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Samuel James Arnold

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as an English opera house. The building was previously devoted to subscription concerts, picture exhibitions, feats of horsemanship and conjuring. Upon the destruction of the Drury Lane Theatre by fire in the same year, the Drury Lane Company moved to the Lyceum, and remained there for three seasons.
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that it was "the essence of four hundred rejected pieces … with all that is threadbare in plot, lifeless in wit, and sickly in sentiment" and that "Mr. Arnold writes with the fewest ideas possible; his meaning is more nicely balanced between sense and nonsense than that of any of his competitors; he
225:, however, Hazlitt pronounced "a delightful little piece. It is a scene with robbers and midnight murder in it; and all such scenes are delightful to the reader or spectator. We can conceive nothing better managed than the plot of this." 285:, were afterwards produced at the English Opera House for the first time in England. In 1830 the theatre was destroyed by fire. In 1834 the rebuilt Lyceum, also by Samuel Beazley, was opened to the public. The English operas 167:
are the titles of musical plays by Arnold presented by the Drury Lane Company during their occupancy of the English Opera House. The theatre was afterwards open under his own management, when his operas
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The license had been originally granted in the belief that the house would be open only for four months in the summer, and would become a nursery of singers for the winter theatres.
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In 1812 Arnold had been invited to undertake the direction of the Drury Lane Theatre; he resigned his office on the suicide of
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succeeds from the perfect insignificance of his pretensions, and fails to offend through downright imbecility." Arnold's
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in 1815. In 1816 the English Opera House was reopened by Arnold, having been rebuilt on an enlarged scale by
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became the English Opera House, and staged the first English productions of many operas, including in 1824
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In 1824 Arnold produced for the first time in England a version of Carl Maria von Weber's
8: 323: 295: 276: 101:, a musical play in two acts; and this was followed by other works of the same class: 67:(1774–1852) was an English dramatist and theatrical manager. Under his management the 396: 94: 77: 405: 249: 143: 315: 264: 254: 213: 392: 367: 343: 272: 244: 233: 147: 414: 131: 300: 290: 207: 202: 126: 281: 139:, a comedy produced at Drury Lane in 1809, was performed thirty times. 125:, first played at the Haymarket in 1804, was described by the critic 93:, and was given an artistic education. In 1794 at the 412: 129:as "an unnatural mixture of tragedy and farce". 243:, which had been previously refused by the two 200:were produced in succession. In 1811 he staged 382:. Vol. 2. London: Smith, Elder & Co. 358:. Vol. 2. London: Smith, Elder & Co. 303:were produced under Arnold's management. 117:, produced at the Haymarket in 1797; and 16:English dramatist and theatrical manager 451:English male dramatists and playwrights 366: 342: 314:In 1803 Arnold married the daughter of 236:, the architect, at a cost of ÂŁ80,000. 413: 137:Man and Wife, or More Secrets than One 402:Works by or about Samuel James Arnold 247:. Other foreign operas of note, the 153:Up All Night, or The Smuggler's Cave 105:produced at the Haymarket in 1795; 89:Arnold was the son of the composer 13: 431:English dramatists and playwrights 121:, produced at Drury Lane in 1801. 