Sorcerer (film) - Knowledge

1634:] down in front of an elevated train" for Friedkin. The director stated Scheider at times was "impossible to talk to" and completely indifferent towards any of his suggestions. He summarized the experience by saying the arduous production schedule and difficult conditions in the Dominican Republic were most likely the reasons behind their difficult relationship. Likewise, Scheider also had his reservations about the work with Friedkin, on the one hand praising him as "extraordinarily gifted filmmaker, who told stories with pictures and shot beautifully" but despite his erudition, he was marred with distrusting attitude which made everyone around him very tense. According to Diane Kachmar, Friedkin believed that he inspired others to achieve great results, but Scheider did not favor such working conditions. However, Scheider also admitted that only a director of Friedkin's stature could have persuaded him to perform all the life-threatening scenes he did, and added that upon seeing the 1378:. He was friends with the film editor, Bud Smith, who recalls Ekins being "as cool as cucumber". In some cases stuntmen were employed throughout the making of the film but generally speaking the principal actors acted as their own doubles and were actual truck drivers. For instance, since Roy Scheider's character Jackie Scanlon was meant to be a mob's wheelman, he had to undertake a special preparation for maneuvering a vintage truck with the purpose of gaining the necessary driving skills. He summarized the experience as "rehearsing to stay alive". Scheider has emphasized that no rear-screen projection or any other kinds of "trick photography" were used, due to the distance between the cameras, the vehicles and the surrounding terrain. In a 1977 interview for 547:

process. The team is forced to use one of the boxes of dynamite to destroy a massive fallen tree blocking their path. The rough terrain on a cliff-side road causes Kassem and Victor's truck to blow a tire, sending the truck over the cliff; it explodes and kills the pair. When Nilo and Jackie stop at the scene of the destruction, bandits surround them in an attempted robbery. They kill the bandits but Nilo is mortally wounded, soon dying from his injuries. Now alone, Jackie struggles to stay sane, overwhelmed by hallucinations and flashbacks. When his truck's engine dies just two miles short of the destination, he is forced to carry the remaining dynamite on foot. Once he finally reaches his destination, he collapses from exhaustion.

2482:), a joint venture between Universal and Paramount specifically established for overseas distribution. This version opens in the village with the drivers already present, and ends with the delivery of explosives. The cuts were made by the international distributor Cinema International Corporation, without Friedkin's consent in order to obtain more screenings. Friedkin referred to this cut as a "mutilated" version of his work. The opening vignettes are somewhat retained, albeit heavily shortened and inserted as flashbacks. Although the European cut is shorter, there are almost sixteen minutes of unique footage not shown in the original American theatrical version. 1369:. However, a part of the population offered help to finish the structure. Ultimately, this river also became stricken with drought, which forced the application of some practical effects to complete the scene. In order to create artificial rain, Friedkin employed sewage pumps draining water from the river and diverting it to a sprinkler system. This scene alone, which lasts 12 minutes, took several months to complete and cost approximately three million dollars. The director has claimed that during this sequence, the truck teetering against the ropes actually tipped over into the river several times, causing numerous retakes. 476:, where he is accused of fraud, Victor is given 24 hours to provide collateral so the charges can be dropped. Victor meets his business partner and brother-in-law, Pascal, and they quarrel; Victor insists that Pascal contact his father for financial assistance. Victor dines with his wife and her friend in a glamorous restaurant; he later receives a message from a butler that Pascal is waiting outside. When he learns that Pascal's father has refused to help, Victor is adamant that they try again. He walks his partner to a car, but Pascal commits suicide. Faced with impending doom, Victor leaves both his wife and the country. 2486:

interested in applying those changes, offering his cooperation. Jim Clark was reportedly assured by Fields that Friedkin permitted changes, but was very suspicious about the authenticity of this claim. Therefore, Clark wrote an indemnity preventing Friedkin from any form of interference. Some additional dialogue written by Clark and Ken Levinson was later dubbed in. The studio did not possess the original work print; hence it was forced to work on the combined print. Jim Clark said the cut was "at best, passable" and was of the opinion that if he "had left Friedkin's version alone, it would have had exactly the same fate."

1778:, Froese called Friedkin back and asked for video material to be worked on, but Friedkin suggested the band create the score based solely on their impressions of the script, without seeing a single minute of video footage. After initially meeting in Paris, Froese reports Friedkin was delighted with their work; Froese added that they "never had to change anything on that score" and summarized their involvement as "the most uncomplicated work we did for Hollywood". Upon receiving the commissioned audio material, Friedkin was inspired to edit the film according to the music, which he received in a raw, unabridged form. 1347:, contains a scene involving a car crash. It took twelve takes and approximately ten days to achieve what Friedkin intended. The director recalls the sequence as seemingly "impossible to shoot", having involved several stuntmen from New York, the crew wrecked seven vehicles over the course of a week, without satisfying the director's intents. Friedkin then put himself in the passenger seat to evaluate the negative aspects of the scene's execution. The director became fed up with the situation and decided to listen to David Salven, the line producer, who suggested that they employ a well-known specialist, 1343:

soldier, who positioned himself too close to explosives which resulted in injuries. However, after an hour the director ordered a second take, being adamant about the previous accident. Dimitri praised Friedkin's craftmanship by saying that "when you watch the movie and everything gets obliterated, you can't even tell if it's the first or second take". Moreover, during the realization of the sequence, an actual bombing took place in the vicinity, which prompted Friedkin to capture additional footage which in his opinion added "a documentary reality". The fourth prologue vignette, taking place in

538:. Since the only available dynamite has been improperly stored in a remote depot, the nitroglycerin contained inside has become highly unstable; the faintest vibration could cause an explosion. With all other means ruled out, the only way to transport it the 218 miles (351 km) is to use trucks. The company seeks four drivers to man two vehicles. Kassem, Victor, Jackie and 'Marquez' are offered the job, but they have to assemble the trucks using scrap parts. Shortly before their departure, Nilo kills and replaces 'Marquez', which angers Kassem. 1351:., whom Friedkin described as "short, stocky, part Indian, self-assured, and fearless". After Friedkin supplied him with all the necessary information about the set's infrastracture, Chitwood meticulously analyzed the surroundings himself, and ordered the special effects technicians to construct a forty-feet long slanted ramp which would allow him to "drive the car at top speed on two wheels, flip it in midair, and crash into a fire hydrant". The construction took three days, and the stunt was successful during its very first take. 794:(both the novel and the first film adaptation) seemed to him a metaphor for "the world full of strangers who hated one another, but if they didn't cooperate, if they didn't work together in some way, they would blow up." Walon Green, the screenwriter, said that he and Friedkin "wanted a cynical movie where fate turns the corner for the people before they turn it themselves". Additionally, their intention was to "write a real movie about what we thought was the reality of Latin America and the presence of foreigners there today". 2873:, Bryan McMahan, Friedkin's collaborator since 1994. In addition, Friedkin also confirmed there would be DVD and Blu-ray disc releases. Friedkin also stated that Warner Bros. financed the restoration, and that the distribution rights would be split between Paramount for theatrical, Warner Bros. for home and streaming media, and Universal for television. According to Friedkin, making of the new print was to commence in June, 2013. The director described his efforts to restore and re-release 1584:, Mexico, where the suspension bridge scene was filmed, an undercover federal agent informed Friedkin that several of his crew members, including grip crew men, stuntmen and a makeup artist, were in the possession of drugs and were urged to leave the country or face prison sentences. It reportedly took two weeks to replace the crew workers. Besides internal on-set conflicts, Friedkin, cited by Mucci, said that approximately fifty people "had to leave the film for either injury or 1497: 1428: 2535:

counterpart is simply a reissued version of the previous DVD release, and has not been authorized by Friedkin, who himself disowned it, and advised to avoid purchasing it. Furthermore, the director announced that he would supervise the remastering process for its proper DVD re-release, which hit US stores in August. In the US Blu-ray had no extra features, but was accompanied by a booklet with production stills and an excerpt of Friedkin's memoir

900:. The story outline was created by both Friedkin and Green, and the script was finished in four months. Gerard Murphy, who portrayed the head of the Irish gang during the Elizabeth church robbery, was a real-life criminal involved in a similar heist. Friedkin utilized details from Murphy's stories and used them as an inspiration. The remaining members of the gang were "nonactors but part of Gerry's world", including one IRA member. 1226:

himself admitted that he believes in neither. Thus, he envisioned all four principal characters to be anti-heroes and "hard to 'root for'". Friedkin felt very confident about himself at the time, thinking he was "bulletproof nothing was going to stop ", and felt he "could take an audience through this with not the most likable people on Earth." The director also stated that the line "action is character" from

2241:(September 1977) at the time of release, has since reconsidered his initial thoughts and added an afterword in 2010 where he admits he now "read it with embarrassment" and now recognizes elements he previously identified as "inconclusive" as aspects of "Friedkin's narrative economy, visceral impact, and avoidance of visual cliché"; he closed his remarks that his view was a gradual and a long process. 2188:"a good little melodrama surrounded by pulp" and praised Scheider's and Cremer's performances, which he thought were "extremely good"; Scheider brought "the dominant note of reckless desperation". On the other hand, he thought the picture "should have been much, much tighter and less cinematically grand." In addition, he thought the movie would benefit from a different title to separate itself from 505:

Everyone is killed but Jackie, who escapes with serious injuries. The wounded priest turns out to be the brother of Carlo Ricci, an Italian Mafia kingpin who also controlled the flow of money in the church and is determined to kill Jackie at all costs. Jackie meets with his friend Vinnie, who reveals his fate and finds a suitable place for him to escape. The only option Jackie has is to agree.

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person Friedkin could not drop, as he was the leading actor. David Salven, initially chosen as a line producer, had to quit for personal reasons, as he was facing the possibility of a divorce. Friedkin regretted this situation, as he praised Salven greatly for his previous contributions to his movies. He was replaced by Ian Smith, whom the director described as "experienced and efficient". In

2688:"have few equivalents in Hollywood after the 1970s". Furthermore, he states that the last favorable year for New Hollywood was 1976, and "socially critical, stylistically adventurous cinema" would soon be substituted by "ideologically and formally conservative work" of directors like Steven Spielberg and George Lucas. The critic holds the opinion that several financial fiascoes, including 619:

the last-minute replacement for "Marquez" as one of the truck drivers. He is hated by Kassem and initially disliked by Scanlon. Despite having an occasion to star in a Hollywood movie, which was the actor's dream, Rabal was slightly disappointed with the movie's international scope and said, " my life, I wanted to make a 'Hollywood' movie hen I finally did, it was filmed in

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had become completely dry, despite the assurance of local engineers that there had not been any recorded fluctuations in water level during the dry season. Studio executives suggested Friedkin devise a less sophisticated scene, but instead he continued to realize his vision in different locations. Thus, John Box went to scout locations in Mexico and found that the

1766:. The band seemed to him "on the cutting edge of the electronic synthesizer sound" that soon would become a staple in mainstream culture. He assessed their music as a mixture of classical music played on synthesizers and "the new pop sound", and described the experience as "mesmerizing". In an interview for Evolution Garden Music Award, 913:, such as Alex Peterson, who thought both movies are notable for their "ability to create a truly threatening atmosphere out of a lush jungle location, and for asking the dubiously pertinent question of what greed and crazy determination might bring to men." This connection was explored further in Friedkin's 2013 memoir, 2816:, and he was trying to locate it, noting difficulties related to obtaining the print as the studio no longer possessed an adequate capacity to deal with the matter, and off-shore companies involved in the legal matters were now greatly reduced in staff. He said that was why acquiring the film's print was time-consuming. 2462: 612:. He speaks French, English, and German. Throughout the film, he "assumes a take-charge attitude" and stands for a "voice of discipline and reason" as well negotiates the salary with Corlette on behalf of Scanlon, Nilo and Kassem, demanding double what was originally offered, in concert with legal residence. 2366:

is to me one of the greatest movies ever made... The bridge scene is just one of the great suspense moments in cinema. It's one of the great filming of sequences. The imagery itself, the editing." However, Tarantino also said that the casting of Roy Scheider in the lead role was a flaw: "He's not bad

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over a period of three months, and it required $ 1 million to complete. However, as soon as it was finished, Friedkin's crew faced a problem of abnormally low rainfall. During the construction process, the river's water level decreased dramatically, and by the time the bridge was assembled, the river

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who portrayed themselves in the pursuit scenes. The mock explosion that occurred during the Jerusalem scenes had such power that it broke a window of the city's mayor's house, which was located 6 metres (20 ft) away. The detonation was controlled by Nick Dimitri, a stuntman portraying an Israeli

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officer who has to make a decision whether to kill a civilian or not. The officer eventually does so, which to Victor means that he was "just another soldier". His wife, counters with an argument that "no one is just anything". For Friedkin, this phrase stands for "the theme of the film". Film critic

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was "on a level way above most action pictures," and called it "a labor of love for director William Friedkin," and even went as far as to say that "the jungle scenes, the rain and flood, the fire catastrophe are among the most exciting scenes I've ever seen." As far as the themes are concerned, his

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expressed his disappointment about the movie's box office performance by saying that "you could make more than that just by opening in the first week, people stumbling into a wrong theater looking for Bruce Lee," as well as blamed Universal and Paramount for the lack of support. Friedkin stated that

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representative whom he dismissed at some point and which prompted the director to find another trucker crew. The director also fired five production managers, which upset Scheider, who said that he was "tired of going to the airport and saying goodbye to them," as well as adding that he was the only

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look like a picnic." He mentioned that the stuntmen were unhappy because of the fact the leading actors performed their own stunts, and added that the scene involving crossing a suspension rope bridge is "what really happened". Scheider called it the most perilous sequence he has ever taken part in.

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According to Friedkin cited by Kachmar, his artistic intent was to shoot the entire film without "sentiment" or "melodrama", rendering it completely devoid of "heartfelt moments". Friedkin's oeuvre has been frequently noted by critics for its lack of "clear-cut heroes or villains", and the director

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as Nilo. This role was a Hollywood debut for Rabal. Nilo is an enigmatic Mexican professional assassin, skilled in using firearms, who speaks English and Spanish. His visit in Porvenir was meant to be a temporary one, as he was in transit; however, for reasons unknown he decided to stay there. He is

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as Jackie Scanlon / Juan Dominguez, a driver who is marked for execution after his Irish-American gang robs a church and wounds a priest who is the brother of Carlo Ricci, a powerful Mafia crime boss now seeking vengeance. Some time after his escape to Porvenir, local authorities proved he was using

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that cynicism was a ubiquitous attitude in the country during the 1970s, so the studios were receptive to it, which made "filmmakers and the studio heads be in sync" and added that artistic content was never questioned, only the costs. On the other hand, the director thinks this trend is impossible

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Furthermore, the opening sixteen minutes contain no English language, which made the audiences think that it was a foreign subtitled film, and caused walk-outs. Consequently, this prompted movie theatres to put a disclaimer on lobby cards asserting that for the most part, it was an English-language

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During the shooting of the film in Villa Altagracia, a lawsuit was filed against Cinema Dominica (a subsidiary of Gulf and Western) by Dominican businessmen for alleged damages. The newspaper El Caribe said that the lawsuit against Cinema Dominica charged that the company had “failed to comply with

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Prior to the post-production process, the movie contained a significantly larger amount of dialogue, and a detailed analysis of the European and American cuts reveals that certain scenes involving the relationship between Scanlon and Nilo, as well as presenting some of Nilo's motives, were removed.

