Knowledge

Showrunner

Source πŸ“

316:", the selection of which is solely the responsibility of the executive producer. They are usually the most senior writer on the staff, or "Head Writer", and therefore the dominant voice in the writers' room, who assist the showrunner by spearheading the management of the scripts. They also assist the showrunner in production, and in oversee the writers. The co-executive producer's duties typically include liaising between executives and staff, making design and directorial decisions, running the production when the Executive Producer is not present, and assisting with such daily activities as financing, staffing, scheduling, and other operations. 327:
Supervising producers help oversee a show's daily creative direction, overseeing other producers and members of the production staff with administrative and creative duties. These include hiring episode directors, overseeing the writers' room, assisting with script rewrites, and training new writers.
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was created to identify the executive producer who holds ultimate management and creative authority for the program." The contract gained by the Writers Guild of America in the 2023 strike now explicitly defines "showrunner" as writers and people responsible for making hiring decisions regarding a
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Producers coordinate and supervise all aspects of TV production, in both creative and administrative capacities, including making financial decisions, and handling contracts, talent, and bargaining agreements. They also address problems that arise during production, and make sure that it does not
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of a series. The executive producer is often the creator of a series, and sometimes serves as the showrunner as well. They help write scripts, and run day-to-day production operations, overseeing production of a story from script to screen. The precise functions of an executive producer can vary,
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He explains the moniker was created to identify the producer who actually held ultimate management and creative authority for the program, given the way the honorific 'executive producer' was applied to a wider range of roles. There's also the fact that anyone with any power wanted a producer's
51:, defines a showrunner as "the person responsible for all creative aspects of the show and responsible only to the network (and production company, if it's not production company). The boss. Usually a writer. Traditionally, the executive producer of a television program was the 262:, explaining that showrunners determine the tone and genre of the show, and break down the structure of a season, its episodes, and storylines, prior to actual production of the program. Saleh listed the hierarchy of the staff on WGA shows, in order of authority: 822:
Moral Rights and the Motion Picture Industry: Hearing Before the Subcommittee on Courts, Intellectual Property, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One Hundred First Congress, Second Session, January 9,
55:, responsible for the show's creative direction and production. Over time, the title of executive producer was applied to a wider range of roles—from a senior writer, to someone who arranges financing, to an "angel" who holds the title as an 115:
to the MGM musical. They were the producers... the storytellers. Today in television, the producer is still that person: the show-runner. Television is a producer's medium. Ask the people who make and stand behind their shows – from
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credit, including the leading actors, who often did no more than say the writers' lines. "It had got to the stage where it was incredibly confusing; there were so many production credits no one knew who was responsible," he says.
1071: 441:(2000–11), which had several showrunners in succession. Initially, the show was overseen by creator Fred Barron from series 1–4. Ian Brown and James Hendrie took over for series 5, followed by American writer 1045: 35:(or its most prolific writer). The role of a showrunner is not present on all television series, especially outside the US; this article describes the nature of the role where it is present. 903: 340:
exceed its budget. Their duties include fundraising and networking, soliciting and assessing scripts and project ideas, hiring writers, and securing rights to other intellectual properties.
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According to Saleh, this position, the lowest level in the writers' room, is the one in which new writers are usually placed when they obtain their first job writing on a television show.
432:. "Nonetheless, the show runner production model is still less common in drama production in the UK" than it is in the U.S., scholars Ruth McElroy and Caitriona Noonan wrote in 2019. 1067: 136:
or Phil de Guerre . The definition of who does what in television today is not that different from what it was generally in Hollywood before a few critics in France coined the term '
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has creative control over the production, and the executive producer's role is limited to investing. In scripted comedy and drama TV shows, the showrunner also usually serves as the
870: 660: 230:, he said, a showrunner could be paid less than a co-executive producer "because everything else that I do β€” from hiring the writers, to being on set and producing, to being in 67:
In a January 1990 submission to the United States Congress House Committee on the Judiciary Subcommittee on Courts, Intellectual Property, and the Administration of Justice,
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depending on multiple factors. In some cases, the title is used to credit a writer who had signed off on a series, but had little involvement with its production.
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and Hollywood emphasizing profitability, overall deals became much rarer. Reduced compensation for showrunners and others in the writers' room helped cause the
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of a television series. The position outranks other creative and management personnel, including episode directors, in contrast to feature films, in which the
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later took over from Moffat. Davies returned, following Chibnall's departure. The term has also been used to refer to other writer-producers, such as
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Justice, United States Congress House Committee on the Judiciary Subcommittee on Courts, Intellectual Property, and the Administration of (1991).
