470:; its effects are more obvious and the encounters between the naturalistically conceived antiheroes and the incidental, sketch-comedy posh characters is a little uneasy. By the end, I got the sense that in terms of character and narrative the film was running out of ideas – just a bit." However, he viewed it again on its theatrical release and admitted that "when I first saw it, I think I might have got out of bed the right side" going on to say "a second viewing has further revealed just how superb are the effortless performances of Steve Oram and Alice Lowe, who are the movie's writers (working with Wheatley's longtime co-writer Amy Jump), and whose creative ownership makes a purely
419:. Wright saw potential for a feature and put them in touch with a production company, Big Talk, who, with Wright on board as an executive producer, greenlit the project. Lowe and Oram did research into horror literature and even took a caravanning holiday, in character and with a cameraman, to the locations that would go on to be featured in the film. Ben Wheatley has said that all the locations were very helpful, even after they explained the nature of the film, because they "tried to make sure that it was open and fair to places, and that they weren't the butt of jokes."
337:
bachelorette dare. Upset, Tina follows the bride outside and kills her by pushing her down a steep hill onto some rocks, observed by Chris. The next morning, instead of visiting a local tourist attraction, Chris says he is helping Martin make some modifications to his caravan. They argue, and Tina drives off alone. Upset, she calls her mother and is about to confess to the murders, when her mother hangs up. Later that night, Tina tries to seduce Chris by talking about their complicity in the murders, but he rejects her.
1121:
1116:
1030:
972:
910:
905:
1111:
1106:
1101:
1025:
1020:
1015:
1010:
967:
962:
957:
952:
900:
895:
890:
350:
mini-caravan, and Chris and Tina have a fight over whether the dog should be called by the name "Poppy" or "Banjo". Upset, Tina pushes Martin's mini-caravan off the cliff, with him still in it. She re-enters their caravan and tells Chris that the problem is over. He runs outside, and finds Martin's dead body. He insults Tina and they fight, which ends in them having sex.
31:
408:
The characters came together seven years before the film came as a stage experience with Lowe and Oram appearing as innocent campers who slowly revealed they were serial killers. A short film was later produced and was sent to several production companies, however despite being found to be funny, the
340:
Chris wakes up to find Tina has left him sleeping in the caravan and is speeding down the highway. He calls her and tells her to pull over. Tina notices a jogger and runs him over. Chris is upset with her chaotic approach to the murders, believing himself to be justified in his choice of victims, and
443:
reported an approval rating of 85% based on 106 reviews, with an average rating of 7.39/10. The website's critical consensus reads: "Director Ben
Wheatley and writer-stars Alice Lowe and Steve Oram deliver a wicked road trip movie that successfully walks the line between dark comedy and horror." On
353:
Chris sets the caravan on fire and kisses Tina. They run to the
Ribblehead Viaduct and climb to the top, holding hands. Chris asks Tina if she enjoyed the holiday and she says it was brilliant. He apologises for insulting her and asks if she really wants to kill herself. Just as Chris steps off the
327:
They meet Janice, Ian and their dog Banjo (who resembles Poppy) at a caravan park and Janice reveals that Ian is a published writer, something that makes Chris jealous. The next morning Ian goes for a walk. Chris follows him, hits him in the head with a rock, steals his camera and pushes him off a
349:
Martin arrives, with Banjo in the mini-caravan. While Chris is outside, Tina tries to seduce Martin, who is made uncomfortable by her advances and rejects her. When Chris returns, she tells him that Martin propositioned her in a particularly implausible and repulsive manner. Martin returns to his
336:
At the next caravan park, Chris meets Martin, an engineer who is testing a mini-caravan that can be attached to the back of a bicycle. During a meal in a restaurant, Tina goes to the bathroom. When she returns, she finds Chris kissing the bride from the hen party at a nearby table as part of a
324:, Chris confronts a man who is littering, and the man refuses to pick up his rubbish. When they get back to their car, Chris runs him over and kills him. Chris claims that the death was an accident, but smirks after the impact, unseen by Tina. Chris tells Tina that she is his muse.
345:
in sight, the final destination on their holiday. When a hailstorm forces them back inside the caravan, Chris falls asleep and Tina looks at his notebook, finding a drawing of her and Chris standing on the viaduct, about to jump.
