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Shoegaze

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1381:"L'ethereal wave (et notamment les Cocteau Twins) a grandement influencé le shoegaze et la dream pop... L'ethereal wave s'est développée à partir du gothic rock, et tire ses origines principalement de la musique de Siouxsie and the Banshees (les Cocteau Twins s'en sont fortement inspirés, ce qui se ressent dans leur premier album Garlands, sorti en 1982). Le genre s'est développé surtout autour des années 1983-1984, avec l'émergence de trois formations majeures: Cocteau Twins, This Mortal Coil et Dead Can Dance... Les labels principaux promouvant le genre sont 4AD et Projekt Records". 917: 299: 514: 3377: 378: 1110: 497: 1010:'s 1991 single "My Forgotten Favorite", Sailor goes on to note, "Could anything be more different—and yet so similar—to ? The hazy and dreamy, high pitched female vocals are there, but the outlook is entirely different." Other notable American shoegaze influenced bands of the early-to mid-1990s included 451:
playing guitar , was the coolest as he just stood there and let the music flood out. That anti showmanship was perfect so I never really understood why people began to use "shoegaze" as a negative term. I think if Slowdive didn't stand there looking at what pedal was about to go on and off we'd have
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The coining of the term "The Scene That Celebrates Itself" was in many ways the beginning of the end for the first wave of shoegazers. The bands became perceived by critics as over-privileged, self-indulgent, and middle-class. This perception was in sharp contrast with both the bands who formed the
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Shoegazing was originally a slag-off term. My partner , who was the guitarist in Moose, claims that it was originally leveled at his band. Apparently the journo was referring to the bank of effects pedals he had strewn across the stage that he had to keep staring at in order to operate. And then it
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Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords
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The insularity and introversion of British shoegaze was an intention backlash against their country's mainstream. But when the shoegaze sound was exported to America, it arrived unattached from the cultural context that originally prompted its gloomy moods. The result? American indie bands gave
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While shoegaze briefly flared and then faded out in the UK, the bands of the initial wave had an immense impact on the development of regional underground and college rock scenes in the US. In particular, a Lush and Ride tour of the US in 1991 directly inspired the spawning of American shoegaze
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A resurgence of the genre began in the late 1990s (particularly in the United States) and the early 2000s, that helped usher in what is now referred to as the "nu gaze" era. Also various heavy metal acts were inspired by shoegaze, which contributed to the emergence of
260:. A loose label given to the shoegaze bands and other affiliated bands in London in the early 1990s was "the scene that celebrates itself". Most shoegaze artists drew from the template set by My Bloody Valentine on their late 1980s recordings, as well as bands such as 362:
guitars, creating a wash of sound where no instrument is distinguishable from another. The genre was typically "overwhelmingly loud, with long, droning riffs, waves of distortion, and cascades of feedback. Vocals and melodies disappeared into the walls of guitars."
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also offered intelligible lyrics, often about the trials and tribulations of working-class life; this was a stark contrast to the "vocals as an instrument" approach of shoegaze, which often prized the melodic contribution of vocals over their lyrical depth.
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in 1990 in a near-contemptuous gesture, focusing on how bands involved in the scene, rather than engaging in traditional rivalries, were often seen at each other's gigs, sometimes playing in each other's bands, and drinking together.
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have increasingly adopted western elements, with some bands combining Indie music with shoegaze and psychedelic rock. Further, since the late 2010s, some artists began prominently incorporating
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the band performed was dubbed shoegaze by the British press because the band members stared at the stage while they performed". The term was also used by the British music press to describe
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and many other popular shoegaze acts had at least one prominent female musician who contributed key vocal elements and/or integral writing components to the music. In the 2014 film
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Whereas contemporary alternative rock movements of the time period were extremely male-dominated (Britpop, grunge), My Bloody Valentine, Slowdive, Lush, Cocteau Twins, Pale Saints,
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shoegaze an entirely new image. Where the sound once was tightly linked with introversion, it was now attached to summery, outward looking songs with a focus on celebrating youth.
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acts, resulting in relatively unknown bands breaking up or reinventing their style altogether. Since the late 2010s, a renewed interest in the genre has been noted, namely among
2097: 2372: 1250: 643:", My Bloody Valentine started to move their sound more and more into experimentation with noise and complex series of effect pedals—as seen in their 1988 breakthrough: the 460:, especially by a part of the English weekly music press who considered the movement as ineffectual, and it was disliked by many of the groups it purported to describe. 1465: 1903: 1310: 2143:
The full extent of their pioneering guitar manipulation – responsible for a whole scene of "shoegaze" musical admirers, stand up Ride, Moose, Lush etc., etc., ...