780: 169:, write scripts, cast actors, mind budgets and run interference with studio and network bosses. It's one of the most unusual and demanding, 1404: 699: 1164: 802: 880: 673: 1134: 1104: 428:, specifically interpreted as a writer or presenter with overall responsibility for a television production, began to spread to the 722: 1602: 499:
In an interview, Davies said that he felt the role of the showrunner was to establish and maintain a consistent tone in a drama.
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said of the title of showrunner, "It's a made-up title, and it's not a paid position". Without an
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remains the most prominent example of a British television programme with a showrunner, with
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The showrunner is the highest authority in charge of the production of a television show.
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took the producers, their traditional nemesis, to court – thus all but destroying the
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showrunner Tom Anderson was in charge from series 7 to the final series, series 11.
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The first writer appointed the role of showrunner on a British primetime drama was
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Supervising producers are required to have several years of production experience.
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wrote that "Over here, the concept of 'showrunner' has only made it as far as
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with no management duties in return for providing backing capital. The term
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job descriptions in the entertainment world....howrunners make – and often
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Producing British television drama : local production in a global era
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Co-executive producers have been analogized to an executive producers's "
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for months, then doing press β€” is not compensated". With the end of the
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and giving leave for the studios themselves to usurp the name producer.
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had carried out a similar role on the less conspicuous medical drama
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D'Arminio, Aubry (October 10, 2016). "Gary Glasberg: 1966–2016",
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In the early days of Hollywood, no one questioned what Producer
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having taken over the post from Davies from 2010 until 2017.
803:"These are the biggest wins in the WGA's new labor contract" 400:. The first Showrunner Award was presented in April 2007 to 258:, listed the function and structure of the personnel in WGA 1471:"Steven Moffat stands down and Chris Chibnall to take over" 424:
In the first decade of the 21st century, the concept of a
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para. 2: "He or she is… always an executive producer."
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The first British comedy series to use the term was
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as "...one of the few UK series with a showrunner".
