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775:. When first published, this novel received lukewarm reviews and indifferent sales. A few months later, Perelman was interviewed for a national publication. The interviewer asked Perelman if he had read anything funny lately. Perelman—a man not noted for generosity with his praise—went to considerable lengths to commend
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direct assault on culture ... to flay the barbarian enemy: the hucksters and the hacks, the beaming empty face of commercial society ... It was his special pleasure in the '30s and '40s to take some inoffensive professional manual by the scruff and wring from it every drop of false feeling or
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has in turn admitted to being influenced by
Perelman and recently has written tributes in very much the same style. The two once happened to have dinner at the same restaurant, and when the elder humorist sent his compliments, the younger comedian mistook it for a joke. Authors that admired
396:—who sent his laundry to Paris—the young Jawaharlal's British nurse etc. etc. ...), Perelman composed a series of imaginary letters that might have been exchanged in 1903 between an angry Pandit Nehru in India and a sly Parisian laundryman about the condition of his laundered underwear.
757:, who once said of the writer, "I hated the son of a bitch, and he had a head as big as my desk." In the later years of Perelman's career, he bristled at being identified as a writer of Marx Brothers material, insisting that his publishers omit any mention of it in publicity material.
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in which he gives acid (and disillusioned) descriptions of recent viewings of movies (and recent re-readings of novels) that had enthralled him as a youth in
Providence, Rhode Island, later as a student at Brown University, and then while a struggling comic artist in Greenwich Village.
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turned rather sour when late in his life he (temporarily) relocated to
England. He returned to New York in 1972, having concluded that "English life, while very pleasant, is rather bland. I expected kindness and gentility and I found it, but there is such a thing as too much couth."
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Perelman reportedly regarded children as a nuisance. His son Adam (born in 1936) committed several robberies in the mid-1950s, was accused of attempted rape, and ended up in a reformatory for wayward boys. The two things that brought
Perelman happiness were his MG automobile and a
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Perelman also occasionally used a form of word play that was, apparently, unique to him. He would take a common word or phrase and change its meaning completely within the context of what he was writing, generally in the direction of the ridiculous. In
353:) was unsuccessful, and throughout his life he was resentful that authors who wrote in the full-length form of novels received more literary respect (and financial success) than short-form authors like himself even as he openly admired British humorist
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Sometimes he gleaned an apparently off-hand phrase from a newspaper article or magazine advertisement and then write a brief, satiric play or sketch inspired by that phrase. A typical example is his 1950s work "No Starch in the Dhoti,
415:, for instance, he writes: "The homeward-bound Americans were as merry as grigs (the Southern Railway had considerately furnished a box of grigs for purposes of comparison)". Another classic Perelman pun is "I've got
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Perelman wrote many brief, humorous descriptions of his travels for various magazines, and of his travails on his
Pennsylvania farm, all of which were collected into books. (A few were illustrated by caricaturist
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407:, a teen magazine with stories inspired by the 1930s Swing dance craze. Perelman voraciously read magazines to find new material for his sketches. (He often referred to the magazines as "Sauce for the gander.")
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People like SJ Perelman and EB White – people who could do certain amazing things in prose. Perelman was the first true
American surrealist – ranking with the best in the world surrealist movement.
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In other sketches, Perelman satirized popular magazines or story genres of his day. In "Somewhere a Roscoe," he pokes fun at the "purple prose" writing style of 1930s pulp magazines such as
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has declared his admiration for
Perelman's writing. Keillor's "Jack Schmidt, Arts Administrator" is a parody of Perelman's classic "Farewell, My Lovely Appetizer", itself a parody of the
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writers of the era frequently produced. Yet his references to himself were typically wittily self-deprecatory—as for example, "before they made S.J. Perelman, they broke the mold."
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272:, New York City, the only son of Joseph and Sophie Perelman, who moved from one failed business to another until they found themselves raising chickens on a farm and running a
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writer of the United States. In these numerous brief sketches he pioneered a new and unique style, using parody to "wring every drop of false feeling or slovenly thinking."
