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Spoken word

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713:, poetry performance grew significantly between the late 1990s and early 2000s. This was through organisers and creative hubs such as Kwani Open Mic, Slam Africa, Waamathai's, Poetry at Discovery, Hisia Zangu Poetry, Poetry Slam Africa, Paza Sauti, Anika, Fatuma's Voice, ESPA, Sauti dada, Wenyewe poetry among others. Soon the movement moved to other counties and to universities throughout the country. Spoken word in Kenya has been a means of communication where poets can speak about issues affecting young people in Africa. Some of the well known poets in Kenya are Dorphan, Kenner B, Namatsi Lukoye, Raya Wambui, Wanjiku Mwaura, Teardrops, Mufasa, Mumbi Macharia, Qui Qarre, Sitawa Namwalie, Sitawa Wafula, Anne Moraa, Ngwatilo Mawiyo, Stephen Derwent. 686: 145: 533: 1874: 1910: 722: 1934: 1898: 1886: 48: 1922: 682:, Hondred Percent, Jewel King, Faiba Bernard, Akambo, Wordrite, Natty Ogli, and Philipa. The spoken-word movement in Ghana is rapidly growing that individual spoken-word artists like MEGBORNA, are continuously carving a niche for themselves and stretching the borders of spoken word by combining spoken word with 3D animations and spoken-word video game, based on his yet to be released poem, Alkebulan. 282:. In African culture, performance poetry is a part of theatrics, which was present in all aspects of pre-colonial African life and whose theatrical ceremonies had many different functions: political, educative, spiritual and entertainment. Poetics were an element of theatrical performances of local oral artists, linguists and historians, accompanied by local instruments of the people such as the 511:
to create a unique mix of Spoken Word and Music that continues to the present day. As a voting member of the Recording Academy, Ms. Loomis submitted a petition in 2021 to separate Spoken Word Poetry from Audiobooks in the Grammy® Awards. Between 1987-2020 only three times did the Award go to a poet:
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drum. Drumming for accompaniment is not to be confused with performances of the "talking drum", which is a literature of its own, since it is a distinct method of communication that depends on conveying meaning through non-musical grammatical, tonal and rhythmic rules imitating speech. Although, they
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said: "Poetry's proper culmination is to be read aloud by someone's voice, whoever reads a poem aloud becomes the proper medium for the poem." "Every speaker intuitively courses through manipulation of sounds, it is almost as though 'we sing to one another all day'." "Sound once imagined through the
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records "was never more than an extension of content." Performance poetry in Africa dates to prehistorical times with the creation of hunting poetry, while elegiac and panegyric court poetry were developed extensively throughout the history of the empires of the Nile, Niger and Volta river valleys.
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campaigns, and LGBT topics. Slam poetry competitions often feature loud and radical poems that display both intense content and sound. Spoken-word poetry is also abundant on college campuses, YouTube, and through forums such as Button Poetry. Some spoken-word poems go viral and can then appear in
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Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit to memory. "There were
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In response to the many petitions, the Recording Academy sponsored several open forum webcasts to discuss the possibility. Many Spoken Word artists including COPUS participated. In 2022 Spoken Word Poetry successfully became an official Grammy Award genre with the first award being presented to
641:, this art form is widely used as a form of social commentary and is displayed all throughout the nation at all times of the year. The main poetry events in Trinidad and Tobago are overseen by an organization called the 2 Cent Movement. They host an annual event in partnership with the 737:
was held in San Francisco. It is the largest poetry slam competition event in the world, now held each year in different cities across the United States. The popularity of slam poetry has resulted in slam poetry competitions being held across the world, at venues ranging from
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Spoken-word poetry is typically more than a hobby or expression of talent. This art form is often used to convey important or controversial messages to society. Such messages often include raising awareness of topics such as: racial inequality, sexual assault and/or
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called "The First Citizens national Poetry Slam", formerly called "Verses". This organization also hosts poetry slams and workshops for primary and secondary schools. It is also involved in social work and issues.
