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Scott LaFaro

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1436: 33: 528:, too. When Scotty was killed at age 25 (I was 24), I was devastatedβ€”I couldn't play for months. I never knew how Scotty felt about my playing until Paul told me later that the first time Paul heard me it was because Scotty had dragged him out in a snowstorm, "You've got to hear this great bass player with 223:
Trio. LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. Despite his short career and death at the age of 25, he remains one
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added, "This was one of the most talented youngsters I've seen come up in a long time. For his age, he really had it covered. ... It's a shame, really a shame. It's going to set the instrument back ten years." Motian noted, "We were supposed to make a record date with Miles : the trio, Bill, myself
249:. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. After three months at 426:
Bill Evans said of LaFaro's Prescott bass: "It had a marvelous sustaining and resonating quality. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long."
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he developed the counter-melodic style that would come to characterize his playing. Evans, LaFaro, and Motian were committed to the idea of three equal voices in the trio, working together for a singular musical idea and often without any musician explicitly keeping time.
317:'s bassist in January 1961. For a time, Haden and LaFaro shared an apartment. He also played in Stan Getz's band between jobs with the Bill Evans trio. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. 265:
big band. He left that organization to work in Los Angeles. LaFaro spent most of his days practicing his instrument. He practiced from sheet music for the higher-pitched clarinet to improve his facility with the upper register for bass. Fellow bassist
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According to Joachim Berendt, LaFaro's innovative approach to the bass caused "emancipation," introducing "so many diverse possibilities as would have been thought impossible for the bass only a short time before."
423:. LaFaro continued to play this bass until his death. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. 1350: 501:
On March 5, 2014, the Geneva, New York City Council approved making April 3 Scott LaFaro Day. On April 4, 2014, a ceremony to rename a downtown street Scott LaFaro Drive took place.
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solos he had written out in bass clef! I remained close friends with Scotty in New York, and would go over there to see and admire them, and Scotty and
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taught him how to pluck strings with both the index and middle fingers independently. For much of 1958, LaFaro was with pianist/vibraphonist
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The syllable "Far" in the bassist's last name is correctly pronounced like the word "fair," not, as is commonly done, like the word "far."
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and Scott. ... We were talking to Miles about it, it was all set up, and then Scott got killed and the whole thing got forgotten."
1532: 1527: 1517: 1507: 577: 1195: 253:, he concentrated on bass. He played in groups at the College Spa and Joe's Restaurant on State Street in downtown Ithaca. 1567: 1557: 1351:"Honoring Scott LaFaro in Geneva, NY: Scott LaFaro Day, street re-naming, and a special Geneva Night Out on April 4th" 1420: 922: 1572: 419:. It has rolled corners on the bottom and very sloped shoulders on the top, making it easier to get in and out of 769: 635: 490: 1333: 1316: 1552: 942: 643: 326: 1562: 909: 687: 605: 485:" during a rehearsal in 1960. Also in 2009, Helene LaFaro-Fernandez' biography of her brother Scott, titled 32: 651: 357: 332: 1334:"Innovation and Inspiration: Geneva celebrates the life and legacy of renowned jazz musician Scott LaFaro" 747: 324:
in New York City. The trio attracted attention for its style. The last day was recorded for two albums,
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When I was in L.A., Scotty LaFaro and I roomed together. He would practice for hours: he had all these
368:," a tune that had become synonymous with him and LaFaro. Evans stopped performing for several months. 1043: 1472: 1383: 1463: 482: 431: 816: 396: 226: 904: 863: 791: 361: 1502: 1497: 1468: 1295: 981: 836: 774: 692: 376: 8: 1172: 914: 1119: 1146: 365: 242: 70: 1411:
LaFaro-Fernandez, Helene; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009).
