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Silvio Rodríguez

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713:(his first name, his father's last name, his mother's last name) displays sound artistic talent. The doubts, absent in the early part of his career, also correspond to the fall of Soviet communism and the so-called Special Period in Cuba. An unnoticed recurrent theme in the lyrics of the early part of his career is that of death, particularly although not only as associated with guerrilla warfare. In contrast to the explicitness of his early songs and political positions, there was a displacement of emphasis in his later years toward fantasy and dreams. Both, however, are about an alternative that is not present but is called for, or what Laclau would call a longing for a "missing fullness". This is true politically, romantically, and existentially. In a similar way, the unusual confessional tone of many of his songs allows for an unorthodox combination of transgression, eroticism, longing, and at times (probably accurate) self-deprecation in many of his lyrics. 541:(FAR), where he would meet Esteban Baños, a member of his unit who gave him further instruction in playing the guitar. It was in the Managua military encampment that Rodríguez composed his first songs, which he played for the other soldiers. His first songs, written in 1964 and 1965, were the boleros ¨Saudade" and "La cascada," both about love; later, he wrote "Atavismo", "Nuestra ciudad", "Es sed", "Te vas", and "La otra presencia". His interest in protest songs came shortly after this period. At the same time, he worked as an illustrator for the Art and Science section of the magazine 152: 391:, his father enrolled him in the La Milagrosa Conservatory. There, he passed the introductory class and the first piano course, given by Margarita Pérez Picó, within six months. However, in spite of Pérez's enthusiasm, Silvio lost interest and dropped out of the course after a short time. At nine years old and motivated by his father, who read him poems by José Martí and Rubén Darío, among others, he took an interest in literature, paying attention to the work of both poets, as well as the genre of science fiction. 46: 701:). At maturity, Silvio Rodríguez thoroughly purified his sound through a return to acoustic guitar, great care and sophistication in the voice, and exclusive control of the production process from beginning to end. His lyrics became more introspective, at times even self-absorbed or self-justifying, expressing melancholic longings about the shortcomings of real-life socialism in Cuba while vindicating idealism and revolutionary hope amongst the youth. The trilogy, called 414: 2947: 2957: 2967: 467:(CIA) to invade the country. On April 15, bombings began in Havana, Santiago de Cuba, and San Antonio de los Baños, to which the family had recently returned despite the protests of Silvio, who had recently joined his school's militia. The return to his hometown was an opportunity for Silvio to assume new responsibilities, passing from adolescence to young adulthood. 345:
Orquídea Domínguez, with whom she participated in many radio broadcasts and cultural events. The first of his mother's songs that Rodríguez recalls hearing is "El colibrí," a Cuban folk song that he would later sing during many of his tours. On many occasions, Rodríguez has spoken how his love of music was developed by his mother, who would pass time singing
737:, 1990) or Argentina (En vivo en Argentina, recorded in 1984), both massive concerts given shortly after the fall of the right-wing dictatorships. Cuban flags are always conspicuous in the crowd during his concerts. Chilean audiences had become familiar with Silvio Rodríguez through the circulation of clandestine pirate cassettes in the 1980s. 429:. This event shaped the musical life of the singer-songwriter and coincided with his transition from childhood into adolescence. Like many Cubans of his generations, he became involved with the new revolutionary enthusiasm. Despite regularly traveling between his hometown and the capital, he enlisted in the 600:
After the death of Che Guevara in 1967, he wrote the protest songs "¿Por qué?", and "La leyenda del águila". Other songs written during this period include 'Ay de mí', 'Debajo del cañón', 'Déjame regresar', 'En busca del tiempo perdido', 'En ti', 'Graciela', 'Grita más', 'Hay un grupo que dice', 'Los
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In 1963, with the birth of his second sister, Anabell López, the daughter of his mother and Rolando, Rodríguez began his studies in painting at the School of San Alejandro, in Havana. He also returned to the piano classes he had abandoned in his childhood, this time under the guidance of Elvira Fabre
364:("Looking for a Star"), hosted by the now-defunct Cuban radio station CMQ. He was invited a few days later to participate in a musical competition for children held by the same station, this time directed by the well-known announcer Germán Pinelli. This time, he won first place for singing the bolero 613:
It wasn't until 1967, with his first television experience, that he started to become well-known and influential among Cuban, revolutionary youth. With pro-revolution, yet very independent, lyrics (together with his very informal dress code), Rodríguez soon attracted the animosity of some members of
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known for its tobacco crop. He was raised in a family of poor farmers. His father, Víctor Dagoberto Rodríguez Ortega, was a farmer and amateur poet who supported socialist causes. His mother, Argelia Domínguez León, was a housewife. During her adolescence, she was a part of a singing duo with sister
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Silvio Rodríguez stands out in the Spanish-speaking world for the intimacy and subtlety of his lyrics, as well as for his acoustic melodies and "chord picking." He is particularly popular amongst intellectual circles of the left in Latin America and Spain. He has also often served as Cuban cultural
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After more than 40 years of artistic work, Rodríguez has now written a vast number of songs and poems (said to be between 500 and more than one thousand), many of which have never been set to music and probably never will be. Although his musical knowledge has been continuously increasing (counting
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funerales del insecto', 'María', 'Muerto', 'Oye', 'Quién va a pensar en algo más', 'Si se va la esperanza', 'Tema de la adolescencia', 'Tengo que estar en ti', 'Treinta años', 'Tu beso', and 'Y anoche'. Some of these were dedicated to a woman named Emilia, who he viewed as his first important love.
