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790:. Like the SDC 200x the unit is made in Germany. SDC 2K Spirit DataCine uses three physical CCDs: red, green and blue. The optional RGB resolution independent Scream film grain reducer is now internal to the Datacine. The SDC 2K Spirit DataCine could be configured as just a data scanner output on a GSN fiber Optic with speeds up to 30 frame/s at 2K or just a video telecine (with a spatial processor) or both. The
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704:. It is able to color correct, re-size and grain reduce 2K DPX files in real time. Used in DI work and to make multiple video formats off one film transfer scan (HDTV, PAL, NTSC, Pan scan, letter box...). This was accomplished by playing the DPX files back through the Spirit Datacine's process electronics and a
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light source. Transfer speeds are up to: 15 frame/s @ 4K, 25 frame/s @ 2K, 44 frame/s @ 1K, 69 frame/s @ 0.5K, 96 frame/s @ 0.25K. Scanity LED light sources is variable and programmable. Like all the telecines above it uses a continuous motion capstan film transport. New for scanity is the use of an
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Spirit DataCine, that is similar to the SDC 2K Spirit DataCine and SDC 4K Spirit DataCine was introduced. The SDC HD can output HD and SDTV video from rack 2. As the spatial processor is now part of rack 2, eliminating the need for the many electronic cards in rack 3. The option Data interface output
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In 1999 the SDC 2001 replaced the SDC 2000, the SDC 2001 had the addition of an optional 6 vector resolution independent color corrector. An optional RGB resolution independent film grain reducer also became available for both the SDC 2000 and SDCs 2001 called the Scream film grain reducer. Scream
2011:
finance.yahoo.com, Industry-Pioneering Dot Hill Ultra48 Storage Array Now
Integrated With DFT Scanity for High-Performance 4K Video Applications, Industry's-First AssuredSAN Ultra48 Provides Multiple Hours of 4K Content and Addresses Demanding Performance Requirements of Lightning-Fast Scanity HDR
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This unit was never released for sale. This was the first HDTV telecine. The FLH-1000 was improved β redesigned and released as the SDC 2000 β Spirit DataCine. The
Scanning system and CCDs were made by Kodak in New York. FLH-1000 and Spirit DataCine were a joint effort between Philips and Eastman
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At NAB in April 2014 DFT introduced
Phantom 2. This software is for outputting the Spirit Datacine's DPX files. Phantom 2 Transfer Engine software runs on a Linux computer and is used to record the DPX files from a Spirit DataCine with a data option. These files are then stored on a storage area
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Line Array β CCD for imaging. In print mode a βwhiteβ light is shone through the exposed film image into a lens and then to prism, color glass separates out the image into the three primary colors, red, green and blue. Each beam of colored light is then projected at a different CCD, one for each
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ratio. The chroma CCD gave the unit high signal to noise ratio and the
Luminance CCD gave the unit its high bandwidth. Inside the Luminance CCD are 4 electrical CCDs. In side the Chrominace are 3 electrical CCDs: red, green and blue. With the data option the Spirit DataCine can be used as a
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Philips
Digital Video Systems, Eastman Kodak's Spirit DataCine, Awarded to Michael Broesamle, Uwe Braehler, Volker Massmann and Wolfgang Steinebach of Philips Digital Video Systems and Arthur J. Cosgrove, Andrew F. Kurtz, Roger T. Lees and Leslie G. Moore of Eastman Kodak for the design and
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On
September 5, 2011, DFT announced a new product Flexxity. Flexxity is a suite of software for a host of post-production applications. Flexxity can process DPX, R3D, ARRIRAW, QuickTime clips, stereoscopic 3D support with stereo color matching and parallax adjustments, left and right eye
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CCD channel for dirt mapping. Also new is large drum gate that give better performance with older film and the use of CCD camera to take pictures of the perf hole. The perf hole camera image is used for real time picture stabilization, thus no pins are used in the perf sprocket holes.
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Philips-BTS eventually evolved the FDL 60 into the FDL 90 in 1989 and then updated to the Quadra in 1993. These units were able to support super 35mm, super 16mm and super 8. The units were able to zoom and position the picture. The units outputted 4:4:4 digital video to feed a
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Lightning II film recorder was used to put the data output to back to film. To output the movie the Spirit
Datacine's Phantom Transfer Engine software running on an SGI computer is used to record the DPX files from the Spirit DataCine. These files are stored in the
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CCDs. Both had an optional Pal/NTSC switchable option. Both were 3/4 perf switchable. Many FDL-90 were updated to have the Quadra electronic circuit cards improvements. A true Quadra had a new capstan position closer to the film gate and with a blue color deck.
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and DPX files. File sizes for mastering has a max size of up to 14.3K horizontal and 10.7K vertical resolution. A 35mm gate is also available. File output can be DPX or TIFF 10 or 16 bit output. 65/70mm film is supoorted in both 5 perf and 15 perf.
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based primary, and secondary color-correction. It will work in multiple formats: SD, HD, or 2K-4K material and can ingest content from the Spirit DataCine or other devices like video tape or digital acquisition cameras. Bones can also be used in a
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Spirit 4K/2K/HD (2004) replaced the Spirit 2000 Datacine and uses both 2K and 4k line array CCDs. The SDC-2000 did not use a color prisms and/or dichroic mirrors, color separation was done in the CCD. DFT revealed its newest scanner at the 2009
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2010 Academy of Motion
Picture Arts and Sciences Award:β’ Technical Achievement Awards to Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up-table hardware device and color management
827:(4096) data scanning license, It can output 4k DPX files at 8 frames per second, SAN speed permitting. With the optional scaler the 4k CCD output could be used as an oversampled 2K output. The unit can also output 16 bit data.