319:
Chris is a caravan fan and aspiring writer who takes his girlfriend Tina on a road trip, much to the chagrin of Tina's mother, who has never forgiven Tina for the death of their dog "Poppy". At their first stop, the
332:
park, Banjo defecates on the ground and a tourist tells Tina to clear up the mess. Chris arrives and encourages Tina to claim that the man tried to rape her. A row ensues, and Chris beats him to death.
328:
cliff. Tina takes Banjo with them as they go. Tina finds photos of Ian and Janice on the camera and confronts Chris, who confesses to Ian's murder. Tina accepts this. During a walk through a
1382:
500:
aesthetic", concluding that "he chilling and transgressive flourishes are carried off with deadpan confidence; it's a distinctive and brutally unsettling piece of work."
1375:
528:
for his opinion and he thought the film, which he described as "absolutely brilliant", accurately captured the details of caravanning holidays.
1737:
708:
1742:
514:
is a "uniquely
British blend of excruciating comedy of embarrassment and outright grue, not quite as disorientating in its mood shifts as
1732:
1368:
774:
354:
viaduct, Tina lets go of his hand, watching as he falls to the ground and dies. Tina stares at her hand as the screen cuts to black.
537:' Nigel Andrews' conclusion was: "There are a few laughs; a few wise nods. But before the end fatigue arrives and doesn't go away."
409:
pitch kept getting turned down for being too dark. They put the short online, and it generated some buzz, and Lowe sent the link to
677:
1697:
1253:
1722:
1637:
1662:
565:
1176:
1717:
1667:
1657:
1642:
1427:
448:, the film has a weighted average score of 69 out of 100, based on 22 critics, indicating "generally favorable reviews".
1672:
1391:
1712:
1622:
1044:
341:
they argue before hiding the body at the side of the road. They drive to a mountain, where they set up camp with the
1692:
1677:
1652:
1627:
1617:
1579:
1531:
1483:
596:
1134:
1702:
1632:
1451:
1180:
496:, whose gentler, observational comedy is turned into something nightmarish, bringing in an exquisitely horrible
1707:
1687:
1612:
1323:
1162:
114:
1727:
1682:
1555:
484:
1647:
1607:
1246:
1076:
1547:
1403:
742:
304:
215:
1054:
989:
937:
927:
875:
865:
752:
716:
712:
687:
321:
300:
146:
682:
169:
1499:
1239:
461:
1411:
174:
540:
The film went on to receive seven BIFA Nominations, including Best
Supporting Actress for
8:
1602:
1563:
1435:
1331:
533:
460:, first after its preview at Cannes, when he suggested "Wheatley could be suffering from
478:
slightly less relevant." He suggests a number of parallels: "an obvious comparison with
1515:
1299:
591:
524:
342:
617:
1475:
1360:
1347:
1215:
994:
782:
654:
586:
505:
497:
437:
278:
164:
649:
1491:
1315:
1307:
1571:
1523:
1231:
1226:
1081:
808:
622:
440:
393:
678:"Cannes 2012: Michel Gondry's 'The We & The I' to Open Director's Fortnight"
561:
1419:
1184:
923:
861:
813:
451:
424:
329:
308:
191:
1220:
1148:
803:
1596:
1467:
1459:
541:
489:
387:
375:
1443:
1339:
1275:
1263:
1049:
932:
870:
747:
493:
456:
410:
381:
282:
44:
834:
307:
on 23 May 2012, and was released in the United
Kingdom on 30 November, by
30:
1209:
1507:
1086:
985:
839:
501:
479:
445:
369:
363:
290:
286:
62:
57:
1283:
466:
78:
1149:"Eileen Davies Interview - The British Independent Film Awards 2012"
775:"Ben Wheatley interview: Sightseers, Freakshift, A Field In England"
415:
127:
471:
743:"Sightseers: Alice Lowe and the secret terrors of caravanning"
311:. The film received generally positive reviews from critics.
627:
1163:"BIFA Guide 2012: Nominations for Best Supporting Actress"
464:
syndrome: this is not as mysterious and interesting as
1390:
1261:
1594:
1045:"A caravan enthusiast's verdict on Sightseers"
1376:
1247:
544:, and winning the award for Best Screenplay.
1098:
1007:
949:
916:
887:
854:
1383:
1369:
1254:
1240:
1135:"The Moët British Independent Film Awards"
1036:
766:
29:
978:
736:
734:
650:"Ben Wheatley Is Now Shooting Sightseers"
922:
860:
1074:
1042:
740:
675:
1595:
984:
731:
531:However, the praise wasn't unanimous.
