117:
interaction here in the 17th century, first among
African-Americans and then in the 19th century among British-Americans, especially in small Southern towns and nearby rural areas. A good example of Anglo/Afro interaction in music is the introduction of the banjo, originally an African instrument. It is quite certain that the interaction between the European fiddle and African banjo changed the styles and repertoire of both. African-Americans first played these instruments together soon after being brought here, and the banjo/fiddle combination was the basis for the late 19th-century/early 20th-century mountain music to which most of our older dancers moved.
83:
dance results in a percussive music of its own. It frequently is danced by only one person, and even when danced in pairs or small groups, there is no physical contact between the dancers. Because it is a freeform, solo type of dance, it is not necessary for a pre-arranged routine to be decided upon by the dancer; spontaneous expression is preferred in the tradition. It is less common to see groups performing synchronized sean-nós dance (which requires choreography in advance). Instead, the dancers may dance in turns, playing off of the energy of the other. Another more specialized form sean-nós dancing is the brush dance.
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learned their dancing in the west of
Ireland. This new generation of younger American dancers now teaches and performs regularly. Kieran Jordan (Boston), Maldon Meehan (Portland, Oregon) and Shannon Dunne (Washington, DC) have produced instructional DVDs in sean-nós dance. Workshops in sean-nós dance can also be found at Irish festivals like the Sean-nós Northwest Festival, the
116:
I believe that to get some idea of the process of
Southern vernacular dance development, we must consider it in parallel with its companion music and the dominant cultures that have mixed to produce it: British, African, and to some extent, Native American. These cultures began their intense musical
132:
Sean-nós dance is not widely found in
America today. Small sean-nós dancing communities exist in Boston, Philadelphia, Baltimore, Washington D.C., Seattle, New York, and Portland, Oregon. These communities are centered around American sean-nós dance teachers — some of Irish-American heritage — who
137:
Summer School, the
Catskills Irish Arts Week, and the Minnesota Irish Fair. Sean-nós dancing workshops are also often incorporated into smaller workshop weekends focused on set dancing. Occasionally, sean-nós dancers from Ireland tour in the U.S. with well-known Irish traditional bands, such as
82:
Sean-nós dance is characterized by its "low to the ground" footwork, free movement of the arms, improvisation, and emphasis upon a "battering step" (which sounds out the accented beat of the music). By its nature, sean-nós dance follows the music closely. Indeed, the rhythmic nature of sean-nós
111:. Various other names may be applied for this category of dance, depending upon the specific regional, language, cultural, or social group involved. Solo Southern dancing and solo mountain-style dancing show strong influences from sean-nós dance.
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Sean-nós dance has made a significant contribution to
American traditional informal freeform solo folk dancing, which includes flat foot dance (or "flat-footing"), hoofing (or "hoofin'"),
46:, which is an informal, spontaneous, solo form of dance. Sean-nós dance has both modified, and in turn been modified by, similar forms of traditional vernacular solo dance in America.
34:, but may be practiced differently from how it is danced in Ireland. When Irish people emigrated to America in great numbers during the early American Colonial period, or when escaping
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Folk Music and Dances of
Ireland: A Comprehensive Study Examining the Basic Elements of Irish Folk Music and Dance Traditions,
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99:(casual tap dancing performed in shoes without metal taps),
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123:- Mike Seeger, Musician, Documentarian, Ethno-Musicologist
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Hoilands FAQ - What is ceili, sean-nos and set dancing?
70:. Less known is the traditional solo dance form called
237:. Jeff Driggs, Double Toe Times Clogging Magazine]
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54:The most widely known form of traditional
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103:(in its older non-show form), Irish
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2134:Dance in mythology and religion
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234:A Brief History of Clog Dancing
58:is competition-oriented modern
1204:which exist in various meters.
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1370:List of dances
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1506:Neo-Burlesque
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1401:close embrace
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1384:Participation
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772:Miscellaneous
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698:Tiana Coudray
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563:Organisations
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177:1-900428-65-2
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162:0-85342-509-4
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142:and Dervish.
