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Sie werden euch in den Bann tun, BWV 44

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51: 762: 718: 678: 643: 575: 855:" (will think that he does God a service by it) is interpreted by free imitation. After this sequential presentation of the three ideas of the text, they are repeated in variation and combination. Mincham summarised the "uncompromising" tone of the statement "the time will come when your murderer will believe that he has done a service to God". 891:
in the continuo derived from the first line of the chorale. Hofmann observed in the continuo ostinato that "at the place where the song text has the word "Herzeleid" (heart ache), it is expanded by means of chromatic notes in between – a figurative expression of sorrow, of the lamentation that
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of consolation in dance-like movement, accompanied by the strings doubled by the oboes. In the middle section, storms and "winds of trouble" give way to "the sun of joy soon smiled" (die Freudensonne bald gelacht), expressed in vivid
793:, and the way to go instantly from duet to chorus is a feature that Telemann frequently uses. The chorus has been described as "tumultuous and excited" and likened to the rendering of the excited crowd (turba) in Bach's 362:
Bach first performed the cantata on 21 May 1724. It is the last original cantata composition of his first annual cycle, followed by reworkings of older music until the beginning of the second annual cycle of
873:" (martyrdom, exile, and bitter pain) are coloured in expressive chromatic, although the text speaks of overcoming them. Hofmann described "sigh-like suspension and emotionally charged harmonic darkening". 1652: 1750: 349:
even thinking to work for God by fighting the Christians and their teaching. In movement 6, the suffering ones are promised God's help. The closing chorale is the final stanza of
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history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
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J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 10: "Himmelfahrts-Oratorium " - Cantatas BWV 108 · 86 · 11 · 44
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render the quotation from the Gospel as a duet, and an extended chorus. The inner movements are solo works, two pais of
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characterizes the whole movement". Mincham noted that this central chorale "seems almost to pre-empt the
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which the voices pick up. The representation of the voice of Jesus by tenor and bass is reminiscent of
4160: 2878: 1056: 834: 4502: 4220: 1782: 1722: 1481:"Chorale Melodies used in Bach's Vocal Works / O Welt, ich muß dich lassen / Nun ruhen alle Wälder" 1074: 980: 956: 251:. The cantata is concluded by a four-part chorale. Bach scored the work for four vocal soloists, a 3048: 3033: 1558: 372: 1120: 4497: 3555: 3089: 3056: 3037: 2728: 2205: 1281: 1006: 976: 393: 364: 284: 213: 29: 1550: 998: 960: 4517: 4507: 4493: 4489: 3084: 3023: 2200: 1826: 1764: 1759: 1706: 1697: 1611:"Sie werden euch in den Bann tun (I) / (They shall put you out of the synagogues (1)), BWV44" 1108: 205: 42: 38: 1630: 1070: 1728: 1459:"Chorale Melodies used in Bach's Vocal Works / Herr (or O) Jesu Christ, meins Lebens Licht" 1210: 1032: 994: 223:
The topic of the cantata, beginning with a quotation from the prescribed reading from the
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quoted and referred to related Biblical passages. Bach structured the work in seven
3029: 1590: 1214: 389: 326: 283:, the Sunday after Ascension. The prescribed readings for the Sunday were from the 236: 232: 1244: 1112: 1066: 1048: 968: 795: 761: 717: 677: 642: 574: 307:). The unknown poet began with a quotation from the Gospel. One year later, poet 1555:
The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
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J. S. Bach: Cantatas Vol. 20 – Cantatas from Leipzig 1724 – BWV 44, 59, 173, 184
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The poet reflected the persecution of the Christians, confirmed by a chorale as
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Johann Sebastian Bach (1685-1750) / Cantatas Nos 44, 86, 87, 97, 150 & 183
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The cantata closes with a four-part chorale setting on the melody of "
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in Halle after 1750 is documented by revisions of the original parts.
