342:
620:
634:
33:
519:
Socialist realist standard" of North Korean film. The conflict between the rich and the poor that serves as the backdrop of the story in particular is archetypal. Shin himself thought of the original short story as "a point of origin" of communism in Korea, although by and large the relationship with
447:
could supply him with a real train instead. To Shin's surprise, his request was met without delay. The scene was thus shot with a real train loaded with live explosives. For Shin, this meant that there was no room for error, as the scene could not be shot again. The shooting was successful, and the
429:
dogs owned by a businessman in "a horrific scene", and has to buy medicine. The local pharmacist, however, refuses to sell it without being paid immediately. Song is enraged and smashes the pharmacy with an axe and sets it on fire. He is arrested and sent to prison by train. The prison is however
459:. The scene in which Song Ryul smashes the local pharmacy is shot in slow motion and the movie ends with the shot of the exploding train being frozen as the credits start to roll. The final scene also contains a voice-over explaining Song's sudden conversion to
417:), and his parents tend to the land, but right before harvest the cousin sells the land and its crop to the Japanese. Song's father voices his opposition but is killed by the police. Song and his family are ruined and they have to move to Kando (
569:: it is propaganda but in the classic mode of portraying the struggles of everyday people instead of attributing all good things to the deeds of Kim Il Sung. Shin was awarded the prize for best director at a film festival in
326:. Shin had to balance his artistic desires with the propaganda goals of North Korea. The result is very much like other North Korean films, but also reminiscent of Shin's previous films he had made to impress South Korean
434:
and his guerrillas who free the inmates. Song joins them in their fight against the
Japanese occupiers. He partakes in an operation to blow up the train tracks he was transported to prison on and a Japanese army train.
448:
result is "one of North Korean cinema's iconic images." Shin himself later called it the high point of his entire career, admitting that such a spectacle "is only possible in North Korea". Overall, he also thought of
425:. The area has a reputation for being a lawless territory. The life of Song's family there is a "numbing catalog of their difficulties": being robbed, exploited, and cheated. Song's mother is attacked by a pack of
321:
A real train was filled with explosives and exploded for the finale after Shin had jokingly asked for one. Shin considered the scene a pinnacle of his career, and it became a memorable one in the history of
306:. The protagonist, Song Ryul has to return to the countryside to see his ill father. After his cousin conspires with the Japanese occupiers to sell their crop, Song Ryul is forced to emigrate to Kando (
443:
The climax of the film features an exploding and derailing train. Shin was unable to figure out how to shoot the scene with either scale models or other special effects, so he jokingly asked if
110:
532:
shared a preoccupation with realism at the time, and in both political contexts, an authoritarian regime was hungry for the success of the cinematic arts. Thus according to
413:
when he hears the news that his father is ill and he has to return to the countryside. His richer cousin gives him a plot of land to farm on. Song, his wife (played by
524:
retains many characteristics from Shin's early melodrama films made in the 1960s while he was still in South Korea which he used to impress the country's president
452:
as the best out of his films made in North Korea, a statement that he made often. Of its novelty, he said: "I introduced words like 'love' in North Korean film".
597:
362:
299:
57:
1573:
1052:. The 6th World Congress of Korean Studies: "Transforming Korean Tradition: Past and Present", Academy of Korean Studies, Seongnam. p. 4. Archived from
1598:
699:
1578:
608:. This forced the organizers to show the film as a private screening instead of their original intention of letting the general public watch it.
406:
281:
76:
533:
366:
303:
63:
647:
546:
calls it Shin's "finest film". Choi Eun-hee's acting in particular is strong in the powerful supporting role of the wife of Song Ryul.
273:
1044:
1558:
752:
314:. His family faces numerous adversities there and after a row with a local pharmacist, he is imprisoned. The prison is raided by
1343:
1294:
1271:
1250:
1227:
1206:
1187:
1164:
1141:
982:
894:
1563:
1397:
605:
1568:
581:
386:
for a North Korean film, since North Korean works of culture habitually only referenced texts written by the leader
402:
382:: "So long as ignorance and misery remain on Earth, books like this cannot be useless..." The opener was highly
201:
1501:
520:
literature from that period and North Korea's official ideology is "at best problematic". On the other hand,
503:. Following the release of the film, North Korean youths adopted these songs and organized illegal parties.
