779:
611:
345:
408:
791:
490:
284:, until the 19th century, are based exclusively on pastoral visits conducted from the mid-16th century onward. Their importance is crucial not only for the work of census and survey of the historical buildings present in the archdiocese, but because in many cases these visits were the driving force for the stylistic or architectural renovation of places of worship, as was also the case, moreover, for San Martino. However, the sources do not attest to any further details either on the style or on the actual dimensions of the building prior to the twentieth-century enlargement. From the pastoral visitation of Father Leonetto Clivone in 1567, it appears that the church was still substantially unchanged, characterized by a rectangular plan, a single nave, and a
753:
366:
741:
308:
687:
341:(the work on which was blocked at the foundations) and raising concerns about the overall dimensions of the building, which were still considered excessively small. The report of Monsignor Antonio Verri, following his pastoral visit in 1745, finally turns out to be the last source documenting the original layout of the single-room church. An enrichment of the church furnishings and fittings was also recorded on that occasion. Subsequent to this visit, in 1758, a second map of the parish church of Desio was drawn up, which went on to confirm the situation already illustrated two centuries earlier by the previous one, with the villages of Cinisello and Balsamo huddled around the two churches.
767:
531:
32:
48:
642:, on the other hand, the relics of St. Saturninus are kept under the high altar (made between 1825 and 1849). Transported there between 16 and 18 October 1926, they are placed in a chiselled bronze and crystal urn, the work of architect Scanavini. Also preserved in the church is the tibia of Blessed Balsamo Abate, which arrived in Balsamo in 1935, along with another of his relics. The head and other relics that belonged to Blessed
55:
385:, the church of San Martino came to find itself in a relatively marginal position in relation to the new urban settlements, which had developed in the direction of Cinisello. It was therefore decided to build a new parish church, decentralized approximately half a kilometre further northeast, capable of providing a greater capacity for the faithful. The work took place between 1957 and 1961, when the
599:, with a yellow mitre and white pallium with black crosses on his chest; in his left hand, he carries a lash, while his right hand is raised in blessing. To a later decorative campaign, on the other hand, belong the decorations on the back wall of the right aisle; these depict a frescoed altar within an apse with a coffered dome, surrounded by
946:
The arrival in
Balsamo of the Milan-Bergamo highway in 1926 (inaugurated in 1927) marked a clean break in the territory, constituting a physical limit to its natural urban development. Subsequent building growth in the city would therefore develop north of the original Balsamo settlement, leaving the
377:
apsidal layout with three naves (a major central nave and two minor side aisles) can be attributed to the major expansion works of the early 20th century, carried out under the guidance of Don
Antonio Colombo. The church thus reached its current dimensions of 24 m wide by 30 m long, flanked from 1923
1016:
They were previously kept at the church of Sant'Angelo, in Milan: in fact, here they were reportedly found by Don Emilio
Griffini during an inventory conducted during his seminary days. He, who later became parish priest of Balsamo, would officially request them so that he could add value to his own
332:
with a polygonal baptistery (placed on the northern side of the building, near the facade) and the arrangement of the accesses to the bell tower and sacristy (communicating through two doors with the choir). On the other hand, the orientation of the church was maintained, with the apse placed to the
838:
The definition of "sanctuary" instead of "church" is traced back to 1978, when it had already lost its function as a parish church, replaced by the new church of San
Martino, built in Piazza Soncino starting in 1957 and blessed in 1961. (Cf. Scurati (1987), pp. 189-191) The change of definition was
340:
in his pastoral visit of 21 July 1604, attested to the presence of eight side chapels (whose dedication is not specified), the relocation of the baptismal font, the reconfiguration of the apse and the connection between the chancel and the bell tower, lamenting, however, the absence of the sacristy
1006:
Scurati reports on the merits of the provenance from the church of Santa Marta: in fact, the contradiction is only apparent, as both belonged to a complex of two adjacent convents (that of the White Nuns and that of San
Michele), of which only the small oratory of Santa Marta, in Piazza San Paolo,
890:
Guerci reports 1608 as the latest date by which the work was to be finished. See Guerci (2001), p. 35. This date can be traced back to the visit of
Monsignor Giovan Pietro Giussani (Milan, 1548 or 1552 - Monza, 1623) on 16 August 1608, from which, however, no further specifics or indications about
249:, located at the confluence of Via San Saturnino (south) and Via San Martino (north), facing the Avenue of Remembrances. Historically, it has also been the reference church of the local Balsamese community for centuries, around which the city's built-up area developed until the early 20th century.
