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241:, and John Hall. It was established in response to a need for a co-ordinated voice for playwrights to be heard in Scottish theatre and to act as a playwriting development and promotional agency. It was formally established, after its constitution was drafted by Ian Brown, its first Chair, Hector MacMillan and
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also published important, but neglected, texts, offered members at-cost copying and published a
Newsletter which developed in time into Scottish Theatre News. It appointed administrators, firstly Linda Haase and later Charles Hart, who provided outstanding service, Linda Haase going on to help found the
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During this period, based on the work of the US National
Playwrights' Conference at the Eugene O'Neill Center, it developed the model of playwrights' workshops that is now recognised and used throughout the UK by such institutions as North West Playwrights Workshop and the Performing Arts Lab. It
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for the benefit of
Scottish playwrights presenting work in England and Wales. Since then, it has represented the interests of playwrights throughout Scotland and abroad, leading a successful playwrights' strike in the early nineties and yet maintaining positive relations with theatre management
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In the mid-eighties, the
Scottish Arts Council rethought its funding priorities and decided to withdraw funding from what it called 'support services' in favour of 'direct provision'. It was impervious to the fact that support for playwrights through the SSP was in fact direct provision.
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Ian Brown, 'Playwrights' workshops of the
Scottish Society of Playwrights, the Eugene O'Neill Center and their long term impact in the UK', International Journal of Scottish Theatre and Screen, 4.2 (2011) pp.
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In 1985, the SSP had to close down its lively and wide-ranging workshop, publishing and copying activities and concentrate on its primary role representing the playwrights of
Scotland.
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The
Scottish Society of Playwrights was founded at a meeting of Scotland's playwrights held in the Netherbow Theatre in September 1973, at the instigation of Hector MacMillan,
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organisations, north and south of the Border. The SSP continues to be more than simply a negotiating body. In recent years, it has, for example, held a conference in
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for northern based playwrights (1999) and produced the first authoritative directory of
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Charles Hart to be New Writing Officer of the Arts Council in England.
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Ian Brown, 'More to Come', Edinburgh Review 137, 2013, pp. 90-99.
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Theatre Writers Union, it negotiated its agreement with the
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Trade unions affiliated with the Scottish Trades Union Congress
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175:Linda Duncan McLaughlin & John McCann Co-Chair
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428:Theatrical organisations in the United Kingdom
109:Learn how and when to remove this message
178:Nazli Tabatabai-Khatambakhsh, Treasurer
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301:Honorary President, Hector McMillan
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171:Key people
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152:Location
233:History
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