1593:
1588:
1389:
327:
1583:
709:
1336:
664:
1553:
1421:
674:
318:
and his guerrillas, who free the inmates, who take revenge on the
Japanese by blowing up a railway.
1469:
469:
1053:
669:
1453:
480:
1282:
1238:
884:
354:
quote: "So long as ignorance and misery remain on Earth, books like this cannot be useless..."
1381:
1329:
1261:
1217:
1175:
1131:
972:
652:
215:
8:
1548:
1525:
1485:
1461:
529:
323:
625:
1316:
1290:
1267:
1246:
1223:
1202:
1199:
A Kim Jong-Il
Production: Kidnap, Torture, Murder... Making Movies North Korean-Style
1183:
1160:
1137:
978:
890:
756:
456:
378:
350:
1493:
1445:
1413:
1405:
1365:
475:
1373:
1321:
743:
559:
536:, a "tension between cinematic pleasure and political edification" is evident in
257:
245:
229:
165:
1046:
Filmmaking on the Edge: Shin Sang-Ok and Choi Eun-Hee in North Korea (1978–1986)
585:
525:
330:
265:
1542:
1517:
1437:
1429:
760:
543:
540:. The result is a nationalistic drama film "in the usual propagandist mold".
1287:
Film Out of Bounds: Essays and
Interviews on Non-Mainstream Cinema Worldwide
1133:
The Pusan
International Film Festival, South Korean Cinema and Globalization
1353:
565:
414:
289:
269:
81:
46:
1239:"Filmmaking on the Edge: Director Shin Shang-ok and Actress Choi Eun-hee"
639:
577:
547:
444:
431:
387:
373:
341:
315:
285:
262:
155:
1310:
1219:
Illusive Utopia: Theater, Film, and
Everyday Performance in North Korea
492:
383:
32:
1159:] (in Finnish). Translated by Eskelinen, Heikki. Helsinki: Tammi.
206:
1509:
588:
was initially meant to include two of his films made in North Korea:
460:
422:
311:
1243:
Stars in World Cinema: Screen Icons and Star
Systems Across Cultures
272:. It was the second film in North Korea by South Korea's Shin after
467:
was Shin's second North Korean film, made after Shin had completed
1283:"A Permanent State of War: A Short History of North Korean Cinema"
418:
307:
570:
185:
708:(in Korean). Information Center on North Korea. Archived from
658:
426:
410:
395:
391:
473:, also in 1984. Shin's next film made in the North would be
500:
94:
1083:
1011:
1009:
935:
866:
864:
851:
849:
847:
996:
994:
845:
843:
841:
839:
837:
835:
833:
831:
829:
827:
220:
925:
923:
921:
814:
812:
810:
808:
806:
804:
791:
789:
1006:
974:
Apocalypse on the Set: Nine
Disastrous Film Productions
861:
1026:
1024:
991:
954:
952:
950:
908:
906:
824:
557:
is very much like classic North Korean films, such as
1153:
Hirviöidenkin on kuoltava: Ryhmämatka
Pohjois-Koreaan
918:
801:
786:
776:
774:
772:
770:
600:, however, forbade the screening just one day before
615:
455:
The film uses visual techniques such as slow-motion
1071:
1021:
947:
903:
1351:
1157:All Monsters Must Die: An Excursion to North Korea
767:
1107:
1095:
550:himself praised the film for its powerful drama.
1540:
1241:. In Bandhauer, Andrea; Royer, Michelle (eds.).
724:
604:was to be shown to guests, on the basis of the
1176:"The Split Screen: Sin Sang-ok in North Korea"
390:, and certainly not of foreigners. Footage of
274:he and his wife Choi Eun-hee had been abducted
1337:
1574:Films about the Korean independence movement
1182:. Lanham: Lexington Books. pp. 85–107.
977:. New York: The Overlook Press. p. 76.
191:
1222:. Ann Arbor: University of Michigan Press.
