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Something Good – Negro Kiss

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157:, a well-dressed African American couple exchanges several kisses. Between kisses they hold and swing each other's hands and laugh together. The chemistry in the performances is described as "palpable," conveying an "unmistakable sense of naturalness, pleasure, and amusement." A slightly longer version came to light in 2021; this version shows the couple before they embrace, and includes the "prelude before the kisses, with wooing, refusal and negotiation.” The longer version was produced at the same time and may have been produced for the international market. Research notes that alternate versions were sold and separately listed with varying lengths. The longer version is also from a perspective point further away and inverted, with the actors on opposite sides from the first version, although whether this was a mistake in production or reproduction is unknown. Scholars also perceive the longer film as more “ 319:, and was housed in a barn until authorities said the films posed a risk of fire. Oral history suggests the film came to Norway when a Norwegian filmmaker wanted to assemble a projector in the early days of film and brought home film-reels from the US. News of the 2017 discovery in the United States caused the National Library of Norway to reexamine it and correct its provenance. Though scanned twice, the film still shows spots and malformations, Films at the time were often poorly produced, and those spots may always have been there. The film negative is deteriorating, held in the arctic facilities in the north of the country. 282: 31: 229: 287: 286: 283: 288: 235: 233: 230: 234: 285: 232: 326:
before its rediscovery, although details concerning the film, other than its title and director, were unknown. Since almost all surviving films from that time are overtly racist, it was usually just listed as a lost race film.
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in 2017. Reviewing the technical details of the film, thereby dating it with the film stock and perforation holes, catalogs and sales material, scholars at USC and the
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and is known for departing from the prevalent and purely stereotypical presentation of racist caricature in popular culture at the time it was made. The film was a
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Field, Allyson Nadia (2021). "Archival Rediscovery and the Production of History: Solving the Mystery of Something Good—Negro Kiss (1898)".
423:"Tracing Chicago origins of 'Something Good,' a recently discovered film clip depicting first onscreen kiss between two African-Americans" 455: 485: 133:
is a short silent film from 1898 of a couple kissing and holding hands. It is believed to depict the earliest on-screen kiss involving
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When it was produced, it was likely presented with other shorts as a comedy vignette, a take-off on the 1896 film
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dance. They may have been at the film studio to perform in a cakewalk vignette, playing the film as impromptu.
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circuit actress. The two also performed as dance partners. They were part of a group known as
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claims the copyright to the restored version of the film, which it published on
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African-American history between emancipation and the civil rights movement
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film. It is one of the oldest films in the National Library collection.
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Film Registry – National Film Preservation Board – Library of Congress
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were able to identify the film's production history. The USC
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until its rediscovery in 2017, and was added to the American
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Four years later, in 2021, a 49-second film held in the
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This copy was included in a reel found in the town of
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Extended version of the film, found in Norway in 2021.