14: 467: 456:19th-century English male writers 441:18th-century English male writers 386: 206:, a comic opera to a libretto by 142:In 1809 Arnold obtained from the 379:Dictionary of National Biography 355:Dictionary of National Biography 146:a license to open the Lyceum in 25:Samuel James Arnold (1774–1852) 336: 1: 329: 161:The Maniac, or Swiss Banditti 446:19th-century English writers 436:18th-century English writers 393:Works by Samuel James Arnold 373:"Arnold, Samuel James"  349:"Arnold, Thomas James"  7: 10: 472: 216:wrote in 1816 of Arnold's 309: 306:Arnold was a magistrate. 165:Plots, or The North Tower 54: 46: 38: 30: 23: 103:Who Pays the Reckoning? 84: 69:Lyceum Theatre, London 192:and dramas including 123:Foul Deeds Will Rise 73:Carl Maria von Weber 324:Thomas James Arnold 182:Frederick the Great 65:Samuel James Arnold 296:The Mountain Sylph 277:Heinrich Marschner 269:The Robber's Bride 174:The Devil's Bridge 111:Drury Lane Theatre 109:, produced at the 397:Project Gutenberg 157:Britain's Jubilee 95:Haymarket Theatre 62: 61: 463: 406:Internet Archive 383: 375: 360: 359: 351: 340: 230:Samuel Whitbread 218:The King's Proxy 170:The King's Proxy 144:Lord Chamberlain 115:The Irish Legacy 21: 20: 471: 470: 466: 465: 464: 462: 461: 460: 411: 410: 389: 368:Stephen, Leslie 364: 363: 344:Stephen, Leslie 341: 337: 332: 316:Henry James Pye 312: 265:Ferdinando Paer 260:The Freebooters 255:Antonio Salieri 245:patent theatres 214:William Hazlitt 190:Broken Promises 119:The Veteran Tar 99:Auld Robin Gray 87: 58:Theatre manager 26: 17: 12: 11: 5: 469: 459: 458: 453: 448: 443: 438: 433: 428: 423: 409: 408: 399: 388: 387:External links 385: 370:, ed. (1885). 362: 361: 346:, ed. (1885). 334: 333: 331: 328: 311: 308: 273:Ferdinand Ries 241:Der FreischĂĽtz 234:Samuel Beazley 178:The Americans 86: 83: 78:Der FreischĂĽtz 60: 59: 56: 52: 51: 48: 44: 43: 40: 36: 35: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 468: 457: 454: 452: 449: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 418: 416: 407: 403: 400: 398: 394: 391: 390: 384: 381: 380: 374: 369: 357: 356: 350: 345: 339: 335: 327: 326:was his son. 325: 321: 320:Poet Laureate 317: 307: 304: 302: 298: 297: 292: 288: 284: 283: 278: 274: 270: 266: 262: 261: 256: 252: 251: 246: 242: 237: 235: 231: 226: 224: 219: 215: 211: 209: 205: 204: 199: 198:Free and Easy 195: 191: 187: 183: 179: 175: 171: 166: 162: 158: 154: 149: 145: 140: 138: 134: 133: 132:A Prior Claim 128: 124: 120: 116: 112: 108: 107:The Shipwreck 104: 100: 96: 92: 91:Samuel Arnold 82: 80: 79: 74: 70: 66: 57: 53: 49: 45: 41: 37: 33: 29: 22: 19: 377: 365: 353: 338: 313: 305: 301:John Barnett 294: 291:Edward Loder 286: 280: 268: 258: 248: 240: 238: 227: 222: 217: 212: 208:Thomas Moore 201: 197: 193: 189: 186:Baron Trenck 185: 181: 177: 173: 169: 164: 160: 156: 152: 141: 136: 130: 122: 118: 114: 106: 102: 98: 97:he produced 88: 76: 64: 63: 18: 426:1852 deaths 421:1774 births 127:John Genest 47:Nationality 415:Categories 330:References 282:Der Vampyr 148:the Strand 55:Occupation 287:Nourjahad 223:Two Words 194:Two Words 113:in 1796; 404:at the 50:British 318:, the 310:Family 275:, and 250:Tarare 163:, and 293:and 203:M.P. 196:and 85:Life 42:1852 39:Died 34:1774 31:Born 395:at 299:by 289:by 279:'s 271:by 263:by 253:of 75:'s 417:: 376:. 352:. 322:. 267:, 257:, 210:. 188:, 184:, 180:, 176:, 172:, 159:, 155:, 81:.

Index

Lyceum Theatre, London
Carl Maria von Weber
Der FreischĂĽtz
Samuel Arnold
Haymarket Theatre
Drury Lane Theatre
John Genest
A Prior Claim
Lord Chamberlain
the Strand
M.P.
Thomas Moore
William Hazlitt
Samuel Whitbread
Samuel Beazley
patent theatres
Tarare
Antonio Salieri
The Freebooters
Ferdinando Paer
Ferdinand Ries
Heinrich Marschner
Der Vampyr
Edward Loder
The Mountain Sylph
John Barnett
Henry James Pye
Poet Laureate
Thomas James Arnold
Stephen, Leslie

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