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The entire work of Silvio Rodríguez offers an intimate and introspective window into the life cycle of the artist. If the lyrics of the early part of his career are about revolutionary enthusiasm, love encounters and disappointments, as well as sensual desire, and if the middle-aged Silvio is more
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At the age of ten years old, Rodríguez's parents divorced, and he temporarily returned to his hometown with his mother and sister. The two years that followed this event would be immortalized later in various songs published between 1969 and 1984, such as "El Papalote" or "Me veo claramente".
353:. Later, she also collaborated with him on a few musical works. One of his uncles, Ramiro Domínguez, was a professional musician and a member of the group Jazz Band Mambí. This musical environment, which began with grandmother María León and her husband Felíx Domínguez, lovers of the 375:
due to a better job opportunity for his father in the tapestry business. In the capital, he participated in a radio event with the theme "We are Happy Today." He received his first instrument, a conga drum, from his uncle Ramiro. He would use it to imitate the rhythms of
456:, his parents separated once again, this time indefinitely. Argelia, who at this time worked at home as a hairdresser, married a man named Rolando and moved to 456 Gervasio Street, near Dagoberto. Silvio took an interest in classical music during this time. 649:
In 1969, for almost five months, he worked as part of the crew on the fishing boat Playa Girón, and during this fertile episode he wrote 62 songs, among which are the famous "Ojalá" and "Playa Girón." The lyrics and music of these songs became a book named
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singer and arguably one of Latin America's greatest singer-songwriters. Known for his intellectual, highly eloquent and symbolic lyrics, his songs are iconic elements of Latin American left-leaning popular culture. Many of his songs have become classics in
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One of the first social goals of the Cuban Revolution was to drastically reduce the rate of illiteracy in the country. In one year, it was able to reduce the rate from 23.6% to 3.9%. Though still a minor, he participated as a member of the Conrado Benítez
630:, who was tortured and killed after the failure of the assault. Haydée Santamaría became a protective mother-figure of the young composers and of several of his colleagues at the time. Casa de las Américas became the home not only for the new Cuban 697:, released in 1979, is in contrast a romantic and highly intimist album. In the middle of his career, Silvio Rodríguez experimented with sounds and rhythms departing from his trademark acoustic guitar, accompanied by the group Afrocuba (e.g. in 662:), he is more widely praised for the poetry in his songs than for the accompanying music. His lyrics are a staple of leftist culture throughout the whole Spanish-speaking world, and he has been banned from the media during several of the 604:
Rodríguez affirms that he has always felt a sense of panic in front of the lights and cameras. However, despite his notoriety for being a nervous television host, his program received a positive reception from the Cuban public.
86:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 1646: 573:, invited to perform by musical director Mario Romeu. On that occasion, Rodríguez performed "Es sed", "Sueño del colgado y la tierra", and "Quédate", the latter of which appeared later on his album 614:
the new Culture Ministry, which was devoted to the eradication of the United States' influence in Cuban culture. In this context, a very important role was played by the cultural institution
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One of his colleagues, Lázaro Fundora, played the guitar as a hobby and taught Rodríguez the first chords of the instrument that would become a key part of his future work.