436:Critical reception has been positive;
1364:
1235:
1068:
647:
1738:English-language comedy horror films
1155:
1141:
1127:
772:
566:British Board of Film Classification
1743:English-language crime comedy films
1428:Lock, Stock and Two Smoking Barrels
1075:Andrews, Nigel (29 November 2012).
299:was selected to be screened in the
13:
1733:English-language independent films
1392:Empire Award for Best British Film
1043:Barnett, Laura (4 December 2012).
866:"Cannes 2012: Sightseers – review"
741:Godfrey, Alex (23 November 2012).
676:Leffler, Rebecca (24 April 2012).
518:, but just as impressive a film."
35:American theatrical release poster
14:
1754:
1203:
1100:
1009:
951:
889:
16:2012 British film by Ben Wheatley
1119:
1114:
1109:
1104:
1099:
1077:"Feeding frenzy in the barnyard"
1028:
1023:
1018:
1013:
1008:
970:
965:
960:
955:
950:
908:
903:
898:
893:
888:
773:Brew, Simon (29 November 2012).
597:European Audiovisual Observatory
1181:British Independent Film Awards
1169:
827:
488:, and there are even traces of
1698:Films directed by Ben Wheatley
1324:Happy New Year, Colin Burstead
796:
701:
669:
641:
610:
579:
554:
422:The two were also inspired by
413:, with whom she had worked on
1:
648:Plumb, Ali (3 October 2011).
547:
403:
1723:2010s English-language films
1638:2010s adventure comedy films
1556:Kingsman: The Secret Service
454:reviewed the film twice for
431:
285:and written by and starring
7:
1663:British comedy horror films
10:
1759:
1718:British comedy road movies
1668:British crime comedy films
1658:British black comedy films
1643:Big Talk Productions films
221:30 November 2012
1673:British independent films
1532:Tinker Tailor Soldier Spy
1398:
1270:
305:2012 Cannes Film Festival
262:
254:
246:
236:
197:
187:
152:
142:
120:
110:
93:
71:
50:
40:
28:
23:
1713:Films shot in Derbyshire
1623:2012 comedy horror films
399:Richard Glover as Martin
1693:Films about vacationing
1678:Film4 Productions films
1653:British adventure films
1628:2012 crime comedy films
1618:2012 black comedy films
1055:Guardian News and Media
938:Guardian News and Media
876:Guardian News and Media
753:Guardian News and Media
688:Prometheus Global Media
357:
322:National Tramway Museum
314:
1703:Films set in Yorkshire
1633:2012 independent films
683:The Hollywood Reporter
170:British Film Institute
1708:Films shot in Cumbria
1688:Films about murderers
1613:2010s adventure films
1484:Pride & Prejudice
1452:Bridget Jones's Diary
928:"Sightseers – review"
462:difficult third album
229: (United Kingdom)
206:23 May 2012
988:(25 November 2012).
926:(29 November 2012).
835:"Sightseers Reviews"
713:Directors' Fortnight
301:Directors' Fortnight
1728:2010s British films
1683:Films about couples
1177:"Sightseers (2012)"
990:"Sightseers Review"
804:"Sightseers (2013)"
618:"Sightseers (2013)"
534:The Financial Times
522:asked an editor of
1300:A Field in England
1262:Films directed by
1165:. Raindance. 2012.
343:Ribblehead Viaduct
277:is a 2012 British
1648:StudioCanal films
1608:2012 horror films
1590:
1589:
1580:God's Own Country
1476:Shaun of the Dead
1358:
1357:
1348:Meg 2: The Trench
1187:on 6 January 2016
1151:. HeyUGuys. 2012.
1137:. HeyUGuys. 2012.