1150:
1089:
941:
1344:
1330:
1180:North Korea: Toward a Better Understanding
964:
648:Abduction of Shin Sang-ok and Choi Eun-hee
31:
1280:
1259:
1136:. Hong Kong: Hong Kong University Press.
1015:
870:
855:
736:
1599:Works about the Korean diaspora in China
1245:. London: I.B.Tauris. pp. 143–155.
889:. Harpenden: Kamera Books. p. 189.
340:
1196:
1151:Bärtås, Magnus; Ekman, Fredrik (2014).
1043:Petrov, Leonid (25–26 September 2012).
1000:
818:
795:
753:National Academy of the Korean Language
1579:Films set in Korea under Japanese rule
1541:
1236:
1042:
970:
929:
882:
1325:
1289:. Jefferson: McFarland. p. 166.
1173:
1077:
1030:
958:
912:
780:
694:
692:
690:
256:
1398:The Memorial Gate for Virtuous Women
499:features cover versions of songs by
1215:
1129:
1113:
1101:
730:
13:
687:
14:
1610:
1304:
745:Kugŏ ŭi Roma-cha p'yogi charyojip
582:Busan International Film Festival
372:The film opens with a quote from
632:
618:
598:public prosecutor of South Korea
401:The film is set in the 1920s in
302:set in the 1920s and written by
1036:
479:, also set in Kando during the
403:Korea under Japanese occupation
1559:Films directed by Shin Sang-ok
1263:North Korean Cinema: A History
1123:
876:
363:a short story of the same name
300:a short story of the same name
192:
1:
1285:. In Edwards, Matthew (ed.).
680:
486:
438:
1390:The Houseguest and My Mother
1260:Schönherr, Johannes (2012).
506:
7:
1564:1980s Korean-language films
611:
409:) is a peasant studying in
221:
207:
10:
1615:
665:List of North Korean films
576:A retrospective of Shin's
1360:
1201:. London: Penguin Books.
1178:. In Ryang, Sonia (ed.).
675:Propaganda in North Korea
528:. Indeed, both North and
515:conforms to well to the "
249:
228:
214:
200:
184:
175:
161:
151:
141:
117:
101:
90:
69:
52:
42:
30:
23:
1569:North Korean drama films
1470:An Emissary of No Return
1266:. Jefferson: McFarland.
747:
705:
700:
470:An Emissary of No Return
1237:Petrov, Leonid (2015).
1090:Bärtås & Ekman 2014
942:Bärtås & Ekman 2014
670:North Korean literature
405:. Song Ryul (played by
336:
258:[tʰa̠ɭt͡ɕʰuɭɡi]
1502:The Tale of Shim Chong
1454:A Woman with Half Soul
1216:Kim Suk-Young (2010).
1197:Fischer, Paul (2016).
1174:Chung, Steven (2009).
1130:Ahn Soo Jeong (2012).
883:Carter, David (2010).
481:anti-Japanese struggle
355:
18:1984 North Korean film
755:. 1996. p. 163.
653:Cinema of North Korea
606:National Security Act
398:is seen in the film.
344:
254:Korean pronunciation:
971:Taylor, Ben (2012).
751:(in Korean). Seoul:
712:on 30 September 2018
704:[Runaway].
202:Revised Romanization
1594:Films shot in Tokyo
1589:Films shot in Paris
1526:3 Ninjas Knuckle Up
1486:Love, Love, My Love
1462:The Three-Day Reign
530:South Korean cinema
324:North Korean cinema
1584:Films set in China
1352:Films directed by
626:North Korea portal
356:
134: (North Korea)
1536:
1535:
1296:978-1-4766-0780-1
1273:978-0-7864-6526-2
1252:978-0-85773-835-6
1229:978-0-472-02689-0
1208:978-0-241-97000-3
1189:978-0-7391-3207-4
1166:978-951-31-7727-0
1143:978-988-8083-58-9
1059:on 2 October 2019
984:978-1-4683-0013-0
896:978-1-84243-380-5
886:East Asian Cinema
511:On the one hand,
237:
236:
216:McCune–Reischauer
171:
170:
1606:
1554:1984 drama films
1446:Ghosts of Chosun
1366:A Flower in Hell
1346:
1339:
1332:
1323:
1322:
1300:
1281:— (2014).