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You can hear the correct pronunciation in this interview with Evans at 0:04,
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In June 1961, the Bill Evans trio began two weeks of performances at the
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LaFaro started his professional career playing a German-made Mittenwald
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of the most influential jazz bassists, and was ranked number 16 on
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In 1988, Insights label of RVC Corporation in Japan released
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By late 1960, LaFaro was in demand as a bassist. He replaced
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Something for You: Eliane Elias Sings & Plays Bill Evans
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Something for You: Eliane Elias Sings & Plays Bill Evans
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inlay at the center joint; the sides are made of matching
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LaFaro died in an automobile accident on July 6, 1961, in
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Evans said that LaFaro had been "one of the most, if not
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Jade Visions : The Life and Music of Scott LaFaro
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most outstanding talents in jazz." Legendary bassist
1431: 1262:. University of North Texas Press. pp. 238–245. 1247:. University of North Texas Press. pp. 237–238. 1366: 395:Shortly after, he acquired a bass made in 1825 in 1489: 1260:Jade Visions: The Life and Music of Scott LaFaro 1257: 1245:Jade Visions: The Life and Music of Scott LaFaro 1242: 1091:: CS1 maint: bot: original URL status unknown ( 1073:. Archived from the original on October 28, 2009 1024:: CS1 maint: bot: original URL status unknown ( 1006:. Archived from the original on October 28, 2009 360:, four days after accompanying Stan Getz at the 1415:. Denton, TX: University of North Texas Press. 215:(April 3, 1936 – July 6, 1961) was an American 660:The Complete Village Vanguard Recordings, 1961 447: 407:; the back is a two-piece plate of moderately 1381: 230:magazine's top 100 bass players of all time. 903: 899: 897: 895: 893: 891: 965:https://www.youtube.com/watch?v=IIzbINNrqcQ 719:(Insights, 1988) – five tracks reissued on 392:, but it was stolen in the spring of 1958. 219:double bassist known for his work with the 1109:, Yale University Press (1998), pp. 91-92. 261:Beginning in 1955, he was a member of the 31: 1375: 1112: 888: 1543:Road incident deaths in New York (state) 1037: 1035: 1490: 609:(Atlantic, 1971) – recorded in 1959-61 601:(Atlantic, 1970) – recorded in 1959-60 277:In 1959, after working with trumpeter 1198:. Bill Evans Webpages. Archived from 1147:"Best Live Jazz Recordings (1953-65)" 578:Free Jazz: A Collective Improvisation 1513:20th-century American male musicians 1454:magazine with recommended recordings 1231:Bill Evans: Everything Happens to Me 1032: 663:(Riverside, 2005) – recorded in 1961 655:(Riverside, 1962) – recorded in 1961 13: 1538:American people of Italian descent 1405: 1193: 1144: 293:, LaFaro returned east and joined 14: 1584: 1523:Musicians from Newark, New Jersey 1427: 1258:LaFaro-Fernandez, Helene (2009). 1243:LaFaro-Fernandez, Helene (2009). 1041: 493:, with an extensive discography. 1434: 941:. March 27, 2019. Archived from 430:In 2008, Evans's final bassist, 1548:20th-century American musicians 1360: 1343: 1326: 1309: 1288: 1275: 1266: 1251: 1236: 1233:, Backbeat Books (2002), p. 91. 