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also made the Wiz color corrector for the FD60. About 568 FDL-60 telecines were manufactured from 1979 to 1989. FDL 60 were ordered in PAL or NTSC or Secam, a few were multi standard by changing a few electronic circuit cards.
1054:. POLAR HQ has: Touchless film handling, Optical Pin Registration, Visible shuttle, Dual & Triple HDR modes, Keykode, full edge-to-edge scans, Diffuse light source, optional (IR) Infrared and optional Audio pick system.
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In 2000 the Shadow telecine was demonstrated by
Philips. The Shadow (STE) is a Spirit DataCine without a Kodak front end (lens, optics and CCDs). This made for lower cost telecine transfers, good for SDTV and HDTV.
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CCDs for the image pickup. FDL60A released in 1979 used a 115 Volt lamp to light the film. The FDL60B released in 1982 added improved video quality features to the FDL60. The FDL60C released in 1987 used a
Fairchild
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all at once, HDR scanning can be done without reducing the speed of the scan transfer, so 4k can still be scanned at 15pfs and 2K at real time, 24 fps. Scanity HDR bring out more details in black and white film.
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The parts of a CCD scanner, like a FDL, Quadra, Shadow and SDC 2k-4k: (A) light source; (B) film plane; (C) & (D) prisms and/or dichroic mirrors; (E),(F) & (G) red-, green- and blue-sensitive CCDs.
531:. This was the first all digital noise reducer. The FDL 60 could operate stand alone or with a color grade system. Bosch made a scene by scene color corrector, model FRP 60, as an option for the FDL-60.
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this film. The operator of the unit is called a Colorist or Colorist Assistant. The Spirit DataCine has become the standard for high-end real-time film transfer and scanning. Over 370 units are used in
383:, wherein telecine tools were not just used for video outputs, but could now be used for high-resolution data that would later be recorded back out to film. The DFT Digital Film Technology, formerly
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to Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures.
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for Scanity 16mm and 35mm film in 2015. The film is run through a tank of fluid. This both hides surface scratches in the film and helps clean the film. Full immersion also eliminates the risk of
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ine. The FDL-60 uses a three CCD single-line array system, whereby three lines, Red Green Blue (RGB) each with 1,024 pixels per line to record a single line of the film image. FDL60A uses three
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image processing. The TDI CCDs have 4300 horizontal active pixels, and up to 96 TDI lines, with a 6ΞΌ pixel size. Scanity uses a continuous film transport servo system, using a capstan and a
618:(1920 Luminance and 960 Chrominace RGB) x 1556 RGB. The SDC 2000 Spirit DataCine uses two physical CCD, one for Chrominace and one for Detail/Luminance. The unit used two CCDs for improved
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In 2005 SDC 2K Spirit DataCine was demonstrated by Thomson's Grass Valley, The Scanning optic system are made by Kodak in NY. The CCD are made by Dalsa. SDC 2K has a full 2K (2048) RGB
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removal system or be outputted on a four IR channel for downstream dirt and dirt and scratch removal systems. Popular downstream dirt and scratch removal systems are PF Clean and
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888. The units also had an optional analog output. The film path was similar to the Spirit Datacine, but this was the only similarity. FDL 90 and Quadra used three Fairchild
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fiber Optic (up to 30 frame/s at 2K). GSN is also called HIPPI-6400 and was later renamed GSN (for Gigabyte System Network). The SAN hard disks are interfaces to by dual FC-
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fiber Optic has speeds up to 30 frame/s at 2K. Also a Color Graphical Control (GCP) panel now came standard and replaced the monochrome functional control panel (FCP).
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storage array. The Phantom Transfer Engine has been replaced with Bones software running on a Linux-based PC. First generation of DPX interface for data files was the
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itbusinessnet.com DFT Flexxity Archive, DFT Digital Film Technology Supports LATAM Market with Demonstrations of FLEXXITY Software at CAPER 2011 ,October 05, 2011
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The Scanity can be set to use just on edge of the perf sprocket hole. Scanity has a new optical audio scanning option for 16mm and 35mm, also 16 mag strip audio.
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A brief history of scanning and recording by C Glenn Kennel, director of technology for Cinesiteβs Film Scanning and Recording and Digital Mastering divisions.
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film grain reducer is a resolution independent three channel RGB grain reducer. Scream can be used on the Spirit DataCine and the VDC. Also in 2000 the first
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was the first digital intermediate film scanned on a Spirit DataCine. This process produced the mix of B&W and color pictures. A movie released in 2000,
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FDL 60-Progress in Film Scanning Using CCD Sensors and Digital Processing", D. Poetsch et al., `International Broadcast Engineer`, Jan. 1981, pp. 47β49.
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production process: ingest to a SAN, up to 30 frame/s β faster than real-time and make color-graded Dailies masters. It has an audio ingest, audio syncing,
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digitalcontentproducer.com A Brief History of Film-to-Tape: With DTV and HDTV-What's Next? (Part I), Feb 1, 1998 12:00 PM, D.W. Leitner, NewBay Media, LLC.