1092: 814: 812: 157:columnist Scott Collins describes showrunners as: 712: 2480: 1571:"Jed Mercurio: taking aim at the target culture" 1444:"Steven Moffat: The man with a monster of a job" 747:Littlejohn, Janice Rhoshalle (August 15, 2008). 809: 296:The executive producer has been likened to the 1006: 1004: 634:"What does a producer do? - Television Series" 1596: 1238: 1213:"Britain's got talent – and it's untouchable" 774: 653: 1179: 939:"How streaming caused the TV writers strike" 902:Adalian, Josef; Brown, Lane (June 6, 2023). 901: 836:: CS1 maint: multiple names: authors list ( 1310: 1308: 1306: 1001: 1603: 1589: 746: 2390: 1610: 1239:McElroy, Ruth; Noonan, Caitriona (2019). 1093:Schneider, Michael (September 27, 2022). 488:(to the extent that in 2009 a writer for 1540: 1303: 1281: 868: 713:MasterClass staff (September 10, 2021). 591:, a junior role not to be confused with 818: 242:. In an interview that same month with 16:Top-level producer of a television show 2481: 1568: 1541:Holmwood, Leigh (September 29, 2009). 1438: 1365: 1333: 1207: 933: 931: 844: 2111: 1584: 1516: 1495: 1385:from the original on November 4, 2021 1314: 1068:"What does an executive producer do?" 1569:Curtis, Chris (September 20, 2012). 1282:Plunkett, John (December 14, 2009). 1187:"2007 Canadian Screenwriting Awards" 783:from the original on August 10, 2020 749:"TV's showrunners outrank directors" 240:2023 Writers Guild of America strike 1315:Brown, Maggie (February 10, 2014). 1284:"Holby City exec producer to leave" 928: 869:Blundell, Graeme (April 23, 2011). 13: 1496:Deans, Jason (November 20, 2006). 826:. U.S. Government Printing Office. 626: 484:brought the term to prominence in 14: 2525: 1167:from the original on July 1, 2023 1137:from the original on July 1, 2023 1107:from the original on July 1, 2023 1074:from the original on July 1, 2023 1048:from the original on July 1, 2023 1018:from the original on July 1, 2023 985:from the original on July 1, 2023 951:from the original on July 1, 2023 775:Epstein, Alex (August 24, 2005). 419: 2342:Concentration of media ownership 2236:Television content rating system 1243:. London: Springer. p. 57. 1127:"What Is a Supervising Producer" 38: 1718:Director of network programming 1562: 1489: 1463: 1432: 1397: 1359: 1327: 1275: 1257: 1232: 1201: 1149: 1119: 1086: 1060: 1030: 967: 895: 862: 669:Writers' Guild of Great Britain 207:, described the position thus: 64:project's other staff writers. 871:"Getting the run of the place" 795: 768: 740: 706: 691: 478:' work on the 2005 revival of 1: 2041:Broadcasting of sports events 1334:Martin, Dan (June 24, 2009). 1317:"Line of Duty's Jed Mercurio" 1157:"What does a TV producer do?" 619: 398:Canadian Screenwriting Awards 73:Weintraub Entertainment Group 1373:(Interview). Interviewed by 7: 2257:Broadcast reference monitor 1411:. BBC. 2008. Archived from 1340:lost without its superman?" 853:, "Channel Island" column, 568: 430:British television industry 252:, who developed the series 10: 2532: 1811:Television program creator 851:"Showrunners run the show" 639:Producers Guild of America 575:Television program creator 2489:Entertainment occupations 2450: 2324: 2299:Professional video camera 2267:Digital on-screen graphic 2249: 2231:List of television awards 2218: 2173: 2026: 1976: 1891:Character generator (CG) 1859: 1753: 1705: 1697:Transmission control room 1682:Network operations center 1659: 1618: 1371:"Mark Lawson Talks to..." 1189:. Writers Guild of Canada 387: 2504:Broadcasting occupations 2309:Lighting control console 1498:"Twice the drama at ITV" 1405:"Paul Cornell interview" 458:, writer and creator of 404:, executive producer of 2362:Influence of mass media 1933:Unit production manager 1687:Production control room 1012:"Co-Executive Producer" 661:"Showrunning in the UK" 394:Writers Guild of Canada 358:Executive story editor 47:, in his book and blog 2514:Management occupations 2499:Television terminology 2494:Mass media occupations 1667:Central apparatus room 1425:Interviewer refers to 309:Co-executive producer 214: 183: 171:right-brain/left-brain 150: 111:to his early work, or 2284:Multiple-camera setup 2014:Visual effects artist 1963:Broadcast engineering 1636:History of television 1612:Television production 1573:. Broadcastnow.co.uk. 1161:New York Film Academy 1044:. November 14, 2022. 1014:. Chegg CareerMatch. 805:. September 30, 2023. 445:for series 6. Former 324:Supervising producer 209: 195:, the showrunner for 185:In a 2011 article in 159: 77: 2357:Freedom of the press 2289:Outside broadcasting 2241:Television criticism 2226:Audience measurement 2196:Political commentary 2159:Late-night talk show 1938:Production assistant 1903:Graphics coordinator 1898:Studio floor manager 1369:(January 16, 2008). 