1223: 1214: 1187: 1169:"Scott LaFaro: Chronology 1961" 1161: 1138: 541: 491:University of North Texas Press 301:Sextet. With Evans and drummer 1384:"Interview with Charlie Haden" 1120:"Scott LaFaro Chronology 1961" 1107:Bill Evans: How My Heart Sings 1099: 1063: 996: 970: 957: 931: 910:The Guinness Who's Who of Jazz 644:Sunday at the Village Vanguard 558:(PJL, 2005) – recorded in 1960 536: 383: 327:Sunday at the Village Vanguard 1: 1533:American male double-bassists 1528:American jazz double-bassists 881: 688:The Arrival of Victor Feldman 562: 236: 1518:American male jazz musicians 1508:20th-century double-bassists 1473:NAMM Oral History Collection 1382:Ethan Iverson (March 2008). 297:, who had recently left the 16:American bassist (1936–1961) 7: 1367:Berendt, Joachim E (1976). 1281:Heckman, Don, liner notes, 748:Cal Tjader-Stan Getz Sextet 448:Posthumously released items 10: 1589: 1464:Learning from Scott LaFaro 1296:"Don Friedman Discography" 1285:(Blue Note Records, 2008). 819:, 1958) – recorded in 1957 777:, 1961) – recorded in 1958 673:, 2005) – recorded in 1960 667:The 1960 Birdland Sessions 598:The Art of the Improvisers 471:reissued five tracks from 1568:Free jazz double-bassists 1558:Cool jazz double-bassists 496: 256: 191: 187: 177: 156: 146: 138: 130: 94: 77: 57: 47: 42: 30: 23: 1469:Helene La Faro Interview 1357:, Tuesday, April 1, 2014 967:, Accessed 27 June 2024. 339: 1573:Bill Evans Trio members 1371:. Paladin. p. 282. 1340:, Sunday, April 6, 2014 1323:, Friday, March 7, 2014 524:would come over to the 489:, was published by the 1338:The Finger Lakes Times 1321:The Finger Lakes Times 978:"Jazz Improv Magazine" 534: 397:Concord, New Hampshire 43:Background information 1553:Bebop double-bassists 514: 362:Newport Jazz Festival 1563:Modal jazz musicians 1145:Bailey, C. Michael. 984:on December 24, 2005 703:(Contemporary, 1960) 1175:on October 28, 2009 915:Guinness Publishing 717:Memories for Scotty 473:Memories for Scotty 454:Memories for Scotty 241:LaFaro was born in 182:The Bill Evans Trio 1475:(January 18, 2007) 1355:Genevanightout.org 1220:Pettinger, p. 114. 1126:. December 9, 2005 1105:Pettinger, Peter, 913:(First ed.). 366:I Loves You, Porgy 289:, and clarinetist 243:Newark, New Jersey 213:Rocco Scott LaFaro 71:Newark, New Jersey 53:Rocco Scott LaFaro 1272:Pettinger, p. 113 1229:Shadwick, Keith, 945:on March 27, 2019 854:Jazz Abstractions 813:This Is Pat Moran 647:(Riverside, 1961) 639:(Riverside, 1961) 469:Resonance Records 207: 206: 1580: 1444: 1442:Biography portal 1439: 1438: 1437: 1399: 1398: 1396: 1394: 1379: 1373: 1372: 1364: 1358: 1347: 1341: 1330: 1324: 1313: 1307: 1306: 1304: 1302: 1292: 1286: 1279: 1273: 1270: 1264: 1263: 1255: 1249: 1248: 1240: 1234: 1227: 1221: 1218: 1212: 1211: 1209: 1207: 1191: 1185: 1184: 1182: 1180: 1171:. Archived from 1165: 1159: 1158: 1156: 1154: 1149:. All About Jazz 1142: 1136: 1135: 1133: 1131: 1116: 1110: 1103: 1097: 1096: 1090: 1082: 1080: 1078: 1067: 1061: 1060: 1058: 1056: 1039: 1030: 1029: 1023: 1015: 1013: 1011: 1000: 994: 993: 991: 989: 980:. Archived from 974: 968: 961: 955: 954: 952: 950: 935: 929: 928: 901: 857:(Atlantic, 1960) 846:Gunther Schuller 833:The Broadway Bit 624:Portrait in Jazz 593:(Atlantic, 1962) 483:My Foolish Heart 401:Abraham Prescott 346:Seneca, New York 322:Village Vanguard 247:Geneva, New York 203: 200: 198: 149: 88:Seneca, New York 84: 67: 65: 50: 35: 21: 20: 1588: 1587: 1583: 1582: 1581: 1579: 1578: 1577: 1488: 1487: 1450:A biography at 1440: 1435: 1433: 1430: 1408: 1406:Further reading 1403: 1402: 1392: 1390: 1380: 1376: 1365: 1361: 1348: 1344: 1332:David L. Shaw, 1331: 1327: 1315:David L. Shaw, 1314: 1310: 1300: 1298: 1294: 1293: 1289: 1280: 1276: 1271: 1267: 1256: 1252: 1241: 1237: 1228: 1224: 1219: 1215: 1205: 1203: 1202:on July 6, 2021 1192: 1188: 1178: 1176: 1167: 1166: 1162: 1152: 1150: 1143: 1139: 1129: 1127: 1118: 1117: 1113: 1104: 1100: 1084: 1083: 1076: 1074: 1069: 1068: 1064: 1054: 1052: 1040: 1033: 1017: 1016: 1009: 1007: 1002: 1001: 997: 987: 985: 976: 975: 971: 962: 958: 948: 946: 937: 936: 932: 925: 917:. p. 250. 