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POLAR HQ is a native 8K archive film scanner released in 2023. POLAR HQ is designed for new film and archive remastering film, able to putput both 4K and
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Lightning II film recorder was used to put the data output back to film. This process changed the greens to a green-yellow color for the complete film.
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Kurtz, Andrew F.; Kessler, David (February 1991). "Optical scanning system for a CCD telecine for HDTV". In Chang, Winchyi; Milch, James R. (eds.).
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dft-film.com, Scanity Wet Gating, Creating superb digital clones from damaged and scratched film materials, digital film technology, white paper
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1990, the Geoffrey Parr Award, from the Royal Television Society to Eastman Kodak, for the development of a high performance telecine for HDTV.
1108:. Sondor was founded in 1952 by Willy Hungerbuehler. Sondor is noted as inventing the standard for bi-phase interlocking pulse signals to
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and now is DFT Digital Film Technology introduced the world's first CCD telecine in 1979, the FDL-60. The FDL-60 was designed and made in
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appearing in the film optic path. The gate uses rollers, so the film is not at risk of scratches. At the gate exit, the film is dried.
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Dieter Poetsch, "A Digital CCD Telecine for HDTV", presented at the International TV Symposium in Montreux, Switzerland, June. 1989.
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studiodaily.com DFT to Launch Scanity HDR at NAB Film Scanner Will Include Real-Time 2K Triple-Exposure to Increase Dynamic Range
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digitalcontentproducer.com A Brief History of Film-to-Tape: With DTV and HDTV-What's Next? (Part I), Feb 1, 1998 by D.W. Leitner
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In 2003 the SDC 2002 replaced the SDC 2001, the SDC 2002 had the addition of being GSN data output ready. Data interface, GSN-
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was scanned with Spirit Datacine, color corrected with a VDC-2000 using a Pandora Int. Pogle Color Corrector with MegaDEF. A
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or sometimes a color bay. In a two years time span the Spirit DataCine took over the number one spot of telecines from Rank
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network. A Phantom 2 can replace a Phantom one or Bones ingest system. Data interface output uses infiniband fiber optic,
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Colour Correction system. This allowed the film to be scanned only once for all needed formats or be used on DI workflow.
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2009 Scanity Film Scanner was awarded the Outstanding Product Award in the Digital Film and Cinema category by BIRTV.
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were made for use on the FDL 90, later telecines and tape to tape use, models: DNR7, MNR9, MNR10, MNR11 and the VS4.
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Bones ingest was introduced in 2004 and was the replacement to PTE β Phantom Transfer Engine software that ran on a
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as partnered with Digital Film Technology to capture 4k DPX files at 15 frames per second. Scanity has an optional
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from 2.00 frames per second to 57.00 fps in SDTV and 2.00 to 31.00 fps in HDTV interlace format. With the optional
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system. A Spirit DataCine comes with a full function control panel that can be used for control and color grade.
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At NAB 2014 a new Phantom 2 transfer product was released, that runs on a Linux system, replacing Bones ingest.
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A Continuous-Motion Color Film Telecine Using CCD Line Sensors, by Dieter Poetsch, December 1, 1978 vol. 87
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platform. Ingest (Bones or PTE) software is used to transfer the DPX data files from the DataCine to a SAN.
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and a 24 volt light source. In 1983 an optional Grain Reduce was introduced by Bosch for the FDL-60, model
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facilities around the world. Most current film productions are transferred on Spirit DataCines for
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theiabm.org, DFT LAUNCHES NEW WETGATE TECHNOLOGY FOR ITS LATEST SCANITY HDR SCANNER, 11 March 2015
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dft-film.com,16 Plus, Supporting small film format gauges digital film technology, a white paper
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lens gate standard 16mm and Super 16 mm are supported. With the 16mm lens gate an optional
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1655:, Method of concealing scratch errors in a video signal derived from a film, by Volker Massmann
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2001:, OMNIMAGO Invests in SCANITY for New Production and Archive Scanning Projects, March 22, 2011
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synchronization and more. Flexxity has a unique fast image and audio synchronization feature.
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postproductionbuyersguide.com, BONES Dailies β Your Throughput Supercharged, February, 2009
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DFT successfully launches new Wet-gate technology for Scanity HDR Scanner, 12 May, 2015
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DFT Digital Film Technology β Manufacturer of CCD based telecines and data scanners
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Lees, Roger; et al. (October 1990). "High Performance CCD Telecine for HDTV".
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Scream film grain reducer a resolution independent three channel RGB grain reducer
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The Broadcast Bridge, DFT Returns to NAB Show with Patented WetGate, April 6,2016
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cinemalogue.com AMPAS Announces Scientific and Technical Awards, January 7, 2010
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included in the DVD release, on how he used the Spirit DataCine to transfer and
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are an option. The unit comes with select-a-speed, this gives the section of a
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colorist.org A review of Philips FLH-1000 and Spirit DataCine by John Dowdell
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sound. The unit can operate stand alone or be controlled by a scene by scene
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color. The CCD converts the light into an electrical signal that produces a
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gate: super 35 mm and academy 35 mm are supported. Also 2, 3, 4,
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non-linear post-production software system. Bones Dailies can control all
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on the motion picture would be picked up by a head and could be fed to an
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oscars.org 02/20/2010 The Scientific & Technical Awards Presentation
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DFT β Digital Film Technology revealed its new film scanner at the 2009
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scanner at up to a depth of 16 bits, released in 2022. Able to output
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in 2017. The new gate supports the many small film format gauges, like
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manufacture of the industry-standard high-definition digital telecine.