1277:
1256:
1233:
1212:
1193:
1170:
1147:
1117:
1111:
1105:
1099:
1093:
1087:
1081:
1075:
1069:
1068:
1066:
1064:
1058:
1051:
1040:
1034:
1028:
1019:
1013:
1004:
998:
989:
988:
968:
962:
956:
945:
939:
933:
927:
916:
910:
901:
900:
880:
874:
868:
859:
853:
822:
816:
799:
793:
784:
778:
765:
764:
740:
734:
728:
722:
721:
719:
717:
696:
642:
637:
636:
635:
628:
623:
622:
621:
580:was held at the
260:
255:
251:
224:
210:
195:
194:
173:
172:
133:
131:
97:(cover songs of)
35:
21:
20:
1614:
1613:
1609:
1608:
1607:
1605:
1604:
1603:
1539:
1538:
1537:
1532:
1374:To the Last Day
1356:
1350:
1307:
1297:
1274:
1253:
1230:
1209:
1190:
1167:
1144:
1126:
1121:
1120:
1112:
1108:
1100:
1096:
1088:
1084:
1076:
1072:
1062:
1060:
1056:
1049:
1041:
1037:
1029:
1022:
1014:
1007:
999:
992:
985:
969:
965:
957:
948:
940:
936:
928:
919:
911:
904:
897:
881:
877:
869:
862:
854:
825:
817:
802:
794:
787:
779:
768:
749:
742:
741:
737:
729:
725:
715:
713:
707:
702:
698:
697:
688:
683:
638:
633:
631:
624:
619:
617:
614:
560:The Flower Girl
509:
489:
441:
339:
253:
196:
144:
137:
129:
127:
120:
113:
106:
104:
86:
61:
38:
19:
12:
11:
5:
1612:
1602:
1601:
1596:
1591:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1551:
1534:
1533:
1531:
1530:
1522:
1514:
1506:
1498:
1490:
1482:
1474:
1466:
1458:
1450:
1442:
1434:
1426:
1418:
1410:
1402:
1394:
1386:
1382:Prince Yeonsan
1378:
1370:
1361:
1358:
1357:
1349:
1348:
1341:
1334:
1326:
1320:
1319:
1306:
1305:External links
1303:
1302:
1301:
1295:
1278:
1272:
1257:
1251:
1234:
1228:
1213:
1207:
1194:
1188:
1171:
1165:
1148:
1142:
1125:
1122:
1119:
1118:
1106:
1094:
1092:, p. 160.
1082:
1070:
1035:
1020:
1016:Schönherr 2012
1005:
1003:, p. 275.
990:
983:
963:
946:
944:, p. 135.
934:
932:, p. 151.
917:
902:
895:
875:
873:, p. 168.
871:Schönherr 2014
860:
856:Schönherr 2012
823:
821:, p. 278.
800:
798:, p. 276.
785:
766:
735:
723:
685:
684:
682:
679:
678:
677:
672:
667:
662:
655:
650:
644:
643:
629:
613:
610:
553:Thematically,
526:Park Chung Hee
508:
505:
488:
485:
440:
437:
379:Les Misérables
351:Les Misérables
338:
335:
333:in the 1960s.