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Bach wrote the cantata in his first year in Leipzig for the Sunday
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In the following table of the movements, the scoring follows the
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Movement 3 refers to the opening in tranquil 3/4 time with an
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The commenting chorale, on the almost unadorned melody of "
433: 425: 413: 397: 252: 216:, and first performed it on 21 May 1724. It is part of his 153: 1314: 1312: 1310: 1308: 1306: 1304: 1302: 1300: 815:" (But the time will come), is rendered in block chords ( 1347: 1345: 1343: 1341: 1339: 1337: 1335: 1333: 1331: 1329: 1327: 1297: 809:
sections with independent instruments. The beginning, "
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Bach Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity
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and a chorus which follows immediately in a different
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J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 3
929:", which resembles the setting of the same melody in 154: 1441: 1439: 1437: 1435: 1433: 1324: 821:) as "repeated rhetorical calls". In the following " 311:
would begin her cantata text for the same occasion,
1357: 1672: 1409: 1376: 1506:"Sie werden euch in den Bann tun BWV 44; BC A 78" 1430: 841:tinged harmonies", according to the Bach scholar 4549: 1473: 1451: 833:" is "twice emphasized by a sudden, mysterious 1662:Cantata BWV 44 Sie werden euch in den Bann tun 785:, introduced by the two oboes in imitation on 3064: 2484:Later additions to the chorale cantata cycle: 1744: 345:". In movement 5 the poet gave a reason, the 2218:Chorale cantatas between Trinity and Easter: 1524:"BWV 44 - "Sie werden euch in den Bann tun"" 1504: 1318: 938: 882: 868: 850: 828: 822: 816: 810: 731: 691: 656: 621: 588: 550: 517: 476: 354: 338: 312: 188: 103: 92: 19: 852:wird meinen, er tue Gott einen Dienst daran 3071: 3057: 1751: 1737: 49: 1657:International Music Score Library Project 1541: 1403: 1351: 849:", according to Julian Mincham. Finally " 4558:Church cantatas by Johann Sebastian Bach 1575: 1370: 383: 1719:Sie werden euch in den Bann tun, BWV 44 1653:Sie werden euch in den Bann tun, BWV 44 1628: 1605: 1424: 1391: 1284:, a thematic catalogue of Bach's works. 1143:Amsterdam Baroque Orchestra & Choir 1009:, soloist of the Wiener Sängerknaben, 908:marks a turning point, resulting in an 4550: 1703:BWV 44 Sie werden euch in den Bann tun 1694:BWV 44 Sie werden euch in den Bann tun 1675:Die Kantaten von Johann Sebastian Bach 1551:"1.30 Sunday after Ascension (Exaudi)" 1518: 1445: 827:" (when whoever kills you), the word " 194:(They will put you under banishment), 3052: 1732: 1165:Bach Edition Vol. 5 – Cantatas Vol. 2 1135:J. S. Bach: Complete Cantatas Vol. 10 896:harmonies of the twentieth century". 