1211:(October 22, 2007). 777:"Tentative Glossary" 725:on December 25, 2021 163:operational managers 49:Crafty Screenwriting 2262:Character generator 1958:Television director 1791:Production designer 1677:Master control room 1415:on January 24, 2011 679:on December 2, 2020 604:Television director 580:Television producer 293:Executive producer 2468:Television studies 2408:Communications law 2377:Media manipulation 2124:Limited-run series 2103:Television special 2076:Reality television 2071:Police crime drama 1968:Technical director 1953:Technical director 1826:Production manager 1816:Executive producer 1776:Assistant director 1733:Sports commentator 1477:. 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1649: 1647: 1644: 1642: 1639: 1637: 1634: 1632: 1629: 1627: 1624: 1623: 1621: 1617: 1613: 1606: 1601: 1599: 1594: 1592: 1587: 1586: 1583: 1572: 1565: 1550: 1549: 1544: 1529: 1528: 1523: 1519: 1505: 1504: 1499: 1492: 1476: 1472: 1466: 1451: 1450: 1445: 1441: 1435: 1428: 1414: 1410: 1406: 1400: 1384: 1380: 1376: 1372: 1368: 1362: 1347: 1346: 1341: 1339: 1330: 1322: 1318: 1311: 1309: 1307: 1291: 1290: 1285: 1278: 1270: 1266: 1260: 1252: 1250:9781137578754 1246: 1242: 1235: 1220: 1219: 1214: 1210: 1204: 1188: 1182: 1166: 1162: 1158: 1152: 1136: 1132: 1128: 1122: 1106: 1102: 1101: 1096: 1089: 1073: 1069: 1063: 1047: 1043: 1039: 1033: 1017: 1013: 1007: 1005: 996: 984: 980: 976: 970: 962: 950: 946: 945: 940: 934: 932: 915: 911: 910: 905: 898: 882: 878: 877: 872: 865: 858: 857: 852: 847: 839: 833: 825: 824: 815: 813: 804: 798: 782: 778: 771: 756: 755: 750: 743: 736: 724: 720: 716: 709: 702: 701: 694: 675: 671: 670: 662: 656: 641: 640: 635: 629: 625: 615: 614:News director 612: 610: 607: 605: 602: 600: 597: 594: 590: 586: 583: 581: 578: 576: 573: 572: 566: 564: 563: 558: 557: 552: 551: 546: 542: 541: 536: 535:Adrian Hodges 532: 531: 530:Waterloo Road 526: 525: 520: 519: 514: 510: 506: 505:Steven Moffat 502: 497: 495: 491: 487: 483: 482: 477: 473: 472: 467: 463: 462: 457: 452: 450: 449: 444: 440: 439: 433: 431: 427: 417: 415: 414: 413:Stargate SG-1 409: 408: 403: 399: 395: 380: 378:Staff writer 377: 374: 373: 370: 368:Story editor 367: 364: 363: 360: 357: 354: 353: 350: 347: 344: 343: 338: 335: 332: 331: 326: 323: 320: 319: 315: 311: 308: 305: 304: 299: 295: 292: 289: 288: 284: 281: 278: 277: 273: 270: 267: 266: 263: 261: 257: 256: 251: 247: 246: 241: 237: 233: 229: 225: 224: 219: 213: 208: 206: 205: 200: 199: 194: 193:Shane Brennan 190: 189: 182: 180: 176: 172: 168: 164: 158: 156: 155: 149: 147: 143: 139: 135: 131: 127: 123: 119: 114: 110: 106: 105: 100: 96: 93:to all those 92: 91:Pandro Berman 88: 87: 82: 76: 74: 70: 65: 62: 58: 54: 50: 46: 39:United States 36: 34: 30: 26: 22: 2438:Pixelization 2428:Media reform 2423:Media policy 2403:Bleep censor 2316:Vision mixer 2091:Mockumentary 2066:Variety show 1989:Foley artist 1984:Sound editor 1887:Videographer 1851:Story editor 1841:Screenwriter 1801:Set designer 1744: 1564: 1552:. Retrieved 1548:The Guardian 1546: 1531:. Retrieved 1527:The Guardian 1525: 1518:Wilby, Peter 1507:. Retrieved 1503:The Guardian 1501: 1491: 1479:. Retrieved 1474: 1465: 1453:. Retrieved 1449:The Guardian 1447: 1434: 1426: 1417:. Retrieved 1413:the original 1408: 1399: 1387:. Retrieved 1361: 1349:. Retrieved 1345:The Guardian 1343: 1337: 1329: 1321:The Guardian 1320: 1293:. Retrieved 1289:The Guardian 1287: 1277: 1269:comedy.co.uk 1268: 1259: 1240: 1234: 1222:. Retrieved 1218:The Guardian 1216: 1209:Lawson, Mark 1203: 1191:. Retrieved 1181: 1169:. Retrieved 1151: 1139:. Retrieved 1131:ZipRecruiter 1121: 1109:. Retrieved 1098: 1088: 1076:. Retrieved 1062: 1050:. Retrieved 1032: 1020:. Retrieved 993:– via 987:. Retrieved 979:Random House 975:"showrunner" 969: 959:– via 953:. Retrieved 942: 918:. Retrieved 914:the original 907: 897: 885:. Retrieved 881:the original 874: 864: 854: 846: 821: 797: 785:. Retrieved 770: 758:. Retrieved 