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Versa, telecine-scanner, optical sound scan: and Magnetic sound scan
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cables (up to 6 frame/s at 2K), the next generation interface is GSN-
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SDC-2000 Spirit DataCine Film Deck, Lens Gate and Local Control Panel
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1996 ITS (Imaging Technology and Sound), International Monitor Award
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At NAB in April 2014 DFT introduced the Scanity HDR. A Scanity with
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A Spirit DataCine outputting DPX files was used in the 2000 film
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system can be mounted in the capstan. All Spirit DataCines use a
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1998 American Cinematographer, Primetime Emmy Engineering Awards
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content-technology.com Spice Shop Thailand SCANITY, Dec 14, 2011
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Below the Line News Magazine, Scanity in Korea, October 12, 2010
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theasc.com, Β© 2003 American Cinematographer, DI by Debra Kaufman
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BTS Quadra Telecine Film Deck, Lens Gate and Local Control Panel
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kodak.com "Restoration of an impeccably preserved old negative"
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All Spirit DataCines use continuous transport motion, using a
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fiber Optic, rather than GSN, 2nd generation SDC 2K-SDC 4K.
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Kodak. Beta sites for the FLH-1000 were: Producers Color in
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as 2048 x 1556 RGB. The normal input data file standard is
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postproductionbuyersguide.com on Flexxity, October 5, 2011
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grassvalley.com Grassvalley, 50 years on the air, see 1979
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In 1999 Philips introduces the VDC-2000-Specter the first
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and a Pandora Int. Pogle Color Corrector with MegaDEF. A
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The Spirit DataCine opened the door to the technology of
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Digital Film Technology, Press release, December 9, 2016
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Film Maker.com, THOMSON SPIRIT DATACINE, Fri, 05/04/2007
1384:β Manufacturer of CCD based telecines and data scanners
1372:, Digital Intermediate Workflows Using DPX/Cineon Media
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color corrector, 2K or 2K Plus. Some are controlled by
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gate can be added. 16mm audio system also support 16mm
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Spirit DataCine Brings Unparalleled Film Image Quality
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Below the Line News Magazine, Scanity, April 26, 2011
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SDC-2000 Spirit DataCine Functional Control Panel-FCP
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Scanner Dot Hill Systems Corporation, August 6, 2014
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1996 IBC, International Broadcasting Editors Award,
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DFT has demonstrated and delivered a full immersion
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368:can reduce film grain in all three color channels.
357:if needed. The Spatial Processor also produces the
108:. One option is a Super 8 gate for the transfer of
2849:Cinematographer / director of photography
1605:Society of Motion Picture and Television Engineers
1550:Society of Motion Picture and Television Engineers
1160:National Academy of Television Arts & Sciences
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834:Spirit Datacine 2K β 4K β HD with the doors open
329:array. Spirit DataCines can output to different
92:used on older telecines. The units can transfer
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1382:dft-film.de β DFT Digital Film Technology GmbH
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1165:1997 Film and Video, 1997 Most Valued Product.
240:into a diffusion chamber to minimize dust and
3198:
2518:
2377:
1771:filmmaker.com THOMSON SHADOW HD TELECINE ROOM
757:A Shadow Telecine in a color correction suite
472:Bosch FDL 60 Telecine Film Deck and Lens Gate
436:, cables. The newest DPX output interface is
1981:Scanity and Sprit Datacine in a control room
401:. The DPX files were color corrected with a
2352:youtube SDC-2000 with old 35mm Nitrate Film
1290:
1176:Academy of Motion Picture Arts and Sciences
761:
723:
601:
451:Pogle, some with a their MegaDEF or a Pixi
2807:
2532:
2525:
2511:
2384:
2370:
1582:
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1576:
1574:
1572:
1570:
443:Most Spirit DataCines are controlled by a
2720:
1350:
1348:
1346:
1129:
1021:
838:
815:
781:
581:In 1994 the FLH-1000 was demonstrated by
458:
2290:dft-film.com Sept. 7, 2009 press release
2255:DFT, Sondor sound system for the Scanity
1628:
1626:
1624:
1529:New products, FDL60, page 528, July 1979
963:
903:
859:In 2007 Bones Dailies was introduced, a
829:
811:Spirit Datacine 4k with the doors closed
806:
772:
752:
740:
714:
686:
641:. The data files are often used in DI β
560:
467:
370:
361:, if needed for the format. An optional
18:
2172:bksts.com, on Phantom 2 and Scanity HDR
1567:
1516:hawtreecreek.com Spirit operations book
1100:. Sondor products were manufactured in
981:option. The Scanity can scan very dark
112:. With a sound pick up option, optical
3274:
1727:American Cinematographer A flex Finish
1343:
1184:Academy Scientific and Technical Award
823:Spirit DataCine but with the optional
2644:
2549:
2506:
2365:
1815:
1813:
1811:
1621:
1150:International Broadcasting Convention
203:. The Spirit DataCine is made by DFT
2391:
1926:DFT's SCANITY Audio Option Datasheet
1425:. Vol. 1448. pp. 191β205.
