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Salting Madonna

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shows a complex series of cultural references that in the past have led scholars to classify it variously as a Flemish, Spanish or even Russian work. It is believed to be one of Antonello's earlier works, dating most likely from the 1460s, when the artist was still in
228:. It portrays the Madonna adorned with a series of well-crafted and rendered details, such as the crown and the Venetian-style garments and gossamer veil. The Madonna has the attributes of 313: 264: 585: 493: 477: 461: 445: 392: 325: 590: 501: 195:, depicting the Madona holding the doll-like Child and wearing an ornate golden crown, held by angels over her head. It is housed in the 580: 282: 554: 509: 89: 61: 453: 528: 385: 68: 108: 536: 42: 415: 75: 469: 46: 378: 343: 57: 363: 575: 196: 485: 299: 35: 595: 437: 229: 82: 401: 192: 141: 8: 130: 252: 241: 191:) is a painting attributed on basis of style to the early Italian Renaissance master 321: 294: 247:
The abstract beauty of the Madonna's face derives from the style of contemporary
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43.2 cm × 34.3 cm (17.0 in × 13.5 in)
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Antonello da Messina : Sicily's Renaissance master
232:. The crown with two angels represents her also as the 211:, the collector who donated it to the gallery in 1910. 297:
in "The Salting collection II: the Italian pictures",
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Italian Renaissance painting, development of themes
49:. Unsourced material may be challenged and removed. 567: 386: 350:. New York: The Metropolitan Museum of Art. 16:Painting attributed to Antonello da Messina 393: 379: 341: 129: 586:Paintings in the National Gallery, London 361: 293:The attribution to Antonello was made by 109:Learn how and when to remove this message 400: 203:, which is also applied to a Madonna by 568: 555:Male portraits by Antonello da Messina 374: 364:"Sicilian Art: Gallery of the Great" 124:Madonna with Child (Salting Madonna) 47:adding citations to reliable sources 18: 362:Bensalhia, John (4 February 2015). 13: 591:Paintings of the Madonna and Child 335: 283:"Possibly by Antonello da Messina" 240:in his hands, which symbolize the 14: 607: 581:Paintings by Antonello da Messina 355: 23: 34:needs additional citations for 306: 287: 276: 1: 270: 7: 258: 214: 10: 612: 159:Various techniques on wood 547: 520: 462:Saint Jerome in His Study 408: 171: 163: 155: 147: 137: 128: 123: 433:(c. 1460–1469; disputed) 342:Barbera, K, ed. (2005). 197:National Gallery, London 175:National Gallery, London 486:San Cassiano Altarpiece 300:The Burlington Magazine 438:San Gregorio Polyptych 230:Mary, mother of Christ 303:, vol 17 (1910) p. 6. 532:(c. 1454–1455, 1475) 502:Christ at the Column 402:Antonello da Messina 251:artists, especially 236:. The Child holds a 193:Antonello da Messina 142:Antonello da Messina 43:improve this article 481:(London; 1475–1476) 497:(Palermo; c. 1476) 253:Enguerrand Quarton 184:Madonna with Child 563: 562: 494:Virgin Annunciate 478:Portrait of a Man 446:Virgin Annunciate 366:. Italy Magazine. 242:Passion of Christ 179: 178: 119: 118: 111: 93: 58:"Salting Madonna" 603: 395: 388: 381: 372: 371: 367: 351: 330: 329: 324:. Archived from 322:National Gallery 310: 304: 291: 285: 280: 133: 121: 120: 114: 107: 103: 100: 94: 92: 51: 27: 19: 611: 610: 606: 605: 604: 602: 601: 600: 576:1460s paintings 566: 565: 564: 559: 543: 521:Painting series 516: 510:Saint Sebastian 430:Salting Madonna 404: 399: 358: 338: 336:Further reading 333: 316:Salting Madonna 312: 311: 307: 295:Claude Phillips 292: 288: 281: 277: 273: 261: 234:Queen of Heaven 221:Salting Madonna 217: 189:Salting Madonna 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 609: 599: 598: 593: 588: 583: 578: 561: 560: 558: 557: 551: 549: 545: 544: 542: 541: 540:(c. 1470–1475) 533: 524: 522: 518: 517: 515: 514: 513:(c. 1477–1479) 506: 505:(c. 1476–1478) 498: 490: 482: 474: 466: 465:(c. 1474–1475) 458: 450: 449:(Munich; 1473) 442: 434: 426: 412: 410: 406: 405: 398: 397: 390: 383: 375: 369: 368: 357: 356:External links 354: 353: 352: 337: 334: 332: 331: 328:on 2009-05-07. 305: 286: 274: 272: 269: 268: 267: 260: 257: 216: 213: 209:George Salting 177: 176: 173: 169: 168: 165: 161: 160: 157: 153: 152: 149: 145: 144: 139: 135: 134: 126: 125: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 608: 597: 596:Angels in art 594: 592: 589: 587: 584: 582: 579: 577: 574: 573: 571: 556: 553: 552: 550: 546: 539: 538: 534: 531: 530: 526: 525: 523: 519: 512: 511: 507: 504: 503: 499: 496: 495: 491: 488: 487: 483: 480: 479: 475: 472: 471: 467: 464: 463: 459: 456: 455: 451: 448: 447: 443: 440: 439: 435: 432: 431: 427: 424: 422: 418: 414: 413: 411: 407: 403: 396: 391: 389: 384: 382: 377: 376: 373: 365: 360: 359: 349: 348: 345: 340: 339: 327: 323: 319: 317: 309: 302: 301: 296: 290: 284: 279: 275: 266: 263: 262: 256: 254: 250: 245: 243: 239: 235: 231: 227: 222: 212: 210: 206: 205:Robert Campin 202: 198: 194: 190: 186: 185: 174: 170: 166: 162: 158: 154: 150: 146: 143: 140: 136: 132: 127: 122: 113: 110: 102: 99:November 2020 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 535: 527: 508: 500: 492: 484: 476: 468: 460: 454:Annunciation 452: 444: 436: 429: 428: 420: 417:Saint Jerome 416: 347: 344: 326:the original 315: 308: 298: 289: 278: 246: 220: 218: 200: 188: 183: 182: 180: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 529:Crucifixion 489:(1475–1476) 238:pomegranate 199:. The name 570:Categories 271:References 207:, denotes 164:Dimensions 69:newspapers 537:Ecce Homo 425:(c. 1455) 409:Paintings 249:Provençal 259:See also 215:Painting 172:Location 151:c. 1460s 548:Related 470:Calvary 421:Abraham 201:Salting 83:scholar 473:(1475) 457:(1474) 441:(1473) 423:panels 226:Sicily 138:Artist 85:  78:  71:  64:  56:  90:JSTOR 76:books 419:and 219:The 181:The 156:Type 148:Year 62:news 45:by 572:: 320:. 255:. 244:. 394:e 387:t 380:v 318:" 314:" 187:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Antonello da Messina
Antonello da Messina
National Gallery, London
Robert Campin
George Salting
Sicily
Mary, mother of Christ
Queen of Heaven
pomegranate
Passion of Christ
Provençal
Enguerrand Quarton
Italian Renaissance painting, development of themes
"Possibly by Antonello da Messina"
Claude Phillips
The Burlington Magazine
"Salting Madonna"
National Gallery

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