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They were infused with a sense of ridicule, irony, and wryness and frequently used his own misadventures as their theme. Perelman chose to describe these pieces as
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Perelman wrote at least five original plays produced on
Broadway from 1932 to 1963, two as collaborators with his wife Laura. The first was the musical revue
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458:, and sense of the ridiculous. All these elements infused Perelman's writings but his style was precise, clear, and the very opposite of Joycean
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A number of his works were set in
Hollywood and in various places around the world. He stated that as a young man he was heavily influenced by
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to be a novel, it is actually his first collection of humorous pieces, many written while he was a student at Brown. It is largely considered
341:— a French literary term meaning "literary or scientific articles; serial stories" (literally "little leaves") — and he defined himself as a
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Perelman is highly regarded for his humorous short pieces that he published in magazines in the 1930s and 1940s, most often in
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Perelman's personal life was difficult. In 1929 at the age of 25 he married the 18-year-old sister of his school friend
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539:, lyrics by Nash), which opened on Broadway in 1943 and ran for more than 500 performances. His final play
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Along with his explicit credits, Perelman and Laura West
Perelman worked as contract screenwriters for
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was very different from those sketches of the inept "little man" struggling to cope with life that
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The phrase "crazy like a fox" gained popularity after Perelman used it as a book title in 1944.
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the same year. They remained married until Laura's death in 1970. Perelman did not remarry.
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and screenwriter. He is best known for his humorous short pieces written over many years for
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and liberally sprinkled his prose with these phrases, thus paving the way for the likes of
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403:. In "Swing Out, Sweet Chariot," he examines the silliness of the "jive language" found in
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The marriage was strained from the start because of his innumerable affairs (notably with
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1411:"Daytonian in Manhattan: Unexpected Art Deco - H. I. Feldman's 1930 22-24 Grove Street"
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1153:"How Percy Marks Got Fired from Brown for Exposing the Depravities of the Ivy League"
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in multiple roles, fared less well, its short run attributed in part to the 114-day
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listed Perelman as a major influence in his December 13, 2012 interview on the
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779:. After the interview was published, sales of Heller's novel skyrocketed.
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701:(1958), produced for television and featuring the final score written by
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1477:"Gotterdammerung-22" in Joseph Heller's Catch-22, edited by Harold Bloom
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1577:"That Old Feeling: Perelmania" — A celebratory essay regarding Perelman
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A vitriolic but amusing review of Perelman's career and alleged demise
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317:, who accompanied Perelman on the round-the-world trip recounted in
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And Did You Once See Sidney Plain? A Random Memoir of S.J. Perelman
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256:, as well as books, scripts, and screenplays. Perelman received an
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Don't Mention the Marx Brothers: Reminiscences of S.J. Perelman
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in 1921, where he became editor of the campus humor magazine
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In cinema, Perelman is noted for co-writing scripts for the
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Perelman, S. J. (January 1, 1949). "Stringing Up Father".
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Perelman was indirectly responsible for the success of
250:. He also wrote for several other magazines, including
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New York Film Critics Circle Award for Best Screenplay
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Perelman picked up plenty of pungent expressions from
242:(February 1, 1904 – October 17, 1979) was an American
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William Cole and George Plimpton (Summer–Fall 1963).
572:(1932), and for the Academy Award-winning screenplay
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Don't Tread on Me: Selected Letters of S.J. Perelman
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and made uncredited contributions for films such as
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Members of the American Academy of Arts and Letters
345:. Perelman's only attempt at a conventional novel (
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60:. Unsourced material may be challenged and removed.
1159:. New England Historical Society. November 4, 2017
422:He also wrote a notable series of sketches called
283:He attended the Candace Street Grammar School and
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722:, produced on Broadway, and both were signed by
462:. Perelman dryly admitted to having been such a
1133:. New England Historical Society. February 2014
3383:Best Adapted Screenplay Academy Award winners
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753:Perelman had a problematic relationship with
745:, both of which he pampered like babies. His
682:(1942) based on the Perelmans' Broadway play
1070:. Vol. 24, no. 45. pp. 16–17.
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1555:"S. J. Perelman, The Art of Fiction No. 31"
1235:Phillips, David Graham (November 1, 1980).