681:"Restored version of Something Good Negro Kiss 1898" 701: 586: 561:Sciences, Academy of Motion Picture Arts and. 511:"2018 additions to the National Film Registry" 563:"A Piece of American Film History in Norway" 780:United States National Film Registry films 587:Garcia-Navarro, Lulu (December 16, 2018). 239:Full, original fragment of film from 2017. 190:, who performed variations on the popular 29: 614:"Something Good Negro Kiss 1898 Restored" 304:was identified as an extended version of 533: 531: 416: 414: 412: 410: 408: 280: 227: 638: 394:version in the Norway National Library. 209:. He used his own version of a Lumière 702: 480: 478: 476: 449: 447: 445: 443: 420: 339:Film History: An International Journal 258:was rediscovered at an estate sale in 639:Obenson, Tambay (November 26, 2021). 528: 405: 336: 106:49 seconds (2nd rediscovered version) 104:29 seconds (1st rediscovered version) 606: 560: 556: 554: 552: 453: 473: 440: 421:Bowean, Lolly (December 22, 2018). 322:The film was listed in catalogs of 272:Hugh M. Hefner Moving Image Archive 13: 503: 330: 14: 791: 662: 549: 264:University of Southern California 454:Wang, Jack (December 12, 2018). 775:Surviving American silent films 745:American black-and-white films 740:African-American romance films 632: 580: 243: 1: 770:Selig Polyscope Company films 398: 248:A 20 second long negative of 148: 593:NPR – Weekend Edition Sunday 7: 765:Rediscovered American films 750:American silent short films 670:Something Good - Negro Kiss 374: 351:10.2979/filmhistory.33.2.01 174:starred stage entertainers 130:Something Good – Negro Kiss 24:Something Good – Negro Kiss 10: 796: 298:National Library of Norway 262:by an archivist from the 201:by director and producer 118: 110: 98: 75: 61: 47: 37: 28: 23: 725:1890s rediscovered films 217:. Selig distributed the 381:African American cinema 219:Selig Polyscope Company 293: 240: 143:National Film Registry 755:Films shot in Chicago 387:The Tramp and the Dog 291: 268:University of Chicago 238: 197:The film was made in 720:1890s American films 545:. February 26, 2021. 225:mail order catalog. 760:Works about kissing 730:1890s romance films 223:Sears & Roebuck 70:Sears & Roebuck 687:. December 7, 2018 620:. December 7, 2018 294: 241: 18:1898 American film 363:Project MUSE 289: 236: 221:film through the 188:The Rag-Time Four 135:African Americans 126: 125: 787: 715:1898 short films 696: 694: 692: 656: 655: 653: 651: 636: 630: 629: 627: 625: 610: 604: 603: 601: 599: 584: 578: 577: 575: 573: 558: 547: 546: 535: 526: 525: 523: 521: 507: 501: 500: 498: 496: 482: 471: 470: 468: 466: 451: 438: 437: 435: 433: 418: 370: 290: 254: 237: 213:camera to shoot 91: 89: 33: 21: 20: 795: 794: 790: 789: 788: 786: 785: 784: 700: 699: 690: 688: 679: 665: 660: 659: 649: 647: 637: 633: 623: 621: 612: 611: 607: 597: 595: 585: 581: 571: 569: 559: 550: 537: 536: 529: 519: 517: 509: 508: 504: 494: 492: 484: 483: 474: 464: 462: 452: 441: 431: 429: 427:Chicago Tribune 419: 406: 401: 377: 333: 331:Further reading 281: 252: 246: 228: 151: 105: 101: 94: 87: 85: 78: 66:Selig Polyscope 54: 19: 12: 11: 5: 793: 783: 782: 777: 772: 767: 762: 757: 752: 747: 742: 737: 732: 727: 722: 717: 712: 698: 697: 677: 664: 663:External links 661: 658: 657: 631: 605: 579: 548: 527: 502: 472: 439: 403: 402: 400: 397: 396: 395: 392:Something Good 383: 376: 373: 372: 371: 332: 329: 306:Something Good 250:Something Good 245: 242: 215:Something Good 211:cinématographe 207:minstrel shows 172:Something Good 159:vaudevillesque 155:Something Good 150: 147: 124: 123: 120: 116: 115: 112: 108: 107: 102: 99: 96: 95: 93: 92: 81: 79: 76: 73: 72: 63: 62:Distributed by 59: 58: 49: 45: 44: 39: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 792: 781: 778: 776: 773: 771: 768: 766: 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 708: 707: 705: 686: 682: 678: 676: 672: 671: 667: 666: 646: 642: 635: 619: 615: 609: 594: 590: 583: 568: 564: 557: 555: 553: 544: 540: 534: 532: 516: 512: 506: 491: 487: 481: 479: 477: 461: 460:UChicago News 457: 450: 448: 446: 444: 428: 424: 417: 415: 413: 411: 409: 404: 393: 389: 388: 384: 382: 379: 378: 368: 364: 360: 356: 352: 348: 344: 340: 335: 334: 328: 325: 320: 318: 313: 311: 307: 303: 299: 279: 277: 273: 269: 265: 261: 257: 251: 226: 224: 220: 216: 212: 208: 204: 203:William Selig 200: 195: 193: 189: 185: 181: 177: 173: 169: 168: 162: 160: 156: 146: 144: 140: 136: 132: 131: 121: 117: 114:United States 113: 109: 103: 97: 83: 82: 80: 74: 71: 67: 64: 60: 57: 53: 50: 46: 43: 42:William Selig 40: 36: 32: 27: 22: 16: 691:December 27, 689:. 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Index


William Selig
Saint Suttle
Gertie Brown
Selig Polyscope
Sears & Roebuck
African Americans
lost film
National Film Registry
vaudevillesque
The Kiss
Saint Suttle
Gertie Brown
vaudeville
The Rag-Time Four
cakewalk
Chicago
William Selig
minstrel shows
cinématographe
Selig Polyscope Company
Sears & Roebuck
nitrate film
Louisiana
University of Southern California
University of Chicago
Hugh M. Hefner Moving Image Archive
Vimeo
National Library of Norway
Oslo

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