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29:
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was painted on one of the wings of the altarpiece, and is about two-thirds of its original length. The bottom third of the panel belongs to
1154:
921:
552:
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700:
642:
372:
801:
627:
537:
983:
136:
The two panels together would have represented the two extremes of prodigality and miserliness, condemning and caricaturing both.
401:
1139:
1116:
1108:
967:
469:
224:
Dendrochronological studies by Peter Klein have radically altered the provenance of some paintings, for instance the
Escorial
1013:
786:
395:
260:
771:
715:
1169:
1061:
333:
232:
panel which can only have been painted after 1553. It has also become clear that the
Rotterdam Pedlar tondo, the Paris
104:, Paris. Camille Benoit donated it in 1918. The Louvre restored it in 2015. The surviving painting is a fragment of a
1174:
944:
741:
484:
416:
454:
959:
816:
365:
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142:(Rotterdam) was painted on the right panel rear of the triptych. The central panel, if it existed, is unknown.
522:
215:
160:
118:
228:
panel can only have been painted after 1525 and so is not a Bosch original. The same goes for the
Rotterdam
175:
study has dated the wood to 1491, and it is tempting to see the painting as a response to
Sebastian Brant's
895:
857:
439:
424:
93:
1164:
113:
200:
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358:
312:
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The two to eight years between the felling of the tree and its use as a painting substrate allows
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138:
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or even the illustrations of the first edition of 1493. Another possible source for the
998:
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756:
507:
381:
172:
133:
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39:
168:. At bottom "The Wayfarer" which would have been on the outside of the triptych.
196:
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313:"Dendrochronological Analysis of Works by Hieronymus Bosch and His Followers"
182:
154:
A reconstruction of the left and right wings of the triptych: at upper left
671:
499:
67:
58 cm Ă— 33 cm (22.8 in Ă— 13.0 in)
57:
122:. The other wing, which has more or less retained its full length, is the
28:
485:
St. John the
Evangelist on Patmos/Scenes from the Passion of Christ
350:
105:
299:
101:
75:
247:
to be a direct satire of a frontispiece of
Sebastian Brant's
79:
270:. Xavier d'HĂ©rouville & Aurore Caulier. December 2023.
267:
The Tricks of
Leonardo da Vinci & Hieronymus Bosch
240:
panel have been painted on wood from the same tree.
195:, which was printed in Dutch in 1486 (shortly after
221:, also in the Louvre, appears to be a later copy.
1131:
686:The Seven Deadly Sins and the Four Last Things
366:
92:(painted c. 1490–1500) is a painting by the
553:Saint Christopher Carrying the Christ Child
1145:Paintings in the Louvre by Flemish artists
373:
359:
802:Triptych of the Temptation of St. Anthony
149:
292:Heronymus Bosch Between Heaven and Hell
1160:Allegorical paintings by Dutch artists
1132:
1109:Hieronymus Bosch, Touched by the Devil
470:St. John the Baptist in the Wilderness
354:
261:List of paintings by Hieronymus Bosch
158:(before restoration); at lower left:
772:The Crucifixion of Saint Wilgefortis
380:
145:
13:
1155:15th-century allegorical paintings
1117:Jheronimus Bosch—Visions of Genius
14:
1186:
417:Christ Child with a Walking Frame
116:and is exhibited under the title
108:that was cut into several parts.