259:) are convenient vehicles for conveying simple beliefs and cultural attitudes. "The hearing knowledge we bring to a line of poetry is a knowledge of a pattern of speech we have known since we were infants". 1717: 314:, who Ficowski discovered when he was following gypsy caravans on the road. Ficowski had her work translated and published, and she went on to become one of Poland's most iconic poets. 310:
tradition of spoken word. Though the vast majority of Polish-Romani people of that generation did not read or write, oral folk traditions were very strong. The most famous example is
622: 1486: 325:) who set themselves the task of developing minds capable of retaining and voices capable of communicating the treasures of their culture. The ancient Greeks included 446:
and helped increase the popularity of spoken word within African-American culture. Spoken word poetry entered into wider American culture following the release of
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Maya Angelou in 1993, 1995 and 2002. The rest of the Awards were for audiobooks to people such as Hillary Clinton, Jimmy Carter, and Michelle Obama.
1573: 626: 148: 438:'s "Cast Down Your Buckets" incorporated elements of oration that influenced the spoken-word movement within the African-American community. 1467: 321:, the spoken word was the most trusted repository for the best of their thought, and inducements would be offered to men (such as the 265:, which is kindred to performance art, is explicitly written to be performed aloud and consciously shuns the written form. "Form", as 1959: 1417: 618: 185:
and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings,
1483: 662:, the poetry group Ehalakasa, led by Kojo Yibor Kojo AKA Sir Black, holds monthly TalkParty events (collaborative endeavour with 1619: 467:
on New York's Lower Eastside was founded in 1973, and is one of the oldest American venues for presenting spoken-word poetry.
236:, a device to represent a thing or action by a word that imitates sound. "Speak again, Speak like rain" was how a poet of the 1373: 1291: 1645: 451: 208:. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on 112: 701:
giving platform to poets and other creatives. Poets like Elidior The Poet, Slimo, T-Maine are key members of this group.
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eye gradually gave body to poems through performance, and late in the 1950s reading aloud erupted in the United States."
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that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an
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and end-of-year events. This group has produced spoken-word poets including Mutombo da Poet, Chief Moomen, Nana Asaase,
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The oral tradition is one that is conveyed primarily by speech as opposed to writing, in predominantly oral cultures
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poets long before there were printing presses, poetry is primarily oral utterance, to be said aloud, to be heard."
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made personal use of spoken word over rock or symphonic music from the beginning of the 1970s in such albums as
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John Conteh-Morgan, John (1994), "African Traditional Drama and Issues in Theater and Performance Criticism",
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In the 1980s, spoken-word poetry competitions, often with elimination rounds, emerged and were labelled "
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helped maintain the tradition of poetry as spoken art in the early twentieth century. Composers such as
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of the 1960s. Spoken word in African-American culture drew on a rich literary and musical heritage.
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wrote about concerts that combined spoken word recitations with music, as demonstrated by actresses
1989: 1984: 182: 1320: 58: 814: 464: 419: 1442: 685: 562: 443: 415: 1954: 1546: 734: 479: 435: 431: 364: 144: 1766: 8: 971: 646: 638: 605:, spoken word has been mostly active on stage through the House of Hunger Poetry slam in 105: 1839: 1147: 1128: 442:
was a poetry and political music group formed during the 1960s that was born out of the
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Words in Your Face: A Guided Tour through Twenty Years of the New York City Poetry Slam
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and writers of the Harlem Renaissance were inspired by the feelings of the blues and
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In San Francisco in the late 1990s poet Royal Kent and composer Wendy Loomis formed
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Spoken-word poetry is often performed in a competitive setting. In 1990, the first
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is credited with starting the poetry slam in November 1984. In 1990, the first
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also spoke well, his meter accommodating his natural sentences. Poet laureate
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Megborna performing at the First Kvngs Edition of the Megborna Concert, 2019
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Ben Sisario, "Gil Scott-Heron, Voice of Black Protest Culture, Dies at 62"
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In 2003, the movement reached its peak in France with Fabien Marsaud aka
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Outside of the United States, artists such as French singer-songwriters
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Eliot, T. S. (1942), "The Music of Poetry" (lecture). Glasgow: Jackson.
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artists were inspired by poets such as Hughes in their word stylings.
