48:
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250:, Schoenberg was able to work directly with the vocalist and obtain exactly the result he desired, but later performances were problematic. Schoenberg had written many subsequent letters attempting to clarify, but he was unable to leave a definitive explanation and there has been much disagreement as to what was actually intended.
242:
should be achieved. He explains that the indicated rhythms should be adhered to, but that whereas in ordinary singing a constant pitch is maintained through a note, here the singer "immediately abandons it by falling or rising. The goal is certainly not at all a realistic, natural speech. On the
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wrote, "the question arises whether it is actually possible to speak according to a notation devised for singing. This was the real problem at the root of all the controversies. Schoenberg's own remarks on the subject are not in fact clear."
49:
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no longer bear the 'x', as it is now clear that no specific pitch is intended, and instead relative pitches are specified by placing the notes above or below the single line (sometimes on
617:: "'Sprechgesang' means a 'parlando' manner of singing, and indeed is translated in standard dictionaries as 'recitative,' whereas 'sprechstimme' in itself simply means 'speaking voice'".
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contrary, the difference between ordinary speech and speech that collaborates in a musical form must be made plain. But it should not call singing to mind, either."
340:, using single-line staff for rhythmic speaking, five-line staves with 'x' through the note stem, and a single stroke through the stem for close-to-singing
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178:(in the 1910 version it was replaced by conventional singing), where it may have been intended to imitate a style already in use by singers of
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manner of singing (in which pitches are sung, but the articulation is rapid and loose like speech), whereas
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135:. Where the term is employed in this way, it is usually in the context of the late
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is closer to speech itself (because it does not emphasise any particular pitches).
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is usually indicated by small crosses through the stems of the notes, or with the
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1041:"Sprechstimme Reconsidered Once Again: '... though Mrs. Stiedry is never in pitch
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966:"Sprain Discuss Their Sophomore Album "The Lamb as Effigy" | Post-Trash Feature"
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and popular song, but it is more closely associated with the composers of the
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The earliest compositional use of the technique was in the first version of
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asks for the technique in a number of pieces: the part of the
Speaker in
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691:(From the essay "Speaking, Playing, Singing", written 1963, pp. 330–335)
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71:, "spoken voice"), more commonly known as speak-singing in English, are
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The following pop and rock artists have been described as featuring
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is more closely aligned with the long-used musical techniques of
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adopted the technique and asked for it in parts of his operas
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Wood, Ralph W. (December 1946). "Concerning 'Sprechgesang'".
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Expressionist vocal techniques between singing and speaking
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940:"Landfill Sprechgesang? Yard Act's The Overload Reviewed"
802:"All talk: why 2019's best bands speak instead of sing"
258:
Schoenberg later used a notation without a traditional
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is often merely a German alternative to 'recitative'.
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by using an 'x' in place of a conventional notehead.
368:-style talk-singing has appeared in contemporary
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819:
632:The New Grove Dictionary of Music and Musicians
349:In modern usage, it is most common to indicate
311:Schoenberg's later notation (first used in his
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1024:"The Test Pressings of Schoenberg Conducting
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319:with a single line having no clef. The note
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83:. Though sometimes used interchangeably,
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707:. Taplinger Publishing, New York, 1979.
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1574:Category:Musical performance techniques
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963:
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14:
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992:"Album Of The Week: Wet Leg 'Wet Leg'"
196:(1911) is written in his notation for
150:and others in the 19th century. Thus,
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390:vocal style is also prominent in the
66:
41:
1039:Avior Byron and Matthias Pasdzierny
826:Frere-Jones, Sasha (23 April 2012).
799:
793:
659:Dover Publications. New York, 1994.
657:Verklärte Nacht and Pierrot Lunaire.
614:
589:
392:British post-punk scene of the 2020s
236:(1912), Schoenberg explains how his
772:Schonfeld, Zach (13 October 2021).
24:
937:
865:"Who Knew That Robots Were Funky?"
774:"The Eternal Cool of Talk Singing"
404:or talk-sing vocals in their music
25:
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1013:
964:Solomon, Anna (August 23, 2023).
800:Hann, Michael (31 October 2019).
683:. Faber and Faber. London, 1986.
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330:Berg notates several degrees of
272:(1947) and his unfinished opera
990:Deville, Chris (5 April 2022).
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900:Petridis, Alexis (2023-09-08).
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863:Rubin, Mike (4 December 2009).
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246:For the first performances of
13:
1:
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290:Examples of various notations
1028:: Sprechstimme Reconsidered"
384:music since the 1960s. The
315:, 1942) replaced the 5-line
308:itself being a small cross.
7:
2183:
1036:(MTO), 12/1 (February 2006)
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89:is directly related to the
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2521:Sound reinforcement system
2381:Concepts · Techniques
643:(London: Macmillan, 2001).
