535:, as a pantheon of the family. Over the years, in addition to house the tomb of the founder and also three of her young children (who had been murdered). The chapel was enriched with shields, medallions and inscriptions, commemorating members of the family: the warrior Alessandro de Monti, (died 22 June 1622); Julia de Monti, placed in the tomb (1715) by son Geronimo de Monti-Sanfelice, Duke of Lauriano, who lived in the first half of the 18th century; Salvatore Capua-Sanseverino, Prince of Riccia and Marquis of Raia, who died in 1858. With its classic architecture the arches of the chapel imitates lateral chapels of the church of
45:
245:
383:
327:
The wooden choir (1573) was designed by
Benvenuto Tortelli da Brescia, and became a model for others in Southern Italy. In fact, monks from the Benedictine convent of San Martino delle Scale in Palermo requested a choir that "conformed" to that of San Severino. It also influenced other choir stalls
323:
The decor of the chapels of Santi
Severino e Sossio follows a pattern common to late Renaissance Neapolitan chapels: a reclining figure embedded within an architectural arched entablature, and the large altarpiece framed like a tabernacle, with lateral walls also holding paintings, and the lunettes
299:
There is a long tradition of Tuscan artists residing in Naples, and was stimulated by the arrival of a group of master artisans from
Carrara in the late 1500s, after the marriage of Alberico Cybo Malaspina and the Neapolitan Isabella of Capua, from the Duchy of Termoli. But there had already been a
616:
was built in the 15th century, in a rectangular plan, supported by thirty arches resting on pillars
Piperno rock. In 1803, the upper floor was converted into a two-story building, designed in part to the accommodate a school. At the center stands a bust of Bartolommeo
600:
and whose leaves had healing powers. The plant was demolished in 1959, when the trunk measured 8.45 m in circumference. In the portico, originally stood upright columns, then replace of pilaters, and frescoed by
1024:
1085:
Memorie dei lavori di riparazione eseguiti in the church dei Padri cassinesi dei Santi
Severino e Sossio di Napoli, progettati e diretti dal maggiore cavaliere Germanico Patrelli
1038:
Bibliotheca benedectino-casinensis, sive scriptorum casinensis congregationis alias Sancta
Justina patavina qui in ea ad hac usque tempora floruerunt operum ac gestorum notitia
221:
During the
Angevin reign a number of important events occurred in this monastery, such as the convening of parliament in 1394 by the Sanseverino family, who were supporters of
1217:
788:
234:
1006:
333:
546:, who died in a fall from the scaffolding while he frescoed the vault of this church. After much of the ceilings collapse in the 1731 earthquake, they were refrescoed by
551:
1126:
521:
341:
361:
273:
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or a
Spanish sculptor by the name of Pietro della Plata, but later scholarship seems to attribute them to Andrea Ferrucci da Fiesole and Bartolomé Ordóñez.
368:
265:
528:
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289:
61:
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395:
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chapel and the chapel of
Girolamo Gesualdo, flank the main altar. They were decorated in the mid-1500s, before the completion of the church in 1567.
253:
1044:
269:
17:
211:
401:
The church has a Latin cross plan with seven chapels on each side and a deep rectangular apse. The nave frescoes and canvases were painted by
501:
style, the first of its kind in Naples, using polychrome inlay not only in pavement but also in walls. The chapel and monument are works by
300:
large contingent of Tuscan traders and financiers in Naples. For example, Antonio
Piccolomini used the Strozzi family to negotiate having
1222:
438:
Most of the chapels on the right side were completed by the mid- to late 16th century, but their ownership passed through various hands.
441:
The first chapel, belonging in 1550 to the cavalier Annibale Mastrogiudice, became property of the Genoese Cristofaro Grimaldi in 1576.
1212:
1099:
1066:
539:, where just two years later Florentine artists introduce in the Tuscan taste for sumptuous decoration in fresco and stucco motifs.
461:
The fifth chapel was assigned to the jurist Teano Gianfelice Scalaleone and by 1598 to the Genoese jurist consult Francesco Massa
822:
379:
and in 1813, became the collegio di Marina. In 1835 it became the archive of the state, which is still its present function.
183:
214:, taking the relics of San Severino with them. In 904 they added to these the relics of San Sossio, martyred companion of
1015:
816:
1098:(1856–1860), a cura di Paolo Macry, vol. III, Napoli, Edizioni dell'anticaglia, 2000, pp. 728–732, accessible in
909:, Napoli, 1977, p. 54 nota 159, which trae dall' A.S.N., Mon. Soppr., fascio 1793, c. 27 della numerazione recente.
