331:Mallarmé and the Art of Being Difficult
1728:French male dramatists and playwrights
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1377:. The Hague: Mouton & Co., 1966.
1174:"The Number and the Siren - Urbanomic"
1058:"Debussy: the man who broke the mould"
939:The Affair: The Case of Alfred Dreyfus
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774:created a purely graphical version of
1495:Stéphane Mallarmé: The Poems in Verse
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1698:Symbolist dramatists and playwrights
1563:Mallarmé, or the Poet of Nothingness
1449:. Paris: Flammarion, 1979. 161–211.
625:(The Mystery of the Chateau of Dice)
47:adding citations to reliable sources
18:
1602:Works by or about Stéphane Mallarmé
1526:Mallarmé: The Politics of the Siren
1375:Mallarmé’s Masterwork: New Findings
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13:
1538:. Paris: Éditions du Seuil, 1961.
1277:. "The Absence of the Book". In
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578:set Mallarmé's poetry to music in
533:('it's pure sound'). Indeed, the '
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1488:Mallarmé: The Poet and his Circle
1403:Mallarmé in the Twentieth Century
1040:. Oxford: Clarendon Press, 1996.
958:Chadwick, Charles (Sep 5, 2021).
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590:Chansons bas de Stéphane Mallarmé
565:Prélude à l'après-midi d'un faune
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16:French Symbolist poet (1842–1898)
1635:
1618:
1536:L’univers imaginaire de Mallarmé
1439:. London: Verso, 2007. 313–41.
846:Longman Pronunciation Dictionary
748:In 2012, the French philosopher
743:University of California, Irvine
736:Bibliothèque Nationale de France
293:
247:
23:
1733:Lycée Janson-de-Sailly teachers
1718:19th-century French translators
1501:, Miami University Press, 2012.
1435:. "Mallarmé Materialist". In
1287:. "The Myth of Mallarmé". In
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1018:Collected Poems and Other Verse
216:
34:needs additional citations for
1713:Translators of Edgar Allan Poe
1398:. New York: Peter Lang, 1990.
1259:The Death of Stéphane Mallarmé
1010:
986:The Elusive Symbolist movement
978:
951:
928:
916:
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862:
834:
759:In 2015, Wave Books published
478:Portrait of Stéphane Mallarmé,
1:
1511:. Falmouth: Urbanomic, 2012.
623:Les Mystères du Château de Dé
1580:Mallarmé's ideas in language
1368:Toward the Poems of Mallarmé
544:
434:Along with other members of
382:
7:
1617:(public domain audiobooks)
1315:. "The Book to Come". In
1122:Mallarmé, Stéphane (1998).
1095:Balla, Bonaventure (2012).
935:Bredin, Jean-Denis (1986).
923:Documents Stéphane Mallarmé
770:The poet and visual artist
722:'s American translation of
10:
1759:
1611:Works by Stéphane Mallarmé
1593:Works by Stéphane Mallarmé
645:The critic and translator
1582:Oxford: Peter Lang, 2004.
1445:. "Crise de Prose". In
1279:The Infinite Conversation
1222:, Passagen, Vienna 2019,
1111:– via Google Books.
966:. Encyclopedia Britannica
848:(3rd ed.). Longman.
359:. He was a major French
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165:
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137:Portrait of Mallarmé, by
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1738:Lycée Condorcet teachers
1483:. Paris: Seuil, 1974.
1401:Cohn, Robert Greer, ed.
1245:Handbook of Inaesthetics
984:Conway Morris, Roderick
943:. G. Braziller. p.
754:The Number and the Siren
611:Les hommes d'aujourd'hui
581:Trois poèmes de Mallarmé
464:
355:, was a French poet and
1575:Paris: Gallimard, 1957.
1361:Mallarmé's Grand Oeuvre
1269:The Space of Literature
1218:Giulia Agostini (ed.).
1152:Musée Stéphane Mallarmé
655:the death of the author
620:'s last film, entitled
571:L'après-midi d'un faune
340:[stefanmalaʁme]
206:Maria Christina Gerhard
1357:Chisholm, Alan Rowland
1347:Chisholm, Alan Rowland
1337:Chisholm, Alan Rowland
823:References and sources
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614:
525:opens with the phrase
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1467:A World of Difference
1394:Cohn, Robert Greer.
1387:Cohn, Robert Greer.
1380:Cohn, Robert Greer.
1373:Cohn, Robert Greer.
1366:Cohn, Robert Greer.
765:Jeff Clark (designer)
703:Mallarmé around 1890.
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608:
472:
1532:Richard, Jean-Pierre
1505:Meillassoux, Quentin
1493:Mallarmé, Stéphane.