388:Bach structured the cantata in seven 1667: 884:Herr Jesu Christ, meins Lebens Licht 693:Es ist und bleibt der Christen Trost 672: 670: 668: 637: 635: 633: 603: 532: 274: 13: 1725:(video and background information) 1616:. Bach Cantatas Website. p. 6 1101:J. S. Bach: Himmelfahrts-Oratorium 14: 4574: 2421:Continuation of the second cycle: 1941:Köthen: BWV Anh. 5 1646: 1498: 805:. It follows the text in mostly 760: 716: 676: 641: 573: 623:Ach Gott, wie manches Herzeleid 519:Sie werden euch in den Bann tun 478:Sie werden euch in den Bann tun 341:Ach Gott, wie manches Herzeleid 316:Sie werden euch in den Bann tun 190:Sie werden euch in den Bann tun 95:Ach Gott, wie manches Herzeleid 21:Sie werden euch in den Bann tun 1274: 887:", is sung by the tenor on an 309:Christiana Mariana von Ziegler 1: 1483:. Bach Cantatas Website. 2009 1461:. Bach Cantatas Website. 2006 1291: 946: 870:Marter, Bann und schwere Pein 590:Christen müssen auf der Erden 212:for Exaudi, the Sunday after 2532:Other late chorale cantatas: 686: 651: 545: 512: 7: 2871:Council election (Leipzig): 1963:Between Trinity and Advent: 927:O Welt, ich muß dich lassen 10: 4579: 1177:Netherlands Bach Collegium 940:Ich bins, ich sollte büßen 904:The following short secco 899: 781:The duet is an expressive 776: 771: 469:The Cantatas of J. S. Bach 367:on the first Sunday after 4479: 3097: 3014: 2753: 2559: 2199: 1950: 1772: 1057:Hermann Christian Polster 939: 883: 869: 851: 829: 823: 811: 732: 692: 657: 622: 589: 551: 518: 506: 503: 500: 497: 494: 491: 488: 485: 408:. He scored the work for 355: 339: 313: 162: 149: 141: 118: 104: 93: 84: 74: 63: 48: 37: 27: 18: 2588:Liturgical year 1725–26: 1723:Netherlands Bach Society 1629:Mincham, Julian (2010). 1267: 1075:Bach-Collegium Stuttgart 1063:Die Bach Kantate Vol. 35 981:Dietrich Fischer-Dieskau 965:Münchener Bach-Orchester 733:So sei nun, Seele, deine 392:; as with many works of 378: 1559:Oxford University Press 1161:, Antoine Marchand 1998 658:Es sucht der Antichrist 373:Wilhelm Friedemann Bach 305:John 15:26–16:4 291:), and from the second 2076:From Advent to Trinity 1282:Bach-Werke-Verzeichnis 1029:East German Revolution 1007:Concentus Musicus Wien 817: 812:Es kömmt aber die Zeit 726: 616: 583: 552:Es kömmt aber die Zeit 477: 394:Georg Philipp Telemann 289:1 Peter 4:8–11 287:, "serve each other" ( 285:First Epistle of Peter 189: 20: 3085:Johann Sebastian Bach 3024:List of Bach cantatas 1765:Johann Sebastian Bach 1721:: performance by the 1707:University of Alberta 1698:University of Vermont 1696:English translation, 1404:Dürr & Jones 2006 1352:Dürr & Jones 2006 1109:Collegium Vocale Gent 384:Structure and scoring 356:In allen meinen Taten 299:, the promise of the 206:Johann Sebastian Bach 123:21 May 1724 105:In allen meinen Taten 67:Exaudi, Sunday after 1633:. jsbachcantatas.com 1577:Gardiner, John Eliot 1561:. pp. 340–343. 1547:Jones, Richard D. P. 1211:Bach Collegium Japan 1121:Christoph Prégardien 1033:Hans-Joachim Rotzsch 995:Nikolaus Harnoncourt 920: 876: 858: 430:Baroque instrumental 426:four-part choir SATB 257:Baroque instrumental 208:. He composed it in 2570:After Trinity 1725: 1406:, pp. 340–341. 