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Serdar Yegulalp notes distinctive characteristics and traits of each of the protagonists and praises Friedkin's execution by saying that the film "never falls into the trap of having each character shine on cue: they only do their thing when they’re backed up against the abyss, much as we all do in

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at the time. Instead, he proposed that MacGraw become an associate producer or that a part be written for her in the film; however, Friedkin declined both his wishes, stating that "there's hardly a major role as a woman…and we don't have associate producers who don't do anything, we're not going to

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The film received generally negative reviews upon its release. Its domestic (including rentals) and worldwide gross of $ 5.9 million and $ 9 million respectively did not recoup its costs. A considerable number of critics, as well as Friedkin himself, attributed the film's commercial failure to its

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We're working off the original negative, which is in pretty good shape, but without changing the original concept we have to bring it back in terms of color saturation, sharpness and all the stuff... The film been in a legal whirlpool for 30 or 35 years. And a lot of people have come and gone from

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When our trailer faded to black, the curtains closed and opened again, and they kept opening and opening, and you started feeling this huge thing coming over your shoulder overwhelming you, and heard this noise, and you went right off into space. It made our film look like this little, amateurish

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with whom he had worked under David L. Wolper. Stephens applied necessary changes, including the employment of reflectors balancing "the deep shadows of the tall trees", as well as replacing lenses and film stock. This resulted in a leap of cinematographic quality which delighted the director, who

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to process the film and view dailies. The director described the prologues as "beautifully shot", but he was dissatisfied with the jungle scenes which he deemed "underexposed" and "dark". He told Dick Bush a reshoot would be necessary. Bush, on the other hand, argued that filming should have taken

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is Friedkin at the top of his game") and was "at least equal to the original." He also applauded the atmosphere, which he said had "a wonderful tone to it and a real sense of dread and desperation it's tight and suspenseful, every scene grabs you by the collar, and it's beautifully shot. You can

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nominee Roy Scheider and being directed by William Friedkin, an Oscar winner. Furthermore, he stated the movie had "lots of fun" and praised the suspension bridge scene in particular, saying it "is maybe the most astonishing scene of the whole film. It's a combination of desperation, suspense and

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praised the cinematography and craftsmanship, and stated that "Friedkin has a commitment to this story," but concluded that "somehow technique overwhelms meaning and emotion." Furthermore, he described the picture as "more restrained" than Friedkin's earlier work, as well as calling it "a grandly

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Friedkin said the most important scene in the film was "the bridge-crossing sequence, wherein the two trucks have to separately cross an old wooden suspension bridge that appears completely unstable". He also deemed it the most arduous scene he has ever filmed. The bridge was designed by John Box

1158:, increased the studio's confidence. Production notes on the 1998 Universal DVD release tell a different story, noting that the casting of Scheider as Scanlon/Dominguez was a "foregone conclusion" and "the ideal (perhaps the only) choice for the role" since Friedkin had directed him previously in 2248:

contrasts with frequent self-indulgence of the 1970s and stated that the film is tremendously thrilling with a great deal of tension which he attributed to the plot's construction as "a probing descent into the psyche of an archetypal character driven insane by circumstance". He also praised the

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and thought the audiences at the time were either bored with yet another film about exorcisms or that was precisely what they wanted and upon seeing the movie, they got confused, asking themselves "where's the devil?" Siskel also thought each of the production companies would think the other one

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and of whom he thought very highly. He was joined by Robert Knudson, who also was a sound effects supervisor for Friedkin's previous movie as well as Robert Glass and Richard Tyler. The sound crew employed distorted samples of tiger and cougar roars for the truck engines' sound. C.J. Schexnayder

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Friedkin's intention was not to create a remake, but to direct a film using only the same basic outline with completely original protagonists. He also wanted the film to be "grittier than Clouzot's , with the 'documentary feel' for which had become known." Friedkin initially also wanted to get

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The Sorcerer is an evil wizard and in this case the evil wizard is fate. The fact that somebody can walk out of their front door and a hurricane can take them away, an earthquake or something falling through the roof. And the idea that we don’t really have control over our own fates, neither our

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release followed on December 15, 1990. The DVD was released in the U.S. and Canada on November 17, 1998, and used the laserdisc transfer presented in a 1.33:1 non-widescreen version, which is not its original theatrical aspect ratio; it was shown in cinemas at a ratio of 1.85:1. However, since

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praised the movie's narrative set-up; however, he thought that in spite of it, it was impossible to attach oneself to the characters. He concluded the review by saying that with "films like this, feeling is everything." One complaint was that some of the scene cuts were too abrupt. Gene Siskel

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bridge crossing scene and lauded it "one of the most elaborately filmed suspense sequences in cinema history", noting an overwhelming amount of camera set-ups which in his opinion amounted to creating "an exruciating level of tension" and such dedication is palpable throughout the whole film.

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After the film's poor reception, its financial disaster prompted Universal executives to void their contract with Friedkin immediately. Friedkin moved to France with Moreau where he recuperated from a malaria infection contracted during the filming, and wanted to sever ties with American film

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The four drivers embark upon a perilous journey of over 218 miles (351 km), facing many hazards and internal conflicts. Despite their differences, they are forced to cooperate. They traverse a rotten bridge during a violent thunderstorm, Kassem and Victor nearly losing their truck in the

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games. During the robbery, one of the Irish-American gangsters shoots and wounds one of the priests counting the proceeds of the bingo. Back in their car, the Irish gang members engage in a heated argument that causes Jackie Scanlon, the driver, to lose concentration and collide with a truck.

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transfer was planned for June 28, 2013. Moreover, he also revealed an audio commentary and extra features would be part of the Blu-ray release. On July 17, 2013, Friedkin announced that the film's soundtrack has been remastered. Two days before the Venice screening, Friedkin announced that a

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In September 2013, Friedkin announced that new, remastered home video releases on Blu-ray and DVD were supposed to be released on April 14, 2014, however, both ended up being pushed to April 22. While the 2014 Blu-ray release contains a new, digitally remastered version of the movie, its DVD

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The aforementioned changes were approved by Verna Fields and commissioned to Jim Clark, who reluctantly agreed, and Cynthia Scheider. Fields was a Universal Studios executive who thought shortening and restructuring the movie would increase the film's commercial potential. Scheider was also

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was filmed during a ten-month production schedule, using approximately 1,200 camera set-ups. The director attempted to complete the picture "without relying on dialogue", and "telling the story through imagery" instead. In the film's pressbook Friedkin states that for him creating a film is

886:. Friedkin described Green as a multilingual person, fluently speaking French, Spanish, Italian, and German, as well as having "an encyclopedic knowledge of classical music and literature". Prior to writing the script, Green expressed enthusiasm about the project and suggested Friedkin read 38: 1052:

church. Scanlon's role was written specifically for McQueen after Friedkin met him in person and he turned out to be very keen on the idea. McQueen loved the script, and even went as far as to say "This is the best script I've ever read", but did not want to leave the country or wife

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described the film as "self-consciously arty and pretentious fatally trapped between America and Europe, commerce and art," claiming the result represented "the worst of both worlds", as well as noting that the audience of the time was strikingly different from the one that adored

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in California with a settlement to be announced by November 26. Had no settlement been reached by that time, the jury would have to set a trial date for March 2013. The director emphasized that his intent was not dictated by profits but by the desire to have it released on DVD and

1555:, going by the pseudonym "Marvin the Torch", who arrived at the Dominican Republic three days after the call and utilizing flammable materials obliterated the tree in one take the following morning. A week into the shooting in the Dominican Republic, Friedkin and his crew went to 1201:"needed stars" and claimed that the actors hired for the roles of Scanlon and Manzon were his fifth, sixth or seventh preferred choices. Rabal, however, was his "about second or third choice". Despite liking Cremer, Friedkin felt that this role would benefit from the presence of 1948:

YOUR ATTENTION, PLEASE. To dramatize the diverse backgrounds of the principal characters in 'Sorcerer', two of the opening sequences were filmed in the appropriate foreign languages – with sub-titles in English. Other than these opening scenes, 'Sorcerer' is an English language

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The one sequence left to shoot was the last leg of the journey of the surviving truck, the Lazaro, and I wanted it to be different from the other locations… and John Box found it in a place called the Bisti Badlands in northwestern New Mexico, 35 miles south of the town called

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he added that "almost half the crew went into the hospital or had to be sent home." Friedkin himself lost fifty pounds (23 kg) and was stricken with malaria, which was diagnosed after the film's premiere. Tim Applegate concluded an account of the troubled film-making of

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and offended him, as from the very beginning he had wanted to shoot the entire film on location. Upon seeing the underexposed scenes, Bush reportedly "lost confidence" and was subsequently dismissed, which forced Friedkin to employ a new camera crew. He replaced Bush with

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to return, because he feels that nowadays "a film has to serve the greater good of the corporation in order to get made and it cannot be subversive in nature. As well as, has to have the broadest possible appeal, so that it will help other divisions of the corporation".

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as "remarkably lacklustre", and did not appreciate the unstable tone of the movie which he called "impenetrably obscure". Additionally, he considered Scheider's role to be severely underdeveloped and "consist of meaningful stares off camera and mournful grimaces."

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Friedkin, an admirer of the band, stated in the liner notes for the soundtrack that "ad heard them sooner would have asked them to score ", and that he considers the film and the score to be "inseparable". Apart from Tangerine Dream's score, some excerpts from

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Although the majority of the film was filmed in the Dominican Republic, Friedkin did not hesitate to look for other locales to achieve the desired effect. One of the most notable ones is depicted in the film's climax. It features a surrealistic landscape on

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The film's release on video was held up for many years; executives at Paramount and Universal argued it was ownership issues that was preventing a release, though a Universal spokesperson suggested that a lack of public interest might be another reason. A

934:. Phil Mucci indicated a similarity in terms of the premise as a "tale of desperate men in desperate times, bound together by fate and circumstance," and Thomas D. Clagett likened Jackie Scanlon's characteristics and appearance to Fred C. Dobbs (played by 786:. No matter how much you struggle, you get blown up. It's about revenge, vengeance, betrayal – this is how I feel about life ... life is filled with betrayal ... false promises ... fate is waiting around the corner to kick you in the ass. 1638:

he "knew it was worth it". Despite the mutual tensions, the director rated Scheider highly, did not hold any grudges, and regretted he did not receive more recognition for his body of work. However, their relationship eventually "drifted apart".

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One of my themes is that there is good and evil in everyone. I was not out to make these guys heroes. I really don't believe in heroes. The best of people have a dark side and it's a constant struggle for the better side to survive and to

1808:. For the film's screening, Paramount and William Friedkin prepared specific instructions regarding music: they demanded a three-and-half-minute musical overture to be played prior to each screening, and prohibited any alterations to it. 1364:

possessed similar characteristics. The previously constructed bridge had to be disassembled and re-anchored. Friedkin's crew's arrival caused a major disturbance in the vicinity among the locals because of his reputation as a director of

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re-released in American theaters but could not convince any major studio to do so. He felt that American audiences had very limited exposure to Clouzot's film and that the English-speaking world in general was not very familiar with it.

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summarized the film as "a visual and aural textbook on everything that is wrong with current movies," as well as stating that the movie reset Friedkin's status to the beginning of his career, and compared him unfavourably to Clouzot,

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feel the humidity down there in South America. You can feel the sweat on the sticks of dynamite." He concluded the review by saying that the only aspect in which the movie failed was the fact that it came out around the same time as

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impression of Friedkin's intentions was that "he wanted to show human behavior at its extremes; men in torment to complete a life-or-death mission against all odds and discovering their own limits at the same time." Ebert considered

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During a sequence involving the detonation of an enormous kaoba tree, Friedkin was faced with a problem of inadequate explosive power. Initially, Marcel Vercoutere, a special effects man who previously worked with the director on

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Kassem, Victor, and Jackie all assume fake identities and end up in Porvenir, a remote village somewhere in South America. Its conditions are in stark contrast to their previous lives. The village economy is heavily reliant on an

1486:, supported the Dominican Republic financially and intended to create a film-making centre there. Paul Rowlands, a critic, stated that "it's likely the decision to film in the Dominican Republic was one favoured by Bluhdorn." 2792:, a company granted an ownership by Universal Studios and Paramount Pictures, and commissioned to release films in international markets. Friedkin said he believed any issues related to the matter were of bookkeeping nature. 2469:

The film's European as well as Australian cinema release cut 28 minutes from the original (but not in France, where the movie was distributed in its full-length version). In most regions of the world it was also retitled as

1319:. Since shooting the film required a prolonged stay in South America, Scheider asked Friedkin if she could stay with him and have a job in an editing capacity. The director fulfilled his wish and was reportedly "delighted". 2056:

dialog is kept to such a minimum that not only you don't feel for these four losers, but you never really get to know them." He also considered the film's mixture of realist and surrealist moments as "pain in the mind".

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because of enormous praise he had received at the time for his two recent pictures. Friedkin offered Clouzot a percentage of the film's shares, for which the French director was thankful. In 2013, after a screening of

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sensibilities", which in his opinion allow the director to capture "its grimy realism". Dancynger also touches upon this thread and assesses the Jerusalem prologue sequence as shot entirely in "cinema verite fashion".

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in Ecuador and researched the peculiar ornaments on cargo trucks he had seen there, he noticed there were names painted on them, which ranged from relatives to mythological references. Firstly he came up with the name

4376: 993:"First we had to acquire the rights, and this proved to be complicated. The Clouzot film is of iconic stature, but Clouzot didn't own the rights. The novelist Georges Arnaud, who wrote the original source material, 2807:

would require a considerable amount of work, stating that he did not, at the time, possess any prints of good quality. He added that Paramount had made a print around the beginning of 2012, which was shown at the

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noted that such a technical exercise was "relatively unique for the period"; but, over the years, techniques such as these became a staple of film-making. The sound design eventually garnered the movie's sole

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as "Spider", an acquaintance of Scanlon in Porvenir who takes part in the truck-driving test but fails; Rosario Almontes as Agrippa, a bar maid in El Corsario who seems to be fond of Manzon as she gives him a

2613:

contributed to "infantilizing the audience", as well as "obliterating irony, self-consciousness, and critical reflection", and to Tom Shone, who drew from Kael, was impossible to compete with by Friedkin and

2711:

Justin Wyatt concludes that the downfall of "the experimental period" was followed by a retreat to "large-scale grand filmmaking", a Hollywood staple from early to mid-1960s and adds that filmmakers such as

2657:

set the trends in Hollywood cinema for the decades to come. This was, in contrast to the "subversive attitude" which then journalists heralded as the pinnacle of filmmaking. Hall observes that films such as

2859:'s first annual film festival, with Friedkin in attendance. He remarked that the film "hasn't dated... It's set in a kind of limbo and neither the haircuts nor the wardrobes nor the sets have aged poorly." 1324:

multi-faceted experience: "very film is actually three films There is the film you conceive and plan. There is the film you actually shoot. And there is the film that emerges with you in the editing room".

