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Selling out

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697:"If there's a formula to selling out, I think every band in the world would be doing it. The fact that you write good songs and you sell too many of them, if everybody in the world knew how to do that they'd do it. It's not something we chose to do...The fact was we got to a point that we were so big that tons of people were showing up at punk-rock clubs, and some clubs were even getting shut down because too many were showing up. We had to make a decision: either break up or remove ourselves from that element. And I'll be damned if I was going to flip fucking burgers. I do what I do best. Selling out is compromising your musical intention and I don't even know how to do that." 569: 403:. However, although it was possible for fans to feel a sense of betrayal due to the relationship they developed with the song and artist, when artists did allow their music to be used for commercials others considered the advertised product to be more appealing. As CD sales fell and record companies became unwilling or unable to afford the push new bands needed to become established, sponsorship of bands by major companies began to be seen as more acceptable, with even minor record labels devoting time and money towards marketing deals with well-known brands. 96: 198: 55: 433: 630:. Garofalo initially turned down the role because of the way the show depicted torture scenes; however, she changed her mind later on, saying in an interview, "Being unemployed and being flattered that someone wanted to work with me outweighed my stance ." Garofalo admitted to "selling out" for losing weight in order to gain more acting work. 609:, which contains rants against advertising and business, Carlin admits the dichotomy but makes no attempt to explain himself, stating, "You're just gonna have to figure that shit out on your own." In interviews, Carlin revealed he appeared in the advertisements to help pay off a large tax debt to the 309:
In sports franchises, a "sellout" is a person or group claiming to adhere to the ideology of putting the collective interests of the team, franchise or fans above their own individual accomplishments or financial gain, only to follow these claims up with actions contradicting them, such as an athlete
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in the 1970s that the notion that musicians should be completely independent of commercial influences began to increase in popularity. This partly manifested itself in the reluctance of bands to sign for major labels, as this would include taking part in activities that were seen as crass and overly
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that contradicts their apparent values. Secondly, the expression can refer to those who sacrifice their musical integrity through a change in their musical sound, sometimes due to pressure from major labels or in order to gain profit by making their music more appealing to a mainstream audience. The
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going mainstream or signing to a bigger label to avoid "selling out" prevents them from addressing a wider audience, regardless of whether or not there is any real artistic change, and arbitrarily hampers the artists' course of mainstream success. Such an accusation, then, assumes that mainstream
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sound. Rock claimed that the change stemmed from the band's desire to "make the leap to the big, big leagues", while some fans blamed Rock himself, going as far to eventually create an internet petition demanding the band cut their ties with him. However, other fans did not consider the change in
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Another definition of "selling out" refers to putting aside musical quality or original intentions in favor of commercial success, where a distinction is made for those who achieve success without changing their original sound. The difference between the two is often subjective. While artists may
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for signing with major labels as the mainstream success this would bring was symptomatic of the general decay in culture. However, after a number of bands maintained the quality of their records after signing for a major label, by the end of the 1980s the focus on "selling out" shifted to
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In political movements, a "sellout" is a person or group claiming to adhere to one ideology, only to follow these claims up with actions contradicting them, such as a revolutionary group claiming to fight for a particular cause, but failing to continue this upon obtaining power.
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An artist may also be accused of "selling out" after changes in artistic direction. This conclusion is often due to the perception that the reason for the artist changing artistic style or direction was simply potential material gain. This ignores other causes of artistic
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endorsing car insurance. Consequently, it has been suggested that the acceptance of music in advertising is generational, as younger listeners are comfortable with the relationship to the point of indifference whilst those who have seen the industry evolve still reject it.
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By the 2010s, the use of licensing of artists in commercials had become an accepted part of the music industry, and even those who would previously have been considered part of the 1970s resistance to "selling out" have been used in advertising products, such as former
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by forgoing the long-term benefits of the collective or group in exchange for personal gain, such as money or power. In terms of music or art, selling out is associated with attempts to tailor material to a mainstream or commercial audience. For example, a musician who
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has been considered the turning point in the band's musical direction; the band members were called the "poster boys for musical un-integrity" after many incorrectly thought that the band attempted to sue fans who were downloading their music through
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Other times, artists (including those with politically oriented messages) resent the term on the grounds that the perceived desire for material gain is simply a result of the band seeking to expand its message. To such artists,
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Product placement, or embedded marketing, is the placement of brands or products in media in order to advertise, and has been in television from almost the very beginning, but has increased with introduction of devices such as
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change their musical direction for commercial reasons, such as pressure from major labels who require songs to appeal to mass markets, a change in sound may also be part of a natural progression of creative maturity.
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is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. While the term is most associated with the 1970s- and 1980s-era punk and
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answered "We're not interested in preaching to just the converted. It's great to play abandoned squats run by anarchists, but it's also great to be able to reach people with a revolutionary message, people from
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radio shows, there has been an established relationship between musicians and commercialization. There had been some signs of resistance to this model as early as the 1960s, when gospel group
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subculture, English use of the term originates in the late 19th century. A hardcore punk band that signed a lucrative contract with a major label would probably be labelled as poseurs.
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in their routines. A comic who alters their routine by "sugar-coating" their language and using less-offensive material to obtain mainstream success may be accused of "selling out".