1261:Jan van der Crabben 1105:Philippe Herreweghe 1041:Gewandhausorchester 999:Wiener Sängerknaben 961:Münchener Bach-Chor 824:daß, wer euch tötet 482: 218:first cantata cycle 1197:Brilliant Classics 1173:Holland Boys Choir 1169:Pieter Jan Leusink 1117:Catherine Patriasz 1071:Gächinger Kantorei 935:St Matthew Passion 802:St Matthew Passion 474: 293:Farewell Discourse 247:divided by a solo 158:soloists and choir 4563:1724 compositions 4545: 4544: 3046: 3045: 2900:1139.1, 1140–1141 1715:bach-chorales.com 1568:978-0-19-969628-4 1319:Bach Digital 2024 1241:Sigiswald Kuijken 1059:, Pilz mid-1970s? 1019:Ruud van der Meer 1003:Chorus Viennensis 985:Archiv Produktion 867:oboe. The words " 769: 768: 749:Vl (col soprano), 744:Ob (col soprano), 467:'s standard book 453:Neue Bach-Ausgabe 275:History and words 185: 184: 79:John 16:2 4570: 4537:Secular cantatas 4498:Chorale cantatas 4472: 3087: 3073: 3066: 3059: 3050: 3049: 3030:Monteverdi Choir 2872: 2814: 2767: 2727: 2589: 2571: 2533: 2485: 2422: 2219: 2077: 1964: 1767: 1753: 1746: 1739: 1730: 1729: 1690: 1678: 1655:: Scores at the 1642: 1640: 1638: 1625: 1623: 1621: 1615: 1602: 1600: 1598: 1591:Hyperion Records 1572: 1538: 1536: 1534: 1515: 1493: 1492: 1490: 1488: 1477: 1471: 1470: 1468: 1466: 1455: 1449: 1443: 1428: 1422: 1407: 1401: 1395: 1389: 1374: 1368: 1355: 1349: 1322: 1316: 1285: 1278: 1215:Yukari Nonoshita 942: 941: 886: 885: 872: 871: 854: 853: 832: 831: 826: 825: 820: 814: 813: 765: 764: 753:Va (col tenore) 735: 734: 721: 720: 695: 694: 681: 680: 660: 659: 646: 645: 625: 624: 592: 591: 578: 577: 554: 553: 521: 520: 483: 480: 473: 432:ensemble of two 424:(B) soloists, a 371:. A performance 365:chorale cantatas 358: 357: 344: 343: 321: 320: 235:; the first two 198: 192: 156: 137: 136: 130: 128: 107: 106: 98: 97: 53: 23: 16: 15: 4578: 4577: 4573: 4572: 4571: 4569: 4568: 4567: 4548: 4547: 4546: 4541: 4494:Church cantatas 4475: 4461: 4460:— discography; 3093: 3083: 3077: 3047: 3042: 3010: 3009: 2870: 2809: 2763: 2755: 2749: 2748: 2725: 2587: 2569: 2555: 2554: 2531: 2483: 2420: 2217: 2207: 2203: 2195: 2194: 2075: 1962: 1953: 1946: 1945: 1802:1138.1 & .2 1774: 1768: 1763: 1760:Church cantatas 1757: 1705:text, scoring, 1687: 1649: 1636: 1634: 1619: 1617: 1613: 1596: 1594: 1587:Soli Deo Gloria 1585:(Media notes). 1569: 1532: 1530: 1501: 1496: 1486: 1484: 1479: 1478: 1474: 1464: 1462: 1457: 1456: 1452: 1444: 1431: 1423: 1410: 1402: 1398: 1390: 1377: 1369: 1358: 1350: 1325: 1317: 1298: 1294: 1289: 1288: 1279: 1275: 1270: 1253:Petra Noskaiová 1245:La Petite Bande 1113:Barbara Schlick 1091:Wolfgang Schöne 1067:Helmuth Rilling 1049:Gerda Schriever 969:Ernst Haefliger 949: 923: 902: 879: 861: 796:St John Passion 791:Heinrich Schütz 779: 774: 759: 752: 751:Vl (coll'slto), 750: 746:Ob (coll'alto) 745: 715: 675: 640: 572: 463:are taken from 461:time signatures 386: 381: 277: 253:four-part choir 196: 