402:

was also acclaimed, leading the band to become popular soundtrack composers in the 1980s. After a lengthy lawsuit filed against Universal Studios and Paramount, Friedkin supervised a digital restoration of

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great special effects as Roy Scheider and his partners try to maneuver a giant truck filled with nitrogliceryne through the heart of this jungle across a suspension bridge." Moreover, he emphasized that

2704:, were auteur movies aspiring to achieve mainstream success but were panned by the movie-goers and critics alike. This belief is also held by J. Hoberman to whom the period immediately following 1975's 647:

as Corlette, an oil company representative who seeks four experienced drivers to transport dynamite to extinguish a fire on a remote oil well. He believes the explosion was caused by local terrorists.

1081:, but once the movie's budget escalated beyond $ 10 million, the studio decided that " name wasn't big enough to carry that big a picture." They eventually worked together on Friedkin's follow-up to 563:

for a dance. As the two dance, Carlo Ricci's henchmen, along with Jackie's old friend Vinnie, emerge from a taxi and walk into the bar wielding guns. From outside, the faint sound of either a single

2830:

In March 2013, Friedkin revealed that he had dropped his lawsuit against Universal and Paramount, and that he and a "major studio" were involved in the creation of a new, recolored digital print of

2224:

is now a subject of critical revaluation and rejuvenated interest, opposed to other less-known films of its era. Certain contemporary critics and artists also declared that Friedkin's adaptation of

1547:, was to be responsible for the explosion. However, it did not achieve the required effect and barely damaged the tree. This prompted Friedkin to reach for the services of an arsonist hailing from 423:

The film opens with a prologue that consists of four segments described by critics as "vignettes". They show the principal characters in different parts of the world and provide their backstories.

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as Kassem / Martinez, a politically motivated Arab bomber-terrorist with "improvised engineering skills". His attitude is permeated by "angry determination" and he shows a strong dislike for Nilo.

1277:

as transport trucks. Using the knowledge gained from the visits to Ecuador, Friedkin employed a Dominican artisan in order to embellish the vehicles with symbols and paintings based on the names

657:

who is Kassem's friend, wanting to help him to move abroad from Porvenir. He is initially chosen as one of the four drivers. "Marquez" was Karl John's final role, as he died on December 22, 1977.

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corporate photo for a scene that featured the evil board of directors of the fictional company which hired the men to deliver dynamite. Walon Green recalled the experience in the following way:

1899:

watched the science-fiction epic at Mann's Chinese Theater and nervously saw the gigantic crowds that attended, knowing that his film would soon replace it. Friedkin's fears were correct; when

4462: 1014:, Friedkin mentioned that he "went to Georges Arnaud's home through his attorney, and he was very pleased to have this done because he didn't like Clouzot's film, if you can believe that". 669:

as Blanche, Victor Manzon's wife, who gives him a specially engraved watch as a wedding anniversary gift, which later on Victor tries in vain to sell in exchange for a way out of Porvenir;

464:, they split up; two are killed and one is apprehended. The only one who manages to escape is Kassem. The segment finishes as he helplessly stares from a crowd at his captured companion. 6402: 5351: 3441: 2337:, and stated that Scheider's Role as Jackie Scanlon was one of the two best roles in his entire career, as well as saying that the film "generate suspense through beautiful simplicity". 2042:

also panned the film, criticizing camera placement as "faulty", which in his opinion led to substandard exposition. Moreover, he also deemed the film's editing "ridiculous" and thought

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a forged ID; as compensation they are taking one third of his daily wages. Moreover, they have proven that he does not speak Spanish. His appearance as an "everyman" is modeled after

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The film has enjoyed a critical re-evaluation and some critics have lauded it as an overlooked masterpiece, perhaps "the last undeclared of the American '70s". Friedkin considered

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The only actor who was Friedkin's original choice was the French-Moroccan Amidou, who played the Palestinian terrorist, Kassem. Friedkin was so impressed with his performance in

997:, controlled them, and he had a longstanding feud with Clouzot. He was happy to sell the rights to us, but I felt I had to meet with Clouzot in Paris and get his blessing first". 5542: 2019:, the evaluation is even more harsh, and the author found the film "truly insulting", going as far as to say: "Why anyone would want to spend 20 million dollars on a remake of 1980:, Friedkin stated that in retrospect he never stopped believing in the movie: "I measure the success or failure of a film on one thing – how close I came to my vision of it." 2543:. However, in the UK Blu-ray was released on November 6, 2017, and included a 74-minute ‘In Conversation’ film with the director, conducted by director Nicolas Winding Refn. 1533:… It was the landscape we chose for the end of the journey, in which Scanlon embraces madness, abandons his truck, and carries the dynamite two miles to the burning oilfield. 1127:. Despite Ventura's concerns about his English, he initially accepted Friedkin's proposal. However, after McQueen backed out, Ventura was hesitant to take part in the movie. 702:

as Vinnie, a friend of Scanlon who directs him to the Baltimore docks from where he has to flee to a yet undisclosed location in order to evade execution from the Mafia; and

472:

While discussing a book his wife is editing, Victor Manzon discovers an anniversary gift from her: a watch with a special dedication. After meeting with the president of the

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or Lino Ventura. The abundance of foreign actors on the cast list prompted Sidney Sheinberg to ask the director whether he would like them to have Anglicized pseudonyms.

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In December 2012, Friedkin revealed that the film rights were in fact owned by Universal, as the Paramount lease had expired after 25 years. He also added he would meet

2587:. Critics argued that the fiasco of these films, among others, contributed to ending a period of auteur approach to the American cinema that was prominent in the 1970s. 6021: 4124: 6546: 6214: 5259: 4569: 4650: 3551: 2788:

In a July 2012 interview, Friedkin said Universal and Paramount both claimed they did not own the film and did not know who did, a consequence of the bankruptcy of

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in the movie. He's not the actor the movie needs. And it's more to the fact the movie needed bigger shoulders to place this type of an epic on... Steve McQueen or

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marked a distinctive demographic shift among the audiences, as well as altering trends in the movie industry drastically, which at the same time contributed to

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Marcello Mastroianni was offered the role of Nilo, which he initially accepted, but due to problems related to his daughter's custody after his separation from

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put Bluhdorn's picture on the wall in the office in the scene where finds out that the well is blown by terrorists and they can't do anything about it. When

598:

described him as "believable, gutsy, and most important, desperately human". His characteristics are "most likely to reflect the self-image of the spectator".

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his attitude throughout the making of the film "alienated the top management of two studios", and as a consequence they did not feel compelled to support it.

1355:

using carefully hidden hydraulic components allowing control of the movements of the bridge and the trucks alike. Its first iteration was constructed in the

6065: 5209: 4722: 2985: 2304:. In that world Hollywood has spent the next 30 years making smart, edgy movies for grown-ups, the literacy rate is 100%, we haven't been in a war since 1048:

McQueen was the director's first choice for Jackie Scanlon, a small-time criminal who ends up a fugitive from the law and the Mafia after a robbery of a

2074:

as "below the usual par", in spite of the involvement of reputable lead actor Scheider and a "topnotch director", Friedkin. In the August 1997 issue of

5071: 1462:, which impressed Friedkin tremendously. However, such a diversity of locations caused serious concerns about the budget. After strong opposition from 3511: 2539:, and was well-received upon release, with good reviews praising the quality of the transfer and reaching #1 in Drama and # 2 in Action/Adventure on 2508:

widescreen televisions have become popular, Friedkin has allowed many of his other films to be released on DVD in their original widescreen formats (

6753:"I LOVE Patton Oswalt but the Aero screening tonite is Not a restored print. It's the best 35 mm available. We Make a new digital copy in June" 3368: 440:. Nilo immediately executes the unsuspecting tenant with a silenced revolver and proceeds to casually walk out of the building and onto the square. 4851: 2091:

wrote of how Friedkin 'spent twenty-one million dollars to perpetrate a film that could be usefully studied in courses on how not to make movies'.

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Several critics theorized that another probable factor in the film's box office failure was the confusion related to its title. Cyriaque Lamar of

1315:, whom Friedkin regarded highly. Scheider's then-wife, Cynthia Scheider, was an assistant film editor who had previously worked with Bud Smith on 7535: 4977: 6394: 5176: 3973: 2085:

claimed that the characters "seem to be a little cold", as well as expressing an opinion that the special effects overpowered the protagonists.

1058:

make her an AP." It eventually led to McQueen's declining the offer, upsetting the director greatly, and making him later regret this decision.

350:, with a modest US$ 2.5 million budget. The director later opted for a bigger production, which he thought would become his legacy. The cost of 7565: 5878: 5343: 3918: 3433: 1434:

town square, Mexico – a location used for the first prologue sequence, featuring Nilo, although it was filmed as the last during the production

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for spring 2014. On September 12, 2013, Friedkin revealed April 14, 2014 would be the release date of the film's Blu-ray home video version.

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place on a stage where he could have adequately adjusted the lighting. The response reminded Friedkin of his previous problems on the set of

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and universities. He also noted that if the case were to become precedential, he hoped it would help other pictures in a similar situation.

6726: 6363: 6120:"Friends. Sorcerer will be on WB blu-ray April 14. In theatres before that, from Paramount, Then TV from Universal. The print is Fantastic" 3467: 6601:"Re: SORCERER. The original negative is in good condition And it's now being budgeted to make a new digital master. I'll keep you updated" 6151:"The Rotten Tomatoes review of SORCERER is the Bad unauthorized DVD, not the new remastered WB Blu-ray. Don't buy the DVD until corrected" 5909: 5820: 5685: 1616:

Friedkin recalls working with Scheider as difficult, stating the actor had frequent mood swings which did not occur during the filming of

354:

was earmarked at $ 15 million, escalating to $ 22 million following a troubled production with various filming locations—primarily in the

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would handle the promotion, and nobody perceived it as a "sole project of their own, it was dropped in-between them." On the other hand,

6663:"SORCERER will be rereleased this year with a new digital Print. The world premiere is on my birthday, Aug.29, At the Venicice festival" 5990: 782:

I wasn't prepared for my success or failure. I felt ... buffeted by fate without any control over destiny. That's one of the themes of

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served as an inspiration to name the other truck, though the word was painted in French: "Sorcier". Friedkin then decided to change his

677:

marshal;" Chico Martinez as Bobby Del Rios, an explosives specialist and Corlette's advisor who assesses the situation at the oil well;

7256: 7079: 4530: 3615: 2007:'s annual "Movie Guide" ratings book, the film receives only two-and-a-half out of four stars, with the critique, "Expensive remake of 1152:. With Universal unenthusiastic about the project, acquiring Scheider, who had recently enjoyed enormous success in Steven Spielberg's 5405: 1865:

estimated that at the time, the film would have needed a gross of around $ 45–50m to just "break even". It was released a month after

460:, after which they take shelter at their hideout, where they assemble weaponry and plan their escape. After getting surrounded by the 7455: 7445: 4020: 2672: 917:, when the director likened himself to a character from another Herzog movie; in the process of making the film, he "had become like 802:

Gloria Heifetz has added that Friedkin's direction prevents this line from becoming sentimental, and ties in with the film's finale.

6815:"SORCERER color timing, first pass is complete. Color has not been altered, just restored. Friday, the sound transfer to 5.1 begins" 2023:

do it badly, and give it a misleading title is anybody's guess. The result is dire." Andrew Sarris in his July 18, 1977, review for

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as the main location. Friedkin described the place as "a prison without walls" with a "sense of timeless poverty and persecution".

5785: 5382: 3872: 3647: 2292:. Olson felt that "the movie deserved a huge audience" as well as fantasizing that "somewhere there's an alternate universe where 7540: 7470: 7415: 7410: 6502: 3764: 2953: 2884:

would commence on June 10, 2013, which said was completed by June 25. There was no distortion of original colors, he said, and a

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the studios during that time, so it just takes awhile to unravel everything, but we're very close to announcing a premiere date.

938:) from Huston's movie. According to Clagett, who cites Friedkin, this was intentional. Phil Mucci notes the visual influence of 5116: 4325: 2216:, which obstinately motors along on its unpredictable speed, features ambitious sequences of insane white-knuckle tension." On 2212:

has an 83% approval rating, with an average score 7.6 out of 10, based on 52 reviews. The website's critical consensus reads, "

6013: 5721: 5538: 4263: 2911: 2264:

is that "coping with frustration is the 'journey' of life", which in his opinion "excellently set up" the cliffhanger finale.

7550: 7450: 7420: 6942: 5504: 4809: 3091: 1194:(released in 1968) that he wrote down his name immediately upon seeing the movie, expecting to collaborate with him one day. 5647: 2746:

in February 2015, in which they discussed the film at length. It was produced by the French distribution company La Rabbia.

690:

as Pascal, Manzon's brother-in-law who fails to receive help from his father to save their company from execution of fraud;

7430: 7425: 7390: 6784:"Color timing for the digital print of Sorcerer starts on Monday, June 10th. Premiere at Venice Film Festival, August 29th" 6536: 2637:

Bill Gibron marks the demise of unrestrained writer-director creative control in favor of studio-governed film-making with

2605:

changed the movie-going demography, considerably "reset American cinema back to comforting fantasy". According to reviewer

493: 5251: 4913: 4884: 4658: 4561: 2038:, declaring that "he has not come close to matching their craftsmanship." Robert C. Cumbow in the September 1977 issue of 1996:

was not received as well by the public or film critics as Friedkin's previous two films had been. American movie reviewer

1255:, in which the main characters were given two trucks in mint condition by the oil company, their counterparts depicted in 774:

births nor our deaths, it’s something that has haunted me since I was intelligent enough to contemplate something like it.

608:

from Paris whose firm, Preville & Fils, is accused of false representation of collateral amounting to fifteen million

2734: 2163:, called the film an "overlooked classic", and was shocked that the film "was so completely overlooked" despite starring 2000:

hinted that all criticisms might have stemmed from the very fact that Friedkin even dared to reimagine a French classic.

1023:

And it was only a week later that I realized a close up of Steve McQueen was worth the greatest landscape you could find.