438:, obscure words and references, metaphors,
305:Perelman dropped out of Brown and moved to
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1511:The American Heritage Dictionary of Idioms
388:." Beginning with an off-hand phrase in a
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1640:Academy Award for Best Adapted Screenplay
1582:Encyclopedia Brunoniana entry on Perelman
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466:thief that he should have been arrested.
120:Learn how and when to remove this message
1480:. NY: Infobase Publishing. p. 154.
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930:(collection of re-printed pieces) (1958)
328:. For these, he is considered the first
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497:school of tough, amorous 'private-eye'
222: 1929; died 1970)
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525:, which opened in December 1932. With
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1353:Perelman, S. J. (December 16, 1944).
1238:Twentieth Century American Literature
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760:
1312:"S.J. Perelman talks to Tony Bilbow"
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529:, he wrote the book for the musical
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471:Perelman's ingenious style included
434:and Flann O'Brien, particularly his
58:adding citations to reliable sources
29:
3398:20th-century American screenwriters
1094:"'I Don't Believe in Kindly Humor'"
551:1962 New York City newspaper strike
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3393:20th-century American male writers
1508:Ammer, Christine (April 1, 1997).
25:
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3388:American male non-fiction writers
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1127:"S.J. Perelman, Crazy Like a Fox"
27:American screenwriter (1904–1979)
3368:Screenwriters from New York City
1734:Heinz Herald, Geza Herczeg, and
1587:Works by or about S. J. Perelman
1375:Conversations with S.J. Perelman
1276:Conversations with S.J. Perelman
1092:Lahr, John (September 7, 1986).
990:Conversations with S.J. Perelman
709:
349:, written in collaboration with
264:Early life, family and education
34:
1566:Some information about Perelman
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1380:University Press of Mississippi
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1355:"Farewell, My Lovely Appetizer"
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1281:University Press of Mississippi
1210:The flinty eye behind the humor
1157:NewEnglandHistoricalSociety.com
1131:NewEnglandHistoricalSociety.com
1057:
1032:. G. P. Putnam's Sons, (1986).
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219:
45:needs additional citations for
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1023:S.J. Perelman A Critical Study
726:as contract screenwriters for
594:His official credits include:
13:
1:
3348:Jewish American screenwriters
1474:Buckley, Christopher (2008).
1075:
487:Oxford Book of Humorous Prose
392:article ("...the late Pandit
309:in Manhattan, New York City.
3403:Classical High School alumni
1018:. Twayne Publishers, (1983).
998:(UK reprinted pieces) (2000)
7:
3373:American male screenwriters
1372:Teicholz, Tom, ed. (1995).
1273:Teicholz, Tom, ed. (1995).
912:Under the Spreading Atrophy
890:The Ill-Tempered Clavichord
690:Around the World in 80 Days
575:Around the World in 80 Days
501:. Irish comedian and actor
260:for screenwriting in 1956.
10:
3429:
3408:20th-century American Jews
3109:Charlie and Donald Kaufman
1025:. Greenwood Press, (1987).
1004:(Library of America)(2021)
996:The World of S.J. Perelman
884:A Child's Garden of Curses
684:The Night Before Christmas
287:in Providence. He entered
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2137:
1894:
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1606:
1601:Awards for S. J. Perelman
1424:Mitchell, Martha (1993).
1399:– via Google Books.
1300:– via Google Books.
1262:– via Google Books.
1009:Books about S.J. Perelman
928:The Most of S.J. Perelman
902:Perelman's Home Companion
896:Hold that Christmas Tiger
878:The Swiss Family Perelman
872:Listen to the Mockingbird
860:The Best of S.J. Perelman
300:
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203:
193:
185:
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152:
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3311:and Alex Mechanik (2023)
3153:Joel Coen and Ethan Coen
2433:Joel Coen and Ethan Coen
1561:. Summer-Fall 1963 (30).
1538:– via WBI Library.
948:Chicken Inspector No. 23
808:Dawn Ginsbergh's Revenge
359:Dawn Ginsbergh's Revenge
278:Providence, Rhode Island
3358:Brown University alumni
1430:Encyclopedia Brunoniana
814:Parlor, Bedlam and Bath
511:podcast (episode 343).
