277:, who was then also in charge of Information Ministry, on a visit to the Cine Laboratories Bombay, asked Badami to help set up a News Reel and Documentary section. The Films Division was established in 1948. He became chief producer in the newsreel department and made several documentaries. He worked in the Films Division making documentaries from 1948-1952. After that he stopped making films and returned to Bangalore to retire as "I was a forgotten man in the feature film world". He died in 2005 in Bangalore, Karnataka, India.
119:
for news-reel and documentaries, where he worked as the chief producer in the newsreel department and also made documentaries. His active years were from 1932 to 1952 when he retired from the Films
Division and from making feature films to settle in Bangalore.
193:
Initially, to avoid embarrassment to his family he requested not to be credited in the regional language films. He did not know Hindi but from 1932-1947, he worked for Sagar
Movietone and directed nearly 30 films in Hindi. His first Hindi film was
255:(1934), which starred Jal Merchant and Sabita Devi had the woman getting into marriage only if her doctor husband agreed not to want children. The success of the film mitigated the enraged public reaction at the time.
258:
He showed his understanding of media publicity required for films when in 1937, Badami resorted to woo audiences by announcing cash prizes of Rs.500, Rs.200 and Rs.100 for the best reviews of his newly released film
265:(1937). The promotional gambit worked sending audiences to the theatres. According to an interview, most of Badami’s films don’t survive as the negatives were burnt to extract the silver from the silver nitrate.
148:
At the age of 19 years, Badami went to Bombay to study automobile engineering. He was asked by
Ardeshir Irani who met him at a wedding to help out with the recording equipment he had purchased from abroad.
132:. He passed his SSLC and worked as a garage mechanic and then a projectionist in Select Picture House, Bangalore, both of which were owned by Ambalal Patel. Patel moved to Bombay and financed
160:
left half-way and Badami offered to complete it, although the Play director was T. C. Vadivelu
Naicker. The film turned out to be successful. He was contracted by
204:. He was paid Rs 2000 per film with the complete film being made within Rs 50,000. He worked with most of the top actors of the time like Motilal,
479:
813:
808:
798:
688:
636:
568:
456:
178:
in Telugu. The success of these films established him as a director. His working team had people like the cinematographer
803:
535:
220:
who was then doing roles as an extra out of obscurity and gave him the role of Sabita Devi’s father in the film
818:
316:
222:
444:
286:
170:
298:
358:
304:
234:
196:
445:
Ashish
Rajadhyaksha; Paul Willemen; Professor of Critical Studies Paul Willemen (10 July 2014).
152:
Badami helped in the sound recording department for the first Talkie in India, Ardeshir Irani's
310:
292:
251:
183:
678:
446:
626:
558:
394:
201:
793:
788:
376:
352:
249:(1938). He became known for his satirical comedies and "socially relevant films". His film
8:
388:
370:
346:
246:
773:
684:
632:
564:
452:
274:
412:
229:
He made several films based on novels. Some of the writers whose work he used were
109:
films. He started his career as a sound recordist for the first talkie in India,
340:
261:
187:
161:
137:
102:
745:
501:
382:
242:
179:
133:
116:
106:
782:
322:
213:
164:(Sagar Film Company) to direct three films, two in Telugu and one in Tamil:
400:
364:
238:
230:
217:
723:
334:
328:
209:
41:
769:
538:. No. Sunday Herald Art and Culture. Deccan Herald. Deccan Herald
49:
45:
406:
136:
of
Imperial Film Company, and Chimanlal Desai as a partner forming
111:
591:
418:
680:
Everybody Wants a Hit: 10 Mantras of
Success in Bollywood Cinema
205:
129:
98:
53:
156:(1931). Around that time a German director making the film
440:
438:
436:
434:
128:
Badami was born in 1910 to a revenue officer working in
431:
709:
707:
186:and the Sagar Movietone favourites Sabita Devi and
661:
611:
609:
780:
704:
628:Eena Meena Deeka: The Story of Hindi Film Comedy
652:
624:
606:
560:Reflections: Experiences of a Bureaucrat's Wife
536:"End of an Era Tribute to a legend of cinema"
533:
618:
556:
97:(1910–2005) was an Indian film director of
676:
273:Apparently, in 1948 Deputy Prime Minister
237:, and Ramanlal Vasanthlal Desai. The film
683:. Jaico Publishing House. pp. 181–.