331:Park Chung Hee
266:melodrama film
235:
234:
232:
226:
225:
218:
212:
211:
204:
198:
197:
190:
188:
182:
181:
169:
168:
163:
159:
158:
153:
149:
148:
145:
142:
139:
138:
136:
135:
123:
121:
118:
115:
114:
109:
107:
102:
99:
98:
92:
88:
87:
85:
84:
79:
73:
71:
67:
66:
54:
50:
49:
44:
40:
39:
36:
28:
27:
17:
9:
6:
4:
3:
2:
1611:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1546:
1544:
1528:
1527:
1523:
1520:
1519:
1515:
1512:
1511:
1507:
1504:
1503:
1499:
1496:
1495:
1491:
1488:
1487:
1483:
1480:
1479:
1475:
1472:
1471:
1467:
1464:
1463:
1459:
1456:
1455:
1451:
1448:
1447:
1443:
1440:
1439:
1438:Prince Daewon
1435:
1432:
1431:
1430:Phantom Queen
1427:
1424:
1423:
1422:Deaf Sam-yong
1419:
1416:
1415:
1411:
1408:
1407:
1403:
1400:
1399:
1395:
1392:
1391:
1387:
1384:
1383:
1379:
1376:
1375:
1371:
1368:
1367:
1363:
1362:
1359:
1355:
1347:
1342:
1340:
1335:
1333:
1328:
1327:
1324:
1318:
1314:
1313:
1309:
1308:
1298:
1292:
1288:
1284:
1279:
1275:
1269:
1265:
1264:
1258:
1254:
1248:
1244:
1240:
1235:
1231:
1225:
1221:
1220:
1214:
1210:
1204:
1200:
1195:
1191:
1185:
1181:
1177:
1172:
1168:
1162:
1158:
1154:
1149:
1145:
1139:
1135:
1134:
1128:
1127:
1116:, p. 92.
1115:
1110:
1104:, p. 91.
1103:
1098:
1091:
1086:
1080:, p. 92.
1079:
1074:
1055:
1048:
1047:
1039:
1033:, p. 96.
1032:
1027:
1025:
1018:, p. 80.
1017:
1012:
1010:
1002:
997:
995:
986:
980:
976:
975:
967:
961:, p. 93.
960:
955:
953:
951:
943:
938:
931:
926:
924:
922:
915:, p. 95.
914:
909:
907:
898:
892:
888:
887:
879:
872:
867:
865:
858:, p. 79.
857:
852:
850:
848:
846:
844:
842:
840:
838:
836:
834:
832:
830:
828:
820:
815:
813:
811:
809:
807:
805:
797:
792:
790:
783:, p. 94.
782:
777:
775:
773:
771:
762:
758:
754:
750:
746:
739:
733:, p. 39.
732:
727:
711:
703:
695:
693:
691:
686:
676:
673:
671:
668:
666:
663:
661:
660:
656:
654:
651:
649:
646:
645:
641:
630:
627:
616:
609:
607:
603:
599:
595:
591:
587:
584:in 2001. The
583:
579:
574:
572:
568:
567:
562:
561:
556:
551:
549:
545:
544:Leonid Petrov
541:
539:
535:
531:
527:
523:
518:
514:
504:
502:
498:
494:
484:
482:
478:
477:
472:
471:
466:
462:
458:
457:freeze frames
453:
451:
446:
436:
433:
428:
424:
420:
416:
412:
408:
407:Choe Sang-soo
404:
399:
397:
393:
389:
385:
381:
380:
375:
370:
368:
364:
360:
353:
352:
348:opens with a
347:
343:
334:
332:
329:
325:
319:
317:
313:
309:
305:
301:
297:
293:
292:as his wife.