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The dream pop bands were lionized by the capricious British music press, which later took to dismissing them as 'shoegazers' for their affectless stage presence.
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In eastern Asia the genre has become increasingly popular with bands such as Cocteau Twins influencing the creation of new "art school" shoegaze. Bands like
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The bands, producers and journalists of the time would gather in London and their activities would be chronicled in the gossip pages of the music papers
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in February 2013. Shields explained their silence by noting, "I never could be bothered to make another record unless I was really excited by it."
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Many shoegaze bands would either disband or change their sound during the mid-1990s. Ride disbanded before the release of their fourth album,
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groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of
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just became a generic term for all those bands that had a big, sweeping, effects-laden sound, but all stood resolutely still on stage.
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found themselves labelled shoegazers on account of their own Thames Valley origins, despite their more pronounced HĂĽsker DĂĽ-meets-
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Bands lumped into the 'scene' by the press included several of the bands that were branded with the shoegazing label, such as
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Stevens, Andrew (11 July 2007). "Leave Them All Behind: The 3:AM Guide to 'Shoegaze' and British Indie Music in the 1990s"
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music which was making its way across the Atlantic, as well as those bands who formed the foundation of Britpop, such as
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would often trade places, while "Moose" McKillop often played with See See Rider. Gane and his Stereolab colleague
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scenes produced several bands whose exploration of sounds and textures would impact shoegaze. Those bands included
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Several former members of shoegaze bands later moved towards dream pop, post-rock, and the more electronica-based
3776: 3766: 3408: 538:, was retrospectively viewed as a precursor to shoegaze, and was one of many influences on both the shoegaze and 2924: 2076: 2017: 488:... We presented ourselves as normal people, as a band who wanted their fans to think they could do that too." 1773: 416:, in which the author referenced how singer Russell Yates read lyrics taped to the floor throughout the gig. 2410: 1546: 884:, was an abrupt shift from shoegaze to Britpop, which alienated many fans; the 1996 suicide of their drummer 2699: 3690: 1349: 657: 630:
have also been credited with producing a template for the genre in the late 1980s. My Bloody Valentine's
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had another take on his group's static presentation: "We didn't want to use the stage as a platform for
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were also cited by various shoegaze bands as touchstones for their respective sounds. Proto-punk band
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were formative influences on shoegaze. Slowdive named themselves after the Siouxsie and the Banshees
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Shoegaze's name is in reference to how many guitarists in the genre stare downwards at their pedals.
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been shite. I am glad we were static and concentrated on playing well. Now it is a positive term.
2853: 2501: 2128: 212:, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among 3839: 3834: 2641: 2564: 1131: 1123: 974: 853: 674: 604: 145: 3280: 2595: 2249: 410:(1992) claimed that the first use of the name was in a concert review for Moose, published by 232:(1991) is often seen as the genre's defining release; other prominent shoegaze groups include 3852: 3735: 2506: 2342: 700: 444: 436: 1801: 3225: 1514: 958: 857:, which would shift to a more contemporary alternative rock sound. Slowdive's third album, 736: 2443: 916: 8: 3730: 3635: 3310: 3138: 3030: 2881: 2802: 2774: 1391: 1245: 799: 708: 645: 395: 253: 3720: 3498: 2668: 2636: 2631: 2121: 1282: 1212: 640: 205: 678:, Kevin Shields noted that there were as many women as men in the shoegaze community. 3883: 3459: 3424: 3337: 3267: 3240: 3174: 3042: 2195: 2155: 2132: 2072: 1659: 1650:
Alt. Culture: An A-to-Z Guide to the '90s – Underground, Online, and Over-the-Counter
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claimed he coined the term "shoegazing" at a show on 3 September 1991 which featured
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The shoegaze genre label was quite often misapplied. As key bands such as Slowdive,
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and took inspiration from the group at their beginnings, while their contemporaries
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signaled Lush's dissolution. Following a long gap from My Bloody Valentine since
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than shoegaze. Slowdive would be dropped from Creation Records just a week after
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Shoegaze combines ethereal, swirling vocals with layers of distorted, bent, or
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After garnering some local popularity with their 1987 twee/noise pop single, "
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Azerrad, Michael (2001). Our Band Could Be Your Life. Back Bay. pp. 366.
