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drawings show that on the façade to Piazza Navona, he designed curved steps descending to the piazza, the convex curvature of which play against the concave curvature of the façade to form an oval landing in front of the main entrance. His façade was to have eight columns and a broken pediment over the entrance. He designed the
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Borromini had to work with the
Rainaldi ground plan but made adjustments; on the interior for instance, he positioned columns towards the edges of the dome piers which had the effect of creating a broad base to the dome pendentives instead of the pointed base which was the usual Roman solution. His
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Harsh criticism was made of the design, including the steps down to the piazza which were thought to project excessively, so Carlo
Rainaldi eliminated the narthex idea and substituted a concave façade so that the steps would not be so intrusive. The idea of the twin towers framing a central dome may
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is situated in front of the church. It is often said that
Bernini sculpted the figure of the "Nile" covering his eyes as if he thought the façade designed by his rival Borromini could crumble atop him. This story, like many urban legends, persists because it has a ring of authenticity, despite the
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The first designs for a centralised Greek Cross church were prepared by the
Pamphili family architect, Girolamo Rainaldi, and his son Carlo Rainaldi in 1652. They reorientated the main entrance to the church from the Via
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Carlo
Rainaldi was reappointed and made a number of modifications to Borromini's design including an additional storey to the flanking towers and simplifying their uppermost parts. On the death of
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for the interior of the dome. Further decorations were added; there were large scale sculptures and polychrome marble effects. None of these are likely to have been intended by
Borromini.
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In 1668, Camillo
Borghese (Olimpia's son & Camillo Pomphii's step-son) took over responsibility for the church. He reinstated Carlo Rainaldi as architect and engaged
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333:. As well as religious services, the church hosts regular classical concerts in the Borromini Sacristy, from sacred Baroque works to chamber music and operas.
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which might well be Le Gros' very last works. The statues of Saint Agnes and of Saint
Sebastian are placed in an illusionistic architecture of colored marble.
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is on the first altar on the left. Due to Cafà's sudden early death large parts of the relief were completed by his master, Ferrata, and his workshop.
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masterpieces, dedicated to individual martyred saints. There are four altars in the pillars with reliefs, unusually set in semi-circular
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is in the second altar of the transept on the right is the *On the second altar of the transept on the left is the
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as single storey, above which there was to be a complex arrangement of columns and convex bays with balustrades.
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View into frescoed cupola and pendentives; apse on left, entrance with organ and tomb of Pope
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The near-circular interior, actually a Greek cross design, is circumferentially surrounded by marble sculptural
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By the time of
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Inside the church is also a shrine for Saint Agnes, containing her skull and a marble relief by
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For the building history of the church and extensive documentation, see Gerhard Eimer,
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with angels presenting the symbols of the respective saint are by Ferrata's workshop.
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ensemble was dropped, and instead Guidi created a marble relief, depicting
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The name of this church is unrelated to the ‘agony’ of the martyr:
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The building of the church was begun in 1652 at the instigation of
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fact that Bernini's fountain predates the façade by some years.
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between two towers and broad stairs descending to the piazza.
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The Doria-Pamphili family owns the church to this day.
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be indebted to Bernini's bell towers on the façade of
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17th-century Roman Catholic church buildings in Italy
485:. Among the sculptural decoration are the following:
466:. In the sacristy, there is a painting depicting the
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1235:(Filomarino Family Chapel design, 1646)
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638:was the ancient name of Piazza Navona (
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1166:(remodelling, 1646, façade and loggia)
952:, Reading (Si Vede) 1997, pp. 121–122.
614:The stucco decorations in the niches'
546:, with the upper portion completed by
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100:Via di Santa Maria dell'Anima 30/A,,
675:Lorenzo Cardinal Antonetti 1998–2013
550:is on the second altar on the right.
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576:is on the second altar on the left.
13:
1205:Archbasilica of Saint John Lateran
1093:Santa Maria dei Sette Dolori, Rome
920:, Harvard University Press, p. 157
862:La Fabbrica di S. Agnese in Navona
769:The Martyrdom of Saint Emerentiana
462:(1662–1672) by Bernini's protégé,
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1322:Churches of Rome (rione Parione)
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1000:Sant'Agnese in Agone | Art Atlas
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605:Tomb Monument of Pope Innocent X
593:(c. 1717–1719) with a statue by
442:The cupola is frescoed with the
57:Click on the map to see marker.
1186:(1644–1667; co-autorship with
1154:(expansion commissioned, 1628)
1081:San Carlo alle Quattro Fontane
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904:Magnuson, 1986, vol. 2, p. 61.