27:
817:The Garden of Earthly Delights
326:
305:
284:
1:
1140:Paintings by Hieronymus Bosch
1087:
1051:
1018:
1014:Adoration of the Christ Child
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988:
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870:
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557:
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523:Allegory of Gluttony and Lust
512:
489:
474:
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444:
429:
406:
161:Allegory of Gluttony and Lust
968:The Temptation of St Anthony
858:Fall of the Damned into Hell
716:The Temptation of St Anthony
701:The Temptation of St Anthony
296:Bosch The Complete Paintings
211:Drawing of the Ship of Fools
16:Painting by Hieronymus Bosch
7:
334:"Stultifera Navis woodcuts"
294:(London 1994) reprinted as
254:
202:The Pylgremage of the Sowle
114:Yale University Art Gallery
10:
1191:
1170:Musical instruments in art
1062:The Marriage Feast at Cana
976:Christ Crowned with Thorns
643:Christ Crowned with Thorns
315:. -Ludion, Rotterdam, 2001
1100:
1072:
1038:
984:Christ Carrying the Cross
913:
849:
733:
628:Christ Carrying the Cross
538:Christ Carrying the Cross
388:
236:panel and the Washington
193:Guillaume de Deguileville
71:
63:
53:
45:
35:
26:
21:
1175:Food and drink paintings
455:Crucifixion with a Donor
277:
1112:(2015 documentary film)
971:(Utrecht, c. 1525–1530)
336:. University of Houston
130:National Gallery of Art
100:, now in the Musée du
1029:Death of the Reprobate
230:Marriage feast at Cana
188:Le Pèlerinage de l'Âme
169:
963:(Indianapolis, 1510s)
922:Adoration of the Magi
866:Ascent of the Blessed
787:Adoration of the Magi
402:Adoration of the Magi
153:
979:(El Escorial, 1530s)
940:(1490s – after 1500)
937:Head of a Halberdier
896:Terrestrial Paradise
832:The Haywain Triptych
425:St. Jerome at Prayer
226:Crowning with Thorns
185:is the 14th-century
164:. Panel at right is
119:Allegory of Gluttony
1039:Formerly attributed
658:Death and the Miser
173:Dendrochronological
166:Death and the Miser
125:Death and the Miser
94:Early Netherlandish
1165:Maritime paintings
999:Concert in the Egg
914:Works by followers
850:Triptych fragments
170:
1127:
1126:
1120:(2016 exhibition)
945:The Last Judgment
881:The Last Judgment
757:The Hermit Saints
742:The Last Judgment
508:Cutting the Stone
396:List of paintings
245:The Ship of Fools
156:The Ship of Fools
146:Dating/provenance
110:The Ship of Fools
85:
84:
22:The Ship of Fools
1182:
1092:
1091: 1505–1516
1089:
1056:
1055: 1480–1485
1053:
1023:
1020:
1008:
1005:
993:
992: 1510–1535
990:
954:
953: 1506–1508
951:
931:
928:
905:
904: 1490–1516
902:
891:; with workshop)
890:
887:
875:
874: 1505–1515
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841:
838:
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825: 1490–1510
823:
811:
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796:
795: 1485–1500
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781:
778:
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763:
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725:
724: 1505–1525
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710:
709: 1500–1510
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695:
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666: 1490–1516
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652:
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636: 1505–1507
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576: 1490–1500
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561: 1490–1500
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546: 1490–1500
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531: 1490–1500
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491:
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463: 1480–1485
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448: 1475–1485
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382:Hieronymus Bosch
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309:
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272:HAL Open Science
238:Death of a Miser
219:
178:Das Narrenschiff
134:Washington, D.C.
98:Hieronymus Bosch
40:Hieronymus Bosch
31:
19:
18:
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1150:1490s paintings
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925:(Philadelphia,
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583:Head of a Woman
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302:1994) pp. 29–30
290:Walter Bosing:
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5:
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1083:The Owls' Nest
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1047:Two Male Heads
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704:(Kansas City,
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199:printed it as
197:William Caxton
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861:(before 1490)
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681:; attributed)
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629:
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568:Ship of Fools
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389:Single panels
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234:Ship of Fools
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183:ship allegory
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128:, now in the
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90:
89:Ship of Fools
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59:
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
1115:
1107:
1081:
1065:(after 1550)
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1045:
1027:
1012:
997:
982:
974:
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894:
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755:
740:
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699:
684:
672:Flood Panels
656:
641:
626:
613:The Conjurer
611:
598:The Wayfarer
596:
581:
567:
566:
551:
536:
521:
506:
503:(after 1490)
498:
483:
468:
453:
443:(Frankfurt,
438:
423:
415:
400:
338:. Retrieved
328:
317:. Retrieved
307:
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242:
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177:
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139:The Wayfarer
137:
123:
117:
109:
88:
87:
86:
49:c. 1490–1500
1022: 1568
1007: 1561
930: 1499
889: 1486
840: 1516
810: 1501
780: 1497
765: 1493
750: 1482
726:; disputed)
696:; disputed)
694: 1500
679: 1514
651: 1510
623:; disputed)
621: 1502
606: 1500
591: 1500
516: 1494
493: 1489
478: 1489
433: 1482
410: 1475
405:(New York,
214: [
58:Oil on wood
1134:Categories
340:2011-09-17
319:2016-08-12
205:in 1483).
64:Dimensions
960:Ecce Homo
948:(Munich,
884:(Bruges,
790:(Madrid,
745:(Vienna,
734:Triptychs
719:(Madrid,
646:(London,
631:(Madrid,
541:(Vienna,
440:Ecce Homo
1074:Drawings
987:(Ghent,
255:See also
106:triptych
72:Location
1101:Related
420:(1480s)
300:Taschen
96:artist
102:Louvre
76:Louvre
54:Medium
36:Artist
278:Notes
218:]
80:Paris
500:Hell
249:book
46:Year
191:by
1136::
1088:c.
1052:c.
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691:c.
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558:c.
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513:c.
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407:c.
251:.
216:nl
208:A
132:,
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374:e
367:t
360:v
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298:(
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