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began incorporating shoegaze elements into their sound, pioneering the
1027: 920: 581: 457: 350: 197: 175: 170: 165: 90: 45: 2312:"Slowdive on Their First Album in 22 Years and Why Shoegaze Came Back" 3623: 3608: 3593: 3583: 3553: 3543: 3508: 3342: 3290: 3245: 3230: 3211: 3201: 3145: 3089: 3001: 2959: 2854:"Gen Z Are Resurrecting Shoegaze for Their 'Bleak, Post-COVID World'" 2830: 2770:"파란노을 (Parannoul) - To See the Next Part of the Dream (album review)" 2746: 1075: 1043: 1039: 911: 875:
would also be deleted from their catalogue a week after its release.
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is often referred to as the greatest album the genre has produced.
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Lester, Paul (12 September 1992). "Whatever Happened to Shoegaze?"
2011: 1684:"Shoegaze Week DIS Talks To Simon Scott About His Time In Slowdive" 1606: 1396: 1277: 1173: 1015: 950: 938: 744: 728: 611: 553: 432: 420: 399: 387: 359: 249: 233: 2411:"Gregg Araki's films are giving the US a crash course in Shoegaze" 377: 3817: 3660: 3216: 3047: 1547:"Shoegaze, the Sound of Protest Shrouded in Guitar Fuzz, Returns" 982: 907: 844: 485: 280: 276: 204:
characterized by its ethereal mixture of obscured vocals, guitar
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wrapped in echo effects and phase shifters.", Hal Leonard 1997,
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and shoegaze fusion genre, to prominence with the 2013 album
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The first stirrings of recognition came when indie writer
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were originally called "The Baby Machines", a line from a
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as a template for the genre, as well as groups such as
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In the early 1990s, shoegaze was sidelined by American
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paved the way for later developments in post-rock and
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also proved very influential for many shoegaze acts.
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The Scene That Celebrates Itself was the social and
2365:"Kevin Shields: MBV Will "100%" Make Another Album" 681: 2192:The Guinness Who's Who of Indie and New Wave Music 2120: 1647: 1623:The Guinness Who's Who of Indie and New Wave Music 1578:The Guinness who's who of indie and new wave music 1090:In the early 2020s, shoegaze became popular among 408:The Guinness Who's Who of Indie and New Wave Music 2338:"Ride - Weather Diaries album review: The Skinny" 3875: 3266: 2018:Exclaim! Sound of Confusion article on Shoegaze 1294: 1292: 665:tour of the United Kingdom as a key influence. 568:lyric. During early and mid 1980s, the English 2357: 3798:Psychedelic rock in Australia and New Zealand 3409: 2925: 2798:"The Shoegaze Revival Hit Its Stride in 2023" 2123:The Great Alternative & Indie Discography 1198: 1196: 751:even played on the 1991 session by Moose for 2291: 2030: 1425:"Whatever you do, don't call it 'chillwave'" 1289: 949:, and Ian McCutcheon of Slowdive would form 456:However, to some, the term was considered a 2826:"TikTok Has Made Shoegaze Bigger Than Ever" 2408: 2036: 1508: 1506: 1504: 1502: 1500: 1163: 1161: 1159: 1157: 1155: 1153: 1151: 1149: 1147: 901: 3416: 3402: 2932: 2918: 2535:"My Forgotten Favorite: American Shoegaze" 1831:"Going Blank Again: a history of shoegaze" 1456:"T. S. Eliot Would Have Liked Beach House" 1238: 1193: 2795: 2761: 2499: 2185: 2183: 2090:"The 50 Best Shoegaze Albums of All Time" 1384: 1298: 1232: 690:in the early 1990s within London and the 508: 2468: 1740: 1645: 1497: 1202: 1144: 915: 776:and ran weekly on Wednesday nights. The 512: 495: 376: 2739: 1929: 1893: 1771: 1714: 1681: 1453: 1422: 1344: 1342: 1340: 1338: 1336: 1334: 1332: 1330: 1328: 1061:themes into shoegaze, with albums like 981:elements by bands such as Slowdive and 727:(prior to the release of their single " 14: 3876: 2796:Sherburne, Philip (14 December 2023). 