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to describe when an independent brewery signs a deal with a big brewery, with the latter seen much as big record labels in the music industry. An example is when the
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which allow viewers, and therefore consumers, to fast-forward through adverts. It has been suggested that the idea that product placement is a form of selling out is
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sound to be significant enough to be considered "selling out", and others accepted the change as part of a natural evolution of the band's style. Ultimately
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In film and television "selling out" refers to compromising the content of produced media, primarily for financial reasons; for example, introducing
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An example of political "selling out" is a political party who has formed a coalition with another party it had historically opposed, such as the
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There are three distinct forms of "selling out" in terms of music. First, there is the use of the term "sell-out" to refer to those who sign for
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or coach pledging to stay with a team until a specific goal is accomplished, but immediately deciding to leave the team for financial gain.
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George Carlin has been accused of being a sellout for appearing in commercials for MCI, a company he had previously criticized.
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occasionally face accusations of "selling out". Comedians who start out in comedy clubs might often use foul language and
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success must be against the artists' original intentions. For example, when questioned about signing to a major label,
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third form of selling out is simply to sell out a venue, which normally has nothing to do with a lapse of integrity.
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claimed that any band who licensed their music for advertising was "off the artistic roll call forever", and
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The attitude held by those who disliked the idea of "selling out" towards advertising was negative; comedian
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in the United Kingdom, during which he reneged on his pledge to oppose any increase in student tuition fees.
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has described herself as a "sellout" based on her participation with the TV show
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was accused of being a "sellout" for appearing in television commercials for
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mocked the fact that songs became associated with brands on his 1988 album
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refused to sign record deals to record secular music. It was not until the
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Compromising of one's morality, integrity, or principles for personal gain
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Tangled Up in Boobs: What's Bob Dylan doing in a Victoria's Secret ad?
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commercial. This continued into the 1980s, when bands were scorned by
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recorded over 500 examples of brand integration in 2011 according to
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Paul McCartney? Is That You?: What he's doing in that Fidelity ad
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An example of artists being accused of "selling out" is the band
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became the band's most commercially successful release, going
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or to those who license their music to companies for use in
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alters their material to encompass a wider audience
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Unsourced material may be challenged and removed. 1104:"Metallica: 20th Anniversary Of The 'Black Album'" 1365:"Carlin's got his act together, on stage and off" 1677: 1028:"The Art of Selling Out: Compromising the Music" 363: 1515:"Rage Against The Machine Online : F.A.Q." 1584:The Art of Selling Out: Compromising the Music 854: 852: 850: 848: 846: 844: 1672:#133 (June 1994) and later various websites.) 1545:"'Warning' -- Don't call Green Day a sellout" 341: 885: 883: 881: 841: 436:Metallica playing live at Illinois in 2004. 83:Learn how and when to remove these messages 1589:The Balancing Act Between Art and Commerce 1395: 1141: 995: 633: 489:" is a pejorative term, often used in the 1237: 1207: 1205: 1185: 1049: 1047: 1045: 965: 963: 961: 959: 957: 955: 953: 801:"Clegg sold out to get power, say voters" 260:Learn how and when to remove this message 242:Learn how and when to remove this message 180:Learn how and when to remove this message 1325: 1082:"Metallica's Black Album track-by-track" 878: 824: 653: 567: 431: 1591:(article about musicians "selling out") 1489: 1428: 1422: 1396:Batallones, Henrik (February 2, 2009). 1211: 1188:"Product Placement: Is TV Selling Out?" 1075: 1073: 1021: 1019: 1017: 1015: 996:Brownstein, Carrie (11 November 2009). 969: 858: 798: 638:The term has been used amongst fans of 544:, as American television shows such as 14: 1678: 1618: 1362: 1326:Thompson, Stephen (10 November 1999). 1303:. 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Dictionary.com. 21 February 2012 25: 1707: 1577: 1490:Infante, Dave (7 February 2022). 1212:Burrell, Ian (14 February 2011). 480:16× Platinum in the United States 64:This article has multiple issues. 1512: 1295:Wrenn, Gregg (18 January 1999). 859:Lynskey, Dorian (30 June 2011). 646:signed a distribution deal with 196: 94: 53: 1536: 1506: 1483: 1461:Yuan, Jada (19 February 2010). 1454: 1389: 1363:Getlen, Larry (16 March 2001). 1356: 1319: 1288: 1262: 1231: 1106:. Geeks of Doom. 13 August 2011 890:Azran, Lizzie (20 March 2012). 861:"The great rock'n'roll sellout" 105:needs additional citations for 72:or discuss these issues on the 1238:RU Sirius (30 November 1999). 934:Rosoff, Matt (14 April 2010). 906: 818: 792: 770: 313: 13: 1: 1613:Things with indie credibility 936:"Can bands sell out anymore?" 763: 364:Record labels and advertising 1543:Baird, Kirk (20 July 2001). 1080:Bosso, Joe (1 August 2011). 1054:Smith, Sid (18 April 2007). 972:"The science of selling out" 827:"Clegg "sold out" for power" 304: 44:Selling Out (disambiguation) 32:The Sellout (disambiguation) 7: 1328:"Interviews: George Carlin" 733:Don't fuck with the formula 701: 222:the claims made and adding 10: 1712: 342:In music and entertainment 29: 563: 415:advertising Country Life 374:The Blind Boys of Alabama 40:Sell Out (disambiguation) 36:Sold Out (disambiguation) 1624:"The Problem with Music" 1518:Rage Against the Machine 748:Recuperation (sociology) 674:Rage Against the Machine 346: 1660:archived from the dead 1632:. 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