902: 889: 884: 806:Pat Moran McCoy 652:Waltz for Debby 570:Ornette Coleman 565: 544: 539: 499: 450: 386: 342: 333:Waltz for Debby 315:Ornette Coleman 285:, vibraphonist 259: 239: 210: 195: 173: 147: 126: 86: 82: 69: 63: 61: 48: 38: 26: 17: 12: 11: 5: 1586: 1576: 1575: 1570: 1565: 1560: 1555: 1550: 1545: 1540: 1535: 1530: 1525: 1520: 1515: 1510: 1505: 1500: 1486: 1485: 1476: 1466: 1461: 1456: 1446: 1445: 1429: 1428:External links 1426: 1425: 1424: 1407: 1404: 1401: 1400: 1374: 1359: 1342: 1325: 1308: 1287: 1274: 1265: 1250: 1235: 1222: 1213: 1194:Gopnik, Adam. 1186: 1160: 1137: 1111: 1098: 1062: 1044:"Scott LaFaro" 1042:Yanow, Scott. 1031: 995: 969: 956: 930: 923: 907:, ed. (1992). 886: 885: 883: 880: 879: 878: 859: 858: 841: 840: 821: 820: 817:Audio Fidelity 801: 800: 779: 778: 757: 756: 731: 730: 722:Pieces of Jade 705: 704: 696: 680:Victor Feldman 675: 674: 664: 656: 648: 640: 632: 611: 610: 602: 594: 586: 564: 561: 560: 559: 543: 540: 538: 535: 498: 495: 478:Pieces of Jade 449: 446: 421:thumb position 385: 382: 341: 338: 272:Victor Feldman 258: 255: 251:Ithaca College 238: 235: 209:Musical artist 208: 205: 204: 193: 189: 188: 185: 184: 179: 175: 174: 172: 171: 166: 160: 158: 154: 153: 150: 144: 143: 140: 136: 135: 132: 128: 127: 125: 124: 119: 114: 109: 104: 98: 96: 92: 91: 85:(aged 25) 79: 75: 74: 59: 55: 54: 51: 45: 44: 40: 39: 37:LaFaro in 1958 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1585: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1534: 1531: 1529: 1526: 1524: 1521: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1495: 1493: 1484: 1480: 1477: 1474: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1453: 1448: 1447: 1443: 1432: 1422: 1421:9781574412734 1418: 1414: 1410: 1409: 1389: 1385: 1378: 1370: 1369:The Jazz Book 1363: 1356: 1352: 1346: 1339: 1335: 1329: 1322: 1318: 1312: 1297: 1291: 1284: 1278: 1269: 1261: 1254: 1246: 1239: 1232: 1226: 1217: 1201: 1197: 1196:"That Sunday" 1190: 1174: 1170: 1164: 1148: 1141: 1125: 1121: 1115: 1108: 1102: 1094: 1088: 1072: 1066: 1051: 1050: 1045: 1038: 1036: 1027: 1021: 1005: 999: 983: 979: 973: 966: 960: 944: 940: 934: 926: 924:0-85112-580-8 920: 916: 912: 911: 906: 900: 898: 896: 894: 892: 887: 876: 872: 869: 868: 867: 866: 865: 856: 855: 851: 850: 849: 848: 847: 838: 834: 831: 830: 829: 828: 827: 818: 814: 811: 810: 809: 808: 807: 798: 794: 793: 792:Booker Little 789: 788: 787: 786: 785: 784:Booker Little 776: 772: 771: 767: 766: 765: 764: 763: 762:Hampton Hawes 754: 750: 749: 745: 744: 743: 742: 741: 737: 728: 724: 723: 718: 715: 714: 713: 712: 711: 702: 701: 697: 694: 690: 689: 685: 684: 683: 682: 681: 672: 668: 665: 662: 661: 657: 654: 653: 649: 646: 645: 641: 638: 637: 633: 630: 626: 625: 621: 620: 619: 618: 617: 608: 607: 603: 600: 599: 595: 592: 591: 587: 584: 580: 579: 575: 574: 573: 572: 571: 557: 553: 549: 546: 545: 533: 531: 527: 523: 519: 518:Sonny Rollins 513: 511: 510:Charlie Haden 506: 502: 494: 492: 488: 484: 480: 479: 474: 470: 465: 463: 459: 455: 445: 444: 442: 437: 433: 428: 424: 422: 418: 414: 410: 406: 402: 398: 393: 391: 381: 378: 374: 369: 367: 363: 359: 355: 351: 350:U.S. Route 20 347: 337: 335: 334: 329: 328: 323: 318: 316: 312: 311:Charlie Haden 307: 304: 300: 296: 292: 291:Benny Goodman 288: 284: 281:, bandleader 280: 275: 273: 269: 264: 254: 252: 248: 244: 234: 231: 229: 228: 222: 218: 214: 202: 194: 190: 186: 183: 180: 176: 170: 167: 165: 162: 161: 159: 155: 151: 145: 141: 137: 133: 129: 123: 120: 118: 115: 113: 110: 108: 105: 103: 100: 99: 97: 93: 89: 80: 76: 72: 68:April 3, 1936 60: 56: 52: 46: 41: 34: 29: 22: 19: 1483:Find a Grave 1479:Scott LaFaro 1451: 1412: 1393:November 18, 1391:. 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Index

LaFaro in 1958
Newark, New Jersey
Seneca, New York
Jazz
bebop
cool jazz
modal jazz
free jazz
Riverside
Atlantic
The Bill Evans Trio
www.scottlafaro.com
jazz
Bill Evans
Bass Player
Newark, New Jersey
Geneva, New York
Ithaca College
Buddy Morrow
Red Mitchell
Victor Feldman
Chet Baker
Stan Kenton
Cal Tjader
Benny Goodman
Bill Evans
Miles Davis
Paul Motian
Charlie Haden
Ornette Coleman

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