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Silvio Rodríguez has been denied a United States visa several times, and it was particularly controversial in 2009 when he was invited to celebrate the 90th birthday of
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a communist magazine. He began to collaborate with the magazine in early 1962. He met the writers Víctor Casaus and Luis Rogelio Nogueras, who would later write a book,
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Serrano, Margarita. ««A mí no me gusta cantar... me gusta hacer canciones»: Entrevista a Silvio Rodríguez para diario La Tercera, Chile, 22 de septiembre de 1996».
292:, such as "Ojalá", "Playa Girón", "Unicornio", "Sueño con Serpientes", "Vamos a andar," and "La maza". Among his other well-known songs are political anthems like " 1273:[Music and "clandestinidad" During the Time of the Chilean Dictatorship: Repression and the Circulation of Music of Resistance and Clandestine Cassettes]. 484:. There, he helped give the campesinos classes in history, geography, grammar, and mathematics, as well as explaining elements of the new government, such as the 584:, named after one of his songs. The program had artists, writers, cinematographers, and new and established artists as guest stars. Among those featured were 1016: 2127: 1655: 1359: 552:
In 1967, just before completing his military service, Rodríguez won an honorary mention in the literary competition of the FAR for his book of poems
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Zurrón del aprendiz. «Al inicio de este viaje en la vida». Archivado desde el original el 11 de junio de 2012. Consultado el 20 de febrero de 2012.
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is the release (with all the means that come with being an established artist) of songs written early in his youth but never previously recorded.
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plan. In 1961, during one of the campaigns, Rodríguez ingested a toxic plant, suffering second-degree burns that forced him to return to Havana.
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Rodríguez was just two years old when he began singing for his father's friends. A few years later, he participated in the music competition
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Radio RedDelSur (2009). «Silvio Rodríguez: Biografía». Archivado desde el original el 26 de marzo de 2014. Consultado el 2 de marzo de 2012.
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However, his parents reconciled in 1958 and decided to move back to the capital, specifically to 530 San Miguel Street, in the city center.
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Zurrón del aprendiz. «Canciones inéditas». Archivado desde el original el 22 de diciembre de 2011. Consultado el 15 de febrero de 2012.
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Manabe, Noriko (diciembre de 2006). «Lovers and rulers, the real and the surreal: harmonic metaphors in Silvio Rodríguez's songs».
745: 854: 596:, among other influential Cuban artists. Each episode ended with Rodríguez's song "Y nada más", which appeared in his 1978 album 1458: 3016: 2339: 296:" and "Canción del Elegido", and poetic melodies like "A donde van" and "Noche sin fin y mar". He has released over 20 albums. 2499: 1967: 1114: 1093:
Marta Valdés: La Jiribilla (12-18 de marzo de 2005). «Conversando con Silvio Rodríguez». Consultado el 26 de octubre de 2012.
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Content in this edit is translated from the existing Spanish Knowledge article at ]; see its history for attribution.
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In January 1961, the United States broke diplomatic relations with Cuba following the election of president
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Rodríguez made his musical debut in front of the general public on June 13, 1967 in the television program
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Once again in the capital, he met the caricaturists Virgilio Martínez and José Luis Posada, who worked for
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but also for many other Latin Americans on the left. It was in this institution that Rodríguez met
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Silvio Rodríguez: Análisis literario y musical de sus obras más populares. Semblanza biográfica
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The following year, amid social tension due to Cuba's nationalization of businesses and the
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Rodríguez has been a major influence on many folk artists, including the Swedish artist
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musical style, inspired Rodríguez to take an interest in music during his childhood.
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later adapted into a film of the same name. Rodríguez began to read the works of
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Between November 1967 and mid-1968, he was the host of the television program
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self-questioning, often looking backward; his most recent albums, such as
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Rodríguez, musically and politically, is a symbol of the Latin American
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Analysis of the harmonies of Silvio's songs, socio-cultural background
1332:"Silvio Rodriguez Plays First American Show in 30 Years", May 14, 2010. 1073:"Hoy cumple 70 años el cantautor más querido de Cuba, Silvio Rodríguez" 284: 108:
to the source of your translation. A model attribution edit summary is
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In 1953, at the age of seven years old and the beginning of the
303:. His lyrics are notably introspective, while his songs combine 83: 2782: 1867: 1758: 1729: 622:, the former a respected revolutionary who participated in the 372: 346: 276:(born 29 November 1946) is a Cuban musician, and leader of the 685:. He reached international popularity in the early 1980s with 1926: 354: 666:
that ruled Latin America in the late 1970s and early 1980s.