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754:The Martyrdom of Saint Eustace
679:Gerhard Ludwig Cardinal Müller
434:Main altar with the relief of
50:Sant'Agnese from Piazza Navona
38:Chiesa di Sant'Agnese in Agone
1:
1337:Francesco Borromini buildings
1239:Santa Maria alla Porta, Milan
1213:(possible collaboration with
895:Magnuson, 1986, vol. 2, p. 60
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508:) was made by his assistants
1317:1657 establishments in Italy
1307:Baroque architecture in Rome
1207:(renovation of the interior)
1012:travel guide from Wikivoyage
711:Cupola with Frescos by Ferri
302:was martyred in the ancient
281:Sant'Agnese in Piazza Navona
32:Sant'Agnese in Piazza Navona
7:
1327:Church buildings with domes
1227:San Giovanni dei Fiorentini
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818:Tomb of Innocent X by Maini
699:View towards the main altar
655:Fountain of the Four Rivers
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291:, Italy. It faces onto the
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1184:Palazzo di Propaganda Fide
884:Rome in the Age of Bernini
739:The Death of Saint Cecilia
724:The Death of Saint Alexius
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630:Origin of name and legends
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1190:, involved in 1620s–1644)
1170:Palazzo Giustiniani, Rome
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1101:(involvement, 1653–1657)
1010:Sant'Agnese in Agone
950:Pierre Le Gros 1666–1719
937:. Yale University Press.
531:Giovanni Francesco Rossi
520:according to his design.
464:Giovanni Battista Gaulli
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784:Saint Agnes on the Pyre
609:Giovanni Battista Maini
1312:Burial places of popes
1233:Santi Apostoli, Naples
1111:Sant'Ivo alla Sapienza
1087:Oratorio dei Filippini
993:"Sant'Agnese in Agone"
506:Oratorio dei Filippini
498:Miracle of Saint Agnes
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363:Santa Maria dell’Anima
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1211:St. Peter's Baldachin
830:Shrine of Saint Agnes
490:The Two Holy Families
454:Sebastiano Corbellini
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327:Gerhard Ludwig Müller
16:Church in Rome, Italy
1267:Gian Lorenzo Bernini
1256:Baroque architecture
1221:St. Peter's Basilica
1215:Gian Lorenzo Bernini
1188:Gian Lorenzo Bernini
1146:Gian Lorenzo Bernini
1105:San Giovanni in Oleo
1099:Sant'Agnese in Agone
1075:Santa Lucia in Selci
1024:at Wikimedia Commons
1022:Sant'Agnese in Agone
468:Glory of Saint Agnes
426:Skull of Saint Agnes
401:Olimpia Aldobrandini
283:) is a 17th-century
277:Sant'Agnese in Agone
81:41.89877°N 12.4726°E
22:Sant'Agnese in Agone
1160:(remodelling, 1632)
1140:(co-autorship with
1107:(remodelling, 1658)
1068:religious buildings
1059:Francesco Borromini
580:Saint Agnes on the
448:, begun in 1670 by
316:Francesco Borromini
304:Stadium of Domitian
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1164:Palazzo Falconieri
935:Alessandro Algardi
624:Alessandro Algardi
502:Alessandro Algardi
500:commissioned from
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329:being the current
182:early 12th century
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1138:Palazzo Barberini
1131:Secular buildings
1020:Media related to
948:Gerhard Bissell,
539:Saint Emerentiana
438:by Domenico Guidi
308:Girolamo Rainaldi
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220:Girolamo Rainaldi
155:santagneseinagone
86:41.89877; 12.4726
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799:
783:
768:
753:
738:
723:
681:2014–present
661:
653:
648:
643:
639:
635:
633:
621:
604:
590:
579:
566:
553:
536:
523:
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476:
467:
457:
443:
441:
435:
405:
394:
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379:
371:
359:
348:
320:
310:and his son
280:
276:
275:
215:Architect(s)
209:Architecture
127:Denomination
1277:(2015 film)
1274:La Sapienza
1198:Other works
1113:(1642–1660)
1095:(1643–1655)
1089:(1637–1651)
399:, his wife
300:Saint Agnes
200:Consecrated
118:Language(s)
84: /
1291:Categories
848:References
806:by Le Gros
798:Statue of
786:by Ferrata
771:by Ferrata
616:semi-domes
607:(1729) by
492:(1676) by
450:Ciro Ferri
410:to create
408:Ciro Ferri
287:church in
188:Dedication
144:Roman Rite
72:12°28′21″E
69:41°53′56″N
918:Borromini
567:Death of
524:Death of
250:Completed
228:Borromini
139:Tradition
933:(1985).
836:See also
741:by Raggi
726:by Rossi
636:in agone
418:Interior
412:frescoes
132:Catholic
97:Location
1249:Related
756:by Cafà
686:Gallery
650:Bernini
514:Miracle
479:Baroque
367:narthex
337:History
325:, with
285:Baroque
264:Diocese
244:Baroque
232:Bernini
179:Founded
164:History
150:Website
121:Italian
108:Country
804:Angels
483:niches
169:Status
239:Style
112:Italy
1176:and
1144:and
644:agōn
582:Pyre
289:Rome
269:Rome
253:1859
157:.org
102:Rome
652:'s
585:by
572:by
559:by
542:by
529:by
470:by
1293::
916:.
626:.
474:.
318:.
230:,
226:,
222:,
1217:)
1180:)
1123:)
1051:e
1044:t
1037:v
965:.
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