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1276:Piano extended techniques
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1092:
635:, 2nd edition, edited by
359:Use in pop and rock music
313:Ode to Napoleon Bonaparte
264:Ode to Napoleon Bonaparte
75:vocal techniques between
2588:German words and phrases
1513:Extended vocal technique
1316:Bowed string instruments
146:" that were composed by
54:, "spoken singing") and
1051:(MTO), 13/2 (June 2007)
596:. New series (2): 3–6.
418:Black Country, New Road
483:Life Without Buildings
400:
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269:A Survivor from Warsaw
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184:Second Viennese School
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2102:Stile rappresentativo
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170:Engelbert Humperdinck
73:expressionist musical
68:[ˈʃpʁɛçʃtɪmə]
43:[ˈʃpʁɛçɡəzaŋ]
2308:Voice classification
1470:Snare drum technique
1291:Three-hand technique
538:They Might Be Giants
2578:Extended techniques
2372:Non-classical music
2277:Forms · Genres
1775:Tragédie en musique
1644:Concert performance
1238:Harmonica technique
1213:Saxophone technique
1130:Finger substitution
1049:Music Theory Online
1033:Music Theory Online
232:In the foreword to
2573:Singing techniques
2207:Extended technique
2107:Tenore contraltino
1218:Circular breathing
1120:Extended technique
1086:Musical techniques
870:The New York Times
653:Schoenberg, Arnold
629:, "Sprechgesang",
292:
172:'s 1897 melodrama
2583:Opera terminology
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2150:
1582:
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188:Arnold Schoenberg
16:(Redirected from
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2516:Pitch correction
2483:Vocal resonation
2261:Vocal percussion
2217:Overtone singing
2202:Bathroom singing
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2112:Tenore di grazia
1867:Aria di sorbetto
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1549:Related articles
1528:Overtone singing
1329:Violin technique
1228:Flutter-tonguing
1205:Wind instruments
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938:Kinney, Fergal.
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881:on 14 April 2023
877:. Archived from
875:A. G. Sulzberger
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840:. Archived from
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705:Musical Notation
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294:In Schoenberg's
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473:The Hold Steady
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844:on 29 May 2024
833:The New Yorker
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677:Boulez, Pierre
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275:Moses und Aron
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148:Richard Wagner
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2535:Miscellaneous
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2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2396:
2394:
2391:
2389:
2388:Backup vocals
2386:
2385:
2383:
2379:
2373:
2370:
2368:
2365:
2361:
2358:
2356:
2355:Mezzo-soprano
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2328:
2326:
2325:Bass-baritone
2323:
2321:
2318:
2317:
2316:
2313:
2312:
2310:
2306:
2300:
2297:
2295:
2292:
2290:
2287:
2285:
2282:
2281:
2279:
2275:
2267:
2264:
2263:
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2259:
2255:
2252:
2250:
2247:
2246:
2245:
2242:
2240:
2237:
2235:
2232:
2230:
2227:
2225:
2222:
2218:
2215:
2213:
2210:
2209:
2208:
2205:
2203:
2200:
2198:
2195:
2194:
2192:
2190:Singing types
2188:
2179:
2174:
2172:
2167:
2165:
2160:
2159:
2156:
2144:
2141:
2140:
2138:
2134:
2128:
2125:
2123:
2120:
2118:
2115:
2113:
2110:
2108:
2105:
2103:
2100:
2098:
2095:
2093:
2090:
2088:
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2083:
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2078:
2075:
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2068:
2065:
2063:
2060:
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2055:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2017:Mezzo-soprano
2015:
2013:
2012:Messa di voce
2010:
2008:
2005:
2003:
2000:
1998:
1995:
1993:
1990:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1965:
1963:
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1847:
1844:
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1837:
1834:
1832:
1829:
1827:
1824:
1822:
1821:Literaturoper
1819:
1817:
1814:
1812:
1811:Kapellmeister
1809:
1807:
1804:
1802:
1799:
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1662:
1660:
1657:
1655:
1652:
1650:
1647:
1645:
1642:
1640:
1637:
1635:
1634:Breeches role
1632:
1631:
1629:
1625:
1620:
1617:
1610:
1605:
1603:
1598:
1596:
1591:
1590:
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1483:
1481:
1478:
1476:
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1471:
1468:
1467:
1465:
1463:
1459:
1453:
1452:Prepared harp
1450:
1449:
1447:
1445:
1441:
1435:
1432:
1430:
1427:
1425:
1422:
1420:
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1397:
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1377:
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1279:
1277:
1274:
1273:
1271:
1269:
1265:
1259:
1256:
1254:
1251:
1249:
1248:Slap tonguing
1246:
1244:
1241:
1239:
1236:
1234:
1231:
1229:
1226:
1224:
1221:
1219:
1216:
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1211:
1210:
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1188:
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1128:
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1123:
1121:
1118:
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1113:
1111:
1108:
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1098:
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1068:
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1038:
1035:
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1029:
1027:
1021:
1018:
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997:
993:
986:
971:
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960:
945:
941:
934:
932:
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907:
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866:
859:
843:
839:
835:
834:
829:
822:
807:
803:
796:
781:
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775:
768:
766:
764:
762:
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756:
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748:
746:
744:
742:
740:
738:
736:
734:
732:
730:
728:
726:
724:
722:
714:
713:0-8008-5453-5
710:
706:
702:
701:Read, Gardner
697:
690:
689:0-571-14347-4
686:
682:
678:
673:
666:
665:0-486-27885-9
662:
658:
654:
649:
642:
638:
637:Stanley Sadie
634:
633:
628:
623:
616:
611:
603:
599:
595:
594:
586:
582:
572:
571:Talking blues
569:
567:
564:
562:
559:
558:
549:
546:
544:
541:
539:
536:
534:
531:
529:
526:
524:
521:
519:
516:
514:
513:Sleaford Mods
511:
509:
506:
504:
501:
499:
496:
494:
491:
489:
486:
484:
481:
479:
476:
474:
471:
469:
466:
464:
461:
459:
456:
454:
453:Billie Eilish
451:
449:
446:
444:
441:
439:
436:
434:
431:
429:
426:
424:
421:
419:
416:
414:
411:
410:
406:
402:
397:
396:
395:
393:
388:
383:
379:
375:
371:
366:
356:
353:
347:
344:
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334:
328:
326:
322:
318:
314:
309:
307:
302:
297:
288:
279:
277:
276:
271:
270:
265:
261:
256:
253:
252:Pierre Boulez
249:
244:
240:
235:
225:
223:
222:
217:
216:
211:
207:
206:
202:, but it was
200:
195:
194:
189:
185:
181:
177:
176:
171:
163:
157:
154:
149:
145:
141:
140:German operas
138:
133:
127:
122:
117:
109:
103:
100:
95:
92:
87:
82:
78:
74:
69:
61:
59:
50:
44:
36:
34:
19:
2488:Vocal weight
2453:Sprechgesang
2452:
2448:Scat singing
2345:Countertenor
2239:Sign singing
2234:Scat singing
2072:Solita forma
1952:Da capo aria
1846:Sprechgesang
1845:
1806:Kammersänger
1745:Haute-contre
1699:Sung-through
1539:Sprechgesang
1538:
1537:
1490:Stevens grip
1480:Cymbal choke
1429:Third bridge
1349:Bartók pizz.
1301:String piano
1180:Stopped note
1100:Articulation
1048:
1031:
1025:
999:. Retrieved
995:
985:
973:. Retrieved
969:
959:
947:. Retrieved
943:
917:. Retrieved
906:The Guardian
905:
895:
883:. Retrieved
879:the original
868:
858:
846:. Retrieved
842:the original
831:
821:
809:. Retrieved
806:The Guardian
805:
795:
783:. Retrieved
777:
704:
696:
681:Orientations
680:
672:
656:
648:
641:John Tyrrell
630:
622:
610:
591:
585:
443:Dry Cleaning
401:Sprechgesang