1393:
1140:National Association of Broadcasters
1096:(dft), completed the acquisition of
539:
68:option a Spirit DataCine can output
1005:
244:visibility. With the standard 35mm
13:
2645:
2550:
1999:Shoot online, SHOOT Publicity Wire
1808:
777:Spirit Datacine GCP, Control Panel
38:. This device is able to transfer
14:
3308:
3297:Audiovisual introductions in 1996
2320:
1937:Cinelicious Scanity Press release
1423:Camera and Input Scanner Systems
1168:1999 International Monitor Award
1122:Resonances, optical soundtrack
854:
696:Specter β VDC β Virtual DataCine
317:so it can then be recorded onto
102:intermediate film and print film
75:. The image pick up device is a
2305:
2294:
2283:
2270:
2266:highbeam.com 1996 Monitor Award
2259:
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1495:
1491:idsa.org, Pandora International
657:for the telecine is called the
82:. This eliminated the need for
1617:reocities.com FDL 60 home page
1484:
1473:
1414:
1387:
1375:
1363:
1328:
972:
606:In 1996 Philips, working with
1:
2357:Datacine workflow chart β jpg
1283:
1142:β NAB, Editorsβ Pick of Show.
1125:Sound system for the Scanity.
1066:
1853:DFT Bones Transfer and Mover
1337:Why we decided to re-master
1324:thameside.tv Spirit DataCine
1057:
926:Time Delay Integration (TDI)
804:that is connected to a SAN.
614:resolutions and approaching
333:standards: (NTSC or PAL) or
205:Digital Film Technology GmbH
7:
1194:
1115:to film. Current products:
1045:
1026:DFT has demonstrated a new
895:
625:motion picture film scanner
576:
569:A line of stand alone SDTV
36:motion picture film scanner
16:Motion picture film scanner
10:
3313:
3223:Computer-generated imagery
3028:Special effects supervisor
2876:Digital imaging technician
2347:youtube tour of a SDC-2000
1749:cinematography.net D6 Test
979:High-dynamic-range imaging
912:
676:O Brother, Where Art Thou?
398:O Brother, Where Art Thou?
62:High-definition television
3240:
3160:
3079:
3041:
3033:Visual effects supervisor
3018:
2928:
2839:
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2399:
1087:
797:are outputted to a Bones
736:
484:Div., which later became
463:
60:standards or one of many
2953:Utility sound technician
2472:Super-resolution imaging
1232:Direct to Disk Recording
762:SDC 2002 Spirit DataCine
724:SDC 2001 Spirit DataCine
645:post-production using a
602:SDC 2000 Spirit DataCine
116:can be reproduced, also
3253:Unit still photographer
2938:Director of audiography
2667:Unit production manager
2197:OXScan 14K Spec Sheet,
1094:Digital Film Technology
517:Fairchild Semiconductor
492:Digital Video Systems,
297:Spirit DataCines use a
181:In-flight entertainment
2943:Production sound mixer
2672:Production coordinator
1831:DFT Bones Dailies Page
1130:Spirit DataCine Awards
1022:Scanity 16 Plus β S8mm
1012:wet-transfer film gate
969:
909:
839:SDC HD Spirit DataCine
835:
816:SDC 4K Spirit DataCine
812:
782:SDC 2K Spirit DataCine
778:
758:
746:
720:
692:
566:
473:
459:Background and history
376:
353:changes, also product
24:
3287:Television technology
3213:Visual effects editor
3208:VFX creative director
2677:Production accountant
2327:Facebook Scanity page
2147:POLAR HQ Spec sheet,
2045:kodak.com Digital ICE
2023:Scanity Facebook page
1804:Grassvalley Home Page
1267:Pandora International
968:DFT Scanity Film Deck
967:
907:
833:
810:
776:
756:
744:
718:
706:Pandora International
690:
564:
471:
449:Pandora International
381:digital intermediates
374:
299:charge-coupled device
274:mag or magnetic strip
80:charge-coupled device
22:
3132:Intimacy coordinator
2702:Production assistant
2337:History of Telecines
1587:History of Telecines
1092:On December 9, 2016
643:digital intermediate
571:Noise/Grain Reducers
323:Storage area network
197:digital intermediate
161:Satellite television
64:standards. With the
2896:Lighting technician
2752:Production designer
1431:1991SPIE.1448..191K
1355:HDTV Magazine.com,
955:IR dirt and scratch
843:In 2007 the SDC HD
820:Same as the SDC 2K
118:16mm magnetic strip
114:16mm and 35mm sound
47:motion picture film
3190:Technical director
2963:Re-recording mixer
2692:Script coordinator
2682:Assistant director
2621:Executive producer
2445:Special processing
1986:2010-12-06 at the
1902:2009-06-18 at the
1592:2009-08-25 at the
1252:Hard disk recorder
997:. With the use of
995:digital processing
970:
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153:Digital television
25:
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3127:Acting instructor
3102:Movement director
2891:Best boy electric
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2730:Storyboard artist
2687:Script supervisor
2636:
2635:
2500:
2499:
2487:Pixel art scaling
2452:Film colorization
1527:journal.smpte.org
928:line sensors and
540:FDL 90 and Quadra
478:Robert Bosch GmbH
193:Film preservation
3304:
3196:
3195:
3000:Music supervisor
2805:
2804:
2764:Costume designer
2718:
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2707:Location manager
2697:Casting director
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2578:Supporting actor
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1480:DFT Scanity Page
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1450:
1439:10.1117/12.45358
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1217:Da Vinci Systems
1006:Scanity wet-gate
993:, using special
947:Dot Hill Systems
874:virtual telecine
768:Gigabit Ethernet
702:virtual telecine
551:Da Vinci Systems
533:Da Vinci Systems
445:Da Vinci Systems
430:Gigabit Ethernet
412:virtual telecine
355:interlaced video
309:signal which is
157:Cable television
136:documentary film
3312:
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3147:Stunt performer
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3020:Special effects
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2958:Dialogue editor
2924:
2854:Camera operator
2831:
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2794:Property master
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2588:Character actor
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2056:DFT Scainty HDR
2054:
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2017:
2009:
2005:
1997:
1993:
1988:Wayback Machine
1979:
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1594:Wayback Machine
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1402:(10): 837β843.