876:

as the film's screenwriter. The director got to know Green in the 1960s, and was since highly impressed with his work in

5282: 328:, although Friedkin disagreed with this assessment. The plot depicts four outcasts from varied backgrounds meeting in a 7545: 5624: 4427: 4172: 1165:

After casting Scheider in the main role, Lino Ventura refused to take second billing to him. The actor was replaced by

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era, which was characterized by "financial experimentation". Nat Segaloff observes that cinematic trends presented in

2344:, also expressed his appreciation for the movie, saying that he had "got a fondness for William Friedkin's version of 7490: 7485: 7480: 7465: 7120: 6923: 6182:"Next week I'll make the new SORCERER DVD. Warner's hopes to release it on or about June 5. I'll keep you all posted" 5471: 4602: 3181: 2684: 686:

before his departure; Richard Holley as Billy White, a helicopter pilot who rules out shipping the dynamite by air;

5025: 3722: 2803:; if the outcome was negative, he would have to resort to a legal case. Friedkin also indicated that restoration of 2772:

for a share of the movie's profits. In a July 2012 interview, Friedkin said that the film's case was pending at the

7500: 7128: 6240: 2856: 2789: 2475: 1843:

Paramount Pictures and Universal Pictures reached an agreement in which Paramount would distribute the film in the

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Before the actual production could take place, William Friedkin had to resolve the problem with licensing, because

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During a scene in Paris involving a conversation between Victor and his wife, she reads him a memoir of a retired

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stands for a cinematic style that is unlikely to be seen again". William Friedkin states in the 2003 documentary

2321:

entitled "Stephen King's Reliable Rentals". In his list of "20 that never disappoint," King placed the original

1259:

had to be assembled by the protagonists themselves, using parts salvaged from wrecks. The production got two GMC

2098:

naive gesture of self-indulgence," and trivialized his effort to a mere attempt at remaking "his hero Clouzot".

7555: 7515: 7342: 7184: 7112: 7072: 2720:

still continued their cinematic involvement but their most ambitious work had been produced during the peak of

2583: 2522: 2433: 449: 6086:"In answer to your questions, yes there will be a DVD and a blu-ray Supervised by my friend Ned Price, and me" 5199: 4714: 3323: 2819:

On February 11, 2013, Friedkin announced that money had been budgeted to create a new, digital master copy of

2557:

s box office flop status had since led to comparisons with other financial failures of the time, particularly

2107:, was of the opinion that even if the film had been truncated, it would not improve its quality. He described 1069:

for two or three months to fall out of a truck? I can do that outside my house." The role was then offered to

7560: 7525: 7495: 7405: 6694:"Warner Bros and Universal will share the release In all media. Gratitude to all of you who lobbied for this" 5871:

Top 10 Lists from Quentin Tarantino, Edgar Wright, Martin Scorsese, Guillermo del Toro, Woody Allen and More"

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for the characters' respective backstories, Friedkin shot each of the vignettes on location, respectively in

892: 1403:

left the most lasting impression on him since he "refused to have a substitute and paid for it physically."

1077:, neither of whom was willing to travel to the Dominican Republic. Another candidate for Scanlon's role was 559:

and payment for the job by the oil company, as well as an offer of another job. Before he leaves, he asks a

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On May 2, 2013, the director announced the pending re-release, a new, digital print, and a premiere at the

2768:

In April 2012, it was reported that Friedkin was suing Universal and Paramount over the domestic rights of

2510: 2441: 1140: 896:. Friedkin described it as "another lifechanging work" which served as a workprint for their adaptation of 745: 726:); the narrative features no supernatural or magical character or event. As director William Friedkin went 3290:. HarperCollins Publishers. pp. 320, 321, 322, 323, 324, 326, 328, 329, 336, 340, 341, 345, 346, 348. 1770:, then-band leader, recalled how he initially rejected the commission, thinking that Friedkin would score 20: 7510: 7362: 3360: 2823:. He also asserted that the original negative is in a good state. He followed this with a statement that 2728:

were later abandoned by the studio system, an opinion mirrored by Phil Mucci, who holds the opinion that

887: 695: 6241:"'Sorcerer,' William Friedkin's lost 1977 'magnum opus,' makes Blu-ray debut (full home-video listings)" 5932: 4843: 2626:

was "too episodic, dark, and star-challenged" to achieve mainstream appreciation. RH Greene argues that

2204:

The film today is more positively received by professional film critics. The review-aggregation website

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as "a truly Lazarus moment" and said he was gratified that "it’s going to have a new life in cinema".

1001:

Upon Friedkin revealing his intentions to Clouzot, Clouzot was surprised Friedkin wanted to reimagine

7318: 7283: 7065: 6570:"AICN Legends: William Friedkin Talks KILLER JOE, Clarence Carter, SORCERER And More With Mr. Beaks!" 5496: 5168: 4969: 3969: 3910: 2750: 1884: 1458:, Mexico, for Nilo. The main part of the film was, on the other hand, originally meant to be shot in 1011: 909: 6632:"Guys I can only tell you that SORCERER will not be Released by Criterion. More info as it develops" 5866: 5713: 2232:

which is now unfavourably criticized regarding certain aspects in comparison to Friedkin's version.

1762:. William Friedkin, during his visit in Germany, attended their concert in a derelict church in the 358:—and conflicts between Friedkin and his crew. The mounting expenses required the involvement of two 7299: 7200: 4255: 2824: 1065:

who, despite appreciating the script, sternly declined, asking Friedkin "Why would I want to go to

989:

did not own the rights for the intellectual property. It was owned by the novelist Georges Arnaud:

527: 7041: 3581: 2563: 1830:

piece of shit. I told Billy , 'We're freaking being blown off the screen. You gotta go see this.'

1774:, about which Froese was not enthusiastic. However, upon learning Friedkin intended to reimagine 1470:

at the time, Friedkin had to opt out from shooting there. The director eventually settled on the

1374: 1339: 6846:"I will do a commentary for Sorcerer, there will be a blu-ray And extras; first, the theatrical" 5982: 5681: 5463: 4236: 1138:

that Friedkin managed to cast the leading role of Jackie Scanlon. They had previously worked on

837:, which presumably nullified the project. Peter Biskind theorized that Friedkin had always seen 819:

as a "little 2.5 million in-between movie", a stepping stone to realize his next major project,

7475: 7232: 6433: 6014:"Not So Obscure Trailer, But Still MIA on DVD in Widescreen: Sorcerer (1977, William Friedkin)" 5901: 5828: 5204: 1924:

walked out of theaters ads that Sorcerer was 'NOT A FILM ABOUT THE SUPERNATURAL'." Film critic

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marked the point when "experimental films became less and less able to recoup their costs".

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webseries in 2007. He praised the movie highly, stating that it is Friedkin's best effort ("

1489:

After scouting locations with Walon Green and John Box, the production designer, they chose

6880: 6849: 6818: 6787: 6756: 6697: 6666: 6635: 6604: 6537:"Interview: William Friedkin Talks Killer Joe and Shares Some Choice Words About Hollywood" 6185: 6154: 6123: 6089: 6051: 3083: 2863: 2835: 2743: 2618:. Biskind also thought the American movie-going demographic had changed considerably since 2568: 2368: 2317: 2228:

novel surpasses that of H. G. Clouzot's. This trend also led to a revisionism of Clouzot's

1145: 1112: 1038: 838: 473: 6876: 6845: 6814: 6783: 6752: 6693: 6662: 6631: 6600: 6181: 6150: 6119: 6085: 4028: 2220:

the film has a score of 68% based on reviews from 13 critics. Numerous outlets noted that

1372:

The stunt coordinator for the film was Bud Ekins, who was Steve McQueen's stunt double in

694:

as Lefevre, the president of the Paris Stock Exchange, who accuses Manzon of money fraud;

8: 7385: 7192: 7176: 6914:

Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood

2445: 2088: 1815:. It included the complete score by Tangerine Dream and liner notes by William Friedkin. 1227: 762: 666: 4939: 2799:, which wanted a sublease, and also announced that he would be meeting with the head of 1179: 691: 530:. After some time, Nilo arrives in the village, raising suspicions. In the meantime, an 7160: 5777: 5587:

Canby, Vincent (July 10, 1977). "Let's Call It The Accountant's Theory of Filmmaking".

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Restoration of the print is supervised by Friedkin himself, along with Ned Price and a

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review, called the movie "the toughest, most relentless American film in a long time."

2131: 1471: 1455: 1380: 1356: 1202: 1087: 736: 632: 605: 556: 437: 367: 363: 355: 196: 192: 6510: 4592: 3780: 2945: 7248: 7104: 7021: 6998: 6938: 6919: 6912: 6737: 6426: 6271: 5940: 5500: 5467: 4598: 4401: 3772: 3177: 3166: 3087: 2800: 2713: 2678: 2630:, which in his opinion was "pure escapism", made intellectually demanding films like 2395: 2359: 2121: 2025: 1467: 1299: 1095: 727: 650: 412: 359: 324: 1932:

was a "very bad title". To him the title might have indicated a certain likeness to

1647:

The sound design crew included Jean-Louis Ducarme, with whom Friedkin had worked on

1418:

saw his picture on the wall as chairman of the oil company he had a shit hemorrhage!

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The film was selected for screening as part of the Cannes Classics section at the

1907:

quickly returned. Friedkin agreed with this assessment during an interview on the

706:

as Carlo Ricci, a vengeful Mafia leader and a brother of a priest who was shot in

7240: 7168: 6733: 5655: 5154: 5107: 4651:"At the Movies; Roy Scheider, 'Sorcerer' Star, Talks of Thrillers (fee required)" 3582:"Director William Friedkin on Rising and Falling and Rising in the Film Industry" 3076: 2986:"William Friedkin's Misunderstood 1977 'Sorcerer' Getting Re-Release (Exclusive)" 2578: 2516: 2408: 2205: 2076: 1909: 1858: 1812: 1759: 1294: 1099: 939: 935: 699: 687: 615: 585: 523: 392: 391:

among his favorite works, and the most personal and difficult film he ever made.

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This article is about the 1977 U.S. film. For other films with similar name, see

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Good with Their Hands: Boxers, Bluesmen, and Other Characters from the Rust Belt

1857:

opened theatrically in the United States on June 24, 1977, and ended up being a

1098:, he ultimately declined the director's offer. He was replaced by Spanish actor 604:

as Victor Manzon / Serrano. Manzon was Cremer's first English-speaking role, an

6294:"William Friedkin Interview: 'You Don't Need to Know About My Sexual Liaisons'" 5112: 4909: 4876: 4070:"Ultra Rare Sorcerer Screening, Followed by Director William Friedkin Q&A!" 3406: 2558: 2529: 2425: 2237: 2155: 2048: 2004: 1797: 1589: 1187: 1074: 1070: 1062: 882: 847: 568: 311: 76: 7046: 1107: 7379: 7026: 6541: 5944: 3776: 2881: 2870: 2721: 2164: 2137: 2081: 2058: 1896: 1876: 1788: 1783: 1653: 1552: 1513: 1463: 1395: 1348: 1308: 1034: 1028:

William Friedkin's afterthoughts on losing Steve McQueen as the leading actor

973: 969: 904: 877: 750: 526:

and earn meager salaries. All want out, but their savings are inadequate for

453: 337: 329: 287: 5614: 4431: 7326: 7291: 7275: 7144: 7057: 6395:"Craftsmanship vs. Crap: Criterion's Planned Re-release of 'Heaven's Gate'" 2813: 2796: 2782: 2606: 2341: 2333:"is considered one of the greatest movies of the modern age", he preferred 2312: 2178: 2094: 1866: 1767: 1763: 1613:

the rental contract it signed for use of the town's commercial locations.”

1474:, after receiving a green light from the studio's executives. In a memoir, 1174: 1166: 1135: 1124: 1117: 1078: 1042: 961: 918: 739:; then after some time struggling to find another moniker, a listen to the 698:

as Donnelly, a head of the Irish gang of which Jackie Scanlon is a member;

662: 609: 601: 580: 501: 332:

village, where they are assigned to transport cargoes of aged, poorly kept

299: 295: 102: 97: 6478:"Sorcerers: A Conversation with William Friedkin and Nicolas Winding Refn" 4999: 4459:

The Remake Chronicles: The Good, The Bad, The Familiar and the Blasphemous

1123:

Manzon's role was intended for one of the most prominent European actors,

778:

Friedkin elaborated on this theme in an interview with Thomas D. Clagett:

594:, with a "battered hat, unshaven face and tough guy stance". Screenwriter 346:

was originally conceived as a side-project to Friedkin's next major film,

336:

that is so unstable that it is 'sweating' its dangerous basic ingredient,

7216: 5200:"'Star Wars' Flashback: When No Theater Wanted to Show the Movie in 1977" 4940:"Exclusive Interview with Edgar Froese (Tangerine Dream) by Lenny Kalcic" 3324:"(some of) The Best Films You've (probably) Never Seen, Part 3: Sorcerer" 2717: 2666: 2660: 2305: 2160: 2126: 2031: 1938: 1925: 1917: 1862: 1805: 1556: 1304: 1154: 1054: 953: 925: 873: 842: 740: 678: 674: 644: 595: 283: 117: 61: 7015: 2866:

on August 29. where he would also receive a lifetime achievement award.

1609:"Friedkin took his camera crew to the jungle and never quite returned." 1496: 7208: 6569: 6337:

Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer

6215:"William Friedkin's Remastered "Sorcerer" Blu-ray Scores Solid Success" 5619: 2890: 2540: 2461: 2268: 2253: 2217: 2141: 2035: 1997: 1605:

by comparing Friedkin to Francis Ford Coppola during the production of

1521: 1504: 1479: 1427: 1274: 1049: 707: 6447:

Hoberman, J. (June 1985). "1975-1985:Ten Years That Shook the World".

4199:

The Technique of Film and Video Editing: History, Theory, and Practice

1273:-ton capacity M211 military trucks, first deployed in 1952 during the 1236:

served as an inspiration for him in all the movies he made, including

966:

The Technique of Film and Video Editing: History, Theory, and Practice

7037: 2504: 1751: 1576: 1447: 1335: 1197:

Friedkin overall felt dissatisfied with the casting process. He felt

760:, which he described as "an intentional but ill-advised reference to 560: 489: 457: 138: 3552:"William Friedkin Says Hollywood Has Been 'Reduced to Blockbusters'" 1887:, but Paramount insisted on the company fulfilling its contract for 710:

during the robbery who puts a bounty on the head of Jackie Scanlon.

673:

as Carlos, an owner of the El Corsario bar and a supposedly former "

2146: 1585: 1581: 1439: 1431: 683: 535: 531: 333: 37: 6424:

Hall, Sheldon (2006). Linda Ruth Williams, Michael Hammond (ed.).

4912:. Voices in the Net: The Collector's Tangerine Dream Discography. 4619: 4455:"One Pothole Away From Death: Two versions of "The Wages of Fear"" 1903:

debuted at the theater, it was so unsuccessful by comparison that

1244:

the real world" and adding that "their desperation's not a pose".