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At 17 years old in 1964, he was required to participate in
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On January 1, 1959, when Rodríguez was thirteen years old,
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When he was five years old, Silvio and his family moved to
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Transcultural music review/Revista transcultural de música
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chapter of the Association of Socialist Youth, created by
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Cuban Singer Complains that U.S. Didn’t Give Him Visa
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emissary in events of solidarity, whether in Chile (
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Honoris Causa para trovador cubano Silvio Rodríguez
1656:Latin Grammy Award for Best Short Form Music Video 729:also featured two classics composed in his youth. 401:remained one of his favorite books in adulthood. 2983: 1480:Cuba's Silvio Rodriguez Dedicates Song to 'Che' 1400:Official Silvio Rodriguez's Suenacubano Profile 1199:Casaus, Víctor; Nogueras, Luis Rogelio (1984). 33: and the second or maternal family name is 104:accompanying your translation by providing an 70:Click for important translation instructions. 57:expand this article with text translated from 1996: 1961: 1640: 1520: 1109:(1ª edición). España: Abecedario. pp. 27-28. 658:among his teachers the famous Cuban composer 2455:Committees for the Defense of the Revolution 1070: 1968: 1954: 1647: 1633: 1527: 1513: 336:Rodríguez was born on 29 November 1946 in 150: 1262: 2465:Military Counterintelligence Directorate 746:Universidad Nacional Mayor de San Marcos 412: 1396:– More than 5800 followers (in Spanish) 1343:Music Review: A Cuban Folk Song Pioneer 1201:Silvio: que levante la mano la guitarra 928: 497:Silvio: que levante la mano la guitarra 283:He is widely considered as Cuba's best 2984: 2584: 1390:Songs, pictures, writings (in Spanish) 1949: 1628: 1508: 1246: 1244: 1225: 1223: 1221: 1219: 1217: 3002:People from San Antonio de los Baños 1534: 1489:Cuban Folk Singer Plays Rare US Show 1441:– performed live by Silvio Rodriguez 1177: 1175: 1165: 1163: 1161: 1125: 1123: 1101: 1099: 795: 779:(30 May), New York (4 and 10 June), 564: 39: 2439:National Revolutionary Police Force 2397:Revolutionary Armed Forces (MINFAR) 2340:National Assembly of People's Power 1388:Official Silvio Rodriguez's website 1203:. La Habana, Cuba: Letras Cubanas. 13: 2088:United States embargo against Cuba 1419:Analysis of Silvio Rodriguez Songs 1413:Silvio Rodriguez: My First Calling 1268: 1241: 1214: 766: 470: 116:{{Translated|es|Silvio Rodríguez}} 14: 3048: 2460:Dirección General de Inteligencia 1975: 1846:Illya Kuryaki and the Valderramas 1381: 1172: 1158: 1120: 1096: 842:Tríptico: Volumes I, II & III 740:In 2007, he received a doctorate 681:feature songs he composed before 2965: 2955: 2946: 2945: 1497:Photo Feature by Bill Hackwell, 1454:Brief reviews of Silvio's albums 1394:Official Silvio Rodriguez's blog 1105:León Ojeda, Nestor José (2005). 1071:Adela Micha (29 November 2016). 