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999:triple exposure
985:film with more
983:black-and-white
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764:
745:Shadow telecine
739:
726:
698:
669:The 1998 movie
620:Signal to Noise
604:
579:
547:color corrector
542:
466:
461:
311:color corrected
270:Super 8 mm film
252:are supported.
165:Direct-to-video
145:post-production
122:color corrector
110:Super 8 mm film
28:Spirit DataCine
17:
12:
11:
5:
3310:
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3299:
3294:
3292:Video hardware
3289:
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2799:Weapons master
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2779:Make-up artist
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2712:Location scout
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2659:Pre-production
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2647:Below the line
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1562:Google Patents
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345:or make other
288:mixing console
225:. An optional
201:digital cinema
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2961:
2959:
2956:
2954:
2951:
2949:
2948:Boom operator
2946:
2944:
2941:
2939:
2936:
2935:
2933:
2931:
2927:
2919:
2916:
2914:
2911:
2909:
2908:Best boy grip
2906:
2905:
2904:
2901:
2897:
2894:
2892:
2889:
2888:
2887:
2884:
2882:
2879:
2877:
2874:
2870:
2867:
2865:
2862:
2860:
2857:
2856:
2855:
2852:
2850:
2847:
2846:
2844:
2842:
2838:
2828:
2827:Scenic design
2825:
2823:
2820:
2818:
2817:Matte painter
2815:
2814:
2812:
2810:
2806:
2800:
2797:
2795:
2792:
2790:
2787:
2785:
2784:Set decorator
2782:
2780:
2777:
2775:
2772:
2770:
2767:
2765:
2762:
2758:
2755:
2754:
2753:
2750:
2749:
2747:
2741:
2731:
2728:
2727:
2725:
2723:
2719:
2713:
2710:
2708:
2705:
2703:
2700:
2698:
2695:
2693:
2690:
2688:
2685:
2683:
2680:
2678:
2675:
2673:
2670:
2668:
2665:
2664:
2662:
2660:
2656:
2652:
2648:
2643:
2639:
2627:
2626:Line producer
2624:
2622:
2619:
2618:
2617:
2616:Film producer
2614:
2612:
2609:
2607:
2606:Film director
2603:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2583:Ensemble cast
2581:
2579:
2576:
2574:
2573:Leading actor
2571:
2569:
2566:
2565:
2564:
2561:
2560:
2557:
2553:
2548:
2544:
2539:
2535:
2528:
2523:
2521:
2516:
2514:
2509:
2508:
2505:
2493:
2490:
2488:
2485:
2483:
2480:
2478:
2477:Video matting
2475:
2473:
2470:
2468:
2465:
2463:
2462:Color grading
2460:
2457:
2453:
2450:
2449:
2447:
2443:
2437:
2434:
2432:
2429:
2427:
2426:Deinterlacing
2424:
2420:
2417:
2416:
2415:
2412:
2410:
2407:
2406:
2404:
2402:
2398:
2394:
2387:
2382:
2380:
2375:
2373:
2368:
2367:
2364:
2358:
2355:
2353:
2350:
2348:
2345:
2343:
2340:
2338:
2335:
2333:
2330:
2328:
2325:
2324:
2313:
2308:
2302:
2297:
2291:
2286:
2278:
2273:
2267:
2262:
2256:
2251:
2245:
2240:
2234:
2229:
2223:
2218:
2212:
2207:
2201:
2200:
2193:
2187:
2186:
2179:
2173:
2168:
2162:
2161:DFT Phantom 2
2157:
2151:
2150:
2143:
2137:
2136:
2129:
2123:
2118:
2112:
2107:
2101:
2096:
2090:
2085:
2079:
2074:
2068:
2063:
2057:
2052:
2046:
2041:
2035:
2030:
2024:
2019:
2013:
2007:
2000:
1995:
1989:
1985:
1982:
1977:
1971:
1966:
1960:
1955:
1949:
1944:
1938:
1933:
1927:
1922:
1916:
1911:
1905:
1901:
1898:
1893:
1887:
1882:
1876:
1871:
1865:
1860:
1854:
1849:
1843:
1838:
1832:
1827:
1821:
1816:
1814:
1812:
1805:
1800:
1794:
1793:DFT Spirit 2k
1789:
1783:
1778:
1772:
1767:
1761:
1756:
1750:
1745:
1739:
1734:
1728:
1723:
1717:
1712:
1703:
1697:
1692:
1686:
1681:
1672:
1666:
1661:
1654:
1649:
1640:
1634:
1629:
1627:
1625:
1618:
1613:
1606:
1601:
1595:
1591:
1588:
1583:
1581:
1579:
1577:
1575:
1573:
1571:
1563:
1558:
1551:
1546:
1540:
1535:
1528:
1523:
1517:
1512:
1510:
1503:
1502:Pogle picture
1498:
1492:
1487:
1481:
1476:
1468:
1456:
1448:
1444:
1440:
1436:
1432:
1428:
1424:
1417:
1409:
1405:
1401:
1397:
1396:SMPTE Journal
1390:
1383:
1378:
1371:
1366:
1360:
1359:June 25, 2001
1358:
1351:
1349:
1347:
1340:
1339:The Civil War
1336:
1331:
1325:
1320:
1318:
1316:
1314:
1312:
1310:
1308:
1306:
1304:
1302:
1300:
1298:
1296:
1294:
1289:
1278:
1277:Telerecording
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1253:
1250:
1248:
1245:
1243:
1242:Film industry
1240:
1238:
1235:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1208:
1207:Color grading
1205:
1203:
1200:
1199:
1188:
1185:
1181:
1180:Academy Award
1177:
1173:
1170:
1167:
1164:
1161:
1157:
1153:
1151:
1147:
1144:
1141:
1137:
1134:
1133:
1124:
1121:
1118:
1117:
1116:
1114:
1111:
1107:
1103:
1099:
1095:
1085:
1082:
1078:
1074:
1064:
1055:
1053:
1052:8K resolution
1043:
1041:
1037:
1033:
1029:
1019:
1017:
1013:
1003:
1000:
996:
992:
988:
987:dynamic range
984:
980:
966:
962:
960:
956:
952:
948:
943:
940:
935:
931:
927:
924:Scanity uses
923:
920:
906:
902:
890:
887:
883:
879:
878:
877:
875:
870:
866:
862:
855:Bones Dailies
852:
850:
847:is now using
845:
832:
828:
826:
822:
809:
805:
803:
800:
796:
793:
789:
775:
771:
769:
755:
751:
743:
734:
732:
717:
713:
711:
707:
703:
689:
682:
678:
677:
672:
671:Pleasantville
668:
667:
666:
664:
660:
656:
652:
648:
647:film recorder
644:
640:
636:
633:
630:
626:
621:
617:
613:
609:
599:
597:
593:
589:
584:
574:
572:
563:
559:
556:
552:
548:
537:
534:
530:
526:
521:
518:
514:
510:
506:
502:
498:
495:
491:
487:
483:
479:
470:
456:
454:
453:color grading
450:
446:
441:
439:
435:
434:Fibre Channel
431:
427:
424:
423:optical fiber
420:
417:
413:
408:
404:
400:
399:
393:
391:
386:
382:
373:
369:
367:
366:grain reducer
364:
360:
356:
352:
348:
344:
340:
336:
332:
328:
324:
320:
316:
312:
308:
305:
300:
295:
293:
289:
286:
283:
279:
275:
271:
267:
263:
259:
255:
251:
247:
243:
239:
235:
231:
228:
227:optical audio
224:
221:
218:and constant
217:
212:
210:
206:
202:
198:
194:
190:
186:
185:Stock footage
182:
178:
174:
170:
166:
162:
158:
154:
150:
146:
141:
137:
133:
132:
131:The Civil War
127:
123:
119:
115:
111:
107:
103:
99:
95:
94:negative film
91:
88:
85:
81:
78:
74:
71:
67:
66:data transfer
63:
59:
56:
52:
48:
45:
41:
37:
33:
29:
21:
3175:Sound editor
3142:Stunt double
3137:Stage combat
3117:Talent agent
3087:Acting coach
3010:Orchestrator
3005:Music editor
2968:Foley artist
2859:Focus puller
2757:Art director
2611:Screenwriter
2482:Uncompressed
2307:
2296:
2285:
2272:
2261:
2250:
2239:
2228:
2217:
2206:
2199:dft-film.com
2198:
2192:
2185:dft-film.com
2184:
2183:OXScan 14K,
2178:
2167:
2156:
2149:dft-film.com
2148:
2142:
2135:dft-film.com
2134:
2128:
2117:
2106:
2095:
2084:
2073:
2062:
2051:
2040:
2029:
2018:
2006:
1994:
1976:
1965:
1954:
1943:
1932:
1921:
1915:DFT Products
1910:
1892:
1881:
1870:
1859:
1848:
1837:
1826:
1799:
1788:
1777:
1766:
1755:
1744:
1733:
1722:
1711:
1702:
1691:
1680:
1671:
1660:
1648:
1639:
1612:
1600:
1557:
1545:
1534:
1522:
1497:
1486:
1475:
1422:
1416:
1399:
1395:
1389:
1377:
1365:
1356:
1338:
1330:
1227:Digital film
1091:
1070:
1061:
1049:
1032:Super 8 film
1028:16 Plus gate
1027:
1025:
1009:
976:
944:
916:
899:
858:
842:
819:
785:
765:
748:
727:
699:
674:
655:control room
605:
580:
568:
554:
543:
528:
524:
519:
512:
508:
504:
497:Grass Valley
475:
442:
396:
394:
385:Grass Valley
378:
362:
359:2:3 pulldown
347:aspect ratio
339:pan and scan
296:
238:illumination
213:
204:
177:pay-per-view
173:Blu-ray Disc
129:
27:
26:
3170:Film editor
3092:Body double
2973:Voice foley
2881:Second unit
2841:Photography
2822:Illustrator
2809:Visual arts
2789:Set dresser
2774:Hairdresser
2743:Production
2598:Cameo actor
2568:Voice actor
1897:DFT Scanity
1864:Bones specs
1212:Color suite
1106:Switzerland
1040:9.5 mm film
973:Scanity HDR
959:Digital ICE
802:workstation
731:D6 HDTV VTR
659:color suite
627:outputting
392:, Scanity.