909:
Similar crosses, on the other hand, can still be found in front of the church of Sant'Ambrogio in
Cinisello and the church of San Pietro Martire alla Crocetta. If the former, dating back to the 17th century, identified with certainty the ancient cemetery of Cinisello that extended all around the
1026:
The head and other relics returned to
Blessed Carino's hometown also thanks to the interest of Fr. Emilio Griffini, in 1934. About 30 years later, on 4 November 1964, the head would be followed by the entire body, permanently transferred from the Cathedral of Forli to Balsamo, where it was
871:
In any case, this is an entirely approximate and unrealistic representation of the settlements, in which the various hamlets with their names and streets are schematically shown. See
Diocesan Historical Archives of Milan, Topographical Maps and Drawings Collection, formerly Section X, vol.
848:
Historically, both villages of
Balsamo and Cinisello developed from the religious building, which played a central role in community life. The urban layout of the town therefore expanded over the centuries around these two centralities, only being disrupted following the union of the two
521:
announced on September 8, they were never melted down and returned to Balsamo while the war was still in progress, thanks to a stratagem of Don Piero Carcano who, having managed to get them back and clandestinely transport them to the village, kept them hidden in a haystack.
415:
The sanctuary is oriented in an east-west direction, with the facade set to the east and the apse to the west. The building is externally white-plastered, with the roof covered with terracotta tiles: in fact, its only two highlights are the dome, which fits into the
996:
In fact, it is recorded that the addition of the aisles took place in a period of time between 1899 and 1919 during the regency of Don Antonio Colombo; therefore, it is impossible for Farina to have been able to decorate them since he only worked on them around
839:
probably intended, with the same dedication to Martin of Tours, to make a formal distinction between the two churches, valuing the fact that the relics of St. Saturninus and Blessed Balsamo Abbot were still preserved in the old church of St. Martin.
618:
Of particular artistic significance are the sacred furnishings preserved there: in fact, a wooden statue depicting Christ at the Column, placed inside the niche of the altar of the same name, located in the left aisle, and a second one depicting
389:, in Soncino Square, was blessed and opened for worship. Since then, the importance of the old church (since 1978 referred to as a sanctuary) has been waning, although it continued to be used to officiate some masses and celebrations until 2012.
356:
of Balsamo. Until 1877 in the immediate vicinity of the church stretched linearly southward the historic cemetery of Balsamo, identified by a stationary cross dating from the 16th century, now dispersed. Following donations of land by
319:
Baldassarre Cipolla considered the building too small to accommodate all the faithful of Balsamo, suggesting an enlargement that, moreover, could coincide with the rebuilding of the church consistent with the new provisions of the
790:
436:
that frame - on the sides - the two minor entrances to the church, characterized by an ashlar decorative layout, consisting of plaster on masonry. The main portal opens at the nave, made of carved wood, with a mixtilinear
538:
The interior features a cycle of frescoes made starting in 1892 by Lombard painter Carlo Farina, commissioned by the then parish priest of Balsamo Don Giuseppe Molgora. They cover the ceiling of the nave, with
513:, when the fascist government ordered their confiscation for weapons production. In early 1943, in fact, the three major bells were lowered from the belfry and delivered to the historic Barigozzi foundry in
361:
Cristiana Morosina, widow of Marquis Casati Stampa of Soncino, this could be relocated and enlarged in a more decentralized position with respect to the built-up area, located southeast of the previous one.
778:
673:
divided into compartments, depicting the mystic lamb and a number of cards with sacred inscriptions, and below the canopy the Dove of the Holy Spirit, in relief, along with a cross with a serpent and the
891:
the church of San Martino emerge. Reported in Prina (1995), p. 14; cf. Archivio Storico Diocesano di Milano, Sezione X, Visite Pastorali, Desio, vol. 23, Visita del Monsignor Giussani del 16.8.1608.
858:
Leonetto Clivone (Vicenza, 1525 - Milan, 1572), a Jesuit, in Milan from 1565, was charged in 1566 by Charles Borromeo with the pastoral visitation of the parishes of Missaglia, Desio and Cantù as
669:, is divided into five mirrors, each of which is decorated in relief with whirls, musical instruments and sheet music; the second, also made of cream-painted wood, with relief friezes, has the
849:
municipalities (1928) and the subsequent building growth that merged Cinisello and Balsamo into Milan and its hinterland in a single urban continuity. See Guerci (2001), pp. 34-35.