181: 132: 126: 124: 122: 114: 59: 33: 12: 11: 5: 4576: 4566: 4565: 4560: 4543: 4542: 4540: 4539: 4530: 4528:Picander cycle 4525: 4520: 4515: 4510: 4505: 4500: 4487: 4480: 4477: 4476: 4474: 4473: 4455: 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4400: 4395: 4390: 4385: 4380: 4375: 4370: 4365: 4360: 4355: 4348: 4341: 4334: 4327: 4320: 4313: 4308: 4303: 4298: 4293: 4288: 4283: 4278: 4273: 4268: 4263: 4258: 4253: 4248: 4243: 4238: 4233: 4228: 4223: 4218: 4213: 4208: 4203: 4198: 4193: 4188: 4183: 4178: 4173: 4168: 4163: 4158: 4153: 4148: 4143: 4138: 4131: 4126: 4121: 4116: 4111: 4106: 4101: 4096: 4091: 4086: 4081: 4076: 4071: 4066: 4061: 4056: 4051: 4046: 4041: 4036: 4031: 4026: 4021: 4016: 4011: 4006: 4001: 3996: 3991: 3986: 3979: 3974: 3969: 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1249:Siri Thornhill 1234: 1219:Mutsumi Hatano 1207:Masaaki Suzuki 1200: 1162: 1151:Michael Chance 1132: 1129:Harmonia Mundi 1098: 1060: 1026: 988: 948: 945: 922: 919: 901: 898: 878: 875: 860: 857: 778: 775: 773: 770: 767: 766: 757: 754: 747: 742: 739: 736: 729: 723: 722: 713: 708: 705: 702: 699: 696: 689: 683: 682: 673: 671: 669: 667: 664: 661: 654: 648: 647: 638: 636: 634: 632: 629: 626: 619: 613: 612: 609: 604: 602: 599: 596: 593: 586: 580: 579: 570: 567: 564: 561: 558: 555: 548: 542: 541: 538: 533: 531: 528: 525: 522: 515: 509: 508: 505: 502: 499: 496: 493: 490: 487: 446:basso continuo 385: 382: 380: 377: 297:Gospel of John 276: 273: 225:Gospel of John 202:church cantata 183: 182: 180: 179: 176: 173: 170: 166: 164: 160: 159: 151: 147: 146: 143: 139: 138: 120: 116: 115: 113: 112: 100: 88: 86: 82: 81: 76: 72: 71: 65: 61: 60: 54: 46: 45: 39:Church cantata 35: 34: 28: 25: 24: 9: 6: 4: 3: 2: 4575: 4564: 4561: 4559: 4556: 4555: 4553: 4538: 4534: 4531: 4529: 4526: 4524: 4521: 4519: 4516: 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3250: 3247: 3245: 3242: 3240: 3237: 3235: 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3215: 3212: 3210: 3207: 3205: 3202: 3200: 3197: 3195: 3192: 3190: 3187: 3185: 3182: 3180: 3179: 3175: 3173: 3170: 3168: 3165: 3163: 3160: 3157: 3153: 3150: 3148: 3145: 3143: 3140: 3138: 3135: 3133: 3130: 3128: 3125: 3123: 3120: 3118: 3115: 3113: 3110: 3108: 3105: 3103: 3100: 3099: 3096: 3091: 3086: 3081: 3074: 3069: 3067: 3062: 3060: 3055: 3054: 3051: 3039: 3035: 3031: 3028:Discography: 3027: 3025: 3022: 3020: 3017: 3016: 3013: 3006: 3003: 3001: 2998: 2996: 2993: 2991: 2988: 2986: 2983: 2981: 2978: 2976: 2973: 2971: 2967: 2965: 2962: 2960: 2957: 2955: 2952: 2950: 2947: 2945: 2942: 2940: 2936: 2934: 2931: 2929: 2925: 2923: 2920: 2918: 2915: 2913: 2910: 2908: 2904: 2901: 2897: 2895: 2892: 2890: 2887: 2885: 2882: 2880: 2877: 2875: 2869: 2867: 2864: 2861: 2857: 2853: 2849: 2845: 2841: 2837: 2834: 2832: 2829: 2827: 2824: 2822: 2819: 2817: 2812: 2811:Late parodies 2808: 2806: 2803: 2801: 2798: 2796: 2793: 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1307: 1305: 1303: 1301: 1296: 1283: 1277: 1273: 1263:, Accent 2008 1262: 