783:Dennis Publishing
587:"Sightseers (EN)"
562:"SIGHTSEERS (15)"
438:review aggregator
279:black comedy film
270:
269:
175:Big Talk Pictures
1750:
1385:
1378:
1371:
1362:
1361:
1256:
1249:
1242:
1233:
1232:
1197:
1196:
1194:
1192:
1183:. Archived from
1173:
1167:
1166:
1159:
1153:
1152:
1145:
1139:
1138:
1131:
1125:
1124:
1123:
1122:
1118:
1117:
1113:
1112:
1108:
1107:
1103:
1102:
1097:
1095:
1093:
1072:
1066:
1065:
1063:
1061:
1040:
1034:
1033:
1032:
1031:
1027:
1026:
1022:
1021:
1017:
1016:
1012:
1011:
1006:
1004:
1002:
982:
976:
975:
974:
973:
969:
968:
964:
963:
959:
958:
954:
953:
948:
946:
944:
920:
914:
913:
912:
911:
907:
906:
902:
901:
897:
896:
892:
891:
886:
884:
882:
858:
852:
851:
849:
847:
831:
825:
824:
822:
820:
800:
794:
793:
791:
789:
770:
764:
763:
761:
759:
738:
729:
728:
726:
724:
719:on 26 April 2012
715:. Archived from
709:"2012 Selection"
705:
699:
698:
696:
694:
673:
667:
666:
664:
662:
645:
639:
638:
636:
634:
614:
608:
607:
605:
603:
583:
577:
576:
574:
572:
558:
525:Caravan Magazine
474:comparison with
228:
226:
213:
211:
33:
21:
20:
1758:
1757:
1753:
1752:
1751:
1749:
1748:
1747:
1593:
1592:
1591:
1586:
1572:I, Daniel Blake
1548:The World's End
1394:
1389:
1359:
1354:
1266:
1260:
1227:Rotten Tomatoes
1206:
1201:
1200:
1190:
1188:
1175:
1174:
1170:
1161:
1160:
1156:
1147:
1146:
1142:
1133:
1132:
1128:
1120:
1115:
1110:
1105:
1091:
1089:
1082:Financial Times
1073:
1069:
1059:
1057:
1041:
1037:
1029:
1024:
1019:
1014:
1000:
998:
983:
979:
971:
966:
961:
956:
942:
940:
924:Bradshaw, Peter
921:
917:
909:
904:
899:
894:
880:
878:
864:(24 May 2012).
862:Bradshaw, Peter
859:
855:
845:
843:
833:
832:
828:
818:
816:
809:Rotten Tomatoes
802:
801:
797:
787:
785:
771:
767:
757:
755:
739:
732:
722:
720:
707:
706:
702:
692:
690:
674:
670:
660:
658:
646:
642:
632:
630:
623:Box Office Mojo
616:
615:
611:
601:
599:
585:
584:
580:
570:
568:
560:
559:
555:
550:
441:Rotten Tomatoes
434:
406:
394:Richard Lumsden
360:
317:
303:section at the
239:
232:
224:
222:
209:
207:
200:
183:
182:
157:
155:
138:
106:
89:
67:
36:
17:
12:
11:
5:
1756:
1746:
1745:
1740:
1735:
1730:
1725:
1720:
1715:
1710:
1705:
1700:
1695:
1690:
1685:
1680:
1675:
1670:
1665:
1660:
1655:
1650:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1610:
1605:
1588:
1587:
1585:
1584:
1576:
1568:
1560:
1552:
1544:
1536:
1528:
1520:
1512:
1504:
1496:
1488:
1480:
1472:
1464:
1456:
1448:
1440:
1432:
1424:
1420:The Full Monty
1416:
1408:
1399:
1396:
1395:
1388:
1387:
1380:
1373:
1365:
1356:
1355:
1353:
1352:
1344:
1336:
1328:
1320:
1312:
1304:
1296:
1288:
1280:
1271:
1268:
1267:
1259:
1258:
1251:
1244:
1236:
1230:
1229:
1218:
1205:
1204:External links
1202:
1199:
1198:
1168:
1154:
1140:
1126:
1067:
1035:
977:
915:
853:
826:
814:Fandango Media
795:
765:
730:
700:
668:
640:
609:
578:
552:
551:
549:
546:
498:Readers' Wives
452:Peter Bradshaw
433:
430:
425:Withnail and I
405:
402:
401:
400:
397:
391:
385:
379:
373:
367:
359:
356:
330:National Trust
316:
313:
268:
267:
264:
260:
259:
256:
252:
251:
250:United Kingdom
248:
244:
243:
240:
237:
234:
233:
231:
230:
219:
203:
201:
198:
195:
194:
189:
188:Distributed by