262:film speeds
256:8-perf and
254:VistaVision
211:, Germany.
87:vacuum tube
77:solid state
3276:Categories
3248:Swing gang
3218:Compositor
3152:Under-five
2913:Dolly grip
2722:Storyboard
2538:filmmaking
2436:Deflicking
2419:Comparison
2409:Deblocking
2233:Resonances
2133:POLAR HQ,
1820:DFT SDC-4k
1760:DFT Shadow
1284:References
1247:Film stock
1237:Film Chain
1156:Emmy Award
1154:1997β1998
1077:70 mm film
1067:OXScan 14K
989:and lower
921:, Scanity.
849:infiniband
795:data files
788:resolution
733:is shown.
635:data files
438:infiniband
319:video tape
290:or to the
234:xenon lamp
149:Television
134:, a short
73:data files
58:television
3228:Rendering
3043:Animation
2990:Subtitles
2869:Steadicam
2769:Greensman
2593:Bit actor
2534:Film crew
2467:Film look
2431:Denoising
1465:ignored (
1455:cite book
1447:140645360
1370:Apple.com
1262:Kinescope
1257:HDTV blur
1190:software.
1073:65mm film
1058:Phantom 2
1036:8 mm film
592:Channel 4
549:like the
501:Darmstadt
494:Thomson's
419:hard disk
343:letterbox
327:hard disk
304:modulated
209:Darmstadt
126:Ken Burns
98:primetime
3185:Animator
3180:Colorist
3122:Stand-in
3061:Modeling
3051:Animator
2995:Composer
2903:Key grip
2492:Telecine
2414:Resizing
2034:PF Clean
1984:Archived
1900:Archived
1590:Archived
1195:See also
1102:Zollikon
1046:POLAR HQ
951:Infrared
939:infrared
919:NAB Show
896:Flexxity
651:film-out
583:BTS inc.
577:FLH 1000
486:BTS inc.
414:or on a
403:VDC-2000
390:NAB Show
351:rotation
140:remaster
128:created
32:telecine
3066:Rigging
2980:Dubbing
2456:tinting
2454: (
1427:Bibcode
1016:bubbles
913:Scanity
869:ASC CDL
865:dailies
710:MegaDef
653:. The
588:Detroit
555:CCD 181
529:FDGR 60
525:CCD 134
520:CCD 133
511:igital
490:Philips
482:Fernseh
242:scratch
230:pick up
223:tension
216:capstan
189:Dailies
3080:Talent
2886:Gaffer
2745:design
1445:
1202:Cintel
1098:Sondor
1088:Sondor
876:mode.
737:Shadow
663:Cintel
596:London
464:FDL 60
363:Scream
276:sound
258:6 perf
34:and a
3241:Other
3112:Extra
2930:Sound
2563:Actor
2222:Versa
1443:S2CID
1174:2010
1138:1996
1113:sound
991:noise
861:Linux
799:Linux
681:Kodak
608:Kodak
426:HIPPI
407:Kodak
325:-SAN
321:or a
315:sized
307:video
285:sound
282:audio
278:track
106:stock
84:glass
30:is a
2918:Grip
1467:help
1182:for
1110:sync
1081:TIFF
1075:and
1038:and
930:FPGA
886:IRIX
649:for
612:HDTV
590:and
507:ilm
476:The
349:and
335:HDTV
313:and
266:16mm
250:perf
246:lens
236:for
220:film
199:and
90:CRTs
51:NTSC
44:35mm
42:and
40:16mm
2985:ADR
1435:doi
1404:doi
1335:PBS
934:LED
882:SGI
792:DPX
708:'s
639:DPX
632:DPX
594:in
416:SAN
292:VTR
207:in
169:DVD
70:DPX
55:PAL
53:or
49:to
3278::
1810:^
1623:^
1569:^
1508:^
1459::
1457:}}
1453:{{
1441:.
1433:.
1400:99
1398:.
1345:^
1292:^
1178::
1104:,
1042:.
1034:,
961:.
884:β
825:4k
665:.
629:2K
616:2K
598:.
488:β
480:,
440:.
341:,
331:TV
294:.
195:,
191:,
187:,
183:,
179:,
175:,
171:,
167:,
163:,
159:,
155:,
151:,
124:.
104:,
100:,
96:,
2540:)
2536:(
2526:e
2519:t
2512:v
2458:)
2385:e
2378:t
2371:v
1469:)
1449:.
1437::
1429::
1410:.
1406::
513:L
509:D
505:F
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