583:
in his right hand, carried in glory by a host of angels. Also belonging to the same decorative campaign would be two circular medallions, with a sky-blue background, depicting
509:(the three major ones located to the north, east and south and the two minor ones located to the west). These are historical examples, having survived the requisitions of the
1027:
reassembled under the altar of the crypt of the new church of San Martino, by the parish priest Don Piero Carcano. See Scurati (1975), pp. 86-87; Scurati (1987), pp. 46-47.
1374:
1485:
La "geografia sacra" delle visite pastorali e l'architettura religiosa tra medioevo ed età moderna, in Cinisello Balsamo. Duemila anni di trasformazioni nel territorio
300:. The oldest cartographic reproduction of the church known at present dates from this visit. It is an overall map of the parish of Desio, surveying both villages of
324:. Therefore, the drafting of a project bearing the signature of a certain Moneta dates back to the following year, 1597, which included the transformation of the
396:(placed on top of the facade) and some tiles: the statue was secured and removed, while the entire building was declared unfit for use by the Fire Department.
1348:
1520:
273:. The primitive building must have been certainly not modest in size, so much so that it had at least two altars inside, one of which was dedicated to
1317:
967:
647:
1250:
916:
881:
Baldassarre Cipolla, a Jesuit, was commissioned by Federico Borromeo to make pastoral visits to a number of parishes, including Desio and Oggiono.
1082:
628:
457:(right), respectively. The lower floor is visually divided from the upper floor by a thick string-course band, in the centre of which is the
75:
752:
47:
381:
As a result of the urban and demographic growth of Balsamo, which since 1928 had been united with Cinisello in the new municipality of
567:
writing the Gospel), depicted in robes of dull colours, with brown, green, and red tones predominating. In contrast, the dome depicts
651:
386:
352:
In 1856 the present bell tower, more than sixty metres high, was completed and inaugurated, commissioned by Don Giovanni Prato, then
432:
The facade of the sanctuary clearly shows the internal division of the rooms: on the lower level, the three naves are marked by six
766:
947:
church of San Martino in a relatively peripheral position, almost abutting the highway embankment. See Scurati (1987), pp. 25-26.
1366:
740:
860:
Visitator Deputatus per Illustrissimum et Reverendissimum dominum Mediolani Archiepiscopum in Executione dictae Commissionis
266:
214:
910:
church, the latter, although probably dedicated to the victims of the plague, presents a still unknown origin. See also
461:
inscription "DIVO MARTINO DICATUM." Above this is a semicircular stained-glass window, flanked on either side by two
1352:
1320:
Scossa di terremoto avvertita anche a Cinisello Balsamo: la Polizia Locale in azione per controlli e accertamenti
970:
Scossa di terremoto avvertita anche a Cinisello Balsamo: la Polizia Locale in azione per controlli e accertamenti
489:
344:
796:
The back of the San Martino sanctuary in Cinisello Balsamo in 2022, following restoration work on the bell tower
610:
407:
1515:
399:
In August 2022, restoration work on the bell tower was completed. On 25 September the bells resumed ringing.
365:
1325:
975:
623:, located in the right aisle, are reported. Both statues come from the demolished church of San Michele in
665:, set against a wall in the nave. The former, made of carved and painted cream-coloured wood with gilded
392:
In fact, during the earthquake of 27 January 2012, the crucifix detached from the statue of the Blessing
1510:
686:
307:
1246:
912:
441:, decorated with plant motifs and a central shield with a cross; on either side of the portal are two
639:
197:
497:
The bell tower, with a square cross-section, is located at its southwestern end and is of a yellow-
31:
627:, and were placed in the sanctuary on 24 October 1789, replacing the previous altars dedicated to
470:
632:
518:
165:
133:
725:, is of simple geometric workmanship and frames the loft, which consists of 25 zinc principal
530:
369:
The sanctuary in 2020, as seen from the Pius XI Oratory, following 20th-century expansion work
502:
501:
hue, surmounted by a red dome. Above the clocks, which are present on all four sides, is the
474:
454:
393:
274:
477:(holding a large crucifix in her left hand) and at the sides two cherubs; below these, two
442:
297:
8:
620:
564:
556:
552:
469:
with plant motifs, also made of stucco. Lastly, crowning the upper floor is a triangular
321:
192:
1076:
722:
1066:
937:
That is, over a period of time between 1899 and 1919. See Scurati (1987), pp. 63-64.
