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psychiatrist disrupts their complacency. He is attracted to both the divorced Leonie and her daughter but schemes to marry Leonie to gain control of her money, until his plan is revealed by Paula. Other characters, including a young man romantically attached to Paula and a
Russian emigre-friend of the family, visit the house and talk about their lives, aspirations, and political leanings. Will, Paula's potential fiancé, cannot reconcile his activist politics with the thought of marrying into a family with so much money. One writer described
270:. He was supported for a time by his brothers Hiram and Morris, who ran a successful accounting firm and who were willing to help their younger brother complete his education and try to establish himself as a writer. Living in a cold-water flat in Manhattan, Behrman worked in his twenties as a book reviewer, newspaper interviewer, and press agent, collaborated on three undistinguished plays, and published short stories in several magazines, including
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221:, inspiring in him a love of the stage. "When he was a boy, Behrman saw all the famous plays and players of the first decade as an usher in a Worcester theater." At fifteen, he ran away from home with another schoolmate for four days and stayed in New York City. Life in Worcester began to appear increasingly limited. At seventeen, he saw a production of George Bernard Shaw's
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well-placed southern family. He wants Marion to abandon the project, fearing that he will be named in her book and his plans derailed. A liberal woman who has painted both Roman
Catholic prelates and Lenin himself, Marion must choose (she destroys her manuscript in the end), but is ultimately alienated by both Kurt's proletarian rigidity and Leander's smug conservatism.
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gives an idea of the breadth and depth of
Behrman's life: e.g., Greta Garbo, Laurence Olivier, Louis B. Mayer, Jean Giradoux, Somerset Maugham, Eugene O'Neill, Noël Coward, Maxwell Anderson, Elmer Rice, Sidney Howard, Felix Frankfurter, Bernard Berenson, the Gershwins, and the Marx Brothers. The book
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College was a mixed experience for
Behrman. He was repeatedly suspended for failing mandatory physical education classes. Daniel Asher, who devotedly believed in his friend's future, urged Behrman to take courses at nearby Harvard University. There he enrolled in an English composition class with the
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it is a collection of autobiographical essays and sketches culled from the sixty volumes of diaries
Behrman had been keeping since his time at Harvard in 1915. "An odd quirk of destiny has put a great many people in my way," he wrote in a significant understatement, declaring that his purpose in the
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at Boston's Park Street
Theatre that determined him on his course; that play "seduced me to the theatre," he later remarked. After graduating from high school, Behrman attempted a career as an actor on the vaudeville circuit. Bad health forced him to quit, and he returned home to Worcester and
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is about three women of different generations and values: forty-ish Leonie
Frothingham, her elderly mother, and her nineteen-year-old daughter, Paula. The three women, insulated from the Depression and its harsh realities by their money, live in summer comfort on an estate in Maine. A visiting
314:, who became his good friends. One journalist remembered him from this period as "slim, dark-eyed, curly-haired...with the brooding melancholy of a young Jewish intellectual." Theater critic and historian Brooks Atkinson described Behrman as "one of the Guild's most adored authors." Along with
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tells the story of Marion Froude, a noted portrait painter, who has been prevailed upon by an abrasive leftwing publisher, Richard Kurt, to write her serialized memoirs for his magazine. A former lover with senatorial aspirations, Leander Nolan, hopes to marry into a conservative, politically
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Behrman's parents, Zelda (Feingold) and Joseph
Behrman, emigrated from what is now Lithuania to the United States, where Samuel Nathaniel Behrman was born, the youngest of three sons, in a tenement in Worcester, Massachusetts in 1893. His parents spoke little English, and his father was a
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wrote of
Behrman, " ethical and political principles have never been appreciated. It is an ancient rule that prizes are not given to comic plays about serious subjects. The court jester invariably ranks with dilettantes and flaneurs." In Atkinson's view, this "short, rounded, merry,
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attended Clark
University. There he studied under the noted psychologist G. Stanley Hall and heard Sigmund Freud lecture on his 1909 American tour. He immersed himself in the plays of Ibsen, Strindberg, Shaw, Arthur Pinero, and Maurice Maeterlinck.
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as "a Chekhovian play which emphasizes the disappearance or demise of an old, conservative order and the emergence of the new, more radical way of American life." The play also starred Ina Claire and ran on Broadway for 153 performances.
239:. He was suspended at Clark again in his sophomore year, at which time he transferred to Harvard. (in 1949, Clark University awarded Behrman an honorary degree.) While in Copeland's class in 1915, he sold a short story to the magazine
1239:(New York: Farrar, Straus, Giroux, 2005), pp. 246-247. Egremont describes their initial bond, on Behrman's part, as one of affection bordering on hero-worship of the British poet and veteran of the trenches.