6892: 6861: 6830: 6799: 6768: 6709: 6678: 6647: 6616: 6197: 6166: 6135: 6101: 2839: 2778: 2465:

UK newspaper advert for Sorcerer retitled 'Wages of Fear' in 1978

2235:

Film critic Robert C. Cumbow, who heavily criticized the film in

1861:, grossing $ 5.9 million domestically and $ 9 million worldwide. 1635: 1593: 1459: 1066: 718:

The film's title refers to one of the trucks, which has the name

564: 7048:

Director William Friedkin On Sorcerer and Copyright Legal Issues

5406:"William Friedkin Pulls a Turkey out of His Hat with 'Sorcerer'" 4125:"Re-Make/Re-Model: The Wages of Fear (1953) vs. Sorcerer (1977)" 2244:

On March 16, 2001, writer-director Peter Hanson summarized that

2119:

garnered some acclaim from several major critics, including the

6727:

William Friedkin celebrates a Golden Lion, restored 'Sorcerer.'

5648:"Fifty Years of Filmmaking: An Interview with William Friedkin" 5491:

American Film Now: The People, The Power, The Money, The Movies

4562:"Sarasota Stuntman Says His Profession Pverdue for Recognition" 3331: 2011:

never really catches hold despite a few astounding scenes." In

1624:

he became "difficult", which contrasted with his attitude from

1548: 1334:

and depicted Victor Manzon's backstory. The sequence filmed in

638: 628: 624: 319: 307: 112: 6981:

Hurricane Billy: The Stormy Life And Times Of William Friedkin

6935:

William Friedkin: Films of Aberration, Obsession, and Reality

5072:"Record Time:New & Notable Vinyl Releases (January 2020)" 4681:"Amidou: Moroccan Officials Should Stamp Out Artistic Piracy" 1443: 1331: 921:, the man who built an opera house in the Brazilian jungle." 620: 2530:

2014 US home video re-release and 2017 UK home video release

534:

explodes, and the only way to extinguish the fire is to use

2052:

assessed the movie's dialogues unfavourably, stating that "

1148:'s insistence—refused to cast Scheider as Father Karras in 654: 415:

released the film remastered on Blu-ray on April 22, 2014.

5144:

Ebert, Roger (host); Siskel, Gene (host) (November, 1979)

4761: 4737: 3434:"25 Movies That Bombed in Theaters But Are Actually Great" 3151:

Framework: A History of Screenwriting in the American Film

2851:

On April 14, 2013, the aforementioned 35 mm print of

2763: 2601:

s financial and critical fiasco. Sean Macaulay notes that

2296:

is a massive game-changing hit in Hollywood and I'm doing

1792:

were employed. Friedkin also featured one licensed song, "

958:

Framework: A History of Screenwriting in the American Film

2496: 2348:," adding, however, that "only an idiot would argue that 1630: 1102:, whom Friedkin had wanted for the role of "Frog One" in 1061:

After the disagreement with McQueen, Friedkin approached

972:'s work. Crawford also observes that the film possesses " 769:

Friedkin thought the title fit the film's general theme:

479: 6364:"RH Greene reevaluates Wm Friedkin's 'flop,' 'Sorcerer'" 5595: 4165:"...On Film: Phil Mucci Examines WAGES OF FEAR/SORCERER" 3504:""The Wages of Fear" at MoMA and Film Forum (Dec 08-22)" 2781:, and to have a film print for various outlets, such as 518:. Kassem befriends a man called 'Marquez', presumably a 6343: 6316: 5963: 4092: 4000: 3988: 2742:

Friedkin sat for an interview with the Danish director

1920:

notes that "udiences expecting mystical weirdness a la

1811:

In 2019, the soundtrack was released on green vinyl by

1507:, used as a backdrop in the film's hallucinatory climax 903:

Some reviewers likened certain elements of the film to

5983:"LaserDisc Database – Sorcerer (1977) [12009]" 4749: 4104: 3383: 3168:

Hollywood Bloodshed: Violence in 1980s American Cinema

1572:

has said "the locations looked beautiful to the eye".

1399:

in 2005, stated that out of all movies in his oeuvre,

952:, the latter comment also mirrored by Shaun Crawford, 370:, with both studios sharing the U.S. distribution and 4877:"The 50th Academy Awards (1978) Nominees and Winners" 4810:"Dominicans Sue G. & W. On Filming of 'Sorcerer'" 4348: 2889:

theatrical screening had been booked at Los Angeles'

2760:

as "the only film I’ve made that I can still watch."

1750:

marked the first Hollywood film score for the German

1476:

Infamous Players: A Tale of Movies, the Mob (And Sex)

4402:"Sorcerer (Comparison: US Version – German Version)" 1575:

Apart from Bush, Friedkin had a feud with the chief

1220:

William Friedkin's attitude towards characterization

5800: 5252:"5 Great Careers Destroyed By The Post-Oscar Curse" 4192: 4190: 3681:"William Friedkin's SORCERER Goes Blu-ray In April" 1033:Friedkin originally envisioned an all-star cast of 384:, which instantly became a pop-culture phenomenon. 6997: 6911: 6270: 5488: 5455: 4784:"Friedkin, William: Sorcerer / Shooting with Guns" 4396: 4394: 4228: 3075: 2590:In the opinion of several critics, the release of 2451: 5848: 5846: 5197: 4018: 3933: 3546: 3544: 2267:Academy Award nominee, screenwriter and director 1847:while Universal would distribute the film in the 1835:Film editor Bud Smith, on his reaction to seeing 1144:together, but had lost contact after Friedkin—at 841:as his competitor, so when Coppola headed to the 443: 436:Nilo, an elegantly dressed man, enters a flat in 374:being responsible for the international release. 7377: 6874: 6843: 6812: 6781: 6750: 6691: 6660: 6629: 6598: 6179: 6148: 6117: 6083: 4187: 3122: 3120: 3118: 2880:On June 4, 2013, the director declared that the 2855:from the Paramount archives was screened at the 1620:and theorized that after achieving stardom with 1537: 1297:after seeing the film version of the rock opera 431: 7000:High Concept: Movies and Marketing in Hollywood 6273:High Concept: Movies and Marketing in Hollywood 6264: 6262: 6064:: CS1 maint: others in cite AV media (notes) ( 5520:Badder, David (January 1978). "Wages of Fear". 4617: 4391: 3281: 3279: 3277: 3275: 3273: 3271: 3269: 3267: 3265: 3263: 3261: 3259: 3257: 3255: 3253: 3251: 3249: 3247: 3245: 3243: 3241: 3239: 3237: 3235: 3233: 3231: 3229: 3227: 3225: 3223: 3221: 3219: 2300:commentary on some unknown cult classic called 1183:and whom Friedkin described as a "good actor". 555:At the bar back in Porvenir, Jackie is given a 452:disguised as Jews causes an explosion near the 6877:"Sorcerer soundtrack remastered. Sounds great" 6417: 6217:(Press release). Warner Bros. April 30, 2014. 5843: 5639: 5140: 5138: 5136: 5134: 5055:"Par Instructs, And Warns, As To 'Sorcerer'". 4825: 4823: 4360: 3758: 3756: 3754: 3541: 3407:"Trailers From Hell. Josh Olson on "Sorcerer"" 3217: 3215: 3213: 3211: 3209: 3207: 3205: 3203: 3201: 3199: 2645:also significantly contributed to this trend. 2046:lacked character involvement. John Marlowe of 1482:theorized that the owner of Gulf and Western, 1208: 42:Theatrical release poster by Richard L. Albert 7073: 6113: 6111: 5902:"Hollywood Sorcerer Is Casting His Old Spell" 5533: 5531: 5160: 4871: 4869: 4490: 4488: 4486: 4484: 4482: 4480: 4289: 4287: 4285: 4283: 4281: 3716: 3714: 3712: 3710: 3708: 3706: 3704: 3702: 3115: 1895:film editor Bud Smith, Friedkin and his wife 1307:, and after finding out that Bush had filmed 467: 7087: 6328: 6259: 6079: 6077: 6075: 6036: 5567:Canby, Vincent (June 25, 1977). "Sorcerer". 5344:"A Devil of a Bad Movie, But Not Diabolical" 3833: 3831: 3829: 3827: 3825: 3823: 3821: 3819: 3817: 3815: 3497: 3495: 3493: 3144: 3142: 3140: 3138: 1693:Cascading down infinite corridors of burning 722:painted across the hood (the other is named 508: 6386: 5933:"Film Classics Still Eluding Video Viewers" 5157:. Chicago, IL: WTTW. Retrieved 2013-06-24. 5131: 5097: 5095: 5093: 5069: 4841: 4820: 4531:"Actor Roy Scheider Is At His Wife's Mercy" 4522: 4516:Dream Repairman: Adventures in Film Editing 4446: 4319: 4317: 4216:. University of Kentucky Press. p. 22. 3751: 3641: 3639: 3637: 3635: 3633: 3196: 3126: 2384:, "20 Movie Rentals That Never Let Me Down" 1725:Reminding of white suns eclipsing oceans of 1689:Rumor of distant thunder trembles along the 1686:And white sun eclipsed by pale yellow moon. 7080: 7066: 6868: 6530: 6528: 6462:Demme, Ted (director) (January 19, 2003). 6455: 6285: 6173: 6142: 6108: 5747:"The Greatest Film Polls: Sight&Sound" 5741: 5739: 5675: 5673: 5582: 5580: 5578: 5528: 5245: 5243: 5241: 5234:(DVD). Lionsgate Home Entertainment. 2007. 4866: 4642: 4477: 4323: 4278: 4235:. University of California Press. p. 4064: 4062: 4060: 4058: 4056: 4054: 4052: 4050: 4048: 4046: 3699: 3675: 3673: 3575: 3573: 3461: 3459: 2979: 2977: 2975: 2973: 2971: 2943: 2277:, made a video review of Sorcerer for the 1727:stars shrieking through the midnight dawn. 1708:becoming clusters of starfall that scatter 1680:In the bottomless silence. Without warning 1311:'s biography as well as collaborated with 1116:, but the casting director mistakenly got 851:, Friedkin went to Latin America to shoot 790:In the director's opinion, the premise of 36: 6837: 6806: 6775: 6744: 6685: 6654: 6623: 6592: 6495: 6466:(Motion picture). Constant Communication. 6440: 6072: 5819:C. Gamble, Patrick (September 30, 2011). 5818: 5775: 5562: 5560: 5372: 5305: 4509: 4507: 4505: 4503: 4250: 4248: 4246: 4196: 4158: 4156: 4154: 4152: 4150: 3858: 3856: 3854: 3852: 3850: 3848: 3846: 3812: 3802: 3800: 3798: 3762: 3648:"Venice Fest to Lionize William Friedkin" 3645: 3490: 3317: 3315: 3313: 3311: 3309: 3157: 3153:. Syracuse University Press. p. 194. 3135: 3107:Turan, Kenneth (August 1997). "Remakes". 3039: 3037: 3035: 3033: 3031: 3015: 3013: 3011: 1710:from hidden places. Pulsating. Relentless 867: 571:is heard, leaving Jackie's fate unknown. 6978: 6951: 6446: 6291: 6118:William Friedkin (September 12, 2013). 6005: 5864: 5707: 5705: 5703: 5601: 5458:Reverse Angle: A Decade of American Film 5191: 5090: 5048: 5026:"Sorcerer- (1977) Dir- William Friedkin" 4778: 4776: 4743: 4712: 4553: 4367:Borrelli, Christopher (April 15, 2013). 4366: 4314: 4304: 4302: 4162: 4122: 4098: 4006: 3994: 3902: 3892: 3890: 3862: 3630: 3501: 3468:"The Uncanny Cinema of William Friedkin" 3465: 3400: 3398: 3321: 3163: 3100: 3069: 3067: 2460: 1715:Centaurs throb within the blood crossing 1684:A midnight dawn. A whisper of chill wind 1495: 1426: 1406:Friedkin antagonized Paramount, using a 980: 6969: 6932: 6909: 6721: 6719: 6630:William Friedkin (February 11, 2013). 6599:William Friedkin (February 11, 2013). 6525: 6349: 6322: 6011: 5969: 5930: 5736: 5670: 5645: 5575: 5403: 5397: 5274: 5238: 5224: 5078:from the original on September 20, 2020 4970:"Music: Keith Jarrett: Hymns / Spheres" 4933: 4931: 4904: 4902: 4842:Schexnayder, C.J. (February 29, 2008). 4829: 4767: 4755: 4648: 4354: 4308: 4226: 4220: 4110: 4043: 4019:Clint Caffeinated (November 25, 2002). 3896: 3720: 3670: 3618:from the original on September 26, 2013 3570: 3535: 3531: 3529: 3456: 3425: 3389: 3300: 3148: 3058: 3043: 2968: 2939: 2937: 2909: 2764:Court case, restoration, and re-release 409:70th Venice International Film Festival 407:, with the new print premiering at the 7378: 6991:. Film Properties international. 1977. 6580:from the original on December 30, 2012 6392: 6361: 6304:from the original on February 19, 2018 6209: 6207: 6024:from the original on December 22, 2014 5951:from the original on December 11, 2015 5899: 5679: 5627:from the original on December 23, 2020 5557: 5519: 5486: 5480: 5341: 5335: 5212:from the original on December 12, 2015 5198:Pamela McClintock (December 9, 2015). 4916:from the original on December 21, 2013 4708: 4706: 4572:from the original on December 22, 2014 4500: 4453:Castro, Adam-Troy (January 31, 2011). 4452: 4369:"Director William Friedkin Comes Home" 4243: 4147: 4080:from the original on December 19, 2013 3976:from the original on November 29, 2014 3950: 3948: 3908: 3875:from the original on November 24, 2012 3843: 3795: 3658:from the original on November 21, 2013 3502:Atkinson, Michael (December 8, 2011). 3444:from the original on February 16, 2013 3431: 3306: 3073: 3028: 3008: 2903: 1706:Glass shatters, shrieks and spins away 924:Several critics compared the movie to 480:Vignette #4: Elizabeth, New Jersey, US 269:$ 5.9 million (theatrical and rentals) 16:1977 American film by William Friedkin 7566:Films with screenplays by Walon Green 7061: 6995: 6963:Film Soleil (Pocket Essential series) 6567: 6561: 6534: 6432:. McGraw-Hill International. p. 6405:from the original on January 30, 2013 6355: 6334: 6277:. University of Texas Press. p. 6268: 5975: 5724:from the original on October 22, 2012 5700: 5586: 5566: 5539:"Ebert's 10 Best Lists: 1967-present" 5453: 5354:from the original on October 19, 2021 5280: 5250:Lamar, Cyriaque (February 17, 2009). 5249: 5169:"May 25, 1977: A Day Long Remembered" 5167:Coate, Michael (September 21, 2004). 5166: 5119:from the original on February 2, 2022 5036:from the original on January 28, 2015 4962: 4950:from the original on January 29, 2014 4854:from the original on October 29, 2013 4835: 4773: 4611: 4590: 4584: 4528: 4513: 4326:"William Friedkin's Sorcerer Revived" 4299: 4266:from the original on January 28, 2015 4211: 4205: 3962: 3887: 3579: 3413:from the original on January 18, 2013 3404: 3395: 3355: 3353: 3351: 3349: 3106: 3064: 3054: 3052: 2649:theorizes that success of films like 2456: 2271:, most famous for his screenplay for 2153:Ebert, in a November 1979 episode of 1983: 1869:'s runaway box-office smash of 1977, 1169:, who, among other pictures prior to 1130:It was not until Universal executive 653:as Marquez, an old German and former 7461:Films shot in the Dominican Republic 6960: 6716: 6423: 6149:William Friedkin (April 24, 2014). 5806: 5776:C. Cumbow, Robert (April 13, 2011). 5711: 5545:from the original on January 5, 2011 5495:. Oxford University Press. pp. 5373:C. Cumbow, Robert (April 13, 2011). 4928: 4899: 4725:from the original on August 17, 2013 4618:D'Augustine, Joe (October 9, 2007). 4163:Smithson, Sean (November 16, 2011). 3806: 3614:. Tangerine Dream official website. 3526: 3294: 2983: 2944:Sobczynski, Peter (April 10, 2013). 2934: 2834:, to be tentatively screened at the 2308:and world hunger is just a memory." 1988: 1106:because he loved his performance in 541: 378:release at roughly the same time as 6987: 6875:William Friedkin (July 17, 2013). 6844:William Friedkin (June 25, 2013). 6813:William Friedkin (June 25, 2013). 6568:Smith, Jeremy (December 20, 2012). 6339:. Simon & Schuster. p. 10. 6247:from the original on April 14, 2016 6221:from the original on April 21, 2016 6204: 5900:Maddox, Garry (November 29, 2002). 5688:from the original on March 30, 2012 5513: 5147:Sneak Previews: Overlooked Classics 4715:"SORCERER (William Friedkin, 1977)" 4713:Rowlands, Paul (January 13, 2013). 4703: 4691:from the original on April 24, 2014 4630:from the original on April 24, 2014 4559: 4494: 4465:from the original on March 20, 2012 4293: 4123:Peterson, Alex (January 13, 2013). 3945: 3939: 3921:from the original on March 26, 2016 3863:Yegulalp, Serdar (April 12, 2010). 3837: 3739:from the original on March 14, 2016 3514:from the original on March 17, 2014 2996:from the original on April 20, 2013 2827:would not be the film's publisher. 2503:was released on October 4, 1990. A 1976:s failure, in a 2013 interview for 1717:arteries of storming cavalries that 1695:mirrors reflecting and rereflecting 1628:, where he "would've lied [ 713: 426: 13: 7536:Israeli–Palestinian conflict films 7436:Films directed by William Friedkin 6782:William Friedkin (June 4, 2013). 6725:Turan, Kenneth (August 27, 2013). 6549:from the original on July 30, 2012 6374:from the original on July 28, 2013 6012:Merrill, Ned (February 18, 2009). 5931:BENESCH, CONNIE (April 30, 1988). 5912:from the original on July 20, 2013 5865:Chitwood, Adam (August 23, 2012). 5682:"Every 70s Movie: Sorcerer (1977)" 5423: 4937: 4887:from the original on April 2, 2015 4336:from the original on July 28, 2014 4256:"William Friedkin on Roy Scheider" 3958:(DVD). Universal Home Video. 1998. 3909:Bergan, Ronald (August 25, 2010). 3604: 3432:Knight, Rich (February 13, 2013). 3346: 3049: 2910:Lindsey, Robert (August 7, 1977). 1682:A curtain slowly ascends revealing 834:Close Encounters of the Third Kind 810: 665:as Lartigue, Corlette's superior; 318:, it has been widely considered a 183:Film Properties International N.V. 14: 7577: 7009: 6954:The Friedkin Connection: A Memoir 6751:William Friedkin (May 9, 2013). 6692:William Friedkin (May 2, 2013). 6661:William Friedkin (May 2, 2013). 6180:William Friedkin (May 1, 2014). 6084:William Friedkin (May 2, 2013). 5993:from the original on July 7, 2022 5881:from the original on May 26, 2013 5788:from the original on May 18, 2013 5714:"Stephen King's Reliable Rentals" 5712:King, Stephen (August 21, 2009). 5385:from the original on May 18, 2013 5323:from the original on May 10, 2013 5293:from the original on May 16, 2012 5262:from the original on July 8, 2013 5006:from the original on May 18, 2016 4980:from the original on July 7, 2022 4649:Flatley, Guy (January 21, 1977). 4541:from the original on July 7, 2022 4408:from the original on May 10, 2013 4379:from the original on May 27, 2013 3683:. January 6, 2014. Archived from 3580:Ebiri, Bilge (January 13, 2013). 3371:from the original on July 8, 2017 3322:Crawford, Shaun (June 26, 2012). 3288:The Friedkin Connection: A Memoir 3078:Leonard Maltin's 2010 Movie Guide 2956:from the original on June 2, 2013 2922:from the original on June 6, 2015 2374: 2340:A prominent English film critic, 1719:crash though the top of your head 1338:was realized with cooperation of 7456:Films set in fictional countries 7446:American remakes of French films 6509:. April 20, 2016. Archived from 6470: 6393:Gibron, Bill (August 27, 2012). 6368:Southern California Public Radio 6292:Macaulay, Sean (June 18, 2013). 6233: 5924: 5893: 5858: 5812: 5769: 5680:Hanson, Peter (March 16, 2011). 5607: 5462:. Crown Publishers Inc. p. 5342:Sarris, Andrew (July 18, 1977). 5179:from the original on May 5, 2007 5070:Ham, Robert (January 31, 2020). 3970:"Friedpark: Friedhof Heerstraße" 3865:"Movie Reviews: Sorcerer (1977)" 3592:from the original on May 5, 2013 2857:Chicago Film Critics Association 2790:Cinema International Corporation 2476:Cinema International Corporation 2371:, they would have been perfect. 