800: 44: 3007:Cuban people of Spanish descent 2956: 1746:"Ven a Mi Casa Esta Navidad" – 1495:Silvio Rodriguez Concert in USA 1352: 1336: 1325: 1309: 1285: 1253: 1232: 1193: 559: 539:Fuerzas Armadas Revolucionarias 1459:Silvio's page in Patria Grande 1421:Meaning of lyrics (in Spanish) 1360:"Silvio Rodríguez Con Diákara" 1184: 1145: 1132: 1087: 1064: 977: 790: 626:assault of 1953 and sister of 608: 408: 114:You may also add the template 1: 3017:Cuban male singer-songwriters 1475:Latin American Herald Tribune 1057: 2108:Cuban intervention in Angola 969:Silvio Rodríguez Con Diákara 331: 326: 25:, the first or paternal 7: 535:compulsory military service 465:Central Intelligence Agency 156:Silvio in Argentina in 2004 10: 3053: 2417:Territorial Troops Militia 1229:León, op. cit., pp. 37-39. 1190:León, op. cit., pp. 35-36. 1169:León, op. cit., pp. 32-33. 1075:(in Spanish). Imagen Radio 1010:España y Argentina en vivo 274:Silvio Rodríguez Domínguez 172:Silvio Rodríguez Domínguez 78:Machine translation, like 20: 16:Cuban musician (born 1946) 2941: 2876: 2778: 2769: 2580: 2571: 2490: 2481: 2447: 2431: 2389: 2273: 2269: 2260: 2208: 2199: 2141: 2128:Fidel's transfer of power 2080: 2029:Cuban War of Independence 1987: 1888: 1783: 1662: 1604: 1585: 1542: 1433:Hasta Siempre Commandante 1415:(25 mins, USA/Cuba, 2020) 1004:Silvio Rodríguez en Chile 735:Silvio Rodríguez in Chile 417:Silvio Rodríguez in 1962. 252: 248: 238: 230: 222: 212: 194: 176: 166: 161: 149: 142: 59:the corresponding article 3022:Cuban singer-songwriters 1921:"This is Not America" – 1320:Hate Something Beautiful 1306:, 22 de febrero de 2006. 554:Honradado Cuaderno No. 1 441:school to study for the 431:San Antonio de los Baños 393:Antoine de Saint-Exupéry 338:San Antonio de los Baños 199:San Antonio de los Baños 3037:Latin music songwriters 1316:José González interview 1298:5 February 2012 at the 1281:(Julio–Diciembre): 212. 1275:Revista Musical Chilena 646:singers and composers. 125:For more guidance, see 2537:International rankings 2374:Prime Minister of Cuba 2369:Vice President of Cuba 1559:Al Final de Este Viaje 1181:León, op. cit., p. 34. 1129:León, op. cit., p. 29. 817:Al Final de Este Viaje 675:Al final de este viaje 618:and its then director 454:United States' embargo 418: 340:, a fertile valley in 317:revolutionary politics 162:Background information 3032:Cuban male guitarists 1671:No Me Dejes de Querer 1030: 504:Federico García Lorca 463:, who authorized the 416: 362:Buscando una estrella 127:Knowledge:Translation 98:copyright attribution 2740:Association Football 2725:Scouting and Guiding 2517:Dual economy of Cuba 2288:Council of Ministers 2248:World Heritage Sites 2103:Cuban Missile Crisis 2098:Bay of Pigs Invasion 2042:Spanish–American War 1932:"Estás Buenísimo" – 1469:3 March 2016 at the 1425:Che, Guía y Ejemplo: 991:En Vivo en Argentina 929:Collaborative albums 689:and, in particular, 673:, launched in 1975. 669:His debut album was 616:Casa de las Américas 577:, released in 2002. 