817:
807:
784:
The bell tower of San Martino in Balsamo, behind the oleanders of the Pius XI Oratory
643:
382:
337:
301:
246:
242:
238:
110:
675:
600:
588:
560:
548:
289:
230:
900:
Antonio Verri (1707-1784), in charge of the pastoral visit to the parish of Desio.
812:
568:
446:
258:
170:
265:
belonging to the parish of Desio is reported within the list of churches of the
862:. Cf. Biblioteca Ambrosiana, P. 7, F. 108 inf., fol 293-294, 333, 350-351, 414.
718:
710:
329:
142:
1504:
714:
421:
90:
77:
493:
The bell tower of St. Martin's sanctuary in 2022, following restoration work
510:
177:
595:
vaults, respectively. In particular, St. Ambrose is portrayed in a purple
374:
336:
The work was completed in the early seventeenth century, so much so that
333:
west and the facade to the east, this one equipped with three entrances.
726:
699:
544:
450:
285:
1351:. Cinisello Balsamo: Parrocchia San Martino in Balsamo. Archived from
153:
607:
are two putti holding an oval with Mary's heart crowned with thorns.
316:
277:
and located in a side chapel along the southern side of the church.
695:
604:
596:
592:
438:
417:
358:
138:
114:
1404:
Prina (1995), p. 19; Guerci (2001), p. 42; Scurati (1987), p. 189.
257:
The first historical news about a religious building dedicated to
965:
Removed following the earthquake tremor on 27 January 2012. Cfr.
670:
658:
584:
580:
576:
466:
209:
1178:, vol. 24, Visita del Cardinale Federico Borromeo del 21.7.1604.
411:
Detail of the facade, with the semicircular stained glass window
1067:
Marco Magistretti, Ugo Monneret de Villard (a cura di) (1917).
666:
662:
478:
462:
458:
433:
378:
by the Pio XI oratory, designed by architect Oreste Scanavini.
353:
296:
still reported the baptistery and sacristy to the right of the
703:
624:
572:
540:
514:
498:
118:
702:, built in the early 20th century by the Aletti brothers of
506:
325:
543:
in flight alternating with bishop's emblems, and the four
315:
In the subsequent pastoral visitation conducted in 1596,
1367:"Tornano a suonare le campane di San Martino a Balsamo"
241:(of which he is the patron saint and protector) is a
1346:
328:
from semicircular to square, the replacement of the
1430:
Scurati (1975), pp. 85-86; Guerci (2001), pp. 42-43
1419:
Atti della visita pastorale di Andrea Carlo Ferrari
717:with two keyboards of 58 notes each and a straight
288:. The situation was unchanged at the visitation of
261:dates back to the end of the 13th century, when an
473:, which bears at the top a statue of the Blessing
420:, and the facade, characterized by a semicircular
1496:. Cinisello Balsamo: Comune di Cinisello Balsamo.
1487:. Cinisello Balsamo: Comune di Cinisello Balsamo.
1478:. Cinisello Balsamo: Comune di Cinisello Balsamo.
1469:. Cinisello Balsamo: Comune di Cinisello Balsamo.
1413:Archivio Storico Diocesano di Milano, Sezione X,
1187:Archivio Storico Diocesano di Milano, Sezione X,
1174:Archivio Storico Diocesano di Milano, Sezione X,
1161:Archivio Storico Diocesano di Milano, Sezione X,
1148:Archivio Storico Diocesano di Milano, Sezione X,
1126:Archivio Storico Diocesano di Milano, Sezione X,
1113:Archivio Storico Diocesano di Milano, Sezione X,
311:Floor plan of the church in Moneta's design, 1597
1502:
1062:
1060:
54:
1247:"Comune di Cinisello Balsamo, archivio storico"
1104:Prina (1995), pp. 11; Guerci (2001), pp. 34-35.
913:"Comune di Cinisello Balsamo, archivio storico"
1095:Prina (1995), pp. 18-20; Guerci (2001), p. 41.
304:developed around the two respective churches.
1057:
1201:
1199:
1197:
1007:survives today. Cf. Scurati (1987), p. 189.
373:The current layout of the sanctuary and the
1521:Religious buildings and structures in Italy
1347:Don Andrea Zandonini (September 11, 2022).
834:
832:
481:connect the upper and lower central parts.
1280:Prina (1995), p. 19; Guerci (2001), p. 42.