460:stream of consciousness
390:New York Times Magazine
368:The tone of Perelman's
347:Parlor, Bedlam and Bath
2976:and Daniel Yost (1989)
1225:
1219:, September 18, 1970,
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1030:S.J. Perelman – A Life
954:Baby, It's Cold Inside
802:Books by S.J. Perelman
545:(1962), which starred
240:Sidney Joseph Perelman
156:Sidney Joseph Perelman
3378:The New Yorker people
3363:Writers from Brooklyn
2521:Tarell Alvin McCraney
1220:
1191:
978:That Old Gang o' Mine
357:. While many believe
285:Classical High School
268:Perelman was born in
3293:Paul Thomas Anderson
3261:Paul Thomas Anderson
2982:Ruth Prawer Jhabvala
2539:, David Rabinowitz,
2449:Geoffrey S. Fletcher
2282:Ruth Prawer Jhabvala
2230:Ruth Prawer Jhabvala
2111:Francis Ford Coppola
2103:William Peter Blatty
2091:Francis Ford Coppola
1884:Joseph L. Mankiewicz
1876:Joseph L. Mankiewicz
1772:Donald Ogden Stewart
1413:. December 22, 2017.
1243:Macmillan Publishers
1180:(1982) interview in
836:The Dream Department
824:Strictly from Hunger
522:Walk a Little Faster
446:, paradox, symbols,
419:and he's got mine".
189:Author, screenwriter
54:improve this article
2561:Christopher Hampton
2250:Christopher Hampton
2238:Bernardo Bertolucci
2051:Stirling Silliphant
1756:George Bernard Shaw
1736:Norman Reilly Raine
1463:. February 6, 2004.
1332:Keillor, Garrison.
1190:, p.185 quotation:
908:The Road to Miltown
830:Look Who's Talking!
728:Metro-Goldwyn-Mayer
664:The Golden Fleecing
583:Metro-Goldwyn-Mayer
508:WTF with Marc Maron
477:W. Somerset Maugham
424:Cloudland Revisited
181:New York City, U.S.
167:New York City, U.S.
3353:American satirists
3225:Eric Warren Singer
2759:Lorenzo Semple Jr.
2673:Harold Jacob Smith
2314:Billy Bob Thornton
1748:Cecil Arthur Lewis
1223:slovenly thinking.
1099:The New York Times
1028:Hermann, Dorothy.
918:Bite on the Bullet
761:Cultural influence
720:All Good Americans
671:One Touch of Venus
532:One Touch of Venus
452:clang associations
3325:
3324:
3319:
3318:
3277:Quentin Tarantino
3014:Quentin Tarantino
2874:Marshall Brickman
2839:Suzanne Schiffman
2835:François Truffaut
2795:Penelope Gilliatt
2791:Peter Bogdanovich
2718:Harriet Frank Jr.
2599:
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2198:Donald E. Stewart
1816:Julius J. Epstein
1812:Philip G. Epstein
1460:Independent.co.uk
1014:Fowler, Douglas.
515:Broadway and film
448:free associations
307:Greenwich Village
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16:(Redirected from
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1464:
1455:"Art Ă la carte"
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1434:Brown University
1426:"Perelman, S.J."
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1401:
1400:
1398:
1396:
1382:. p. xiii.
1369:
1363:
1362:
1350:
1344:
1334:Happy to Be Here
1330:
1324:
1323:
1308:
1302:
1301:
1299:
1297:
1270:
1264:
1263:
1261:
1259:
1232:
1226:
1202:
1196:
1178:Donald Barthelme
1175:
1169:
1168:
1166:
1164:
1149:
1143:
1142:
1140:
1138:
1123:
1112:
1111:
1109:
1107:
1089:
1071:
1021:Gale, Steven H.
