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At the height of her success and after separating from her husband in 1770, she discovered that she could sustain herself financially by finding wealthy benefactors and establishing herself as a courtesan to them. Probably her best-known lover was
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A Biographical
Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800: Abaco to Belfille
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on 12 October. She appeared as Fanny
Sterling with Robert as Canton and Thomas King as Lord Ogleby. These three were painted in that role by
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She died of consumption, aged 41, the following year at her lodging at
Shakespeare Square in Edinburgh at the east end of
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Baddeley was noted as a talented singer rather than as an actress, she obtained engagements at
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Highfill Jr, Philip H.; Burnim, Kalman A.; Langhans, Edward A. (1973).
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The memoirs of Mrs. Sophia
Baddeley, late of Drury Lane Theatre
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195:. In that year she appeared in a Royal Command Performance of
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Sophia is the subject of the second half of this article.
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Free
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Courtesans: Money, Sex and Fame in the
Nineteenth Century
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302:(First ed.). William Morrow & Company.
260:Steele, Elizabeth; Bicknell, Alexander (1787).
37:Sophia Baddeley in a detail from a painting by
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266:. London, The author.
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181:and later Olivia in
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222:Life as a courtesan
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