1081:: CS1 maint: location missing publisher (
30:
1194:
829:
685:
609:
529:
488:
406:
364:
343:
306:
1017:parish. Cf. Scurati (1975), pp. 85-86.
1503:
1377:from the original on 25 September 2022
1349:"7Giorni - in cammino con la comunità"
1223:Archivio Storico Diocesano di Milano,
956:From Latin, "Dedicated to St. Martin."
694:On the chancel in the left arm of the
650:in 1934 and are currently kept at the
292:to Balsamo on 8 July 1579, who in his
1225:Raccolta Carte Topografiche e Disegni
280:Subsequent historical records of the
16:Sanctuary in Cinisello Balsamo, Italy
1494:I beni culturali a Cinisello Balsamo
1476:L'enciclopedia di Cinisello Balsamo
1473:
1464:
1253:from the original on 2 January 2021
919:from the original on 2 January 2021
215:Roman Catholic Archdiocese of Milan
154:https://www.parrocchiasanmartino.it
13:
1491:
1448:Organ pamphlet by the association
269:appended to Goffredo da Bussero's
14:
1532:
1482:
1069:Liber Notitiæ Sanctorum Mediolani
721:of 27 notes. The wooden case, in
517:for casting. However, due to the
387:new church of San Martino Vescovo
348:The bell tower, completed in 1856
271:Liber Notitiæ Sanctorum Mediolani
1298:R.D. 13 settembre 1928, n° 2229.
789:
777:
765:
751:
739:
732:
661:, in the left transept, and the
571:, wearing a yellow vestment and
235:Santuario di San Martino Vescovo
53:
46:
1458:
1442:
1433:
1424:
1407:
1398:
1389:
1359:
1340:
1318:"Comune di Cinisello Balsamo -
1310:
1301:
1292:
1283:
1274:
1265:
1239:
1230:
1217:
1208:
1181:
1168:
1155:
1142:
1133:
1120:
1020:
1010:
1000:
990:
968:"Comune di Cinisello Balsamo -
959:
950:
940:
931:
903:
894:
884:
875:
865:
591:, placed in the left and right
1492:Gabriella Guerci, ed. (2001).
1191:, vol. 24, ff. 235 e seguenti.
1107:
1098:
1089:
1048:
1039:
852:
842:
657:Of some interest are also the
402:
1:
1033:
681:
484:
1236:Scurati (1987), pp. 41, 172.
7:
1467:Storia di Cinisello Balsamo
801:
729:arranged in a single cusp.
525:
36:The facade of the sanctuary
10:
1537:
1450:Antichi organi in concerto
252:
1227:, già Sezione X, vol. 29.
652:new church of San Martino
534:Interior of the sanctuary
445:, containing a statue of
427:
208:
203:
198:Neoclassical architecture
191:
186:
176:
164:
159:
149:
132:
124:
106:
72:
41:
29:
24:
19:Church in Lombardy, Italy
1483:Francesca Prina (1995).
1474:Alberto Scurati (1987).
1465:Alberto Scurati (1975).
1163:Fondo Spedizioni Diverse
1152:, vol. 18, ff. 158-1636.
1054:Scurati (1987), pp. 189.
823:
61:Sanctuary of San Martino
25:Sanctuary of San Martino
1415:Visite Pastorali, Desio
1307:Scurati (1987), p. 191.
1289:Scurati (1987), p. 169.
1189:Visite Pastorali, Desio
1176:Visite Pastorali, Desio
1150:Visite Pastorali, Desio
1128:Visite Pastorali, Desio
1115:Visite Pastorali, Desio
1045:Scurati (1987), p. 190.
772:The sanctuary in winter
575:, with black and white
449:(left) and a statue of
282:Ecclesia Sancti Martini
263:Ecclesia Sancti Martini
1395:Scurati (1987), p. 41.
1355:on September 16, 2022.
1271:Scurati (1987), p. 56.
691:
676:tables of commandments
646:were moved there from
615:
614:The soffit of the dome
603:, while on the curved
547:of the dome, with the
535:
494:
412:
370:
349:
312:
227:of San Martino Vescovo
1439:Guerci (2001), p. 43.
1373:. 25 September 2022.
1205:Guerci (2001), p. 42.
1139:Guerci (2001), p. 34.
689:
613:
533:
492:
410:
368:
347:
310:
302:Cinisello and Balsamo
267:Ambrosian archdiocese
1516:Churches in Lombardy
1214:Prina (1995), p. 15.