934:The Rising Gorge
842:Crazy Like a Fox
818:Quentin Reynolds
495:Raymond Chandler
491:Garrison Keillor
417:Bright's Disease
330:surrealist humor
289:Brown University
223:
221:
198:Brown University
178:
175:October 17, 1979
165:February 1, 1904
164:
162:
148:
134:
133:
125:
118:
114:
111:
105:
103:
69:"S. J. Perelman"
62:
38:
30:
21:
3428:
3427:
3423:
3422:
3421:
3419:
3418:
3417:
3328:
3327:
3326:
3321:
3320:
3315:
3307:
3301:Martin McDonagh
3299:
3291:
3283:
3275:
3267:
3259:
3251:
3243:
3235:
3223:
3215:
3201:Steven Zaillian
3199:
3193:Lisa Cholodenko
3189:Stuart Blumberg
3187:
3173:Simon Blackwell
3169:Jesse Armstrong
3167:
3159:
3151:
3143:
3135:
3125:Alexander Payne
3123:
3115:
3107:
3101:Julian Fellowes
3099:
3088:
3080:
3070:Alexander Payne
3068:
3056:
3050:Brian Helgeland
3044:
3032:
3024:
3012:
3004:
2996:
2988:
2980:
2972:
2964:
2958:James L. Brooks
2956:
2948:
2940:
2932:
2924:
2918:Murray Schisgal
2912:
2904:
2896:
2888:
2880:
2868:
2862:Paddy Chayefsky
2860:
2849:
2833:
2825:
2809:
2801:
2785:
2777:
2765:
2757:
2745:
2737:
2733:No Award (1965)
2732:
2724:
2712:
2708:No Award (1962)
2707:
2699:
2687:
2679:
2667:
2663:No Award (1957)
2662:
2646:
2635:
2630:
2600:
2595:
2587:
2579:
2571:
2559:
2551:
2537:Charlie Wachtel
2535:
2527:
2515:
2503:
2495:
2487:
2479:
2465:Alexander Payne
2463:
2455:
2447:
2439:
2431:
2425:William Monahan
2423:
2411:
2401:Alexander Payne
2399:
2385:Philippa Boyens
2383:
2375:
2367:
2356:
2348:
2340:
2332:
2326:Brian Helgeland
2320:
2312:
2304:
2296:
2290:Steven Zaillian
2288:
2280:
2272:
2264:
2256:
2248:
2236:
2228:
2220:
2212:
2206:James L. Brooks
2204:
2192:
2186:Ernest Thompson
2184:
2176:
2168:
2160:
2152:
2146:William Goldman
2144:
2133:
2127:Lawrence Hauben
2121:
2109:
2101:
2089:
2081:
2073:
2065:
2057:
2049:
2041:
2033:
2025:
2017:
2009:
2001:
1993:
1985:
1979:Alan Jay Lerner
1977:
1961:
1945:
1939:Paddy Chayefsky
1937:
1929:
1923:Daniel Taradash
1921:
1913:
1901:
1890:
1882:
1874:
1866:
1858:
1852:Robert Sherwood
1850:
1838:
1826:
1810:
1804:Arthur Wimperis
1790:
1784:Seton I. Miller
1778:
1770:
1762:
1742:
1733:
1727:Sheridan Gibney
1723:Pierre Collings
1721:
1713:
1705:
1693:
1685:
1677:
1669:
1661:
1655:Benjamin Glazer
1653:
1642:
1637:
1602:
1549:
1544:
1543:
1533:
1531:
1529:
1514:
1506:
1502:
1492:
1490:
1488:
1472:
1468:
1453:
1452:
1448:
1438:
1436:
1422:
1418:
1409:
1408:
1404:
1394:
1392:
1390:
1370:
1366:
1351:
1347:
1336:. Faber, 1983.
1331:
1327:
1310:
1309:
1305:
1295:
1293:
1291:
1283:. p. 117.
1271:
1267:
1257:
1255:
1253:
1245:. p. 451.