2629: 2593: 2532: 2500:Lamoreaux, Jason T. (9 January 2017). 2189: 2180: 2118: 2037:Fitzpatrick, Rob (19 September 2012). 1986: 1960: 1828: 1646:Wice, Nathaniel; Daly, Steven (1995). 1620: 1575: 1512: 102:Late 1980s, Ireland and United Kingdom 3423: 3397: 2913: 2851: 2767: 2723: 2697: 2679:from the original on 20 December 2016 2450:from the original on 22 February 2020 2100:from the original on 22 November 2016 1942:from the original on 18 February 2024 1925: 1923: 1921: 1889: 1887: 1885: 1861: 1843:from the original on 26 December 2020 1824: 1822: 1799: 1743:"The Beach Boys: Sunflower/Surf's Up" 1602:"Shoegazing – the Coining of a Genre" 1557:from the original on 18 December 2019 1220:from the original on 2 September 2020 2939: 2823: 2666: 2514:from the original on 10 January 2017 2272:Peel Sessions: 16 April 1991 - Moose 2226:from the original on 14 October 2018 2087: 2069:The Trouser Press Guide to '90s Rock 1999:from the original on 29 January 2024 1906:from the original on 1 December 2023 1894:Trunick, Austin (18 November 2013). 1802:"The beginner's guide to: chillwave" 1639: 1480: 1435:from the original on 9 November 2016 1325: 1313:from the original on 30 October 2016 614:, most bands drew from the music of 3863:Category:Psychedelic musical groups 2740:Deville, Chris (20 December 2021). 2545:from the original on 3 January 2020 2481:from the original on 1 October 2020 2441: 2264: 1829:Bonner, Michael (3 November 2017). 1774:"The Eight Best Beach Boys' Albums" 1169:"Explore: Shoegaze | AllMusic" 24: 2879: 2698:Haman, Brian (13 September 2017). 2667:Zina, Natalie (26 February 2014). 2648:from the original on 28 March 2010 2608:from the original on 12 March 2016 2423:from the original on 19 March 2021 2208: 1930:Trunick, Austin (12 August 2014). 1918: 1882: 1819: 1454:Rothman, Joshua (28 August 2015). 1404:from the original on 29 March 2019 1350:Vapour Trails: Revisiting Shoegaze 1253:from the original on 17 April 2015 1177:. 17 February 2011. Archived from 423:: "The shatteringly loud, droning 297: 290: 25: 3915: 3803:Psychedelic rock in Latin America 2905: 2594:Jacobs, Koen (4 September 2008). 2575:from the original on 8 March 2021 2533:Sailor, Emma (13 February 2018). 2409:O'Neill, Phelim (5 August 2011). 2375:from the original on 6 March 2007 2049:from the original on 31 July 2017 1870:from the original on 6 April 2017 1862:Tyler, Kieron (17 January 2016). 1741:Macauley, Hefner (18 July 2000). 1715:Raggett, Ned (24 February 2016). 1527:from the original on 7 March 2017 1468:from the original on 5 March 2021 1084:To See the Next Part of the Dream 3376: 3375: 2880:He, Kristen S. (21 March 2024). 2630:Burgin, Leah (5 December 2015). 2176:(film). United States: HypFilms. 1772:Cameron, Katie (8 August 2018). 1717:"Cocteau Twins – 10 of the best" 1239:Richardson, Mark (11 May 2012). 1108: 682:The Scene That Celebrates Itself 349:Problems playing this file? See 313: 2873: 2845: 2817: 2789: 2733: 2724:Wahab, Ynez (28 January 2022), 2717: 2691: 2660: 2623: 2587: 2557: 2526: 2493: 2462: 2435: 2402: 2387: 2330: 2304: 2238: 2165: 2148: 2112: 2061: 1980: 1954: 1855: 1793: 1765: 1734: 1708: 1675: 1614: 1594: 1569: 1539: 1447: 1359:", XLR8R no. 123, December 2008 27:Genre of alternative rock music 2824:Enis, Eli (18 December 2023). 