480:. When he fails at this attempt, he resolves to go to Spain himself and fight. The play asks the question: Is there a place for comedy in a violent and unjust world? The protagonist of
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also contains some biting observations about the direction modern America had taken in the 1960s as it waged war in Vietnam and became more obsessed with money and imperial ambitions.
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scholar. (Though known for his sophisticated comedies and worldly characters, Behrman fondly dramatized his family-centered, impoverished childhood in one of his last plays, the 1958
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Behrman was known for his warm, witty personality and enjoyed good relations with many other writers, both in and out of the theater world. A newspaper interview he conducted with
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Berhman's comedies repeatedly celebrate tolerance, yet show how tolerant people in their generosity are often vulnerable when confronted by fanatics or ruthless opportunists. In
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to Behrman," in tribute to his famous student. In 1916, Behrman was the only undergraduate in the legendary "47 Workshop" playwriting class, where he studied
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589:(1972), a memoir, could also be regarded as a major Behrman work and a well-crafted example of its genre. Published eighteen years after his first memoir,
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From the late 1920s through the 1940s, S. N. Behrman was considered one of Broadway's leading authors of "high comedy," was often produced by the famous
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Morgan, pp. xiv-xv. Behrman was helpful to Ted Morgan in the preparation of his 1980 biography of Maugham, and that biography is dedicated to Behrman.
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owlish-looking...marvelously erudite and civilized" man was far more than merely a writer of Broadway entertainments. His widow died in 1998 aged 92.
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editor William Shawn. When in Italy, he was a welcome guest of Max Beerbohm, whose biography he wrote in 1960, four years after Beerbohm's death.
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laments a political landscape that is divided between left- and right-wing extremes, leaving little space for a tolerant, humane middle ground.
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in 1919 and, when produced by the Theater Guild in 1927, made his reputation. Noël Coward, who became a friend, acted in the London production.
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Behrman's two most anthologized plays, which continued to be revived in regional theaters through the twentieth century, are
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Asher, who committed suicide in 1929, and his intense relationship with Behrman is the subject of an unconventional memoir,
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S. N. Behrman died in 1973 at the age of eighty. He was survived by his wife, Elza Heifetz Behrman, the sister of violinist
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While at Columbia, where he received his M.A. in 1918, Behrman studied under the noted theater critic and historian
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A schoolmate and intimate friend, Daniel Asher, brought him to the theater when he was eleven to see
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book was to "revive their society" and the vibrant times they had shared. The cast of characters in
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In Hollywood, Behrman enjoyed a lucrative second career as a screenwriter. He wrote screenplays for
449:(1951), a failure that closed in pre-Broadway tryouts. He also collaborated on the screenplays for
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560:(1936). Like many of Behrman's plays, they are character studies more than plot-filled dramas.
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the monthly edited by H.L. Mencken and George Jean Nathan. His first play under his own name,
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1175:(New York: Vintage, 2009), p. 131. Coward was a great fan of Behrman's plays and directed
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as well as longer pieces that became highly regarded biographies of writer and dandy
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nineteen years later, he would title an essay "Baker's Last Drama Lecture: From
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Biographical information for this entry is taken from Atkinson and Reed.
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All That Glittered: The Golden Age of Drama on Broadway, 1919-1959.
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trilogy into a musical play for the stage. His 1942 Broadway play,
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Duveen: The Story of the Most Spectacular Art Dealer of All Time.
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443:. His experiences in Hollywood found dramatic form in the play
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1130:(New York: Coward, McCann, 1973), by Don Asher, Daniel's son.
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starred Ina Claire and ran on Broadway for 219 performances.
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The Eminent Yachtsman & the Whorehouse Piano Player
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Portrait of Max: An Intimate Memoir of Sir Max Beerbohm
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included profiles of such notable figures as composer
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Fellows of the American Academy of Arts and Sciences
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S. N. Behrman: A Research and Production Sourcebook.
1265:(New York: Simon & Schuster, 1980), pp. 447-448.
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Members of the American Academy of Arts and Letters
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517:. His autobiographical essays, also serialized in
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1414:S. N. Behrman Biography, Photos and Works
1252:(London: Metro Publishing, 2005), p. 148.
1179:in London a few years after appearing in
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1421:– An electronic archive including plays
1217:. American Academy of Arts and Sciences
1212:"Book of Members, 1780-2010: Chapter B"
529:(1972). He was elected a Fellow of the
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1082:Reed, Kenneth T.; Reed, Terry (1975).
1450:Writers from Worcester, Massachusetts
1341:Greenwich, CT: Greenwood Press, 1992.