1233:
1229:
1203:
1199:
1183:Partisan Review
1176:
1172:
1162:
1160:
1151:
1150:
1146:
1136:
1134:
1125:
1124:
1115:
1105:
1103:
1090:
1083:
1078:
1060:
1011:
941:The Beauty Part
922:Road to Miltown
854:Acres and Pains
804:
799:
763:
724:Irving Thalberg
712:
707:
638:Florida Special
632:Paris Interlude
601:Monkey Business
563:Monkey Business
542:The Beauty Part
517:
401:Spicy Detective
386:S'il Vous Plait
303:
274:dry goods store
266:
225:
217:
213:
210:
194:Alma mater
180:
176:
166:
160:
158:
157:
139:
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
3426:
3416:
3415:
3410:
3405:
3400:
3395:
3390:
3385:
3380:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3340:
3323:
3322:
3317:
3316:
3314:
3313:
3305:
3297:
3289:
3281:
3273:
3265:
3257:
3249:
3241:
3233:
3221:
3213:
3197:
3185:
3165:
3157:
3149:
3141:
3133:
3121:
3113:
3105:
3096:
3094:
3090:
3089:
3087:
3086:
3078:
3066:
3054:
3042:
3038:Monica Johnson
3030:
3022:
3010:
3002:
2994:
2986:
2978:
2970:
2962:
2954:
2950:Hanif Kureishi
2946:
2938:
2930:
2922:
2910:
2902:
2894:
2886:
2878:
2866:
2857:
2855:
2851:
2850:
2848:
2847:
2831:
2827:Ingmar Bergman
2823:
2807:
2803:Ingmar Bergman
2799:
2787:Larry McMurtry
2783:
2775:
2763:
2755:
2743:
2735:
2730:
2722:
2714:Irving Ravetch
2710:
2705:
2697:
2685:
2677:
2665:
2660:
2656:S. J. Perelman
2643:
2641:
2637:
2636:
2629:
2628:
2621:
2614:
2606:
2597:
2596:
2594:
2593:
2589:Cord Jefferson
2585:
2577:
2569:
2565:Florian Zeller
2557:
2549:
2541:Kevin Willmott
2533:
2525:
2513:
2501:
2493:
2485:
2477:
2461:
2453:
2445:
2437:
2429:
2421:
2413:Larry McMurtry
2409:
2397:
2381:
2377:Ronald Harwood
2373:
2369:Akiva Goldsman
2364:
2362:
2358:
2357:
2355:
2354:
2350:Stephen Gaghan
2346:
2338:
2330:
2318:
2310:
2302:
2294:
2286:
2278:
2270:
2262:
2254:
2246:
2234:
2226:
2218:
2210:
2202:
2190:
2182:
2174:
2166:
2158:
2150:
2141:
2139:
2135:
2134:
2132:
2131:
2119:
2107:
2099:
2087:
2083:Ernest Tidyman
2079:
2071:
2063:
2055:
2047:
2039:
2031:
2023:
2015:
2007:
1999:
1995:Richard Brooks
1991:
1983:
1975:
1971:Michael Wilson
1959:
1951:S. J. Perelman
1943:
1935:
1927:
1919:
1915:Charles Schnee
1911:
1907:Michael Wilson
1898:
1896:
1892:
1891:
1889:
1888:
1880:
1872:
1864:
1856:
1848:
1836:
1824:
1808:
1788:
1780:Sidney Buchman
1776:
1768:
1760:
1752:W. P. Lipscomb
1740:
1731:
1719:
1715:Dudley Nichols
1711:
1703:
1699:Sarah Y. Mason
1695:Victor Heerman
1691:
1687:Edwin J. Burke
1683:
1675:
1671:Frances Marion
1667:
1659:
1650:
1648:
1644:
1643:
1636:
1635:
1628:
1621:
1613:
1607:
1604:
1603:
1594:
1593:
1584:
1579:
1574:
1568:
1563:
1548:
1547:External links
1545:
1542:
1541:
1527:
1500:
1486:
1466:
1446:
1416:
1402:
1388:
1364:
1359:The New Yorker
1345:
1325:
1303:
1289:
1265:
1251:
1227:
1197:
1170:
1144:
1113:
1080:
1079:
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1074:
1073:
1072:
1067:The New Yorker
1059:
1056:
1055:
1054:
1047:
1042:Lister, Eric.
1040:
1026:
1019:
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1007:
1006:
1005:
999:
993:
987:
981:
975:
972:The Last Laugh
969:
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937:
931:
925:
920:(UK title for
915:
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625:Sitting Pretty
621:
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609:Horse Feathers
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569:Horse Feathers
516:
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355:P.G. Wodehouse
343:feuilletoniste
326:The New Yorker
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3034:Albert Brooks
3031:
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3026:Emma Thompson
3023:
3019:
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2934:Robert Benton
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2914:Larry Gelbart
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2859:
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2767:Paul Mazursky
2764:
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2751:Robert Benton
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2726:Harold Pinter
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2178:Alvin Sargent
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2027:Edward Anhalt
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1987:Neil Paterson
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1016:S.J. Perelman
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767:Joseph Heller
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710:Personal life
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679:Larceny, Inc.
