79:) in 1947. He taught at that institution for the next ten years with no music degree, but was finally awarded his diploma in 1957. He left his position at the October Revolution Music College in 1970 when he was appointed a lecturer in music analysis at the Gnessin State Musical College.
98:. This analytical tool analyzed individual works of music by looking at its temporal development and making differentiations between constructive and destructive elements of musical development. It also incorporated many elements from
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as a political philosophy. Given his political ambivalence, he was denied access to taking his final exams. Nonetheless, he was hired to teach music theory on the faculty of the
October Revolution Music College (now known as the
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While an excellent student who was highly proficient in his field, Berberov was denied a diploma by the Moscow
Conservatory due to his unwillingness to endorse
31:, writing several forwards included in the publications of that composer's works and editing the second volume of the complete collected works of Tchaikovsky,
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in relation to musical motifs and phrase analysis. Some of his important publications in which he demonstrated his analytical methodology include
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In the 1960s
Berberov created a complex yet structurally integrated system of music analysis that was built on combining theories developed by
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51:; matriculating to the latter institution in 1941. During the first semester of his studies, the Moscow Conservatory was evacuated to the
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27:. He was one of the principal music theorists of the Soviet school of music analysis of the 20th century. He was also an expert on
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59:, and both institutions merged for studies from 1941-1943. During this time, Berberov became a part of
63:'s inner circle and the two developed a close friendship. Berberov was also a pupil of music theorist
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110:(âThe Epic Poem of German GalĂŻnin: Aesthetic-Analytic Reflectionsâ, Moscow, 1986).
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106:(âSpecifics of the Structure of a Choral Workâ, Moscow, 1981) and the monograph
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108:Äpicheskaya poÄmaâ Germana GalĂŻnina: estetiko-analisticheskiye pazmĂŻshleniya
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Grigory
Pantyelev Paisov (2001). "Berberov, Rostislav Nikolayevich".
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before pursuing graduate studies in musicology at the
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195:Academic staff of Gnessin State Musical College
19:(March 28, 1921 â June 12, 1984) was a Russian
43:Born in Kondrovo, Berberov graduated from the
104:Spetsifika strukturĂŻ khorovogo proizvedeniya
113:Berberov died in Moscow on June 12, 1984.
77:Schnittke Moscow State Institute of Music
155:10.1093/gmo/9781561592630.article.48266
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190:Gnessin State Musical College alumni
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220:20th-century Russian male musicians
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17:Rostislav Nikolayevich Berberov
230:20th-century Russian educators
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45:Gnessin State Musical College
33:Polnoye sobraniye sochineniy
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215:Saratov Conservatory alumni
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246:
225:20th-century musicologists
185:Moscow Conservatory alumni
29:Pyotr Ilyich Tchaikovsky
205:Russian music theorists
147:Oxford University Press
145:. Oxford Music Online.
200:Russian musicologists
210:Tchaikovsky scholars
53:Saratov Conservatory
49:Moscow Conservatory
142:Grove Music Online
96:Johannes Bobrowski
100:Riemannian theory
61:Boleslav Yavorsky
35:(Moscow, 1950).
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72:MarxismâLeninism
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39:Life and career
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21:music theorist
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88:Boris Asafyev
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92:Hugo Riemann
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57:World War II
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25:musicologist
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180:1984 deaths
175:1921 births
84:Ernst Kurth
169:Categories
117:References
65:Lev Mazel
55:due to
94:, and
23:and
151:doi
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125:^
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