2071:, p.49, Fireside, March 1997, 2027:. Retrieved 22 September 2008. 1961:Parkes, Taylor (10 May 2012). 1682:Gourlay, Dom (23 April 2009). 1423:Despres, Sean (18 June 2010). 1416: 1362: 1265: 192:and sometimes conflated with " 13: 1: 2852:Toner, Paul (27 April 2021). 2469:Vendetta, Ben (Spring 1997). 1800:Music, Future (3 June 2021). 1513:Rogers, Jude (27 July 2007). 1281:. 2 June 2012. Archived from 1137: 823:wave of newly commercialized 694:area. The term was coined by 2768:Cohen, Ian (25 March 2021). 1392:"Space Rock : Allmusic" 366: 323:"Soon", from the 1991 album 7: 3691:Counterculture of the 1960s 2571:. AllMusic, Netaktion LLC. 1625:. Square One. p. 188. 1576:Larkin, Colin, ed. (1992). 1101: 658:Our Band Could Be Your Life 591:American underground bands 542:scenes of the early 1990s. 10: 3920: 3604:Italian occult psychedelia 3065:Christian alternative rock 2669:"The Translator Blackgaze" 2399:. Retrieved 17 March 2013. 2119:Strong, Martin C. (1999). 1989:"JERKSTM / DROP NINETEENS" 905: 817: 802:and Ride emerged from the 491: 370: 3848: 3790: 3754: 3673: 3576: 3531: 3447: 3438: 3431: 3371: 3303: 3019: 2947: 2502:"An Interview with Ozean" 1355:October 22, 2014, at the 969:albums under the moniker 965:of Swervedriver released 655:. Michael Azerrad's book 550:Siouxsie and the Banshees 449:Siouxsie and the Banshees 439:found the term relevant: 142: 137: 130: 125: 106: 98: 39: 34: 3858:Category:Hippie movement 3782:Psychedelic rock artists 3772:Psychedelic folk artists 3348:Independent record label 2565:"Shoegaze Music Artists" 2277:11 February 2019 at the 902:Post-movement directions 626:. British dream pop duo 624:the Jesus and Mary Chain 262:The Jesus and Mary Chain 3899:British styles of music 3777:Psychedelic pop artists 3767:Neo-psychedelia artists 2471:"Half String Interview" 2194:. Guinness Publishing. 2023:22 January 2009 at the 1370:Anthologie de l'ambient 1087:(2021) being examples. 787:referred to Ride in an 520:performing live in 2008 3840:Psychedelic literature 3835:Psychedelic experience 2642:University of Michigan 2541:. University of Iowa. 2216:"Review of Slowdive's 2190:Larkin, Colin (1992). 2067:Simon & Schuster: 1621:Larkin, Colin (1992). 1372:, Camion Blanc, 2013, 1132:List of shoegaze bands 1004: 934: 605:the Velvet Underground 521: 509:Origins and precursors 505: 475: 454: 385:In a 2016 article for 382: 302: 146:List of shoegaze bands 3853:Category:Drug culture 3736:Second Summer of Love 2727:Emerging Artists 2022 2127:. Canongate. p.  1987:Ackell, Greg (2022). 999: 923:brought blackgaze, a 919: 661:cited an early 1990s 558:song of the same name 516: 499: 470: 441: 380: 301: 3226:New wave of new wave 878:Lush's final album, 196:") is a subgenre of 3731:San Francisco sound 3636:Paisley Underground 3311:Alternative Airplay 3281:Neue Deutsche Härte 3139:Paisley Underground 3031:Alternative country 2172:Eric Green (2014). 2096:. 2018 Conde Nast. 1866:. theartsdesk.com. 1753:on 8 September 2012 1747:Pitchfork Media Inc 1696:on 6 September 2015 1206:(1 December 1991). 1181:on 17 February 2011 733:Thousand Yard Stare 646:You Made Me Realise 616:My Bloody Valentine 518:My Bloody Valentine 331:My Bloody Valentine 224:My Bloody Valentine 188:(originally called 3721:New Age travellers 2637:The Michigan Daily 2369:Pitchforkmedia.com 1553:. 14 August 2017. 