290:Latin American music 2093:Escambray rebellion 1833:"Ojos Color Sol" – 1405:10 May 2016 at the 1153:Zurrón del Aprendiz 664:dictatorial regimes 482:Escambray Mountains 2542:Telecommunications 2407:Revolutionary Navy 2402:Revolutionary Army 2283:Corruption in Cuba 2009:Colonial governors 1873:"Banana Papaya" – 1613:Fusil contra fusil 985:Cuando Digo Futuro 679:Cuando digo futuro 571:Música y estrellas 419: 294:Fusil contra fusil 260:.zurrondelaprendiz 106:interlanguage link 2979: 2978: 2937: 2936: 2933: 2932: 2765: 2764: 2567: 2566: 2477: 2476: 2473: 2472: 2357:President of Cuba 2335:Political parties 2318:Human trafficking 2303:Foreign relations 2256: 2255: 2195: 2194: 2149:History of Havana 1943: 1942: 1801:"Calma Pueblo" – 1622: 1621: 1411:Documentary film 1304:San Marcos al Día 1115:978-84-934089-5-4 1054: 1053: 1026: 1023:Luis Eduardo Aute 999: 973: 964: 955: 940: 652:Canciones del Mar 620:Haydée Santamaría 565:Television career 478:Literacy Brigades 427:Fulgencio Batista 398:The Little Prince 268: 267: 226:Singer-songwriter 138: 137: 71: 67: 3044: 3027:Cuban guitarists 3012:Cuban communists 2969: 2968: 2959: 2958: 2949: 2948: 2899:Baseball players 2776: 2775: 2582: 2581: 2578: 2577: 2530:Convertible peso 2525: 2488: 2487: 2293:Council of State 2271: 2270: 2267: 2266: 2206: 2205: 2185:Santiago de Cuba 1994: 1993: 1970: 1963: 1956: 1947: 1946: 1844:"Gallo Negro" – 1839:Silvio Rodríguez 1649: 1642: 1635: 1626: 1625: 1536:Silvio Rodríguez 1529: 1522: 1515: 1506: 1505: 1435: 1375: 1374: 1372: 1370: 1356: 1350: 1340: 1334: 1329: 1323: 1313: 1307: 1289: 1283: 1282: 1266: 1260: 1257: 1251: 1248: 1239: 1236: 1230: 1227: 1212: 1197: 1191: 1188: 1182: 1179: 1170: 1167: 1156: 1149: 1143: 1136: 1130: 1127: 1118: 1103: 1094: 1091: 1085: 1084: 1082: 1080: 1068: 1038:Canción Protesta 1020: 993: 971: 962: 949: 938: 892:Érase Que Se Era 886:Cita con Ángeles 796: 723:Érase que se era 719:Cita con ángeles 624:Moncada barracks 537:. He joined the 439:Carlos J. Finnay 389:Cuban Revolution 264: 261: 259: 241: 190: 187:29 November 1946 186: 184: 169: 154: 144:Silvio Rodríguez 140: 139: 117: 111: 84:Google Translate 69: 65: 48: 47: 40: 3052: 3051: 3047: 3046: 3045: 3043: 3042: 3041: 2982: 2981: 2980: 2975: 2966: 2929: 2872: 2761: 2705:Public holidays 2695:Musical theater 2563: 2523: 2500:Agrarian reform 2469: 2443: 2432:Law enforcement 2427: 2385: 2252: 2191: 2137: 2113:Mariel boatlift 2081:Post-Revolution 2076: 2047:Platt Amendment 2034:Sinking of USS 1983: 1974: 1944: 1939: 1884: 1814:Jesse & Joy 1796:Julieta Venegas 1779: 1719:Robi Draco Rosa 1658: 1653: 1623: 1618: 1600: 1581: 1538: 1533: 1471:Wayback Machine 1431: 1407:Wayback Machine 1384: 1379: 1378: 1368: 1366: 1358: 1357: 1353: 1341: 1337: 1330: 1326: 1314: 1310: 1300:Wayback Machine 1290: 1286: 1269:Jordán, Laura. 1267: 1263: 1258: 1254: 1249: 1242: 1237: 1233: 1228: 1215: 1198: 1194: 1189: 1185: 1180: 1173: 1168: 1159: 1150: 1146: 1137: 1133: 1128: 1121: 1104: 1097: 1092: 1088: 1078: 1076: 1069: 1065: 1060: 1055: 1044:Pluma en Ristre 1033: 980: 963:(with Afrocuba) 960:Oh, Melancolía 939:(with Afrocuba) 936:Causas y Azares 931: 923: 803: 793: 769: 767:U.S. appearance 699:Causas y azares 628:Abel Santamaría 611: 590:Omara Portuondo 567: 562: 516:Edgar Allan Poe 486:Agrarian Reform 473: 471:Young adulthood 461:John F. Kennedy 411: 382:Orquesta Aragón 368:("Traveler"). 