291:
287:
283:
282:Choe Sang-soo
279:
275:
271:
267:
264:
259:
247:
243:
242:
233:
231:
227:
223:
219:
217:
213:
209:
205:
203:
199:
189:
187:
183:
180:
179:
174:
167:
164:
160:
157:
154:
150:
146:
140:
125:
124:
122:
116:
112:
108:
100:
96:
93:
89:
83:
80:
78:
77:Choe Sang-soo
75:
74:
72:
68:
65:
60:
59:
55:
51:
48:
45:
41:
34:
29:
26:
22:
16:
1524:
1516:
1508:
1500:
1492:
1484:
1477:
1476:
1468:
1460:
1452:
1444:
1436:
1428:
1420:
1412:
1404:
1396:
1388:
1380:
1372:
1364:
1354:Shin Sang-ok
1311:
1286:
1262:
1242:
1218:
1198:
1179:
1156:
1152:
1132:
1109:
1097:
1085:
1073:
1061:. Retrieved
1054:the original
1045:
1038:
1001:Fischer 2016
973:
966:
937:
885:
878:
819:Fischer 2016
796:Fischer 2016
744:
738:
726:
714:. Retrieved
710:the original
657:
601:
593:
589:
575:
566:Sea of Blood
564:
558:
554:
552:
542:
537:
534:Steven Chung
521:
516:
512:
510:
496:
490:
474:
468:
464:
454:
449:
442:
430:attacked by
415:Choi Eun-hee
400:
377:
371:
367:Chae Seo-hae
361:is based on
358:
357:
349:
345:
320:
304:Chae Seo-hae
298:is based on
295:
294:
277:
270:Shin Sang-ok
268:directed by
263:North Korean
261:) is a 1984
240:
239:
238:
177:
176:
143:Running time
119:Release date
82:Choi Eun-hee
64:Chae Seo-hae
56:
47:Shin Sang-ok
37:Title screen
24:
15:
1124:Works cited
930:Petrov 2015
748:국어의로마자표기자료집
640:Film portal
578:filmography
548:Kim Il Sung
445:Kim Jong Il
432:Kim Il Sung
388:Kim Il Sung
374:Victor Hugo
365:written by
316:Kim Il Sung
286:protagonist
222:T'alch'ulgi
156:North Korea
147:105 minutes
43:Directed by
1549:1984 films
1543:Categories
1078:Chung 2009
1031:Chung 2009
959:Chung 2009
913:Chung 2009
781:Chung 2009
716:10 January
681:References
493:soundtrack
487:Soundtrack
439:Production
384:unorthodox
186:Chosŏn'gŭl
103:Production
1510:Pulgasari
1414:Red Scarf
761:742344968
586:screening
573:in 1984.
507:Reception
461:communism
423:Manchuria
369:in 1924.
328:President
312:Manchuria
208:Talchulgi
111:Shin Film
1114:Ahn 2012
1102:Ahn 2012
731:Kim 2010
612:See also
162:Language
91:Music by
70:Starring
53:Based on
1478:Runaway
1312:Runaway
706:북한영화 해설
602:Runaway
590:Runaway
555:Runaway
538:Runaway
522:Runaway
513:Runaway
497:Runaway
465:Runaway
450:Runaway
419:Jiandao
359:Runaway
346:Runaway
308:Jiandao
296:Runaway
284:as the
278:Runaway
276:there.
241:Runaway
178:Runaway
152:Country
128: (
105:company
58:Runaway
25:Runaway
1529:(1995)
1521:(1990)
1518:Mayumi
1513:(1985)
1505:(1985)
1497:(1985)
1489:(1985)
1481:(1984)
1473:(1984)
1465:(1973)
1457:(1973)
1449:(1970)
1441:(1968)
1433:(1967)
1425:(1964)
1417:(1964)
1409:(1963)
1401:(1962)
1393:(1961)
1385:(1961)
1377:(1960)
1369:(1958)
1293:
1270:
1249:
1226:
1205:
1186:
1163:
1140:
1063:14 May
981:
893:
759:
596:. The
571:Prague
280:stars
246:Korean
166:Korean
1155:[
1057:(PDF)
1050:(PDF)
659:Juche
517:juche
427:rabid
421:) in
411:Seoul
396:Tokyo
392:Paris
310:) in
1494:Salt
1406:Rice
1317:IMDb
1291:ISBN
1268:ISBN
1247:ISBN
1224:ISBN
1203:ISBN
1184:ISBN
1161:ISBN
1138:ISBN
1065:2018
979:ISBN
891:ISBN
757:OCLC
718:2018
594:Salt
592:and
563:and
501:ABBA
491:The
476:Salt
394:and
337:Plot
290:Choi
288:and
130:1984
126:1984
95:ABBA
1315:at
701:탈출기
495:of
376:'s
250:탈출기
230:IPA
193:탈출기
62:by
1545::
1023:^
1008:^
993:^
949:^
920:^
905:^
863:^
826:^
803:^
788:^
769:^
689:^
483:.
463:.
252:,
248::
1345:e
1338:t
1331:v
1299:.
1276:.
1255:.
1232:.
1211:.
1192:.
1169:.
1146:.
1067:.
987:.
899:.
763:.
720:.
244:(
132:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