531:American Academy of Arts and Sciences
421:. With Sonya Levien, he co-wrote the
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645:(1923), with J. Kenyon Nicholson
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758:Jacobowsky and the Colonel
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178:. His son is the composer
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1334:New York: Atheneum, 1970.
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870:(1930), with Sonya Levien
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672:(1927), with Nicholson
651:(1924), with Nicholson
591:The Worcester Account,
487:Behrman's columns for
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1248:John Stuart Roberts,
1088:. Twayne Publishers.
933:Hallelujah, I'm a Bum
835:The Worcester Account
523:The Worcester Account
35:S. N. Behrman in 1938
1387:S. N. Behrman Papers
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1369:S. N. Behrman Papers
1263:Maugham: A Biography
975:A Tale of Two Cities
816:But For Whom Charlie
455:A Tale of Two Cities
223:Caesar and Cleopatra
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922:(1932), with Levien
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370:W. Somerset Maugham
261:Columbia University
245:George Pierce Baker
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77:New York City, U.S.
1330:Atkinson, Brooks.
1301:Reed, pp. 103-105.
1171:Barry Day (ed.).,
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1007:No Time for Comedy
739:No Time for Comedy
655:The Man Who Forgot
473:No Time for Comedy
340:No Time for Comedy
324:Robert E. Sherwood
87:Harvard University
16:American dramatist
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1337:Gross, Robert F.
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1201:Atkinson, p. 217.
1162:Reed, pp. 22, 24.
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1117:Atkinson, p. 428.
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1261:Ted Morgan,
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1219:. Retrieved
1206:
1197:
1192:Reed, p. 27.
1188:
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1153:Reed, p. 22.
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926:Brief Moment
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457:(1935), and
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338:(1936), and
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110:screenwriter
72:(1973-09-09)
55:June 9, 1893
1440:1973 deaths
1435:1893 births
854:Screenplays
617:Arthur Gelb
556:(1932) and
548:Major works
525:(1955) and
441:Rose Hobart
435:, starring
423:screen play
401:Greta Garbo
374:Harold Rome
354:Ruth Gordon
308:Alfred Lunt
208:Eli Wallach
191:Early years
101:Occupations
1429:Categories
1069:References
1031:The Pirate
810:Lord Pengo
752:The Pirate
706:Love Story
659:Owen Davis
542:New Yorker
393:The Pirate
388:The Pirate
316:Elmer Rice
296:Ina Claire
107:Playwright
51:1893-06-09
1332:Broadway.
1183:(p. 287).
1177:Biography
1039:Quo Vadis
895:Surrender
874:Lightning
793:(musical)
699:Biography
569:Biography
564:Biography
554:Biography
533:in 1959.
482:Biography
346:'s novel
332:Biography
304:Jane Cowl
253:Aeschylus
186:Biography
124:1915–1972
983:Conquest
887:The Brat
461:(1940).
453:(1935),
412:Conquest
334:(1932),
198:Talmudic
129:Children
1407:at the
1389:at the
1380:at the
1371:at the
1325:Sources
1221:May 30,
991:Parnell
682:)(1929)
230:College
1092:
1064:(1962)
1058:(1961)
1050:(1958)
1042:(1951)
1034:(1948)
1025:(1941)
1018:(1940)
1010:(1940)
1002:(1938)
994:(1937)
986:(1937)
978:(1935)
970:(1935)
962:(1934)
956:(1933)
948:(1933)
942:(1933)
936:(1933)
928:(1933)
882:(1930)
867:Liliom
862:(1930)
849:(1972)
843:(1960)
837:(1955)
831:(1952)
818:(1964)
812:(1962)
806:(1958)
786:(1951)
780:(1949)
774:(1946)
766:(1945)
760:(1944)
754:(1942)
748:(1941)
742:(1939)
734:(1938)
728:(1937)
720:(1936)
714:(1934)
708:(1933)
702:(1932)
694:(1931)
688:(1929)
686:Meteor
666:(1927)
432:Liliom
326:, and
113:writer
61:, U.S.
1215:(PDF)
1055:Fanny
823:Books
791:Fanny
637:Plays
619:, of
603:Death
383:Fanny
364:and "
1400:IMDb
1223:2011
1090:ISBN
771:Jane
678:(or
439:and
366:Jane
360:and
310:and
91:B.A.
67:Died
41:Born
1398:at
1313:",
429:'s
380:'s
156:ɛər
1431::
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1135:^
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93:,
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1225:.
1098:.
168:/
165:n
162:ə
159:m
153:b
150:ˈ
147:/
143:(
53:)
49:(
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