759:Christ at the Column
633:Virgin of the Rosary
629:Our Lady of the Snow
589:St. Charles Borromeo
422:stained-glass window
91:45.55072°N 9.22169°E
709:The instrument has
621:Our Lady of Sorrows
563:with an eagle, and
322:Counter-Reformation
87: /
723:neoclassical style
692:
616:
601:Corinthian columns
536:
505:, containing five
495:
424:and some statues.
413:
371:
350:
313:
243:religious building
1511:Churches in Italy
1117:, vol. 25, f. 77.
818:Carino of Balsamo
808:Cinisello Balsamo
713:and has a window
644:Carino of Balsamo
579:on his chest and
465:with cherubs and
383:Cinisello Balsamo
338:Federico Borromeo
247:Cinisello Balsamo
220:
219:
111:Cinisello Balsamo
96:45.55072; 9.22169
1528:
1497:
1488:
1479:
1470:
1453:
1446:
1440:
1437:
1431:
1428:
1422:
1411:
1405:
1402:
1396:
1393:
1387:
1386:
1384:
1382:
1363:
1357:
1356:
1344:
1338:
1337:
1335:
1333:
1324:. Archived from
1314:
1308:
1305:
1299:
1296:
1290:
1287:
1281:
1278:
1272:
1269:
1263:
1262:
1260:
1258:
1243:
1237:
1234:
1228:
1221:
1215:
1212:
1206:
1203:
1192:
1185:
1179:
1172:
1166:
1165:, cart. 4, f. 2.
1159:
1153:
1146:
1140:
1137:
1131:
1130:, vol. 4, f. 20.
1124:
1118:
1111:
1105:
1102:
1096:
1093:
1087:
1086:
1080:
1072:
1064:
1055:
1052:
1046:
1043:
1028:
1024:
1018:
1014:
1008:
1004:
998:
994:
988:
987:
985:
983:
974:. Archived from
963:
957:
954:
948:
944:
938:
935:
929:
928:
926:
924:
907:
901:
898:
892:
888:
882:
879:
873:
869:
863:
856:
850:
846:
840:
836:
793:
781:
769:
755:
743:
549:four evangelists
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171:Martin of Tours
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1459:Bibliography
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1391:
1381:25 September
1379:. Retrieved
1371:NordMilano24
1370:
1361:
1353:the original
1342:
1330:. Retrieved
1326:the original
1319:
1312:
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1276:
1267:
1255:. Retrieved
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976:the original
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933:
921:. Retrieved
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223:
221:
187:Architecture
134:Denomination
1417:, vol. 21,
585:St. Ambrose
553:St. Matthew
545:pendentives
463:bas-reliefs
403:Description
375:Latin cross
210:Archdiocese
178:Consecrated
94: /
1505:Categories
1034:References
746:The pulpit
719:pedalboard
700:pipe organ
690:Pipe organ
682:Pipe organ
640:presbytery
485:Bell tower
455:Child Mary
294:delineatio
286:bell tower
166:Dedication
79:45°33′03″N
1332:1 October
1257:1 October
1077:cite book
1071:. Milano.
982:1 October
923:1 October
519:armistice
453:with the
317:Monsignor
224:sanctuary
82:9°13′18″E
1375:Archived
1251:Archived
917:Archived
802:See also
696:transept
605:cymatium
597:chasuble
593:transept
565:St. Luke
561:St. John
557:St. Mark
526:Interior
471:tympanum
467:festoons
451:St. Anne
439:cymatium
418:transept
359:Marquise
275:Our Lady
139:Catholic
115:Lombardy
107:Location
1452:(1998).
715:console
698:is the
671:parapet
667:friezes
659:chancel
638:In the
581:crosier
577:pallium
479:volutes
434:lesenes
253:History
239:Balsamo
231:Italian
160:History
150:Website
125:Address
663:pulpit
503:belfry
475:Virgin
459:stucco
443:niches
428:Facade
394:Virgin
997:1892.
824:Notes
727:pipes
704:Monza
625:Monza
573:mitre
541:putti
515:Milan
507:bells
499:ochre
298:choir
237:) in
193:Style
119:Italy
1383:2022
1334:2012
1259:2012
1083:link
984:2012
925:2012
631:and
587:and
326:apse
222:The
182:1911
511:war
1507::
1369:.
1249:.
1196:^
1079:}}
1075:{{
1059:^
915:.
872:7.
831:^
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635:.
233::
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113:,
1421:.
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1085:)
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551:(
229:(
145:)
141:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