1258: 1254: 1250: 1246: 1242: 1238: 1235: 1232: 1228: 1224: 1220: 1216: 1212: 1208: 1204: 1201: 1198: 1194: 1193:Bas Ramselaar 1190: 1186: 1185:Sytse Buwalda 1182: 1178: 1174: 1170: 1166: 1163: 1160: 1159:Klaus Mertens 1156: 1152: 1148: 1147:Caroline Stam 1144: 1140: 1136: 1133: 1130: 1126: 1122: 1118: 1114: 1110: 1106: 1102: 1099: 1096: 1092: 1088: 1084: 1080: 1076: 1072: 1068: 1064: 1061: 1058: 1054: 1050: 1046: 1045:Regina Werner 1042: 1038: 1034: 1030: 1027: 1024: 1020: 1016: 1012: 1008: 1004: 1000: 996: 992: 989: 986: 982: 978: 977:Anna Reynolds 974: 970: 966: 962: 958: 954: 951: 950: 944: 936: 932: 928: 918: 916: 911: 907: 897: 895: 890: 874: 866: 856: 848: 844: 843:Klaus Hofmann 840: 839:chromatically 836: 819: 808: 804: 803: 798: 797: 792: 788: 784: 763: 758: 756:B-flat major 755: 748: 743: 740: 737: 730: 728: 725: 724: 719: 714: 712: 709: 706: 703: 700: 697: 690: 688: 685: 684: 679: 674: 665: 662: 655: 653: 650: 649: 644: 639: 630: 627: 620: 618: 615: 614: 610: 608: 605: 600: 597: 594: 587: 585: 582: 581: 576: 571: 568: 565: 562: 559: 556: 549: 547: 544: 543: 539: 537: 534: 529: 526: 523: 516: 514: 511: 510: 484: 479: 475:Movements of 472: 470: 466: 462: 458: 454: 449: 447: 443: 439: 435: 431: 427: 423: 419: 415: 411: 407: 403: 399: 395: 391: 376: 374: 370: 366: 360: 352: 348: 342: 336: 335:Martin Moller 332: 329:4, the first 328: 323: 319: 317: 310: 306: 302: 298: 294: 290: 286: 282: 272: 270: 266: 262: 258: 254: 250: 246: 242: 238: 234: 230: 226: 221: 219: 215: 211: 207: 203: 199: 193: 191: 177: 174: 171: 168: 167: 165: 161: 157: 152: 148: 144: 140: 135: 121: 117: 111: 101: 96: 90: 89: 87: 83: 80: 77: 73: 70: 66: 62: 57: 52: 47: 44: 40: 36: 31: 26: 22: 17: 4485:Compositions 4467: 4350: 4329: 4322: 3981: 3877: 3348: 3176: 3019:Bach cantata 2907:BWV 34a 2874:BWV 119 2770:BWV 149 2591:BWV 110 2573:BWV 168 2535:BWV 117 2201:Second cycle 2179: 1674: 1669:Dürr, Alfred 1635:. Retrieved 1618:. Retrieved 1595:. Retrieved 1581: 1554: 1543:Dürr, Alfred 1531:. Retrieved 1511:Bach Digital 1509: 1485:. Retrieved 1475: 1463:. Retrieved 1453: 1425:Hofmann 2001 1399: 1392:Mincham 2010 1276: 1236: 1202: 1164: 1134: 1100: 1079:Arleen Augér 1062: 1053:Peter Menzel 1037:Thomanerchor 1028: 1015:Kurt Equiluz 1011:Paul Esswood 990: 973:Edith Mathis 957:Karl Richter 952: 934: 924: 903: 880: 862: 818:Akkordblöcke 800: 794: 780: 711:B-flat major 527:Tenor, bass 468: 465:Alfred Dürrs 450: 387: 361: 351:Paul Fleming 324: 315: 278: 259:ensemble of 222: 195: 187: 186: 163:Instrumental 110:Paul Fleming 56:Thomaskirche 2816:BWV 36 2729:BWV 82 2561:Third cycle 2487:BWV 80 2221:BWV 20 2080:BWV 40 1966:BWV 75 1952:First cycle 1831:BWV 61 1711:Luke Dahn: 1446:Dellal 2024 1189:Knut Schoch 1181:Ruth Holton 1139:Ton Koopman 1131:France 1993 1087:Aldo Baldin 1083:Helen Watts 931:movement 10 915:coloraturas 663:Recitative 404:and faster 241:recitatives 4552:Categories 2968:Doubtful: 2424:BWV 6 1787:BWV 4 1557:. Oxford: 1292:References 1227:Peter Kooy 1155:Paul Agnew 1125:Peter