349:and songs from 342:Havana Province 334: 329: 271: 256: 239: 203:Havana Province 188: 182: 180: 167: 157: 145: 134: 133: 132: 115: 109: 72: 49: 45: 38: 17: 12: 11: 5: 3050: 3040: 3039: 3034: 3029: 3024: 3019: 3014: 3009: 3004: 2999: 2994: 2977: 2976: 2974: 2973: 2963: 2953: 2942: 2939: 2938: 2935: 2934: 2931: 2930: 2928: 2927: 2926: 2925: 2915: 2914: 2913: 2903: 2902: 2901: 2891: 2886: 2880: 2878: 2874: 2873: 2871: 2870: 2865: 2860: 2855: 2850: 2845: 2840: 2835: 2830: 2825: 2820: 2815: 2810: 2805: 2800: 2795: 2790: 2785: 2779: 2773: 2767: 2766: 2763: 2762: 2760: 2759: 2754: 2753: 2752: 2747: 2742: 2732: 2727: 2722: 2717: 2712: 2707: 2702: 2697: 2692: 2687: 2686: 2685: 2680: 2670: 2665: 2660: 2659: 2658: 2648: 2647: 2646: 2641: 2631: 2630: 2629: 2619: 2614: 2609: 2604: 2599: 2594: 2588: 2586: 2575: 2569: 2568: 2565: 2564: 2562: 2561: 2560: 2559: 2549: 2544: 2539: 2534: 2533: 2532: 2527: 2514: 2509: 2508: 2507: 2502: 2491: 2485: 2479: 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1842: 1831: 1828:La Vida Bohème 1824: 1817: 1806: 1799: 1787: 1785: 1781: 1780: 1778: 1777: 1762: 1751: 1744: 1737:Atrévete-te-te 1733: 1726:Volverte a Ver 1722: 1711: 1700: 1689: 1678: 1675:Gloria Estefan 1666: 1664: 1660: 1659: 1652: 1651: 1644: 1637: 1629: 1620: 1619: 1617: 1616: 1608: 1606: 1602: 1601: 1599: 1598: 1589: 1587: 1583: 1582: 1580: 1579: 1571: 1563: 1555: 1546: 1544: 1540: 1539: 1532: 1531: 1524: 1517: 1509: 1503: 1502: 1501:, 17 June 2010 1492: 1486: 1485:, 23 July 2009 1477: 1461: 1456: 1451: 1442: 1428: 1422: 1416: 1409: 1397: 1391: 1383: 1382:External links 1380: 1377: 1376: 1351: 1349:, 6 June 2010. 1347:New York Times 1335: 1324: 1322:, 29 June 2006 1308: 1284: 1277:(in Spanish). 1261: 1252: 1240: 1231: 1213: 1192: 1183: 1171: 1157: 1144: 1131: 1119: 1095: 1086: 1062: 1061: 1059: 1056: 1052: 1051: 1047: 1046: 1040: 1032: 1029: 1028: 1027: 1012: 1006: 1000: 987: 979: 976: 975: 974: 972:(with Diákara) 965: 956: 941: 930: 927: 925: 921: 920: 912: 910:Para la espera 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1902: 1898: 1894: 1893: 1891: 1887: 1880: 1876: 1872: 1869: 1865: 1862: 1858: 1854: 1850: 1847: 1843: 1840: 1836: 1832: 1829: 1826:"Flamingo" – 1825: 1822: 1818: 1815: 1811: 1807: 1804: 1800: 1797: 1793: 1789: 1788: 1786: 1782: 1775: 1771: 1767: 1763: 1760: 1756: 1752: 1749: 1745: 1742: 1738: 1734: 1731: 1727: 1723: 1720: 1716: 1712: 1709: 1705: 1701: 1698: 1694: 1690: 1687: 1683: 1679: 1676: 1672: 1668: 1667: 1665: 1661: 1657: 1650: 1645: 1643: 1638: 1636: 1631: 1630: 1627: 1614: 1610: 1609: 1607: 1603: 1596: 1595: 1591: 1590: 1588: 1584: 1577: 1576: 1572: 1569: 1568: 1564: 1561: 1560: 1556: 1553: 1552: 1551:Días y Flores 1548: 1547: 1545: 1543:Studio albums 1541: 1537: 1530: 1525: 1523: 1518: 1516: 1511: 1510: 1507: 1500: 1496: 1493: 1490: 1487: 1484: 1481: 1478: 1476: 1472: 1468: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1446: 1443: 1440: 1436: 1434: 1429: 1426: 1423: 1420: 1417: 1414: 1410: 1408: 1404: 1401: 1398: 1395: 1392: 1389: 1386: 1385: 1365: 1361: 1355: 1348: 1344: 1339: 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Index

Spanish name
surname
the corresponding article
DeepL
Google Translate
copyright attribution
edit summary
interlanguage link
talk page
Knowledge:Translation
Silvio in Argentina in 2004
San Antonio de los Baños
Havana Province
Cuba
Nueva Trova
www.zurrondelaprendiz.com
Nueva Trova
folk
Latin American music
Fusil contra fusil
left
romanticism
eroticism
existentialism
revolutionary politics
idealism
San Antonio de los Baños
Havana Province
boleros
Santiago

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