1437:The Modernist Papers
1148:"La maison du poète"
539:phonetic ambiguities
43:improve this article
1578:Williams, Heather.
1571:Scherer, Jacques.
1124:Oeuvres Complètes I
960:"Stéphane Mallarmé"
795:Afternoon of a Faun
750:Quentin Meillassoux
632:Joris-Karl Huysmans
492:. Mallarmé's later
431:, and many others.
58:"Stéphane Mallarmé"
1650:by Michael Maranda
1631:2021-04-24 at the
1543:Unlocking Mallarmé
1486:Lloyd, Rosemary.
772:Marcel Broodthaers
705:
653:came to speak of '
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486:Charles Baudelaire
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459:Vulaines-sur-Seine
417:Rainer Maria Rilke
176:Vulaines-sur-Seine
1723:French male poets
1693:Prince des poètes
1673:Stéphane Mallarmé
1597:Project Gutenberg
1559:Sartre, Jean-Paul
1522:Rancière, Jacques
1514:Millan, Gordon.
1321:Charlotte Mandell
1313:Blanchot, Maurice
1307:Charlotte Mandell
1299:Blanchot, Maurice
1293:Charlotte Mandell
1285:Blanchot, Maurice
1275:Blanchot, Maurice
1265:Blanchot, Maurice
1228:978-3-7092-0297-5
1108:978-1-4771-5544-8
1026:978-0-19-953792-1
911:Colloque Mallarmé
897:978-0-521-15255-6
855:978-1-4058-8118-0
685:, and especially
450:, Mallarmé was a
448:Ioannis Psycharis
237:Stéphane Mallarmé
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191:Literary movement
125:Stéphane Mallarmé
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1688:Poets from Paris
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1606:Internet Archive
1497:. Translated by
1463:Johnson, Barbara
1453:Johnson, Barbara
1443:Johnson, Barbara
1433:Jameson, Fredric
1423:Derrida, Jacques
1409:Derrida, Jacques
1382:Mallarmé, Igitur
1317:The Book to Come
1289:The Work of Fire
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1473:Kristeva, Julia
1417:Barbara Johnson
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788:Selected works
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731:Un coup de dés
724:Un coup de dés
713:Un coup de dés
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679:Julia Kristeva
663:deconstructors
659:structuralists
651:Roland Barthes
586:Darius Milhaud
560:Claude Debussy
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550:General poetry
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531:c'est pur son
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159:18 March 1842
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60: –
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54:Find sources:
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32:This article
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1181:. Retrieved
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1156:. Retrieved
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878:Setter, Jane
874:Roach, Peter
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171:(1898-09-09)
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41:Please help
36:verification
33:
1743:Dreyfusards
1683:1898 deaths
1678:1842 births
1641:(in French)
1481:et Mallarmé
1479:Lautréamont
1158:18 November
1154:(in French)
1083:Divagations
1062:independent
809:Divagations
554:Mallarmé's
421:Paul Valéry
1667:Categories
1415:. Trans.
1319:. Trans.
1305:. Trans.
1291:. Trans.
1247:. Trans.
1183:2016-12-15
1068:2020-03-31
970:24 October
964:Britannica
828:References
752:published
535:pure sound
452:Dreyfusard
413:W.B. Yeats
377:Surrealism
183:Occupation
155:1842-03-18
69:newspapers
1178:Urbanomic
709:hypertext
667:signifier
638:À rebours
545:Influence
490:Symbolism
383:Biography
361:symbolist
195:Symbolism
99:June 2014
1629:Archived
1615:LibriVox
1303:Faux Pas
925:, p. 12.
913:, p. 41.
884:(eds.).
872:(2011).
844:(2008).
438:such as
369:Futurism
227:Children
178:, France
1604:at the
1195:Sources
802:Poésies
618:Man Ray
613:, 1887.
373:Dadaism
336:French:
328:mal-ar-
282:-ar-may
221:
213:
209:
83:scholar
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1105:
1044:
1024:
894:
852:
556:poetry
500:poetry
409:jester
396:salons
375:, and
365:Cubism
357:critic
201:Spouse
141:, 1896
85:
78:
71:
64:
56:
1004:(PDF)
518:poets
465:Style
405:mardi
215:(
211:
139:Nadar
90:JSTOR
76:books
1224:ISBN
1202:ISBN
1160:2021
1128:ISBN
1103:ISBN
1042:ISBN
1022:ISBN
972:2021
892:ISBN
850:ISBN
661:and
504:arts
480:1876
446:and
186:Poet
166:Died
147:Born
62:news
1613:at
1595:at
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