550:
670:
529:
527:
525:
523:
521:
519:
781:
563:. Academic Foundation. pp. 72–.
516:
115:(1931). In 1948 he helped set up the
625:Sanjit Narwekar (12 December 2012).
534:Bhaktavatsala, M (6 November 2005).
631:. Rupa Publications. pp. 53–.
13:
14:
830:
763:
738:
716:
584:
557:Gita Vittal (1 January 2007).
494:
472:
280:
268:
1:
814:Hindi-language film directors
809:Tamil-language film directors
799:Film directors from Bangalore
677:Derek Bose (1 January 2006).
480:"Platinum Jubilee of Talkies"
448:Encyclopedia of Indian Cinema
425:
355:aka 300 Days and After (1938)
123:
7:
451:. Routledge. pp. 50–.
71:Bangalore, Karnataka, India
10:
835:
804:20th-century Indian people
287:Rama Paduka Pattabhishekam
171:Rama Paduka Pattabhishekam
337:, aka Village Girl (1936)
319:aka Ver Ni Vasulat (1935)
143:
84:
76:
60:
30:
23:
241:(1939) was inspired by
819:Telugu film directors
202:Noor Mohammed Charlie
592:"Harishchandra 1932"
353:Teen Sau Din Ke Baad
16:Indian film director
667:Narwekar2012, p. 54
35:Sarvottam L. Badami
746:"Sarvottam Badami"
502:"Sarvottam Badami"
247:Paradise for Three
770:Sarvottam Badnami
690:978-81-7992-558-4
638:978-81-291-2625-2
570:978-81-7188-471-1
458:978-1-135-94318-9
317:Vengeance is Mine
275:Vallabhbhai Patel
223:Vengeance is Mine
182:, music director
92:
91:
85:Years active
826:
758:
757:
755:
753:
742:
736:
735:
733:
731:
724:"Films Division"
720:
714:
711:
702:
701:
699:
697:
674:
668:
665:
659:
656:
650:
649:
647:
645:
622:
616:
613:
604:
603:
601:
599:
594:. Indian Cine.ma
588:
582:
581:
579:
577:
554:
548:
547:
545:
543:
531:
514:
513:
511:
509:
504:. Indian Cine.ma
498:
492:
491:
489:
487:
476:
470:
469:
467:
465:
442:
413:Uttara Abhimanyu
200:(1933) starring
95:Sarvottam Badami
67:
25:Sarvottam Badami
21:
20:
834:
833:
829:
828:
827:
825:
824:
823:
779:
778:
766:
761:
751:
749:
748:. Indiancine.ma
744:
743:
739:
729:
727:
722:
721:
717:
712:
705:
695:
693:
691:
675:
671:
666:
662:
657:
653:
643:
641:
639:
623:
619:
614:
607:
597:
595:
590:
589:
585:
575:
573:
571:
555:
551:
541:
539:
532:
517:
507:
505:
500:
499:
495:
485:
483:
478:
477:
473:
463:
461:
459:
443:
432:
428:
283:
271:
162:Sagar Movietone
146:
138:Sagar Movietone
126:
72:
69:
65:
56:
39:
37:
36:
26:
17:
12:
11:
5:
832:
822:
821:
816:
811:
806:
801:
796:
791:
777:
776:
765:
764:External links
762:
760:
759:
737:
715:
713:Vittal2007, 75
703:
689:
669:
660:
658:Vittal2007, 74
651:
637:
617:
615:Vittal2007, 73
605:
583:
569:
549:
515:
493:
482:. Surjit Singh
471:
457:
429:
427:
424:
423:
422:
416:
410:
404:
398:
392:
386:
383:Bambai Ki Sair
380:
374:
368:
362:
356:
350:
344:
338:
332:
326:
320:
314:
308:
302:
296:
290:
282:
279:
270:
267:
243:Edward Buzzell
180:Faredoon Irani
145:
142:
134:Ardeshir Irani
125:
122:
117:Films Division
90:
89:
86:
82:
81:
78:
74:
73:
70:
68:(aged 95)
62:
58:
57:
40:
38:1 January 1910
34:
32:
28:
27:
24:
15:
9:
6:
4:
3:
2:
831:
820:
817:
815:
812:
810:
807:
805:
802:
800:
797:
795:
792:
790:
787:
786:
784:
775:
771:
768:
767:
747:
741:
725:
719:
710:
708:
692:
686:
682:
681:
673:
664:
655:
640:
634:
630:
629:
621:
612:
610:
593:
587:
572:
566:
562:
561:
553:
537:
530:
528:
526:
524:
522:
520:
503:
497:
481:
475:
460:
454:
450:
449:
441:
439:
437:
435:
430:
420:
417:
414:
411:
408:
405:
402:
399:
396:
393:
390:
387:
384:
381:
378:
375:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
336:
333:
330:
327:
324:
323:Dr. Madhurika
321:
318:
315:
312:
309:
306:
303:
300:
299:Harishchandra
297:
294:
291:
288:
285:
284:
278:
276:
266:
264:
263:
256:
254:
253:
248:
244:
240:
236:
232:
227:
225:
224:
219:
216:. He brought
215:
214:Pahari Sanyal
211:
207:
203:
199:
198:
191:
189:
185:
181:
177:
173:
172:
167:
163:
159:
158:Harishchandra
155:
150:
141:
139:
135:
131:
121:
118:
114:
113:
108:
104:
100:
96:
87:
83:
80:Film director
79:
75:
63:
59:
55:
51:
47:
43:
33:
29:
22:
19:
752:25 September
750:. Retrieved
740:
730:25 September
728:. Retrieved
718:
696:25 September
694:. Retrieved
679:
672:
663:
654:
644:25 September
642:. Retrieved
627:
620:
596:. Retrieved
586:
576:25 September
574:. Retrieved
559:
552:
542:25 September
540:. Retrieved
508:25 September
506:. Retrieved
496:
486:25 September
484:. Retrieved
474:
464:25 September
462:. Retrieved
447:
401:Bhagya Laxmi
365:Aap Ki Marzi
272:
260:
257:
250:
239:Aap Ki Marzi
235:Saratchandra
231:K. M. Munshi
228:
221:
218:Mehboob Khan
195:
192:
175:
169:
166:Galava Rishi
165:
157:
153:
151:
147:
127:
110:
94:
93:
66:(2005-00-00)
18:
794:2005 deaths
789:1910 births
359:Ladies Only
335:Grama Kanya
329:Jeevan Lata
305:Chandrahasa
281:Filmography
269:Later years
210:Ashok Kumar
197:Chandrahasa
184:Anil Biswas
42:Channapatna
783:Categories
426:References
311:Grihalaxmi
293:Shakuntala
252:Grihalaxmi
176:Shakuntala
124:Early life
77:Occupation
598:6 October
395:Prarthana
168:(Tamil),
140:in 1930.
88:1932–1952
50:Karnataka
46:Bangalore
407:Ramayani
377:Chingari
341:Kulvadhu
262:Kulvadhu
226:(1935).
154:Alam Ara
112:Alam Ara
419:Manmani
389:Khilona
188:Motilal
687:
635:
567:
455:
421:(1947)
415:(1946)
409:(1945)
403:(1944)
397:(1943)
391:(1942)
385:(1941)
379:(1940)
373:(1940)
371:Sajani
367:(1939)
361:(1939)
349:(1937)
347:Kokila
343:(1937)
331:(1936)
325:(1935)
313:(1934)
307:(1933)
301:(1932)
295:(1932)
289:(1932)
206:Nargis
144:Career
130:Mysore
105:, and
103:Telugu
726:. FDI
107:Tamil
99:Hindi
54:India
774:IMDb
754:2014
732:2014
698:2014
685:ISBN
646:2014
633:ISBN
600:2014
578:2014
565:ISBN
544:2014
510:2014
488:2014
466:2014
453:ISBN
212:and
174:and
64:2005
61:Died
31:Born
772:at
245:’s
785::
706:^
608:^
518:^
433:^
233:,
208:,
190:.
101:,
52:,
48:,
44:,
756:.
734:.
700:.
648:.
602:.
580:.
546:.
512:.
490:.
468:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.