Kooy 947:Recordings 906:recitative 807:homophonic 436:(Ob), two 347:Antichrist 229:librettist 127:1724-05-21 75:Bible text 43:J. S. Bach 4523:3rd cycle 4518:2nd cycle 4513:1st cycle 4438:1140–1141 2926:Funeral: 2905:Wedding: 2756:and other 1954:(1723–24) 1637:20 August 1280:"BWV" is 1223:Gerd Türk 865:obbligato 847:harmonies 837:and wan, 481:, BWV 44 444:(Va) and 390:movements 318:, BWV 183 301:Paraclete 237:movements 233:movements 214:Ascension 172:2 violins 142:Movements 119:Performed 69:Ascension 58:, Leipzig 4535: ; 4492: ; 4490:Cantatas 4469:spurious 4464:doubtful 3156:oratorio 3080:Cantatas 2208:cantatas 1713:BWV 44.7 1671:(1981). 1609:(2001). 1593:website) 1579:(2008). 1549:(2006). 1522:(2024). 1095:Hänssler 889:ostinato 738:Chorale 707:2Vl, Va 701:Soprano 628:Chorale 569:G minor 566:2Vl, Va 501:Strings 428:, and a 420:(T) and 327:movement 269:continuo 178:continuo 64:Occasion 4483:Lists: 4458:Anh. 18 4453:Anh. 11 4383:248 III 3034:Koopman 2937:Other: 2898:(lost: 2206:chorale 1775:Leipzig 1514:. 2024. 933:of the 900:5 and 6 783:lamento 777:1 and 2 607:C minor 557:Chorus 536:G minor 438:violins 410:soprano 369:Trinity 295:in the 265:strings 249:chorale 210:Leipzig 200:, is a 169:2 oboes 134:Leipzig 125: ( 85:Chorale 4508:Weimar 4448:Anh. 9 4443:Anh. 5 4398:248 VI 4388:248 IV 4378:248 II 3092:number 3038:Teldec 1827:Weimar 1773:Before 1683:  1620:15 May 1597:23 May 1565:  1533:10 May 1487:15 May 1465:15 May 1023:Teldec 894:atonal 787:themes 631:Tenor 489:Title 455:. The 440:(Vl), 331:stanza 281:Exaudi 255:and a 197:BWV 44 4503:Early 4393:248 V 4373:248 I 3740:motet 2754:Later 2726:1727: 2204:(and 1783:Early 1614:(PDF) 1268:Notes 835:piano 830:töten 772:Music 741:SATB 698:Aria 666:Bass 598:Alto 595:Aria 560:SATB 524:Duet 507:Time 498:Winds 495:Vocal 442:viola 434:oboes 418:tenor 416:(A), 412:(S), 406:tempo 379:Music 261:oboes 175:viola 150:Vocal 108:" by 4533:Late 4428:1127 4423:1083 4418:1045 4413:1040 4408:249b 4403:249a 4368:244a 4311:216a 4276:210a 4261:208a 4251:207a 4236:205a 4191:197a 4166:193a 4146:190a 4054:173a 3917:147a 3843:134a 3822:131a 3761:120b 3756:120a 2949:120b 2944:190a 2933:244a 2917:120a 2866:1083 2780:197a 1851:147a 1841:186a 1681:ISBN 1639:2022 1622:2012 1599:2019 1589:(at 1563:ISBN 1535:2024 1489:2012 1467:2012 1233:2001 1199:1999 1097:1979 1025:1975 987:1975 910:aria 799:and 704:2Ob 611:3/4 563:2Ob 540:3/4 530:2Ob 504:Key 492:Type 486:No. 459:and 457:keys 422:bass 414:alto 402:time 398:duet 353:'s " 337:'s " 267:and 245:aria 243:and 155:SATB 4466:); 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Index

BWV
Church cantata
J. S. Bach

Thomaskirche
Ascension
John 16:2
Ach Gott, wie manches Herzeleid
Paul Fleming
Leipzig
SATB
church cantata
Johann Sebastian Bach
Leipzig
Ascension
first cantata cycle
Gospel of John
librettist
movements
movements
recitatives
aria
chorale
four-part choir
Baroque instrumental
oboes
strings
continuo
Exaudi
First Epistle of Peter

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