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Circa 1656, the city of Rome was ravaged by plague, and it was felt that the prayers to this icon, which had been carried in procession through the streets, had played a role in stopping the epidemic. This putative miraculous intervention prompted
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The initial church structure was the no-longer extant
Oratory of Santa Galla, located across the piazza from the present church, and which was attached to a hospital of the same name. More recent analysis of the style and
559:. This Pope, whose family name would have otherwise died, had this Albertoni change their surnames to Altieri. Flanking the Baroque Ottoni relief are two neoclassical funerary monuments of Altieri family members.
383:(below) and composite columns, detached from the facade, and emphasizing a strong vertical lines. The original design included statues which were however never executed. The portal has an inscription offering
555:. The site chosen for this church included the location of the house where Ludovica Albertoni had lived. In 1669 Gaspare Paluzzi Albertoni had married Laura Caterina Altieri, niece of Pope
984:
541:: In the first chapel on the left, was refurbished (1705) by commission of Prince Angelo Altieri, and designed by Sebastiano Cipriani. The bas-relief altarpiece depicts a
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Schofield, Nicholas. "Santa Maria in
Campitelli: an old Roman church with strong British connections", Venerable English College, Rome, 26 February 2020
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of the icon date it to the 11th century. The image is very likely a reproduction of some ancient painting or mosaic venerated in the Galla portico.
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473:, probably from the 11th century. There is a staircase behind the 'gloria' allowing a better view of the icon, open by request only.
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333:(giving the church and icon its name of "Madonna of the Portico"). The structure was created to house a venerated 25 cm-high
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599:. The ceiling was frescoed by Ricciolini. This chapel was commissioned by a member of the Capizucchi family, and designed by
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who made a wax model (but his participation in the project was cut short by his untimely death) the project was directed by
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of the Virgin Mary and Saints Peter and Paul. According to legend, the icon appeared miraculously in 524 at the table of
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Tradition holds that a primitive oratory or church was founded at the site during the years 523–526, under the papacy of
905:"Church of Santa Maria in Portico in Campitelli", Turismo Roma, Major Events, Sport, Tourism and Fashion Department
569:, and designed by Giovanni Battista Contini. The angels in the cardinal's funerary monument here were sculpted by
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535:: The third chapel on the right displays an ancient Roman alabaster column, previously part of the old oratory.
365:, and construction took place between 1659 and 1667. The church was kept under the maintenance by the order of
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to erect a grander church, instead of the ancient oratory, to house the icon. He commissioned the high
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for the scene of the wedding of
Patrizia (Lady Gaga) and Maurizio (Adam Driver).
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Leone, Stephanie C., "S. Maria in
Campitelli", Roma: Caput Mundi, Boston College
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513:: The second chapel, designed by Rainaldi, has an altarpiece depicting
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16:"Santa Maria in Portico" redirects here. For the church in Naples, see
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466:. The main altar enshrines the small icon of Santa Maria in Portico.
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591:/: In the third chapel to the left is an altarpiece depicting the
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of angels, clouds and rays of light, recalls the effects used by
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Santa Maria in
Campitelli is located over the former site of the
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585:, founder of the Clerics Regular, is enshrined under the altar.
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866:"The Icon of Santa Maria in Portico", Santa Maria in Campitelli
565:: The second chapel on the left was commissioned by Cardinal
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499:: The first chapel on the right has an altarpiece depicting
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Rainaldi's facade has a complex stacking of two levels of
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The main altar of the church houses the icon in a gilded
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17th-century Roman
Catholic church buildings in Italy
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Church of Saint Mary by the
Porticus, in Campitelli
476:In the right crossing is the funerary monument of
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890:, by Giuseppe Melchiorri, Rome (1836); page 326.
469:The icon is a precious work of silver-gilt and
408:. The Church was a location for the 2021 movie
385:plenary indulgence daily to the living and dead
40:Chiesa di Santa Maria in Portico in Campitelli
956:"Santa Maria in Campitelli", Churches of Rome
577:, while the ceiling frescoes were painted by
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404:To the left of the facade is a fountain by
652:Holy Family and Blessed Ludovica Albertoni
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961:"Celebrated Sanctuaries of the Madonna",
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811:(1965–1973; Cardinal priest: 1973–1975)
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793:(1915–1924; Cardinal priest: 1924–1929)
567:Paluzzo Paluzzi Altieri degli Albertoni
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888:Guida metodica di Roma e suoi contorni
329:. This structure was located near the
282:on the narrow Piazza di Campitelli in
59:Click on the map for a fullscreen view
917:"Santa Maria in Portico (Campitelli)"
573:. The main altarpiece was painted by
1005:Churches of Rome (rione Sant'Angelo)
367:Clerics Regular of the Mother of God
314:until the area's destruction in the
296:Clerics Regular of the Mother of God
276:Santa Maria in Portico di Campitelli
158:Clerics Regular of the Mother of God
821:Andrea Cordero Lanza di Montezemolo
623:View towards main altar and gilded
521:. The angels are by Michel Maille,
497:Chapel of St. Michael the Archangel
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995:Baroque architecture in Rome
805:(Cardinal priest: 1958–1964)
390:Santa Maria in Portico is a
318:in the mid-1st century. The
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102:Piazza di Campitelli 9,
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83:41.893094°N 12.479379°E
607:Since the time of the
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426:Santa Maria in Portico
272:Santa Maria in Portico
937:Melchiorri, page 327.
827:Michael L. Fitzgerald
787:Francis Aidan Gasquet
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733:Stanislao Sanseverino
593:Conversion of St Paul
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207:Mary, mother of Jesus
23:Church in Rome, Italy
919:. Catholic Hierarchy
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579:Giacinto Calandrucci
501:St Michael Archangel
464:Giovanni Paolo Schor
444:Basilica of St Peter
322:was located nearby.
88:41.893094; 12.479379
739:Belisario Cristaldi
523:Francesco Cavallini
485:Ferdinando Pettrich
406:Giacomo della Porta
220:Saint John Leonardi
169:santamariainportico
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511:Chapel of St. Anne
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316:Great Fire of Rome
231:Architectural type
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589:Capizucchi Chapel
581:. The remains of
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533:Capella Muta Busi
527:Francesco Baratta
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226:Architecture
129:Denomination
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759:(1863–1869)
753:(1845–1860)
747:(1838–1843)
741:(1828–1831)
735:(1816–1825)
729:(1803–1811)
723:(1787–1794)
717:(1759–1771)
711:(1747–1759)
705:(1734–1741)
693:(1681–1685)
687:(1643–1652)
681:(1586–1587)
575:Il Baciccia
327:Pope John I
280:Virgin Mary
120:Language(s)
86: /
974:Categories
835:References
666:pipe organ
654:by Ottoni.
381:Corinthian
378:travertine
202:Dedication
146:Roman Rite
74:12°28′46″E
71:41°53′35″N
557:Clement X
392:diaconate
241:Completed
141:Tradition
478:Cardinal
452:Rainaldi
418:Interior
134:Catholic
99:Location
951:website
923:May 19,
545:Blessed
491:Chapels
440:Bernini
359:Baroque
302:History
255:Diocese
235:Baroque
193:Founded
178:History
164:Website
123:Italian
110:Country
52:Portico
699:(1724)
525:, and
436:gloria
214:Relics
183:Status
625:glory
432:glory
371:Lucca
339:Galla
292:Italy
114:Italy
925:2015
462:and
335:icon
288:Rome
260:Rome
244:1667
216:held
104:Rome
791:OSB
595:by
551:by
517:by
503:by
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270:or
171:.it
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