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68:céili dancing
65:
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57:
47:
45:
41:
37:
33:
32:Irish culture
29:
19:
2164:Dance troupe
2109:Dance awards
2004:Pontic Greek
1711:Dance theory
1701:Choreography
1613:Contemporary
1295:Music Awards
1274:Competitions
1219:Aeolian mode
1176:
1152:
1128:
1099:
1045:
1030:
1006:
794:
708:Joanne Doyle
664:
657:
650:
643:
514:
484:
444:
409:
394:
333:
269:
248:Talking Feet
247:
242:
233:
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167:
152:
131:
122:
115:
114:
93:buck dancing
90:
81:
53:
36:The Troubles
27:
26:
2200:Irish dance
1994:Philippines
1979:Netherlands
1969:Middle East
1521:Table dance
1486:Go go dance
1466:Competitive
1229:Ionian mode
1224:Dorian mode
1087:Schottische
980:Tin whistle
975:Tenor banjo
913:Instruments
863:Irish dance
839:Irish music
797:(2011 film)
758:Daire Nolan
743:Tony Lundon
713:Colin Dunne
703:Dean Crouch
693:Jean Butler
688:Cara Butler
366:Rinnce Fada
356:Ceili dance
304:Irish dance
194:Irish dance
64:set dancing
56:Irish dance
40:Irish dance
2194:Categories
2061:Uzbekistan
1829:Azerbaijan
1738:Musicality
1706:Connection
1663:Postmodern
1633:Historical
1516:Striptease
1511:Pole dance
1461:Ceremonial
1416:slow dance
1082:Strathspey
1057:Barn dance
994:Tune types
940:Concertina
789:Hard shoes
784:Soft shoes
645:Riverdance
618:Oireachtas
538:Mixed time
464:Treble jig
325:Step dance
318:Individual
220:References
72:"sean nós"
2066:Venezuela
2029:Sri Lanka
2024:Singapore
1984:Nicaragua
1914:Indonesia
1819:Australia
1688:Technique
1586:formation
1501:Lap dance
1248:Relations
920:Accordion
887:Folk song
878:Set dance
728:Dan Furey
361:Set dance
209:Irish jig
97:soft shoe
2081:Zimbabwe
2034:Thailand
1959:Malaysia
1944:Kiribati
1854:Cameroon
1849:Cambodia
1839:Bulgaria
1814:Assyrian
1783:national
1778:Regional
1758:Spotting
1753:Sequence
1731:glossary
1678:Two-step
1623:Flamenco
1608:Breaking
1603:Boogaloo
1581:Ballroom
1526:Twerking
1491:Grinding
1476:Ecstatic
1072:Hornpipe
1067:Highland
970:Melodeon
935:Bouzouki
499:Slip jig
429:Hornpipe
183:See also
101:clogging
2091:Related
2071:Vietnam
2044:Ukraine
1954:Kurdish
1924:Ireland
1904:Hungary
1894:Georgia
1879:Denmark
1869:Croatia
1834:Belarus
1824:Austria
1809:Armenia
1799:Albania
1763:Turnout
1648:Lyrical
1628:Hip-hop
1471:Concert
1396:Partner
1365:Outline
1198:Marches
1111:Mazurka
925:Bodhrán
904:Lilting
853:Cèilidh
846:General
146:Sources
2039:Turkey
2019:Serbia
2014:Russia
2009:Romani
1999:Poland
1964:Mexico
1929:Israel
1899:Greece
1884:Europe
1859:Canada
1794:Africa
1785:dances
1743:Pointe
1716:Graham
1696:Ballet
1653:Modern
1576:Ballet
1563:Styles
1548:Street
1543:Sacred
1481:Erotic
1453:Social
1441:square
1426:contra
1421:circle
1212:Scales
1184:dances
1160:dances
1136:dances
1107:dances
1053:dances
1014:dances
965:Lambeg
945:Fiddle
601:Events
522:dances
492:dances
452:dances
417:dances
311:Styles
175:
160:
1974:Nepal
1949:Korea
1939:Japan
1934:Italy
1909:India
1864:China
1768:Turns
1726:Moves
1668:Swing
1658:Polka
1643:Latin
1598:Belly
1591:waltz
1436:round
1360:Index
1349:Dance
1188:Slide
1116:Waltz
1062:Fling
1018:Polka
950:Flute
930:Bones
628:Céilí
529:Slide
380:Music
349:Group
128:Today
1989:Peru
1919:Iran
1874:Cuba
1804:Arab
1748:Pole
1638:Jazz
1571:Acro
1533:Folk
1431:line
1391:Solo
1202:airs
1200:and
1077:Reel
1038:and
960:Harp
613:Feis
424:Reel
402:and
173:ISBN
158:ISBN
66:and
1673:Tap
1553:War
795:Jig
109:jig
42:is
2196::
95:,
1787:)
1781:(
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485:8
445:8
410:4
395:2
336:)
332:(
296:e
289:t
282:v
20:)
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