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250:: A member of the running crew present in the wings of the stage. Their main responsibilities including, helping the actors get dressed during pre-show, choreographing quick changes, executing quick changes from hidden spaces on-stage, and making emergency repairs throughout the duration of the show.
46:
A typical running crew will include any or all of the following positions, depending on the nature and size of the production, and the complexity of the technical requirements. Each position is organized by the most common title; depending on the country, type of production, and producing
73:
before scenes as well as their subsequent retrieval after the scene. Additionally, props masters run the properties department and work to ensure that all props exist within the theater and are easily locatable, should they not already be where they need to be (i.e. maintaining a prop
114:: responsible for placing, connecting, and/or operating stage lighting units, such as stage lights. Sometimes, they are necessary to have during scene changes, in the case of moving set pieces with lighting equipment inside. Typically, more than one will be backstage.
35:. While the "technical crew" includes all persons other than performers involved with the production, such as those who build and take down the sets and place the lighting, the term "running crew" is generally limited to those who work during an actual performance.
120:: responsible for the maintenance and operation of dimming & power distribution systems during a performance, including "hot" or "live" patching. Occasionally, some of these duties could also be delegated to the run crew's deck electricians.
225:
during shows. Often referred to as running wardrobe, wardrobe manager, and wardrobe assistants. They have assistants, dressers, who help with fittings and quick changes (when an actor needs to change costume very quickly, often
38:
The term is typically not applied to crew or department heads, although there are exceptions. The running crew may include performers if they also function in technical capacities while offstage.
330:
The
Properties Director's Toolkit: Creativity, Collaboration, and Communication for Prop Shop Management in the Theatre and Performing Arts
169:(A2): manages microphones and maintains headsets as a show runs. Usually, there are several mic wranglers located backstage, in the
47:
organization, different titles may be used for the same position. (This also depends on what the director classifies it all as.)
477:
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130:, which allows a performer to be lit evenly no matter where on stage they may go. It can typically be found in the
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in their duties. Generally, one assistant stage manager is in charge of running backstage operations during a show.
1016:
856:
502:
411:
The
Costume Supervisor's Toolkit: Supervising Theatre Costume Production From First Meeting To Final Performances
436:
The
Costume Supervisor's Toolkit: Supervising Theatre Costume Production From First Meeting to Final Performance
173:, with the running crew. Alternative names/technical labels for the position include: A2, A3, Audio Technician.
134:, along with the light board op. Also, some theaters have followed spots located above a false ceiling, on the
87:: responsible for alerting actors and actresses of their entrances in time for them to appear on stage, on cue.
163:
system. There can be multiple soundboard ops. Alternative names/technical labels for the position include: A1.
111:
886:
104:
by activating lighting cues at the direction of the stage manager. Sometimes this is integrated with the
891:
470:
843:
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208:) between the stage and the wings. This can include carrying on and off furniture, props, or scenery.
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responsible for moving scenery at the stage level, by manually carrying or rolling set pieces (e.g.,
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who supervise and operate ("run") the various technical aspects of the production during a
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126:(or follow spot operator/dome operator): operates a type of lighting instrument called a
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190:, a system of ropes or wires, pulleys, and counterweights by means of which
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in their duties usually taking one side of the stage during a performance.
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619:
358:
Living the
Lighting Life: A Guide to a Career in Entertainment Lighting
241:
233:
201:
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is "flown" in and out (down and up, respectively) during scene changes.
187:
386:
Living The Audio Life: A Guide To A Career In Live
Entertainment Sound
788:
512:
197:
532:
218:
159:, computerized or otherwise. Sometimes this is integrated with the
813:
222:
455:
229:
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232:: responsible for applying or assisting in the application of
818:
298:
Downs, William
Missouri; Wright; Ramsey, Erik (2016-10-05).
961:
70:
16:
Members of the technical crew in a theatrical production
69:: Responsible for maintenance and placement of hand
297:
998:
327:
618:
604:
471:
155:and/or audio control system specified by the
332:(2nd ed.). Routledge. pp. 20–22.