1393:Amidou, in an interview for the 1293:Friedkin chose Dick Bush as his 931:The Treasure of the Sierra Madre 591:The Treasure of the Sierra Madre 372:Cinema International Corporation 7441:Films scored by Tangerine Dream 6983:. William Morrow & Company. 6903: 5447: 5438: 5366: 5063: 5018: 4992: 4802: 4673: 4529:Scott, Vernon (July 11, 1986). 4420: 4116: 4012: 3765:"On Wages of Fear and Sorcerer" 3763:Applegate, Tim (October 2004). 3721:Heifetz, Gloria (Winter 1979). 3646:Vivarelli, Nick (May 2, 2013). 3190: 2774:Ninth District Court of Appeals 2706:One Flew Over the Cuckoo's Nest 2673:One Flew Over the Cuckoo's Nest 2452:International and home releases 2448:in 1978 for work on this film. 2199: 1675:William Friedkin, untitled poem 831:at that point had already made 496:that is connected with a rival 7541:Films about the American Mafia 7471:Films shot in New York (state) 7416:American action thriller films 7411:American adventure drama films 7257:The Caine Mutiny Court-Martial 7121:The Night They Raided Minsky's 6972:Roy Scheider: A Film Biography 5684:. Every70smovie.blogspot.com. 5646:Burchby, Casey (May 1, 2013). 4324:D'Arcy, David (June 2, 2013). 3405:Olson, Josh (April 14, 2010). 2984:Lang, Brent (March 21, 2013). 2912:"The New Tycoons of Hollywood" 1730:Never ending. Without warning. 1697:momentous oceans of stampeding 1384:, Scheider said that shooting 815:Friedkin originally conceived 588:'s Fred C. Dobbs character in 444:Vignette #2: Jerusalem, Israel 1: 5281:Konow, David (May 14, 2012). 4021:"Interview: William Friedkin" 3956:Production notes for Sorcerer 2896: 2489: 2480:United International Pictures 2329:at #1, stating that although 1823: 1656:nomination, which it lost to 1538:On-set conflicts and problems 893:One Hundred Years of Solitude 805: 432:Vignette #1: Veracruz, Mexico 7551:1970s English-language films 7451:Films based on French novels 7421:1970s Spanish-language films 7350:Conversation with Fritz Lang 7335:Mayhem on a Sunday Afternoon 7042:endorsed by William Friedkin 7004:. University of Texas Press. 6535:Adams, Sam (July 27, 2012). 6464:A Decade Under the Influence 6428:Contemporary American Cinema 6243:. NOLA.com. April 22, 2014. 4944:Evolution Garden Music Award 4560:Cox, Billy (June 12, 2011). 3020:"Big Buck Pix vs. Rentals". 2756:In 2017, Friedkin described 2735:A Decade Under the Influence 2442:Academy Award for Best Sound 2419: 1422: 7: 7431:1970s German-language films 7426:1970s French-language films 7391:1970s adventure drama films 7363:The Devil and Father Amorth 6956:. HarperCollins Publishers. 6933:Clagett, Thomas D. (1990). 5652:Los Angeles Review of Books 5404:Marlowe, John (June 1977). 4657:. p. 6. Archived from 4201:. Focal Press. p. 385. 3131:. HarperCollins Publishers. 2311:On August 21, 2009, author 1712:like a recurring nightmare. 1209:Characterization and design 823:, the planned follow-up to 661:Other cast members include 550: 310:. The second adaptation of 10: 7582: 6952:Friedkin, William (2013). 6732:September 5, 2013, at the 6362:Greene, RH (May 2, 2013). 5434:. March 1978. p. 246. 3286:Friedkin, William (2013). 2415:personal top 10 films poll 2404:personal top 12 films poll 1955: — Disclaimer put on 1818: 1800:, and a cover version of " 1667: 1518:Bisti/De-Na-Zin Wilderness 1501:Bisti/De-Na-Zin Wilderness 1454:, for Jackie Scanlon, and 1288: 1017: 468:Vignette #3: Paris, France 18: 7546:Films about the Irish Mob 7319:The People vs. Paul Crump 7310: 7284:C.A.T. Squad: Python Wolf 7267: 7096: 6937:. McFarland and Company. 6050:. Hollywood, California: 5283:"A Look Back at Sorcerer" 4591:Emery, Robert J. (2002). 4214:Warren Oates: A Wild Life 3127:John Walker, ed. (1993). 2751:2016 Cannes Film Festival 2546: 1330:commenced on location in 1012:Brooklyn Academy of Music 910:Aguirre, the Wrath of God 509:Part II: Life in Porvenir 290:produced and directed by 265: 257: 243: 235: 225: 202: 188: 174: 164: 147: 126: 90: 82: 67: 57: 47: 35: 30: 7491:Films shot in New Mexico 7486:Universal Pictures films 7481:Paramount Pictures films 7466:Films shot in New Jersey 6974:. McFarland and Company. 6918:. Simon & Schuster. 5821:"Interview Mark Kermode" 4212:Compo, Susan A. (2009). 3164:Kendrick, James (2009). 3082:. Signet Books. p. 3074:Maltin, Leonard (2009). 2825:The Criterion Collection 2391:, top 10 films from 1977 2252:American movie reviewer 1663: 1642: 1192:La Vie, l'amour, la mort 500:crew and organizes cash 7501:Films set in New Jersey 7185:To Live and Die in L.A. 6970:Kachmar, Diane (2002). 6910:Biskind, Peter (1998). 5002:. Library of Congress. 4594:The Directors: Take Two 4566:Sarasota Herald-Tribune 4227:Rotella, Carlo (2002). 4197:Dancynger, Ken (2010). 3911:"Bruno Crémer Obituary" 3723:"Film Maudit: Sorcerer" 2946:"The Wages Of Sorcerer" 2685:All the President's Men 2537:The Friedkin Connection 2523:To Live and Die in L.A. 2440:were nominated for the 2352:is a better movie than 1796:", by jazz saxophonist 1598:The Friedkin Connection 1466:, who was the owner of 1340:Israeli security forces 1295:director of photography 915:The Friedkin Connection 574: 418: 271:$ 9 million (worldwide) 211:June 24, 1977 7506:Films set in Jerusalem 6996:Wyatt, Justin (1994). 6979:Segaloff, Nat (1990). 6503:"Cannes Classics 2016" 6269:Wyatt, Justin (1994). 5751:British Film Institute 5487:Monaco, James (1979). 5205:The Hollywood Reporter 4428:"1952 M211 Deuce 2/12" 3466:Segaloff, Nat (2009). 3129:Halliwell's Film Guide 2849: 2466: 2017:Halliwell's Film Guide 1952: 1885:Mann's Chinese Theater 1841: 1734: 1535: 1508: 1435: 1420: 1223: 1031: 999: 888:Gabriel García Márquez 868:Writing and influences 788: 776: 450:Palestinian terrorists 7556:Henri-Georges Clouzot 7516:Films set in Colombia 7137:The French Connection 5855:. Quoiat Films, 2018. 5522:Monthly Film Bulletin 5232:Bug (Special Edition) 5153:May 28, 2013, at the 4687:. November 25, 2005. 4262:. February 13, 2008. 3172:. SIU Press. p. 3149:Stempel, Tom (2000). 2844: 2810:American Cinematheque 2620:The French Connection 2511:The French Connection 2464: 2325:at #2 and Friedkin's 2315:posted an article in 2274:A History of Violence 2104:Monthly Film Bulletin 2064:The French Connection 1945: 1849:western United States 1845:eastern United States 1827: 1677: 1670:Sorcerer (soundtrack) 1626:The French Connection 1618:The French Connection 1526: 1499: 1452:Elizabeth, New Jersey 1430: 1412: 1345:Elizabeth, New Jersey 1328:Principal photography 1212: 1160:The French Connection 1141:The French Connection 1104:The French Connection 1021: 995:Le Salaire de la peur 991: 987:Henri-Georges Clouzot 981:Obtaining the license 949:The Battle of Algiers 799:French Foreign Legion 780: 771: 671:Friedrich von Ledebur 462:Israel Defense Forces 316:Le Salaire de la peur 314:'s 1950 French novel 72:Le Salaire de la peur 7561:1970s American films 7526:Films shot in Israel 7496:Films shot in Mexico 7406:Existentialist films 7129:The Boys in the Band 6965:. Pocket Essentials. 6513:on February 10, 2017 6507:Cannes Film Festival 6298:The Sunday Telegraph 6052:Universal Home Video 5718:Entertainment Weekly 5454:Simon, John (1982). 4260:Entertainment Weekly 3783:on September 3, 2005 3472:Harvard Film Archive 2864:Venice Film Festival 2836:Venice Film Festival 2744:Nicolas Winding Refn 2569:Francis Ford Coppola 2382:Entertainment Weekly 2380:1st – Stephen King, 2318:Entertainment Weekly 1563:The Boys in the Band 1146:William Peter Blatty 1039:Marcello Mastroianni 839:Francis Ford Coppola 821:The Devil's Triangle 516:American oil company 474:Paris Stock Exchange 411:on August 29, 2013. 348:The Devil's Triangle 7531:Films shot in Paris 7521:Films set in Mexico 7401:1977 thriller films 7356:The Painter's Voice 7225:Rules of Engagement 7177:Deal of the Century 6989:Sorcerer Press Book 6961:Holm, D.K. (2005). 6335:Shone, Tom (2004). 6060:cite AV media notes 5444:Turan (1997), p. 39 5317:lesliehalliwell.com 5313:"Favourite Reviews" 5032:. January 6, 2013. 4844:"The Wages of Fear" 4770:, pp. 310–311. 4535:Schenectady Gazette 4514:Clark, Jim (2010). 3024:. January 13, 1982. 2474:and distributed by 2446:50th Academy Awards 2387:9th – Roger Ebert, 2256:, in his 2005 book 2115:On the other hand, 1794:I'll Remember April 1739:Sorcerer soundtrack 1446:for Victor Manzon, 1228:F. Scott Fitzgerald 872:Friedkin appointed 667:Anne-Marie Deschodt 522:. They all live in 282:is a 1977 American 7511:Films set in Paris 7343:The Thin Blue Line 7113:The Birthday Party 7033:TCM Movie Database 6574:Ain't It Cool News 5778:"Review: Sorcerer" 5757:on August 27, 2012 5375:"Review: Sorcerer" 5173:The Screening Room 5074:. Paste Magazine. 4814:The New York Times 4790:. December 5, 2002 4746:, pp. 163–64. 4620:"R.I.P. Bud Ekins" 4597:. Allworth Press. 3899:, pp. 166–167 3558:. October 20, 2017 2916:The New York Times 2886:5.1 surround sound 2698:One From the Heart 2694:New York, New York 2584:New York, New York 2574:One from the Heart 2478:(later renamed as 2467: 2457:International cuts 2438:Jean-Louis Ducarme 2298:Trailers from Hell 2280:Trailers from Hell 2177:one of the top 10 2136:chief film critic 2132:The New York Times 2021:The Wages of Fear, 1984:Critical reception 1969:industry. Despite 1509: 1472:Dominican Republic 1436: 1381:The New York Times 1357:Dominican Republic 1203:Jean-Paul Belmondo 633:Dominican Republic 557:Colombian passport 368:Paramount Pictures 364:Universal Pictures 360:major film studios 356:Dominican Republic 197:Paramount Pictures 193:Universal Pictures 7396:1977 action films 7373: 7372: 7038:The Sorcerer Blog 6944:978-0-89950-262-5 6738:Los Angeles Times 6018:Obscure One-Sheet 5937:Los Angeles Times 5869:Sight & Sound 5506:978-0-19-502570-5 5432:Films Illustrated 5348:The Village Voice 5103:"Sorcerer (1977)" 5000:"SORCERER (1977)" 4976:. March 9, 2013. 4816:. August 3, 1976. 4661:on April 24, 2014 4518:. Landmarc Press. 4175:on March 10, 2013 3093:978-0-451-22764-5 2838:and to receive a 2801:Universal Studios 2714:Peter Bogdanovich 2679:Dog Day Afternoon 2413:Sight & Sound 2401:Sight & Sound 2396:Quentin Tarantino 2389:Chicago Sun-Times 2360:Quentin Tarantino 2122:Chicago Sun-Times 2101:David Badder, in 2068:Films Illustrated 2026:The Village Voice 2009:The Wages of Fear 1989:Initial reception 1776:The Wages of Fear 1721:Recycle and recur 1468:Universal Studios 1253:The Wages of Fear 1096:Catherine Deneuve 792:The Wages of Fear 728:location scouting 606:investment banker 542:Part III: Journey 520:Nazi war criminal 413:Warner Home Video 325:The Wages of Fear 322:of the 1953 film 275: 274: 157:Robert K. Lambert 7573: 7090:William Friedkin 7082: 7075: 7068: 7059: 7058: 7049: 7005: 7003: 6992: 6984: 6975: 6966: 6957: 6948: 6929: 6917: 6897: 6896: 6890: 6888: 6872: 6866: 6865: 6859: 6857: 6841: 6835: 6834: 6828: 6826: 6810: 6804: 6803: 6797: 6795: 6779: 6773: 6772: 6766: 6764: 6748: 6742: 6723: 6714: 6713: 6707: 6705: 6689: 6683: 6682: 6676: 6674: 6658: 6652: 6651: 6645: 6643: 6627: 6621: 6620: 6614: 6612: 6596: 6590: 6589: 6587: 6585: 6565: 6559: 6558: 6556: 6554: 6532: 6523: 6522: 6520: 6518: 6499: 6493: 6492: 6490: 6488: 6474: 6468: 6467: 6459: 6453: 6452: 6444: 6438: 6437: 6431: 6421: 6415: 6414: 6412: 6410: 6390: 6384: 6383: 6381: 6379: 6359: 6353: 6347: 6341: 6340: 6332: 6326: 6320: 6314: 6313: 6311: 6309: 6289: 6283: 6282: 6276: 6266: 6257: 6256: 6254: 6252: 6237: 6231: 6230: 6228: 6226: 6211: 6202: 6201: 6195: 6193: 6177: 6171: 6170: 6164: 6162: 6146: 6140: 6139: 6133: 6131: 6115: 6106: 6105: 6099: 6097: 6081: 6070: 6069: 6063: 6055: 6048:William Friedkin 6040: 6034: 6033: 6031: 6029: 6009: 6003: 6002: 6000: 5998: 5979: 5973: 5967: 5961: 5960: 5958: 5956: 5928: 5922: 5921: 5919: 5917: 5897: 5891: 5890: 5888: 5886: 5862: 5856: 5850: 5841: 5840: 5838: 5836: 5831:on July 15, 2013 5827:. 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Stephens 86:William Friedkin 52:William Friedkin 40: 28: 27: 7581: 7580: 7576: 7575: 7574: 7572: 7571: 7570: 7376: 7375: 7374: 7369: 7306: 7263: 7161:The Brink's Job 7092: 7086: 7047: 7012: 6945: 6926: 6906: 6901: 6900: 6886: 6884: 6873: 6869: 6855: 6853: 6842: 6838: 6824: 6822: 6811: 6807: 6793: 6791: 6780: 6776: 6762: 6760: 6749: 6745: 6734:Wayback Machine 6724: 6717: 6703: 6701: 6690: 6686: 6672: 6670: 6659: 6655: 6641: 6639: 6628: 6624: 6610: 6608: 6597: 6593: 6583: 6581: 6566: 6562: 6552: 6550: 6533: 6526: 6516: 6514: 6501: 6500: 6496: 6486: 6484: 6476: 6475: 6471: 6461: 6460: 6456: 6445: 6441: 6422: 6418: 6408: 6406: 6391: 6387: 6377: 6375: 6360: 6356: 6348: 6344: 6333: 6329: 6321: 6317: 6307: 6305: 6290: 6286: 6267: 6260: 6250: 6248: 6239: 6238: 6234: 6224: 6222: 6213: 6212: 6205: 6191: 6189: 6178: 6174: 6160: 6158: 6147: 6143: 6129: 6127: 6116: 6109: 6095: 6093: 6082: 6073: 6057: 6056: 6046:(Liner notes). 6042: 6041: 6037: 6027: 6025: 6010: 6006: 5996: 5994: 5981: 5980: 5976: 5968: 5964: 5954: 5952: 5929: 5925: 5915: 5913: 5898: 5894: 5884: 5882: 5867:"Check Out the 5863: 5859: 5851: 5844: 5834: 5832: 5817: 5813: 5805: 5801: 5791: 5789: 5774: 5770: 5760: 5758: 5745: 5744: 5737: 5727: 5725: 5710: 5701: 5691: 5689: 5678: 5671: 5661: 5659: 5658:on May 21, 2013 5644: 5640: 5630: 5628: 5613: 5612: 5608: 5600: 5596: 5585: 5576: 5565: 5558: 5548: 5546: 5541:. 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Bideau 616:Francisco Rabal 586:Humphrey Bogart 577: 553: 544: 524:extreme poverty 511: 494:Catholic church 482: 470: 446: 434: 429: 421: 393:Tangerine Dream 304:Francisco Rabal 270: 261:$ 21–22 million 252: 250: 248: 228: 221: 214: 212: 205: 195: 184: 179: 177: 169:Tangerine Dream 160: 143: 122: 108:Francisco Rabal 74: 43: 24: 17: 12: 11: 5: 7579: 7569: 7568: 7563: 7558: 7553: 7548: 7543: 7538: 7533: 7528: 7523: 7518: 7513: 7508: 7503: 7498: 7493: 7488: 7483: 7478: 7473: 7468: 7463: 7458: 7453: 7448: 7443: 7438: 7433: 7428: 7423: 7418: 7413: 7408: 7403: 7398: 7393: 7388: 7371: 7370: 7368: 7367: 7359: 7353: 7347: 7339: 7331: 7323: 7314: 7312: 7308: 7307: 7305: 7304: 7296: 7288: 7280: 7271: 7269: 7265: 7264: 7262: 7261: 7253: 7245: 7237: 7229: 7221: 7213: 7205: 7197: 7189: 7181: 7173: 7165: 7157: 7149: 7141: 7133: 7125: 7117: 7109: 7100: 7098: 7094: 7093: 7085: 7084: 7077: 7070: 7062: 7056: 7055: 7044: 7035: 7024: 7011: 7010:External links 7008: 7007: 7006: 6993: 6985: 6976: 6967: 6958: 6949: 6943: 6930: 6924: 6905: 6902: 6899: 6898: 6867: 6836: 6805: 6774: 6743: 6715: 6684: 6653: 6622: 6591: 6560: 6524: 6494: 6469: 6454: 6439: 6416: 6385: 6354: 6352:, p. 338. 