387:Sprechgesang
365:Sprechgesang
362:
352:Sprechstimme
348:
343:Sprechstimme
337:
333:Sprechstimme
329:
325:ledger lines
312:
310:
301:Sprechstimme
293:
273:
267:
263:
257:
247:
245:
239:Sprechstimme
233:
231:
219:
213:
203:
199:Sprechstimme
193:Gurre-Lieder
191:
175:Königskinder
173:
167:
162:Sprechstimme
153:Sprechgesang
144:music dramas
132:Sprechstimme
116:Sprechgesang
113:
108:Sprechgesang
99:Sprechstimme
86:Sprechgesang
58:Sprechstimme
55:
33:Sprechgesang
30:
29:
18:Sprechstimme
2552:Vocal coach
2542:Vocal music
2473:Vocal range
2428:Lead vocals
2413:Death growl
2403:Chest voice
2224:Oversinging
2052:Prima donna
2027:Opera seria
1947:Convenienze
1937:Comprimario
1927:Chiaroscuro
1689:Patter song
1684:Opera house
1639:Chest voice
1523:Death growl
1505:Human voice
1475:Burton grip
1404:Flatpicking
1399:Fingerstyle
1394:Downpicking
1361:Free bowing
1243:Overblowing
1155:Multiphonic
1115:Double stop
1020:Avior Byron
944:The Quietus
566:Spoken word
523:Sonic Youth
503:Self Esteem
382:alternative
336:, e. g. in
2567:Categories
2511:Microphone
2423:Head voice
2398:Coloratura
2315:Voice type
2266:Beatboxing
2244:Sing-along
2197:A cappella
2143:Hovsångare
2062:Ritornello
2057:Recitative
2047:Portamento
2007:Melodramma
1982:Intermezzo
1977:Impresario
1967:Falsettone
1932:Coloratura
1760:Répétiteur
1654:Head voice
1518:Beatboxing
1462:Percussion
1306:Tack piano
1253:Split tone
1223:Embouchure
1150:Intonation
975:August 25,
970:Post-Trash
919:2023-12-08
838:Condé Nast
785:7 December
779:The Ringer
577:References
438:Do Nothing
210:Alban Berg
121:recitative
94:recitative
2458:Tessitura
2433:Passaggio
2350:Contralto
2335:Baritenor
2117:Tessitura
2042:Pasticcio
2037:Passaggio
1972:Fioritura
1942:Contralto
1912:Cantabile
1902:Cabaletta
1882:Bel canto
1841:Spieloper
1836:Sitzprobe
1831:Singspiel
1826:Regieoper
1816:Leitmotif
1750:Intermède
1740:Entr'acte
1704:Surtitles
1674:Monodrama
1669:Melodrama
1664:Mad scene
1621:by origin
1533:Screaming
1485:Drum roll
1356:Col legno
1344:Pizzicato
1339:Bariolage
1165:Pizzicato
1145:Harmonics
1140:Glissando
1125:Fingering
996:Stereogum
914:0261-3077
615:Wood 1946
478:Kraftwerk
448:Bob Dylan
433:Cheekface
428:Nick Cave
413:The B-52s
2418:Falsetto
2408:Crooning
2330:Baritone
2299:Vocables
2254:Lip sync
2097:Stagione
2067:Sinfonia
1992:Libretto
1962:Falsetto
1922:Cavatina
1917:Castrato
1897:Burletta
1892:Brindisi
1780:Travesti
1755:Overture
1694:Prompter
1649:Duodrama
1376:Two bows
1371:Spiccato
1258:Tonguing
1233:Growling
1175:Slapping
1170:Position
1160:Phrasing
715:(p. 288)
555:See also
548:Yard Act
488:Lou Reed
458:The Fall
306:notehead
282:Notation
266:(1942),
137:Romantic
129:than is
126:parlando
91:operatic
81:speaking
2443:Rapping
2438:Quintus
2393:Belting
2360:Soprano
2249:Karaoke
2229:Rapping
2184:Singing
2127:Vibrato
2122:Verismo
2092:Squillo
2077:Soprano
2002:Maestro
1997:Licenza
1907:Cadenza
1887:Bravura
1855:Italian
1765:Roulade
1627:English
1495:Rimshot
1424:Tambour
1409:Picking
1366:Martelé
1286:Luthéal
1195:Vibrato
1190:Tremolo
1110:Damping
1093:General
1001:1 April
949:1 April
811:1 April
667:(p. 54)
561:Rapping
543:Wet Leg
338:Wozzeck
262:in the
228:History
215:Wozzeck
77:singing
64:German:
39:German:
2463:Timbre
2284:Choral
2087:Spinto
2022:Musico
1987:Legato
1872:Arioso
1789:German
1770:Timbre
1735:Encore
1720:Claque
1713:French
1679:Number
1386:Guitar
1105:Bowing
912:
885:6 July
848:6 July
711:
687:
663:
602:943969
600:
528:Sprain
380:, and
180:lieder
2547:Choir
2340:Tenor
2289:Opera
2136:Other
2032:Ossia
1877:Banda
1619:terms
1616:Opera
1556:Étude
1268:Piano
598:JSTOR
593:Tempo
533:Squid
518:Slint
508:Shame
321:stems
317:staff
2367:Fach
2320:Bass
2294:Lied
1957:Diva
1862:Aria
1796:Fach
1444:Harp
1003:2024
977:2024
951:2024
910:ISSN
887:2024
850:2024
813:2024
787:2021
709:ISBN
685:ISBN
661:ISBN
639:and
423:Cake
378:punk
374:rock
327:).
260:clef
221:Lulu
218:and
142:or "
79:and
370:pop
123:or
2569::
1047:,
1030:,
1022:,
994:.
968:.
942:.
928:^
908:.
904:.
873:.
867:.
836:.
830:.
804:.
776:.
720:^
703:.
679:.
655:.
376:,
372:,
346:.
298:,
224:.
186:.
2177:e
2170:t
2163:v
1608:e
1601:t
1594:v
1078:e
1071:t
1064:v
1045:"
1043:'
1005:.
979:.
953:.
922:.
889:.
852:.
815:.
789:.
604:.
62:(
37:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