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18:S.J. Perelman
3245:Phyllis Nagy
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3217:Tony Kushner
3209:Stan Chervin
3205:Aaron Sorkin
3145:Peter Morgan
3093:2001–present
3062:Tom Stoppard
3006:Jane Campion
2974:Gus Van Sant
2926:Bill Forsyth
2890:Steve Tesich
2843:Jean Gruault
2811:George Lucas
2771:Larry Tucker
2747:David Newman
2693:Billy Wilder
2655:
2581:Sarah Polley
2497:Graham Moore
2481:Chris Terrio
2457:Aaron Sorkin
2417:Diana Ossana
2361:2001–present
2222:Kurt Luedtke
2194:Costa-Gavras
2162:Oliver Stone
2019:John Osborne
2011:Horton Foote
1967:Carl Foreman
1950:
1844:Billy Wilder
1832:Frank Cavett
1828:Frank Butler
1796:James Hilton
1558:
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1510:
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1322:: 279. 1970.
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1316:The Listener
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52:Please help
47:verification
44:
3343:1979 deaths
3338:1904 births
3161:Jenny Lumet
3117:Craig Lucas
3058:Marc Norman
3018:Roger Avary
2998:Neil Jordan
2966:Ron Shelton
2942:Woody Allen
2870:Woody Allen
2815:Gloria Katz
2779:Éric Rohmer
2739:Robert Bolt
2652:John Farrow
2529:James Ivory
2489:John Ridley
2342:John Irving
2334:Bill Condon
2258:Alfred Uhry
2242:Mark Peploe
2043:Robert Bolt
2035:Robert Bolt
1947:John Farrow
1903:Harry Brown
1868:John Huston
1820:Howard Koch
1663:Hanns Kräly
1493:February 5,
1357:. Fiction.
1163:November 9,
1137:November 9,
1102:. p. 3
1049:Wilk, Max.
898:(UK) (1954)
886:(UK) (1951)
788:Philip Roth
747:Anglophilia
703:Cole Porter
657:Boy Trouble
588:Sweethearts
566:(1931) and
503:Dylan Moran
489:. Humorist
468:Woody Allen
432:James Joyce
370:feuilletons
338:feuilletons
3332:Categories
3309:Samy Burch
3181:Tony Roche
3129:Jim Taylor
3074:Jim Taylor
2906:John Guare
2898:Bo Goldman
2573:Sian Heder
2505:Adam McKay
2405:Jim Taylor
2393:Fran Walsh
2123:Bo Goldman
2115:Mario Puzo
2095:Mario Puzo
2067:Waldo Salt
1534:October 2,
1528:039572774X
1395:October 2,
1296:October 2,
1258:October 2,
1106:October 2,
1076:References
1046:(UK)(1985)
743:mynah bird
537:Kurt Weill
535:(music by
527:Ogden Nash
483:Frank Muir
473:T.S. Eliot
378:New Yorker
376:and other
209:Laura West
186:Occupation
161:1904-02-01
110:April 2020
80:newspapers
2854:1976–2000
2701:Abby Mann
2648:James Poe
2640:1956–1975
2545:Spike Lee
2473:Nat Faxon
2298:Eric Roth
2274:Ted Tally
2138:1976–2000
2003:Abby Mann
1955:James Poe
1895:1951–1975
1647:1928–1950
1439:March 15,
1188:Volume 49
769:'s novel
547:Bert Lahr
363:juvenilia
297:in 1924.
2469:Jim Rash
1053:. (1986)
1002:Writings
820:) (1930)
777:Catch-22
772:Catch-22
591:(1938).
578:(1956).
436:wordplay
270:Brooklyn
244:humorist
230:Children
1589:at the
1207:(1970)
924:)(1957)
784:Yiddish
698:Aladdin
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94:scholar
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560:films
444:parody
301:Career
204:Spouse
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1515:(PDF)
440:irony
253:Judge
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