752: 742: 734: 727:. Retrieved 723:the original 718: 708: 698: 693: 681:. Retrieved 674:the original 667: 655: 643:. Retrieved 637: 628: 599:Screenwriter 592: 560: 556:Line of Duty 554: 548: 545:Jed Mercurio 538: 528: 522: 516: 500: 498: 493: 490:The Guardian 489: 479: 469: 466:Jed Mercurio 459: 453: 446: 436: 434: 425: 423: 411: 405: 391: 348:Co-producer 253: 243: 228:overall deal 221: 215: 210: 202: 196: 186: 184: 160: 152: 151: 113:Arthur Freed 102: 95:Fred Astaire 84: 78: 66: 60: 52: 48: 45:Alex Epstein 42: 20: 18: 2509:Showrunners 2277:Microphones 2186:Debate show 1836:Head writer 1806:TV producer 1771:TV director 1375:Mark Lawson 1265:"My Family" 1042:MasterClass 729:February 6, 719:MasterClass 645:October 24, 587:(including 513:Tony Jordan 464:, in 2005. 456:Tony McHale 443:Tom Leopold 402:Brad Wright 282:Showrunner 250:Erica Saleh 167:story lines 109:Walt Disney 33:head writer 2483:Categories 2391:Regulation 2372:Media bias 2337:Censorship 2149:Soap opera 2129:Miniseries 2029:and genres 1928:Dolly grip 1860:Production 1796:Researcher 1745:Showrunner 1475:Doctor Who 1427:Doctor Who 920:January 8, 787:August 29, 760:January 8, 700:upTV Guide 683:August 29, 620:References 593:Showrunner 524:Echo Beach 501:Doctor Who 494:Doctor Who 481:Doctor Who 461:Holby City 426:showrunner 314:first mate 223:Briarpatch 140:' and the 101: [ 61:showrunner 21:showrunner 2250:Technical 2219:Valuation 2154:Talk show 2056:Game show 2009:Publicist 1713:Celebrity 1554:April 27, 1533:April 27, 1509:April 27, 1481:April 10, 1455:April 27, 1419:April 27, 1389:April 27, 1351:April 27, 1295:April 27, 1224:April 27, 832:cite book 438:My Family 336:Producer 271:Position 248:, writer 179:long tail 57:honorific 1999:Colorist 1994:Composer 1923:Key grip 1893:operator 1706:Profiles 1626:Audience 1383:Archived 1379:BBC Four 1193:July 11, 1165:Archived 1135:Archived 1105:Archived 1072:Archived 1046:Archived 1016:Archived 983:Archived 949:Archived 781:Archived 703:. p. 17. 569:See also 562:Critical 540:Primeval 130:Len Hill 75:) wrote: 29:director 1171:July 1, 1141:July 1, 1111:July 1, 1100:Variety 1078:July 1, 1052:July 1, 1022:July 1, 989:July 1, 961:YouTube 955:July 1, 909:Vulture 887:May 28, 754:Variety 83:was to 43:Writer 2451:Theory 2325:Issues 2144:Sitcom 2139:Serial 2112:Series 2004:Editor 1913:gaffer 1831:Writer 1660:Places 1338:Heroes 1247:  589:Runner 559:, and 550:Bodies 471:Bodies 448:Cheers 388:Canada 274:Notes 268:Level 175:create 138:auteur 1943:Gofer 677:(PDF) 664:(PDF) 89:, or 2174:News 1918:grip 1723:Host 1556:2010 1535:2010 1511:2010 1483:2018 1457:2010 1421:2010 1391:2010 1353:2010 1336:"Is 1297:2010 1245:ISBN 1226:2010 1195:2008 1173:2023 1143:2023 1113:2023 1080:2023 1054:2023 1024:2023 991:2023 957:2023 922:2024 889:2011 838:link 823:1990 789:2023 762:2024 731:2022 685:2023 647:2022 543:and 521:and 496:"). 410:and 392:The 232:post 201:and 198:NCIS 97:and 944:Vox 547:on 537:on 515:on 375:9. 365:8. 355:7. 345:6. 333:5. 321:4. 306:3. 298:CEO 290:2. 279:1. 245:Vox 220:of 120:to 104:sic 2485:: 1545:. 1524:. 1500:. 1473:. 1446:. 1407:. 1381:. 1377:. 1342:. 1319:. 1305:^ 1286:. 1267:. 1215:. 1159:. 1133:. 1129:. 1103:. 1097:. 1040:. 1003:^ 981:. 977:. 941:. 930:^ 906:. 873:. 834:}} 830:{{ 811:^ 751:. 733:. 717:. 666:. 636:. 565:. 553:, 533:, 416:. 191:, 132:, 128:, 124:, 19:A 1604:e 1597:t 1590:v 1558:. 1537:. 1513:. 1485:. 1459:. 1423:. 1393:. 1355:. 1323:. 1299:. 1271:. 1253:. 1228:. 1197:. 1175:. 1145:. 1115:. 1082:. 1056:. 1026:. 997:. 963:. 924:. 891:. 840:) 791:. 764:. 687:. 649:. 595:)

Index

executive producer
director
head writer
Alex Epstein
honorific
Barney Rosenzweig
Weintraub Entertainment Group
David O. Selznick
Gone with the Wind
Pandro Berman
Fred Astaire
Ginger Rodgers
sic
Walt Disney
Arthur Freed
Aaron Spelling
Stephen Cannell
Stephen Bochco
Len Hill
Edgar Scherick
auteur
Writer's Guild
Producer's Guild
Los Angeles Times
operational managers
story lines
right-brain/left-brain
create
long tail
The Australian

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