252:
The frescoes of the cupola (1566), now lost, were originally painted by a Flemish painter by the name of Pablo or
1053:
1192:
L'Archivio del monastero benedettino dei Santi Severino e Sossio conservato presso l'Archivio di Stato di Napoli
1117:
1077:
986:
417:
at the end of the 16th century. Through the sacristy one can access the lower church, built and decorated in
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353:
226:
444:
The second chapel was bought in 1545 by Giancarlo Casanova, then passed to Prospero Tuttavilla in 1591.
390:
In the apse of the church main altar and the balustrade of presbytery (1640) were made and designed by
337:
329:
536:
372:
309:
210:, but the Saracen raids of the time forced them to abandon the old monastery, located on the hill of
202:
The church is attached to one of the oldest monasteries in the city, and from 1835 it has housed the
455:). From Mastrogiudice it passed to the Saliceti Family in 1551, and then to Fabio Giordano by 1568;
478:
Liquisti gemitum miseræ / lacrymasq<ue> parenti, / pro quibus infelix / hunc tibi dat timulum
418:
203:
471:
Below the church is the tomb of Giovan Battista Cicaro (c. 1507–1512), with an epitath written by
1119:
Un mese a Napoli: descrizione della cittĂ di Napoli e delle sue vicinanze divisa in XXX giornate
237:. The cupola built in 1561 was one of the first in Naples, designed by the Florentine architect
349:
238:
121:
447:
The third chapel, initially owned by 1541 by Marino Mastrogiudice (aristocrat and lawyer from
866:, in "Napoli Nobilissima", ser. 5., vol. 6, fasc. 1/4 (genn.-ago. 2005), pp. 21, 64 note 4,5.
624:), was built between the 1500s. The arches of the cloister are supported by columns in white
166:
8:
1046:
Descrizione della cittĂ di Napoli e suoi borghi del dottor Giuseppe Sigismondo napoletano
502:
414:
357:
305:
161:
375:. When the Benedictines were expelled in 1799, the convent was occupied by the order of
256:. Other painters active in the church comprised a polyglot series of artists, including
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laid the foundations of the present church, which was completed by the 16th century by
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The fourth chapel in 1559 belonged to Giannandrea and by 1561 to Ottaviano de Curtis.
547:
402:
222:
207:
154:
482:
472:
410:
1026:
Parte second o' vero Supplimento a Napoli sacra di Don Cesare D'Engenio Caracciolo
602:
313:
1159:, in “Archivio Storico per le Province Napoletane”, III, 1887, pp. 235–252;
864:
The chapel Medici di Gragnano in the church dei Santi Severino e Sossio a Napoli
625:
391:
293:
285:
281:
126:
481:. Construction of the tomb monument itself has been attributed once to either
44:
1206:
877:
Il bisogno di eternitĂ . I comportamenti aristocratici a Napoli in etĂ moderna
76:
63:
1150:
Memorie patrie. The church dei Santi Severino e Sossio: pavimento della nave
1091:
975:
Memorie patrie. La chiesa dei Santi Severino e Sossio: pavimento della nave
957:
679:, in "Archivio Storico per le Province Napoletane", III, 1887, pp. 236-237.
606:
597:
261:
1055:
Guida per i curiosi e per i viaggiatori which vengono alla cittĂ di Napoli
527:
The Sanseverino Chapel, dedicated to the body of Christ, was conceived by
776:
Raccolta delle vite, e famiglie degli uomini illustri del regno di Napoli
596:, was so called due to a plantain tree which legend holds was planted by
465:
308:
participate in the decoration of the Piccolomini Chapel in the church of
215:
1157:
Memorie artistiche of the church benedettina dei Santi Severino e Sossio
1136:
Notizie storiche intorno alla Chiesa dei santi Severino e Sossio, Napoli
1065:, Napoli, Stab. Tip. di G. Nobile, 1845, p. 233-242, accessible su
790:
Storia della cittĂ di Ventimiglia dalle sue origini sino ai nostri tempi
677:
Memorie artistiche of the church benedettina dei Santi Severino e Sossio
413:. Of note, is the funerary monument of Camillo de' Medici, completed by
244:
218:. They remained here till 1808, when they were taken to Frattamaggiore.
1034:
Breve chronicon regalis neapolitani monasterii Sancti Severini et Sossi
649:, in "Archivio Storico per le Province Napoletane", VIII, 1883, p. 728.
464:
The sixth chapel was assigned to Francesco Albertini, juristconsult of
406:
376:
257:
1049:, 2nd Volume, Naples, publisher Terres brothers, 1788, pp. 68–82.