6342: 6327: 6325:, p. 344. 6315: 6284: 6258: 6232: 6203: 6172: 6141: 6107: 6071: 6035: 6004: 5974: 5972:, p. 144. 5962: 5923: 5892: 5857: 5853:Friedkin Uncut 5842: 5811: 5799: 5768: 5735: 5699: 5669: 5638: 5606: 5604:, p. 346. 5594: 5589:New York Times 5574: 5569:New York Times 5556: 5527: 5512: 5505: 5479: 5472: 5446: 5437: 5430:"Background". 5422: 5410:The Miami News 5396: 5365: 5334: 5304: 5273: 5237: 5223: 5190: 5159: 5130: 5113:Fandango Media 5089: 5062: 5047: 5030:On Second Look 5017: 4991: 4961: 4927: 4898: 4865: 4834: 4819: 4801: 4788:Urban Cinefile 4772: 4760: 4758:, p. 311. 4748: 4736: 4702: 4672: 4655:New York Times 4641: 4610: 4603: 4583: 4552: 4521: 4499: 4476: 4445: 4419: 4390: 4359: 4347: 4313: 4298: 4277: 4242: 4219: 4204: 4186: 4146: 4115: 4113:, p. 309. 4103: 4101:, p. 156. 4091: 4042: 4011: 4009:, p. 329. 3999: 3997:, p. 322. 3987: 3961: 3944: 3932: 3901: 3886: 3842: 3811: 3794: 3750: 3698: 3669: 3629: 3603: 3569: 3540: 3525: 3489: 3455: 3424: 3394: 3392:, p. 337. 3382: 3345: 3305: 3293: 3195: 3189: 3182: 3156: 3134: 3114: 3099: 3092: 3063: 3048: 3027: 3007: 2967: 2933: 2901: 2900: 2898: 2895: 2783:film societies 2765: 2762: 2559:Michael Cimino 2548: 2545: 2531: 2528: 2491: 2488: 2458: 2455: 2453: 2450: 2426:Robert Knudson 2421: 2418: 2417: 2416: 2405: 2392: 2385: 2376: 2375:Top film lists 2373: 2238:Movietone News 2201: 2198: 2156:Sneak Previews 2049:The Miami News 2040:Movietone News 2005:Leonard Maltin 1990: 1987: 1985: 1982: 1944: 1832: 1825: 1822: 1820: 1817: 1798:Charlie Parker 1703: 1702: 1678: 1674: 1673: 1668:Main article: 1665: 1662: 1644: 1641: 1590:food poisoning 1588:," as well as 1539: 1536: 1424: 1421: 1303:, directed by 1290: 1287: 1217: 1210: 1207: 1188:Claude Lelouch 1075:Jack Nicholson 1071:Clint Eastwood 1063:Robert Mitchum 1025: 1019: 1016: 982: 979: 907:'s 1972 movie 883:The Wild Bunch 869: 866: 848:Apocalypse Now 812: 809: 807: 804: 715: 712: 659: 658: 648: 642: 636: 613: 599: 576: 573: 552: 549: 543: 540: 510: 507: 481: 478: 469: 466: 445: 442: 433: 430: 428: 425: 420: 417: 330:South American 312:Georges Arnaud 273: 272: 267: 263: 262: 259: 255: 254: 245: 241: 240: 237: 233: 232: 229: 226: 223: 222: 220: 219: 208: 206: 203: 200: 199: 190: 189:Distributed by 186: 185: 182: 180: 175: 172: 171: 166: 162: 161: 159: 158: 155: 151: 149: 145: 144: 142: 141: 136: 130: 128: 127:Cinematography 124: 123: 121: 120: 115: 110: 105: 100: 94: 92: 88: 87: 84: 80: 79: 77:Georges Arnaud 69: 65: 64: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 7578: 7567: 7564: 7562: 7559: 7557: 7554: 7552: 7549: 7547: 7544: 7542: 7539: 7537: 7534: 7532: 7529: 7527: 7524: 7522: 7519: 7517: 7514: 7512: 7509: 7507: 7504: 7502: 7499: 7497: 7494: 7492: 7489: 7487: 7484: 7482: 7479: 7477: 7476:Trucker films 7474: 7472: 7469: 7467: 7464: 7462: 7459: 7457: 7454: 7452: 7449: 7447: 7444: 7442: 7439: 7437: 7434: 7432: 7429: 7427: 7424: 7422: 7419: 7417: 7414: 7412: 7409: 7407: 7404: 7402: 7399: 7397: 7394: 7392: 7389: 7387: 7384: 7383: 7381: 7365: 7364: 7360: 7357: 7354: 7351: 7348: 7345: 7344: 7340: 7337: 7336: 7332: 7329: 7328: 7324: 7321: 7320: 7316: 7315: 7313: 7311:Documentaries 7309: 7302: 7301: 7297: 7294: 7293: 7289: 7286: 7285: 7281: 7278: 7277: 7273: 7272: 7270: 7266: 7259: 7258: 7254: 7251: 7250: 7246: 7243: 7242: 7238: 7235: 7234: 7230: 7227: 7226: 7222: 7219: 7218: 7214: 7211: 7210: 7206: 7203: 7202: 7198: 7195: 7194: 7190: 7187: 7186: 7182: 7179: 7178: 7174: 7171: 7170: 7166: 7163: 7162: 7158: 7155: 7154: 7150: 7147: 7146: 7142: 7139: 7138: 7134: 7131: 7130: 7126: 7123: 7122: 7118: 7115: 7114: 7110: 7107: 7106: 7102: 7101: 7099: 7097:Feature films 7095: 7091: 7083: 7078: 7076: 7071: 7069: 7064: 7063: 7060: 7054: 7050: 7045: 7043: 7039: 7036: 7034: 7030: 7029: 7025: 7023: 7019: 7018: 7014: 7013: 7002: 7001: 6994: 6990: 6986: 6982: 6977: 6973: 6968: 6964: 6959: 6955: 6950: 6946: 6940: 6936: 6931: 6927: 6925:9780684809960 6921: 6916: 6915: 6908: 6907: 6894: 6887:September 22, 6882: 6878: 6871: 6863: 6851: 6847: 6840: 6832: 6820: 6816: 6809: 6801: 6789: 6785: 6778: 6770: 6758: 6754: 6747: 6740: 6739: 6735: 6731: 6728: 6722: 6720: 6711: 6699: 6695: 6688: 6680: 6668: 6664: 6657: 6649: 6637: 6633: 6626: 6618: 6606: 6602: 6595: 6579: 6575: 6571: 6564: 6548: 6544: 6543: 6542:The A.V. Club 6538: 6531: 6529: 6512: 6508: 6504: 6498: 6483: 6479: 6473: 6465: 6458: 6451:. p. 38. 6450: 6449:American Film 6443: 6435: 6430: 6429: 6420: 6404: 6400: 6396: 6389: 6373: 6369: 6365: 6358: 6351: 6346: 6338: 6331: 6324: 6319: 6303: 6299: 6295: 6288: 6280: 6275: 6274: 6265: 6263: 6246: 6242: 6236: 6220: 6216: 6210: 6208: 6199: 6187: 6183: 6176: 6168: 6156: 6152: 6145: 6137: 6130:September 22, 6125: 6121: 6114: 6112: 6103: 6091: 6087: 6080: 6078: 6076: 6067: 6061: 6053: 6049: 6045: 6039: 6023: 6019: 6015: 6008: 5992: 5988: 5984: 5978: 5971: 5966: 5950: 5946: 5942: 5938: 5934: 5927: 5911: 5907: 5903: 5896: 5880: 5876: 5872: 5870: 5861: 5854: 5849: 5847: 5830: 5826: 5822: 5815: 5809:, p. 86. 5808: 5803: 5787: 5783: 5782:Parallax View 5779: 5772: 5756: 5752: 5748: 5742: 5740: 5723: 5719: 5715: 5708: 5706: 5704: 5687: 5683: 5676: 5674: 5657: 5653: 5649: 5642: 5626: 5622: 5621: 5616: 5610: 5603: 5602:Friedkin 2013 5598: 5591:. p. 78. 5590: 5583: 5581: 5579: 5571:. p. 73. 5570: 5563: 5561: 5544: 5540: 5534: 5532: 5524:. p. 78. 5523: 5516: 5508: 5502: 5498: 5493: 5492: 5483: 5475: 5473:9780517544716 5469: 5465: 5460: 5459: 5450: 5441: 5433: 5426: 5411: 5407: 5400: 5384: 5380: 5379:Parallax View 5376: 5369: 5353: 5349: 5345: 5338: 5322: 5318: 5314: 5308: 5292: 5288: 5284: 5277: 5261: 5257: 5253: 5246: 5244: 5242: 5233: 5227: 5211: 5207: 5206: 5201: 5194: 5178: 5174: 5170: 5163: 5156: 5152: 5149: 5148: 5141: 5139: 5137: 5135: 5118: 5114: 5110: 5109: 5104: 5098: 5096: 5094: 5077: 5073: 5066: 5058: 5051: 5035: 5031: 5027: 5021: 5005: 5001: 4995: 4979: 4975: 4971: 4965: 4949: 4945: 4941: 4934: 4932: 4915: 4911: 4905: 4903: 4886: 4882: 4878: 4872: 4870: 4853: 4849: 4845: 4838: 4831: 4826: 4824: 4815: 4811: 4805: 4789: 4785: 4779: 4777: 4769: 4764: 4757: 4752: 4745: 4744:Segaloff 1990 4740: 4724: 4720: 4716: 4709: 4707: 4690: 4686: 4685:Morocco TIMES 4682: 4676: 4660: 4656: 4652: 4645: 4629: 4625: 4621: 4614: 4606: 4604:9781581152791 4600: 4596: 4595: 4587: 4571: 4567: 4563: 4556: 4540: 4536: 4532: 4525: 4517: 4510: 4508: 4506: 4504: 4496: 4491: 4489: 4487: 4485: 4483: 4481: 4464: 4460: 4456: 4449: 4433: 4429: 4423: 4407: 4403: 4397: 4395: 4378: 4374: 4370: 4363: 4357:, p. 71. 4356: 4351: 4335: 4331: 4327: 4320: 4318: 4311:, p. 141 4310: 4305: 4303: 4295: 4290: 4288: 4286: 4284: 4282: 4265: 4261: 4257: 4251: 4249: 4247: 4238: 4233: 4232: 4223: 4215: 4208: 4200: 4193: 4191: 4174: 4170: 4166: 4159: 4157: 4155: 4153: 4151: 4134: 4130: 4126: 4119: 4112: 4107: 4100: 4099:Segaloff 1990 4095: 4079: 4075: 4071: 4065: 4063: 4061: 4059: 4057: 4055: 4053: 4051: 4049: 4047: 4030: 4026: 4022: 4015: 4008: 4007:Friedkin 2013 4003: 3996: 3995:Friedkin 2013 3991: 3975: 3971: 3965: 3957: 3951: 3949: 3942:, p. 13. 3941: 3936: 3920: 3916: 3912: 3905: 3898: 3893: 3891: 3874: 3870: 3866: 3859: 3857: 3855: 3853: 3851: 3849: 3847: 3839: 3834: 3832: 3830: 3828: 3826: 3824: 3822: 3820: 3818: 3816: 3808: 3803: 3801: 3799: 3782: 3778: 3774: 3770: 3766: 3759: 3757: 3755: 3735: 3731: 3724: 3717: 3715: 3713: 3711: 3709: 3707: 3705: 3703: 3686: 3682: 3676: 3674: 3657: 3653: 3649: 3642: 3640: 3638: 3636: 3634: 3617: 3613: 3607: 3591: 3587: 3583: 3576: 3574: 3557: 3553: 3547: 3545: 3538:, p. 154 3537: 3532: 3530: 3513: 3509: 3505: 3498: 3496: 3494: 3477: 3473: 3469: 3462: 3460: 3443: 3439: 3435: 3428: 3412: 3408: 3401: 3399: 3391: 3386: 3370: 3366: 3362: 3356: 3354: 3352: 3350: 3333: 3329: 3325: 3318: 3316: 3314: 3312: 3310: 3303:, p. 309 3302: 3297: 3289: 3282: 3280: 3278: 3276: 3274: 3272: 3270: 3268: 3266: 3264: 3262: 3260: 3258: 3256: 3254: 3252: 3250: 3248: 3246: 3244: 3242: 3240: 3238: 3236: 3234: 3232: 3230: 3228: 3226: 3224: 3222: 3220: 3218: 3216: 3214: 3212: 3210: 3208: 3206: 3204: 3202: 3200: 3193: 3185: 3183:9780809328888 3179: 3175: 3170: 3169: 3160: 3152: 3145: 3143: 3141: 3139: 3130: 3123: 3121: 3119: 3111:. p. 39. 3110: 3103: 3095: 3089: 3085: 3080: 3079: 3070: 3068: 3061:, p. 338 3060: 3055: 3053: 3046:, p. 337 3045: 3040: 3038: 3036: 3034: 3032: 3023: 3016: 3014: 3012: 2995: 2991: 2987: 2980: 2978: 2976: 2974: 2972: 2955: 2951: 2947: 2940: 2938: 2921: 2917: 2913: 2906: 2902: 2894: 2892: 2887: 2883: 2882:color grading 2878: 2876: 2872: 2867: 2865: 2860: 2858: 2854: 2848: 2843: 2841: 2837: 2833: 2828: 2826: 2822: 2817: 2815: 2811: 2806: 2802: 2798: 2793: 2791: 2786: 2784: 2780: 2775: 2771: 2761: 2759: 2754: 2752: 2747: 2745: 2740: 2737: 2736: 2731: 2727: 2723: 2722:New Hollywood 2719: 2715: 2709: 2707: 2703: 2702:Heaven's Gate 2699: 2695: 2691: 2687: 2686: 2681: 2680: 2675: 2674: 2669: 2668: 2663: 2662: 2656: 2652: 2648: 2644: 2640: 2639:Heaven's Gate 2635: 2633: 2629: 2625: 2621: 2617: 2612: 2608: 2604: 2597: 2593: 2588: 2586: 2585: 2580: 2576: 2575: 2570: 2566: 2565: 2564:Heaven's Gate 2560: 2553: 2544: 2542: 2538: 2527: 2525: 2524: 2519: 2518: 2513: 2512: 2506: 2502: 2498: 2487: 2483: 2481: 2477: 2473: 2472:Wages of Fear 2463: 2449: 2447: 2443: 2439: 2435: 2434:Richard Tyler 2431: 2427: 2424:Crew members 2414: 2410: 2406: 2403: 2402: 2397: 2393: 2390: 2386: 2383: 2379: 2378: 2372: 2370: 2365: 2361: 2357: 2355: 2354:Wages of Fear 2351: 2347: 2346:Wages of Fear 2343: 2338: 2336: 2332: 2331:Wages of Fear 2328: 2324: 2323:Wages of Fear 2320: 2319: 2314: 2309: 2307: 2303: 2299: 2295: 2291: 2286: 2282: 2281: 2276: 2275: 2270: 2265: 2263: 2259: 2255: 2250: 2247: 2242: 2240: 2239: 2233: 2231: 2230:Wages of Fear 2227: 2226:Wages of Fear 2223: 2219: 2215: 2211: 2207: 2197: 2195: 2191: 2187: 2184:Canby called 2182: 2180: 2179:films of 1977 2176: 2171: 2166: 2165:Academy Award 2162: 2158: 2157: 2151: 2149: 2148: 2143: 2139: 2138:Vincent Canby 2135: 2133: 2128: 2125: 2123: 2118: 2113: 2110: 2106: 2105: 2099: 2096: 2092: 2090: 2086: 2083: 2082:Kenneth Turan 2079: 2078: 2073: 2069: 2065: 2060: 2059:Peter Biskind 2055: 2051: 2050: 2045: 2041: 2037: 2033: 2028: 2027: 2022: 2018: 2014: 2010: 2006: 2001: 1999: 1995: 1981: 1979: 1972: 1966: 1961: 1958: 1951: 1950: 1943: 1940: 1935: 1931: 1927: 1923: 1919: 1914: 1912: 1911: 1906: 1902: 1898: 1897:Jeanne Moreau 1894: 1890: 1886: 1882: 1878: 1877:Mann Theatres 1874: 1873: 1868: 1864: 1860: 1856: 1853: 1850: 1846: 1838: 1831: 1816: 1814: 1809: 1807: 1803: 1799: 1795: 1791: 1790: 1789:Hymns/Spheres 1785: 1784:Keith Jarrett 1779: 1777: 1773: 1769: 1765: 1761: 1757: 1753: 1749: 1744: 1741: 1740: 1729: 1701: 1671: 1661: 1659: 1655: 1654:Academy Award 1650: 1640: 1637: 1633: 1632: 1627: 1623: 1619: 1614: 1610: 1608: 1604: 1599: 1595: 1591: 1587: 1583: 1578: 1573: 1570: 1565: 1564: 1558: 1554: 1550: 1546: 1534: 1532: 1525: 1523: 1519: 1516:lands in the 1515: 1514:Navajo Nation 1506: 1502: 1498: 1494: 1492: 1487: 1485: 1481: 1477: 1473: 1469: 1465: 1464:Lew Wasserman 1461: 1457: 1453: 1449: 1445: 1441: 1433: 1429: 1419: 1417: 1411: 1409: 1404: 1402: 1398: 1397: 1396:Morocco Times 1391: 1387: 1383: 1382: 1377: 1376: 1370: 1368: 1363: 1358: 1352: 1350: 1346: 1341: 1337: 1333: 1329: 1325: 1322: 1318: 1314: 1310: 1309:Gustav Mahler 1306: 1302: 1301: 1296: 1286: 1284: 1280: 1276: 1258: 1254: 1249: 1245: 1241: 1239: 1235: 1234: 1229: 1216: 1206: 1204: 1200: 1195: 1193: 1189: 1184: 1182: 1181: 1176: 1172: 1168: 1163: 1161: 1157: 1156: 1151: 1147: 1143: 1142: 1137: 1133: 1128: 1126: 1121: 1119: 1115: 1114: 1113:Belle de Jour 1109: 1105: 1101: 1097: 1092: 1090: 1089: 1084: 1080: 1076: 1072: 1068: 1064: 1059: 1056: 1051: 1046: 1044: 1040: 1036: 1035:Steve McQueen 1024: 1015: 1013: 1009: 1004: 1003:Wages of Fear 998: 996: 990: 988: 978: 975: 974:cinema verite 971: 970:Robert Altman 967: 963: 959: 955: 951: 950: 945: 942:, as well as 941: 937: 933: 932: 927: 922: 920: 916: 912: 911: 906: 905:Werner Herzog 901: 899: 898:Wages of Fear 895: 894: 889: 885: 884: 879: 878:Sam Peckinpah 875: 865: 862: 861:Wages of Fear 856: 854: 850: 849: 844: 840: 836: 835: 830: 826: 822: 818: 803: 800: 795: 793: 787: 785: 779: 775: 770: 767: 765: 764: 759: 755: 752: 751:working title 748: 747: 742: 738: 734: 729: 725: 721: 711: 709: 705: 701: 697: 696:Gerard Murphy 693: 689: 685: 680: 676: 672: 668: 664: 656: 652: 649: 646: 643: 640: 637: 634: 630: 626: 622: 617: 614: 611: 607: 603: 600: 597: 593: 592: 587: 582: 579: 578: 572: 570: 566: 562: 558: 548: 539: 537: 533: 529: 525: 521: 517: 506: 503: 499: 498:Italian Mafia 495: 491: 487: 477: 475: 465: 463: 459: 455: 454:Damascus Gate 451: 441: 439: 424: 416: 414: 410: 406: 401: 398: 394: 390: 385: 383: 382: 375: 373: 369: 365: 361: 357: 353: 349: 345: 341: 339: 338:nitroglycerin 335: 331: 327: 326: 321: 317: 313: 309: 305: 301: 297: 294:and starring 293: 289: 288:thriller film 285: 281: 280: 268: 264: 260: 256: 246: 242: 239:United States 238: 234: 230: 224: 210: 209: 207: 201: 198: 194: 191: 187: 181: 173: 170: 167: 163: 156: 153: 152: 150: 146: 140: 137: 135: 132: 131: 129: 125: 119: 116: 114: 111: 109: 106: 104: 101: 99: 96: 95: 93: 89: 85: 81: 78: 73: 70: 66: 63: 60: 58:Screenplay by 56: 53: 50: 46: 39: 34: 29: 26: 22: 7361: 7355: 7349: 7341: 7333: 7327:The Bold Men 7325: 7317: 7300:12 Angry Men 7298: 7292:Jailbreakers 7290: 7282: 7276:C.A.T. 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