328:Strawn, Sandra J.; Schlenker, Lisa (2018).
611:
597:
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464:
383:
355:
274:Dance Production: Design and Technology
270:
221:: In charge of facilitating the use of
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321:
186:(or fly crew/rail crew): operate the
872:Parabolic aluminized reflector light
379:
377:
351:
349:
266:
264:
77:Assistant Props Master: Assists the
50:
13:
318:
14:
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374:
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304:. Cengage Learning. p. 104.
261:
41:
982:
485:
301:The Art of Theatre: Then and Now
983:
857:Ellipsoidal reflector spotlight
438:. Routledge. pp. 100–102.
413:. Routledge. pp. 97, 132.
427:
402:
291:
271:Hopgood, Jeromy (2015-09-07).
1:
360:. Routledge. pp. 10–12.
254:
7:
388:. Routledge. pp. 3–5.
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904:
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277:. CRC Press. p. 12.
834:Theatrical smoke and fog
809:Lighting control console
177:
142:
434:Pride, Rebecca (2019).
409:Pride, Rebecca (2019).
384:Schiller, Brad (2022).
356:Schiller, Brad (2021).
102:lighting control system
57:Assistant stage manager
1017:Theatrical occupations
523:Theatrical technician
27:) are members of the
867:Intelligent lighting
543:Light board operator
244:and hairpieces, etc.
98:Light board operator
824:Stage pin connector
758:Lighting technician
678:Technical direction
578:Wardrobe supervisor
548:Lighting technician
151:(A1): operates the
763:Master electrician
553:Spotlight operator
518:Technical director
503:Production manager
124:Spotlight Operator
118:Master Electrician
994:
993:
967:Theatrical makeup
900:
899:
814:Socapex connector
732:
731:
586:
585:
445:978-1-138-18258-5
420:978-1-138-18258-5
367:978-0-367-34932-5
339:978-1-138-08415-5
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658:Set construction
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112:Deck Electrician
51:Stage management
19:In theatre, the
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100:: operates the
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132:lighting booth
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59:: Assists the
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42:Crew positions
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29:technical crew
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972:Video design
957:Sound design
952:Running crew
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940:Other fields
487:Running crew
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167:Mic wrangler
161:show control
106:show control
67:Props Master
45:
37:
24:
21:running crew
20:
18:
931:Prompt book
892:Accessories
844:Instruments
624:scenography
538:Electrician
226:backstage).
153:sound board
128:follow spot
79:prop master
33:performance
1012:Stagecraft
1007:Stage crew
1001:Categories
908:management
882:Striplight
779:Barn doors
709:Fly system
641:Theatrical
633:Scene shop
620:Stagecraft
255:References
202:technician
188:fly system
887:Spotlight
799:Cyclorama
789:Color gel
714:Platforms
528:Carpenter
513:Stagehand
198:Stagehand
916:Blocking
772:Hardware
699:Curtains
687:Hardware
533:Fly crew
498:Call boy
240:paints,
223:costumes
219:Wardrobe
213:Costumes
92:Lighting
85:Call boy
25:run crew
988:Outline
829:Top hat
784:C-clamp
724:Weights
673:Rigging
643:scenery
573:Dresser
248:Dresser
192:scenery
136:catwalk
108:system.
74:table).
746:Fields
694:Batten
651:Fields
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230:Makeup
184:Flymen
23:(also
906:Stage
877:Scoop
819:Snoot
704:Flats
178:Stage
171:wings
143:Sound
71:props
962:Prop
804:Gobo
622:and
440:ISBN
415:ISBN
390:ISBN
362:ISBN
334:ISBN
306:ISBN
279:ISBN
242:wigs
238:body
236:and
234:face
200:: A
921:Cue
1003::
558:A2
376:^
348:^
320:^
263:^
612:e
605:t
598:v
479:e
472:t
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448:.
423:.
398:.
370:.
342:.
314:.
287:.
138:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.