185:
184:
181:
180:
177:
172:
167:
161:
160:
158:
153:
150:
149:
144:
140:
139:
137:
136:
133:
130:
124:
122:
118:
117:
112:
111:Cinematography
108:
107:
105:
104:
101:
97:
95:
91:
90:
88:
87:
84:
81:
75:
73:
69:
68:
66:
65:
60:
54:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1755:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1726:
1724:
1721:
1719:
1716:
1714:
1711:
1709:
1706:
1704:
1701:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1669:
1666:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1604:
1601:
1600:
1598:
1582:
1581:
1577:
1574:
1573:
1569:
1566:
1565:
1561:
1558:
1557:
1553:
1550:
1549:
1545:
1542:
1541:
1537:
1534:
1533:
1529:
1526:
1525:
1521:
1518:
1517:
1513:
1510:
1509:
1505:
1502:
1501:
1497:
1494:
1493:
1489:
1486:
1485:
1481:
1478:
1477:
1473:
1470:
1469:
1468:Love Actually
1465:
1462:
1461:
1460:28 Days Later
1457:
1454:
1453:
1449:
1446:
1445:
1441:
1438:
1437:
1433:
1430:
1429:
1425:
1422:
1421:
1417:
1414:
1413:
1412:Trainspotting
1409:
1406:
1405:
1404:Shallow Grave
1401:
1400:
1397:
1393:
1386:
1381:
1379:
1374:
1372:
1367:
1366:
1363:
1350:
1349:
1345:
1342:
1341:
1337:
1334:
1333:
1329:
1326:
1325:
1321:
1318:
1317:
1313:
1310:
1309:
1305:
1302:
1301:
1297:
1294:
1293:
1289:
1286:
1285:
1281:
1278:
1277:
1273:
1272:
1269:
1265:
1257:
1252:
1250:
1245:
1243:
1238:
1237:
1234:
1228:
1224:
1223:
1219:
1217:
1213:
1212:
1208:
1207:
1186:
1182:
1178:
1172:
1164:
1158:
1150:
1144:
1136:
1130:
1088:
1084:
1083:
1078:
1071:
1056:
1052:
1051:
1046:
1039:
997:
996:
991:
987:
981:
939:
935:
934:
929:
925:
919:
877:
873:
872:
867:
863:
857:
842:
841:
836:
830:
815:
811:
810:
805:
799:
784:
780:
776:
769:
754:
750:
749:
744:
737:
735:
718:
714:
710:
704:
689:
685:
684:
679:
672:
657:
656:
651:
644:
629:
625:
624:
619:
613:
598:
594:
593:
588:
582:
567:
563:
557:
553:
545:
543:
542:Eileen Davies
538:
536:
535:
529:
527:
526:
521:
517:
513:
509:
508:
503:
499:
495:
491:
490:Victoria Wood
487:
486:
481:
477:
473:
469:
468:
463:
459:
458:
453:
449:
447:
442:
439:
429:
427:
426:
420:
418:
417:
412:
398:
395:
392:
389:
388:Jonathan Aris
386:
383:
380:
377:
376:Eileen Davies
374:
371:
368:
365:
362:
361:
355:
351:
347:
344:
338:
334:
331:
325:
323:
312:
310:
306:
302:
298:
294:
292:
288:
284:
280:
276:
275:
266:$ 2.1 million
265:
261:
257:
253:
249:
245:
241:
235:
220:
217:
205:
204:
202:
199:Release dates
196:
193:
190:
186:
178:
176:
173:
171:
168:
166:
163:
162:
159:
151:
148:
145:
141:
134:
131:
129:
126:
125:
123:
119:
116:
113:
109:
102:
99:
98:
96:
92:
86:Andrew Starke
85:
82:
80:
77:
76:
74:
70:
64:
61:
59:
56:
55:
53:
49:
46:
43:
39:
32:
27:
22:
19:
1578:
1570:
1562:
1554:
1546:
1539:
1538:
1530:
1522:
1514:
1506:
1498:
1490:
1482:
1474:
1466:
1458:
1450:
1444:Billy Elliot
1442:
1436:Notting Hill
1434:
1426:
1418:
1410:
1402:
1346:
1340:In the Earth
1338:
1330:
1322:
1314:
1306:
1298:
1291:
1290:
1282:
1276:Down Terrace
1274:
1264:Ben Wheatley
1221:
1210:
1191:25 September
1189:. Retrieved
1185:the original
1171:
1157:
1143:
1129:
1090:. Retrieved
1080:
1070:
1058:. Retrieved
1050:The Guardian
1048:
1038:
999:. Retrieved