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In the UK, musicians who have performed spoken-word lyrics include
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Some American spoken-word poetry originated from the poetry of the
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This article is about a performance art. For the 2009 film, see
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people, an East African people, described her verse to author
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The Songs in the Key of Black Life: A Rhythm and Blues Nation
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Drum and Whistle Languages: An Analysis of Speech Surrogates
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The American Heritage Guide to Contemporary Usage and Style
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Knight, Etheridge (1988). "On the Oral Nature of Poetry".
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Journal of Critical Studies in Language and Literature
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Poetry Slam: The Competitive Art of Performance Poetry
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also influenced spoken word. Notable speeches such as
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between 2002 and 2007. The poets associated with the
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that "poetry remains one person talking to another".
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The elocutionists: women, music, and the spoken word
336: 329:, which is similar to spoken-word poetry, in their 72:. Unsourced material may be challenged and removed. 1361: 1074: 942: 371:composed music to be combined with spoken words. 299:could be included in performances of the griots. 1946: 629:have supported the genre for a number of years. 1671:"Ehalakasa TalkParty Plus--Be There or Nowhere" 1248:. Minneapolis, Minnesota: Burgess. p. 10. 1145: 1101: 306:has studied and written extensively about the 274:epic poems was created for the founder of the 1675:Ehalakasa TalkParty Plus--Be There or Nowhere 1571: 1068: 1066: 996: 1643: 1522:"Grand Corps Malade - Biography | Billboard" 1345:Sleigh, Tom (Summer 1998). "Robert Pinsky". 1148:"'Projective Verse': Essay on Poetic Theory" 969: 951:(4–5). Abingdon: Taylor and Francis: 92–96. 522: 158:during the Surviving The Long Wars Triennial 1418:"Say It Loud: African American Spoken Word" 1412: 1410: 1126: 1259: 1257: 1255: 1221:The Gypsies in Poland: History and Customs 1063: 1782: 915: 619:Harare International Festival of the Arts 613:as well as the Charles Austin Theatre in 228:, appeals to the ear, an effect known as 132:Learn how and when to remove this message 1407: 1244:Bahn, Eugene; Bahn, Margaret L. (1970). 1243: 1218: 1212: 1129:"Three-minute poetry? It's all the rage" 1057:Orality and Literacy: Cultural Attitudes 909: 720: 684: 531: 143: 1765:Ekesa, Beatrice Jane (18 August 2020). 1590: 1574:"7 Great songs with Spoken Word Lyrics" 1314: 1312: 1263: 1252: 1106:. New York: Houghton Mifflin Harcourt. 895:. New York: Houghton Mifflin Harcourt. 884: 504:were active early in the 21st century. 14: 1947: 1484:"The History of Nuyorican Poetry Slam" 1344: 1338: 1281: 1095: 1072: 963: 890: 632: 536:Kenyan spoken word poet Mumbi Macharia 1764: 1698:. TheAfricanDream.net. 3 October 2012 1539: 1277: 1275: 193:, pianologues, musical readings, and 1617: 1435: 1388: 1382: 1353: 1318: 1309: 1237: 1024: 970:Kennedy, X. J.; Gioia, Dana (1998). 764:, and on social media sites such as 452:The Revolution Will Not Be Televised 70:adding citations to reliable sources 41: 1644:Somuah-Annan, Grace (16 May 2021). 1077:The Sounds of Poetry: A Brief Guide 1054: 1034:. Houghton Mifflin Harcourt. 2005. 24: 1832: 1360:O'Keefe Aptowicz, Cristin (2008). 1272: 1048: 173:that focuses on the aesthetics of 25: 2001: 1851: 573:being a forerunner of the genre. 