1213:The New York Times 953:, while guitarist 935: 719:and other (mainly 641:Sunny Sundae Smile 522: 506: 383: 303: 3894:Rock music genres 3871: 3870: 3762:Acid rock artists 3669: 3668: 3572: 3571: 3460:New Weird America 3425:Psychedelic music 3391: 3390: 3338:Independent music 3299: 3298: 3268:Alternative metal 3241:Post-punk revival 3175:Latin alternative 3043:Alternative dance 2475:Vendetta Magazine 2444:"Lush Gigography" 2252:on 8 January 2009 2160:978-0-316-78753-6 2088:Anderson, Stacy. 1665:978-0-06-273383-2 1587:978-0-85112-579-4 1368:Olivier Bernard: 1348:Patrick Sisson, " 1018:, The Veldt, and 993:groups including 795:with chainsaws". 793:the House of Love 578:the House of Love 447:, when he was in 443:I always thought 318: 183: 182: 40:Stylistic origins 16:(Redirected from 3911: 3889:1990s neologisms 3825:Psychedelic drug 3686:Cannabis culture 3445: 3444: 3436: 3435: 3418: 3411: 3404: 3395: 3394: 3379: 3378: 3264: 3263: 3168:Industrial metal 2941:Alternative rock 2934: 2927: 2920: 2911: 2910: 2899: 2898: 2896: 2894: 2877: 2871: 2870: 2868: 2866: 2849: 2843: 2842: 2840: 2838: 2821: 2815: 2814: 2812: 2810: 2793: 2787: 2786: 2784: 2782: 2765: 2759: 2758: 2756: 2754: 2737: 2731: 2730: 2721: 2715: 2714: 2712: 2710: 2695: 2689: 2688: 2686: 2684: 2664: 2658: 2657: 2655: 2653: 2627: 2621: 2620: 2615: 2613: 2591: 2585: 2584: 2582: 2580: 2561: 2555: 2554: 2552: 2550: 2530: 2524: 2523: 2521: 2519: 2497: 2491: 2490: 2488: 2486: 2466: 2460: 2459: 2457: 2455: 2439: 2433: 2432: 2430: 2428: 2406: 2400: 2391: 2385: 2384: 2382: 2380: 2361: 2355: 2354: 2352: 2350: 2334: 2328: 2327: 2325: 2323: 2308: 2302: 2295: 2289: 2268: 2262: 2261: 2259: 2257: 2248:. Archived from 2242: 2236: 2235: 2233: 2231: 2220:by Jason Parkes" 2212: 2206: 2205: 2187: 2178: 2177: 2169: 2163: 2152: 2146: 2145: 2126: 2116: 2110: 2109: 2107: 2105: 2085: 2079: 2065: 2059: 2058: 2056: 2054: 2034: 2028: 2015: 2009: 2008: 2006: 2004: 1984: 1978: 1977: 1975: 1973: 1958: 1952: 1951: 1949: 1947: 1927: 1916: 1915: 1913: 1911: 1891: 1880: 1879: 1877: 1875: 1859: 1853: 1852: 1850: 1848: 1826: 1817: 1816: 1814: 1812: 1797: 1791: 1790: 1788: 1786: 1769: 1763: 1762: 1760: 1758: 1749:. Archived from 1738: 1732: 1731: 1729: 1727: 1712: 1706: 1705: 1703: 1701: 1692:. Archived from 1689:Drowned in Sound 1679: 1673: 1672: 1656:Harper Perennial 1653: 1643: 1637: 1636: 1618: 1612: 1611: 1598: 1592: 1591: 1573: 1567: 1566: 1564: 1562: 1543: 1537: 1536: 1534: 1532: 1515:"Diamond gazers" 1510: 1495: 1484: 1478: 1477: 1475: 1473: 1451: 1445: 1444: 1442: 1440: 1420: 1414: 1413: 1411: 1409: 1388: 1382: 1366: 1360: 1346: 1323: 1322: 1320: 1318: 1296: 1287: 1286: 1269: 1263: 1262: 1260: 1258: 1236: 1230: 1229: 1227: 1225: 1200: 1191: 1190: 1188: 1186: 1165: 1118: 1113: 1112: 1080: 1067: 975:electronic dance 955:Christian Savill 871:'s release, and 723:) bands such as 701:Steve Sutherland 570:alternative rock 320: 319: 300: 202:alternative rock 107:Derivative forms 99:Cultural origins 51:alternative rock 32: 31: 21: 3919: 3918: 3914: 3913: 3912: 3910: 3909: 3908: 3904:Neo-psychedelia 3874: 3873: 3872: 3867: 3844: 3830:Psychedelic era 3813:Psychedelic art 3786: 3750: 3681:Beat Generation 3665: 3619:Neo-psychedelia 3568: 3527: 3440: 3427: 3422: 3392: 3387: 3367: 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Index

Shoegazer
Indie rock
alternative rock
noise pop
dream pop
psychedelia
neo-psychedelia
post-punk
ethereal wave
garage rock
space rock
Chillwave
nu gaze
Blackgaze
List of shoegaze bands
ambient
ethereal wave
post-rock
noise rock
post-metal
space rock
dream pop
indie
alternative rock
distortion
feedback
neo-psychedelic
effects pedals
My Bloody Valentine
Loveless

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