993:
980:
941:. Retrieved
933:The Guardian
931:
918:
879:. Retrieved
871:The Guardian
869:
856:
844:. Retrieved
838:
829:
817:. Retrieved
807:
798:
786:. Retrieved
778:
768:
756:. Retrieved
748:The Guardian
746:
721:. Retrieved
717:the original
703:
691:. Retrieved
681:
671:
659:. Retrieved
653:
643:
633:16 September
631:. Retrieved
621:
612:
600:. Retrieved
590:
581:
569:. Retrieved
556:
539:
532:
530:
523:
520:The Guardian
519:
515:
511:
506:
494:Alan Bennett
483:
475:
465:
457:The Guardian
455:
450:
435:
423:
421:
414:
411:Edgar Wright
407:
382:Monica Dolan
352:
348:
339:
335:
326:
318:
296:
295:
283:Ben Wheatley
281:directed by
273:
272:
271:
238:Running time
147:Jim Williams
132:Ben Wheatley
83:Claire Jones
45:Ben Wheatley
18:
1516:Harry Brown
986:Newman, Kim
846:20 February
779:Den of Geek
602:26 November
485:Nuts in May
309:StudioCanal
192:StudioCanal
115:Laurie Rose
72:Produced by
41:Directed by
1603:2012 films
1597:Categories
1540:Sightseers
1508:RocknRolla
1292:Sightseers
1222:Sightseers
1211:Sightseers
1092:2 December
1087:The Nikkei
1060:6 December
1001:2 December
943:2 December
881:2 December
840:Metacritic
788:2 December
758:2 December
548:References
512:Sightseers
502:Kim Newman
480:Mike Leigh
446:Metacritic
404:Production
396:as Rambler
370:Alice Lowe
364:Steve Oram
297:Sightseers
291:Steve Oram
287:Alice Lowe
274:Sightseers
263:Box office
242:85 minutes
225:2012-11-30
210:2012-05-23
179:Rook Films
154:Production
135:Robin Hill
103:Steve Oram
100:Alice Lowe
63:Steve Oram
58:Alice Lowe
51:Written by
24:Sightseers
1500:Atonement
1492:United 93
1316:Free Fire
1308:High-Rise
1284:Kill List
661:5 January
571:7 January
516:Kill List
504:wrote in
476:Kill List
472:auteurist
467:Kill List
432:Reception
384:as Janice
156:companies
121:Edited by
79:Nira Park
1524:Kick-Ass
723:25 April
693:25 April
416:Hot Fuzz
378:as Carol
366:as Chris
255:Language
143:Music by
128:Amy Jump
94:Starring
1564:Spectre
1332:Rebecca
592:Lumiere
372:as Tina
258:English
247:Country
223: (
208: (
1583:(2018)
1575:(2017)
1567:(2016)
1559:(2015)
1551:(2014)
1543:(2013)
1535:(2012)
1527:(2011)
1519:(2010)
1511:(2009)
1503:(2008)
1495:(2007)
1487:(2006)
1479:(2005)
1471:(2004)
1463:(2003)
1455:(2002)
1447:(2001)
1439:(2000)
1431:(1999)
1423:(1998)
1415:(1997)
1407:(1996)
1351:(2023)
1343:(2021)
1335:(2020)
1327:(2018)
1319:(2016)
1311:(2015)
1303:(2013)
1295:(2012)
1287:(2011)
1279:(2009)
995:Empire
819:20 May
655:Empire
507:Empire
390:as Ian
216:Cannes
214: (
510:that
165:Film4
1216:IMDb
1193:2017
1094:2012
1062:2012
1003:2012
945:2012
883:2012
848:2018
821:2020
790:2012
760:2012
725:2012
695:2012
663:2012
635:2017
628:IMDb
604:2017
573:2015
492:and
358:Cast
315:Plot
289:and
1225:at
1214:at
482:'s
1599::
1179:.
1085:.
1079:.
1053:.
1047:.
992:.
936:.
930:.
874:.
868:.
837:.
812:.
806:.
781:.
777:.
751:.
745:.
733:^
711:.
686:.
680:.
652:.
626:.
620:.
595:.
589:.
564:.
428:.
293:.
1384:e
1377:t
1370:v
1255:e
1248:t
1241:v
1195:.
1096:.
1064:.
1005:.
947:.
885:.
850:.
823:.
792:.
762:.
727:.
697:.
665:.
637:.
606:.
575:.
227:)
218:)
212:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.