1960:20th-century American literature 1932: 1920: 1908: 1896: 1884: 1872: 1591:Muchuri, Tinashe (14 May 2016). 1319:Hall, Donald (26 October 2012). 1127:Parker, Sam (16 December 2009). 337:Development in the United States 46: 1811: 1799: 1758: 1732: 1710: 1688: 1663: 1637: 1611: 1584: 1572:DeGroot, Joey (23 April 2014). 1565: 1514: 1504:"PSI FAQ: National Poetry Slam" 1496: 1477: 1460: 1422:Smithsonian Folkways Recordings 1300: 1199: 1186: 1173: 1158: 1139: 1120: 891:Hirsch, Edward (8 April 2014). 716: 181:, such as the performer's live 171:ancient oral artistic tradition 57:needs additional citations for 1368:. New York: Soft Skull Press. 1282:Kimber, Marian Wilson (2017). 1081:. Farrar Straus & Giroux. 1015: 990: 957:10.1080/00064246.1988.11412887 936: 623:Intwa Arts Festival KoBulawayo 212:, or the aesthetics of sound. 13: 1: 1618:Tigo, Joshua (22 July 2018). 1593:"Honour Eludes local writers" 1246:A History of Oral Performance 922:. New York: Riverhead Books. 878: 670:) and special events such as 609:, Mlomo Wakho Poetry Slam in 457:Small Talk at 125th and Lenox 1466:Sisario, Ben (28 May 2011), 7: 1389:Neal, Mark Anthony (2003). 1219:Ficowski, Jerzy J. (1989). 779: 745: 596: 156:Newberry Library in Chicago 10: 2006: 1264:Glazner, Gary Mex (2000). 1001:. New York: Random House. 755:, anti-bullying messages, 729:listen to the contestants. 482:took place in Fort Mason, 302:The poet and ethnographer 244:, confirming a comment by 215: 31: 1268:. San Francisco: Manic D. 1223:. Interpress Publishers. 1194:Oral Literature in Africa 1167:Oral Literature in Africa 973:An Introduction to Poetry 810:List of performance poets 668:National Theatre of Ghana 557:Histoire de Melody Nelson 527: 523:International development 1965:African-American culture 1205:Stern, Theodore (1957), 916:Hollander, John (1996). 704: 653: 1858:Poetry aloud – examples 1840:"5 Tips on Spoken Word" 1393:. New York: Routledge. 1209:, University of Oregon. 1170:, Open Book Publishers. 1164:Finnegan, Ruth (2012), 1146:Olson, Charles (1950). 1102:Hirsch, Edward (2014). 1073:Pinsky, Robert (1999). 1055:Ong, Walter J. (1982). 672:Ehalakasa Slam Festival 29:Type of performance art 1819:"Home - Button Poetry" 1808:Web. 28 November 2012. 1784:10.46809/jcsll.v1i3.23 1489:1 October 2011 at the 997:Dinesen, Isak (1972). 730: 690: 537: 518:https://copusmusic.com 420:Martin Luther King Jr. 270:One of the best known 159: 1321:"Thank You Thank You" 724: 688: 576: 535: 496:, which was aired on 450:'s spoken-word poem " 444:Civil Rights Movement 416:Civil Rights Movement 147: 1728:on 28 February 2021. 1547:"Grand Corps Malade" 815:Nuyorican Poets Café 735:National Poetry Slam 617:. Festivals such as 480:National Poetry Slam 465:Nuyorican Poets Café 436:Booker T. Washington 365:Ruth Crawford Seegar 66:improve this article 1510:on 29 October 2013. 1493:, Verbs on Asphalt. 1447:www.nsm.buffalo.edu 919:Committed to Memory 647:First Citizens Bank 639:Trinidad and Tobago 633:Trinidad and Tobago 1472:The New York Times 830:Performance poetry 731: 691: 643:NGC Bocas Lit Fest 571:Grand Corps Malade 563:Il n'y a plus rien 538: 385:Harlem Renaissance 263:Performance poetry 197:, and can include 165:is an oral poetic 160: 154:performing at the 18:Spoken word artist 1975:History of poetry 1806:Poetry Slam, Inc. 1746:. 6 November 2018 1526:www.billboard.com 1375:978-1-933368-82-5 1293:978-0-252-09915-1 1192:Finnegan (2012), 1181:Comparative Drama 945:The Black Scholar 893:A Poet's Glossary 742:to large stages. 664:Nubuke Foundation 474:". 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MacDowell Fellow
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Newberry Library in Chicago
performance art
ancient oral artistic tradition
recitation
word play
intonation
poetry slams
jazz poetry
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monologues
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