542:
On the 16th century pavement, many tombs are found, including that of
1128:
Memorie dell'antico cenobio lucullano di San Severino abate in Napoli
854:, ms 1872, Biblioteca Nazionale di Napoli, Bibl. Prov., ms 31, cc. 63
195:
and the annexed monastery are located on via Bartolommeo Capasso in
448:
230:
106:
852:
Inventario de' monumenti of the church dei Santi Severino e Sossio
1096:
Notizie del bello dell'antico e del curioso della cittĂ di Napoli
498:
178:
1107:
La crociera of the church dei Santi Severino e Sossio di Napoli
317:
196:
98:
890:
La crociera della chiesa dei Santi Severino e Sossio di Napoli
382:
746:
Istoria della cittĂ e costiera di Amalfi in due parti divisa
825:, 42 (April 1796), Publisher Gio. Zempel, Rome; p. 329-331.
277:
840:
Les Académies dans l'Europe humaniste: idéaux et pratiques
493:
The Chapel of Medici di Gragnano, which holds the tomb of
1011:, Publisher Raymondo Amato, Naples, 1560, pp. 88–89,
748:, Naples, Printed and cartiera del Fibreno, 1836, p. 414.
647:
Catalogo di tutti gli edifici sacri della cittĂ di Napoli
562:. The Sacristy conserves a complete cycle of frescoes by
405:, while the lateral chapels include works of the painter
1152:, in “La Carità ”, XXIX, novembre 1881, pp. 781–802;
922:, n. 1791, Carte della contessa di Saponara, cc. 110 ss.
296:. The last painter was active in the Medici chapel. .
1218:
16th-century Roman Catholic church buildings in Italy
1178:
Il monastero benedettino dei Santi Severino e Sossio
1020:
Naples, per Ottavio Beltrano, 1623, p. 316-334.
707:
La pittura del tardo Rinascimento a Roma e a Firenze
1185:
Il monastero napoletano dei Santi Severino e Sossio
1173:, in “Benedectina”, VII, 1–2, 1953, pp. 39–44;
1008:
Descrittione dei luoghi sacri della cittĂ di Napoli
991:, Vol. I, Naples, 1845, Publisher G. Nobile, p. 235
907:
Il monastero napoletano dei Santi Severino e Sossio
320:apparently visited Naples under Angevin patronage.
1058:, Naples, Tipografia Chianese, 1834, pp. 218.
977:, in “La Carità ”, XXIX, novembre 1881, pp. 781-802
933:Storia dei popoli della Lucania e della Basilicata
703:Die Malerei der Spätrenaissance in Rom und Florenz
660:Il convento napoletano dei Santi Severino e Sossio
336:(destroyed in last war), work in the sacristy of
1204:
836:L'iconografia funeraria del primo 1500s a Napoli
550:, who also painted the counterfacade (1739) and
1076:, Napoli 1847, p. 575-604, accessible in
1029:, Naples per Roberto Mollo, 1654, p. 163.
367:Construction continued in the 18th century by
1063:Napoli e i luoghi celebri delle sue vicinanze
989:Napoli e i luoghi celebri delle sue vicinanze
451:and president of a Royal Advisory panel, the
206:. It was founded in the tenth century by the
1143:Monumenta ad neapolitani ducatus pertinentia
806:, Napoli, per Ottavio Beltrano, 1623, p. 325
371:, who finished the facade using a design by
476:
348:), and finally the choirs in the church of
690:Neapolitan baroque and rococo architecture
558:. The stucco of the nave was completed by
394:. In 1783 the main altar was remodeled by
43:
1074:Principali edificii della cittĂ di Napoli
821:, Naples, Ottavio Beltrano, 1623, p.326;
778:, Milan, M. Sessa Publisher, 1755, p. 72.
675:, fascio 1793; Nunzio Federico Faraglia,
381:
243:
962:Il Rinascimento nell'Italia meridionale
620:The third, called the Marble Cloister (
554:, who painted the choir ceiling with a
14:
1205:
497:(1596), was decorated in a sumptuous
1122:, vol. II, Naples 1863, p. 473.
1111:Studi di letteratura, storia, e arti
894:Studi di letteratura, storia, e arti
763:Dizionario biografico degli italiani
184:Roman Catholic Archdiocese of Naples
515:
24:
1223:Renaissance architecture in Naples
512:This chapel is off the left nave.
342:S. Maria delle Grazie a Caponapoli
38:Chiesa dei Santi Severino e Sossio
25:
1234:
1213:Roman Catholic churches in Naples
1198:
896:, Napoli, 1856, pp. 193, 196-201.
705:, Berlin, 1920, trad. it. cons.:
33:Church of Santi Severino e Sossio
588:The church has three cloisters:
1090:Giovanni Battista Chiarini, in
999:
980:
967:
951:
938:
925:
912:
899:
882:
869:
845:
828:
809:
796:
781:
768:
18:Santi Severino e Sossio, Naples
765:, Rome, LV, 2000, pp. 263-264.
751:
738:
725:
712:
695:
682:
665:
652:
639:
531:, wife of Ugo and Countess of
428:
13:
1:
1014:Cesare D'Engenio Caracciolo,
964:, vol. I, Milano 1975, p. 238
918:Archivio di Stato di Napoli,
815:Cesare D'Engenio Caracciolo,
802:Cesare D'Engenio Caracciolo,
718:Archivio di Stato di Napoli,
671:Archivio di Stato di Napoli,
632:
605:, with scenes of the life of
433:
935:, vol. II, Roma 1889, p. 170
875:Maria Antonietta Visceglia,
488:
409:and the neapolitan sculptor
7:
1183:Maria Raffaella Pessolano,
905:Maria Raffaella Pessolano,
774:Lodovico Antonio Muratori,
658:Maria Raffaella Pessolano,
453:Regia Camera della Sommaria
398:, the floor dates to 1697.
235:Giovanni Francesco di Palma
227:Giovanni Francesco Mormando
10:
1239:
1155:Nunzio Federico Faraglia,
1061:Giovanni Battista Ajello,
722:, fascio 1793, cc. 17r-22r
338:Santa Caterina a Formiello
1125:Gennaro Aspreno Galante,
862:; Lawrence R. d'Aniello,
552:Giovanni Paolo Melchiorri
373:Giovan Battista Nauclerio
225:. In 1490, the architect
177:
172:
160:
150:
145:
137:
132:
120:
112:
92:
58:
54:
42:
37:
32:
27:Church in Campania, Italy
1036:, in Mariano Armellini,
946:La crociera della chiesa
842:, Droz 2008, pp. 260-263
328:and woodwork, including
204:State Archives of Naples
1164:Santi Severino e Sossio
879:, Napoli, 1988, p. 129.
612:The second, called the
334:Giovan Lorenzo d'Albano
193:Santi Severino e Sossio
96:Via Bartolommeo Capasso
77:40.847764°N 14.258294°E
1171:I benedettini a Napoli
614:Chiostro del Noviziato
592:The first, called the
582:fresco was painted by
574:. Onofrio painted the
537:Sant'Anna dei Lombardi
477:
387:
310:Sant'Anna dei Lombardi
249:
239:Sigismondo di Giovanni
1148:Scipione Volpicella,
1105:Scipione Volpicella,
1072:Scipione Volpicella,
1043:Giuseppe Sigismondo,
987:Stanislao D'Aloe, in
973:Scipione Volpicella,
944:Scipione Volpicella,
888:Scipione Volpicella,
692:, London, 1975, p. 5.
662:, Napoli, 1978, p. 71
385:
332:completed in 1583 by
247:
49:The façade of church.
1141:Bartolomeo Capasso,
1083:Germanico Patrelli,
1040:, Assisi, 1731–1732;
948:, cit., pp. 196-201.
793:Turin, 1859, p. 226.
709:, Roma, 1994, p. 61.
594:Chiostro del Platano
576:Old Testament Scenes
556:Glory of St Benedict
421:style, completed by
167:Baroque architecture
82:40.847764; 14.258294
1162:Giuseppe Molinaro,
1134:Ferdinando Carafa,
1032:Benedetto Laudati,
1005:Pietro de Stefano,
920:Monasteri soppressi
720:Monasteri Soppressi
673:Monasteri Soppressi
362:Marcantonio Ferraro
354:Santa Maria la Nova
324:painted in fresco.
306:Benedetto da Maiano
274:Bartolomeo Chiarini
73: /
1052:Luigi d'Afflitto,
931:Giacomo Racioppi,
823:"Antologia romana"
645:Stanislao D'Aloe,
544:Belisario Corenzio
495:Camillo de' Medici
388:
369:Giovanni del Gaizo
330:San Paolo Maggiore
302:Antonio Rossellino
266:Benvenuto Tortelli
250:
151:Architectural type
103:Province of Naples
1023:Carlo de Lellis,
731:Gennaro Toscano,
622:Chiostro di Marmo
548:Francesco De Mura
529:Ippolita de Monti
507:Fabrizio di Guido
403:Francesco de Mura
290:Fabrizio di Guido
223:Louis II of Anjou
208:Benedictine Order
189:
188:
16:(Redirected from
1230:
1190:Jole Mazzoleni,
1176:Jole Mazzoleni,
1169:Egildo Gentile,
1116:Gaetano Nobile,
993:
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834:Riccardo Naldi,
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564:Onofrio De Lione
560:Giuseppe Scarola
516:The apse chapels
503:Girolamo D'Auria
483:Giovanni da Nola
480:
473:Jacopo Sannazaro
415:Girolamo D'Auria
411:Giovanni da Nola
396:Giacomo Mazzotti
346:Martino Migliore
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1194:, Naples, 1984.
1187:, Naples, 1977;
1180:, Naples, 1964;
1166:, Naples, 1930;
1145:, Naples, 1881;
1131:, Naples, 1869.
1113:, Napoli, 1856;
1087:, Napoli, 1852;
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708:
704:
701:Herman Voss,
698:
691:
685:
678:
674:
668:
661:
655:
648:
642:
638:
627:
623:
619:
615:
611:
608:
604:
599:
595:
591:
590:
589:
586:
585:
581:
577:
573:
569:
566:, brother of
565:
561:
557:
553:
549:
545:
540:
538:
534:
530:
525:
523:
513:
510:
508:
504:
500:
496:
486:
484:
479:
474:
469:
467:
462:
459:
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450:
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439:
426:
424:
420:
416:
412:
408:
404:
399:
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393:
384:
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370:
365:
363:
359:
355:
351:
347:
343:
339:
335:
331:
325:
321:
319:
315:
311:
307:
303:
297:
295:
291:
288:, and lastly
287:
283:
279:
275:
271:
267:
263:
259:
255:
246:
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236:
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228:
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185:
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144:
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136:
131:
128:
125:
123:
119:
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111:
108:
104:
100:
95:
91:
86:
57:
53:
46:
41:
36:
31:
19:
1191:
1184:
1177:
1170:
1163:
1156:
1149:
1142:
1135:
1127:
1118:
1110:
1106:
1100:google libri
1095:
1092:Carlo Celano
1084:
1078:google libri
1073:
1067:google libri
1062:
1054:
1045:
1037:
1033:
1025:
1017:Napoli sacra
1016:
1007:
1000:Bibliography
988:
982:
974:
969:
961:
958:Roberto Pane
953:
945:
940:
932:
927:
919:
914:
906:
901:
893:
889:
884:
876:
871:
863:
859:
855:
851:
847:
839:
835:
830:
818:Napoli sacra
817:
811:
804:Napoli sacra
803:
798:
789:
783:
775:
770:
762:
758:
753:
745:
740:
732:
727:
719:
714:
706:
702:
697:
689:
684:
676:
672:
667:
659:
654:
646:
641:
621:
613:
607:St. Benedict
598:St. Benedict
593:
587:
579:
578:(1651). The
575:
555:
541:
526:
519:
511:
494:
492:
470:
463:
460:
457:
452:
446:
443:
440:
437:
400:
389:
366:
326:
322:
298:
251:
220:
212:Pizzofalcone
201:
192:
190:
146:Architecture
122:Denomination
522:Sanseverino
429:The chapels
419:Renaissance
216:San Gennaro
80: /
1207:Categories
735:, pp. 253.
633:References
434:Right nave
407:Marco Pino
377:Sanfedisti
360:(1616) by
356:, and the
344:(works by
258:Marco Pino
68:14°15′30″E
65:40°50′52″N
733:art. cit.
489:Left nave
468:in 1549;
358:Cathedral
199:, Italy.
617:Capasso;
584:Corenzio
572:Corenzio
533:Saponara
449:Sorrento
423:Mormando
248:Interior
231:Calabria
107:Campania
93:Location
1138:, 1876;
603:Solario
580:Trinity
386:Ceiling
294:Carrara
286:Bergamo
270:Brescia
179:Diocese
133:History
113:Country
568:Andrea
499:Tuscan
318:Giotto
197:Naples
155:Church
141:Active
138:Status
99:Naples
1109:, in
892:, in
838:, in
761:, in
292:from
262:Siena
229:from
162:Style
116:Italy
520:The
505:and
466:Nola
340:and
316:and
304:and
278:Rome
858:-79
284:of
276:of
268:of
260:of
1209::
1094:,
960:,
509:.
475::
425:.
364:.
352:,
280:,
272:,
264:,
241:.
105:,
1102:;
1080:;
1069:;
860:r
856:r
628:.
609:;
20:)
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