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Ronnie Taylor

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commercials. It was through a chance meeting during the production of commercials that he came to become acquainted with Italian director Dario Argento. The two would pair up again and form a partnership. Taylor worked on three films with Argento: Phantom of the Opera (1998), and Sleepless (2001). Sleepless is marked as the final film in Taylor's filmography and decided to officially retire in 2001, at the age of 77. He bought a property in Ibiza, Spain where he spent the rest of his life. Taylor continued his passion for film past his retirement, frequently participating in the
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disagreement, leading to Dick leaving the project. Taylor took up the mantle and expanded his skill set into lighting and electrical work. This decision would lead to an expansion into television series production and commercial creation. While his catalogue of television production is less extensive than his filmography, he worked on TV series such as The Avengers (1965), Master of the Game (1984), and Jewels (1992).
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reached out to Taylor, asking him to help with the cinematography of Gandhi, taking over as the new Director of photography and continuing with this film. For his role in its production, Taylor won and shares an Oscar with the former director of photography, Williams. The pair also won the best cinematographer for the Academy Awards, British Academy Film Awards, and the British Society of Cinematographers.
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working on films and commercials as a freelancer operating on films. In 2001, at the age of 77, Taylor announced his retirement. He bought a property with a swimming pool in Ibiza, Spain, where he spent the rest of his life. Taylor continued his passion for film past his retirement, frequently participating in the
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Taylor moved back to Britain worked on projects and cemented a relationship with fellow cinematographer Freddie Francis. While not credited, he worked alongside the former on films such as Virgin Island (1958), Saturday Night and Sunday Morning (1960), and The Innocents (1961). Taylor would continue
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In 1952, He would meet his future wife, Mary Devetta during the production of Secret People (1952) at Ealing Studios, West London. The two would move over to Brazil due to a two-year contract Taylor had signed with the Vera Cruz and stayed an additional two more years before the company closed.
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Taylor's most notable accomplishment as a cinematographer was his work for Gandhi. During the production of Gandhi, the Director of Photography, Billy Williams BSC, had an incident, slipping his discs. Due to Taylor's relationship with Richard Attenborough from his time at Pinewood, Attenborough
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Taylor had taken upon different fields of film, initially starting as a clapper boy, then working his way up to a camera operator where he spent most of his time in the field. In 1975, Taylor worked with director Ken Russel on Tommy (1975). Russel and film set Photographer Dick Bush got into a
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After some time, he decided to transition into the Director of Photography and is most known for his work on the completion of Gandhi (1982) as the new director of Photography after the original, Billy Williams, had a medical emergency. Afterward, Taylor would continue working on films and
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In 2018, Taylor suffered a stroke and during his battle for recovery, his health deteriorated, eventually leading to subsequent health problems. Taylor died on August 3, 2018. He is survived by his two daughters, Tracey Taylor and Nikki Watson as well as two grandchildren.
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Taylor would then primarily shift to free-lance work. At times, he would work and would be contracted with studios like Pinewood Studios, Ealing Studio, and the Vera Cruz company. In his interview with David A. Ellis for his book
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Studio at Lime Grove in Shepherd Bush. After seeing how films were made, he quickly fell in love with the line of work and wanted to partake in the creation of films. Taylor's first film was as a clapper boy in
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In 1987, Taylor was again nominated the best cinematography at the British Academy Film Awards for his work on Cry Freedom (1987), also directed by Richard Attenborough, but did not win.  
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Pinewood was mentioned as a personal favourite he had worked with and also where he would build a name for himself among his peers as a noteworthy operator.
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British Society of Cinematographers Award for Best Cinematography in a Theatrical Feature Film
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This biographical article related to film in the United Kingdom is a
1937: 1683: 1653: 1647: 1456: 529: 461: 33: 1191: 1119: 914:"Ronnie Taylor | Camera and Electrical Department, Cinematographer" 163: 838:(1943), solidifying the start of his career in the industry. 185: 1054: 250:: Gandhi (1982) and Cry Freedom (1987). Taylor won an 281:and was awarded the Ibiza IFF's achievement award. 889:"BSC Members | British Society of Cinematographers" 858:and was awarded the Ibiza IFF's achievement award. 238:, best known for his collaborations with directors 58:. Unsourced material may be challenged and removed. 246:. Throughout his career, he was nominated for two 2389: 288:by David A Ellis, published by Scarecrow Press. 234:(27 October 1924 – 3 August 2018) was a British 955: 2372: 1860: 1040: 1000:Ronnie Taylor BSC – British Cinematographer 2413:Best Cinematographer Academy Award winners 2379: 2365: 1867: 1853: 1047: 1033: 1014:British Society of Cinematographers at BSC 956:Cinematographer, British (15 April 2017). 118:Learn how and when to remove this message 21:For the English comedy scriptwriter, see 291: 2390: 830:(1942), that same year he entered the 815:Taylor was born on 27 October 1924 in 1848: 1056:Academy Award for Best Cinematography 1028: 940: 600:Cinematographer (lighting cameraman) 571:Academy Award for Best Cinematography 2335: 936: 934: 883: 881: 879: 877: 875: 844:Conversations with Cinematographers, 248:BAFTA Awards for Best Cinematography 229:Ronald  â€śRonnie” Charles Taylor 56:adding citations to reliable sources 27: 1006:Conversations with Cinematographers 943:Conversations with cinematographers 777:camera operator (as Ronald Taylor) 286:Conversations with Cinematographers 13: 14: 2439: 984: 931: 872: 856:Ibiza International Film Festival 279:Ibiza International Film Festival 2339: 810: 214:Mary Devetta (married 1952-2018) 32: 222:2, Tracey Taylor • Nikki Watson 43:needs additional citations for 949: 906: 1: 865: 595:The Hound of the Baskervilles 260:(1982), which he shared with 2428:British film biography stubs 2418:British expatriates in Spain 2351:. You can help Knowledge by 376:5 episodes, camera operator 23:Ronnie Taylor (scriptwriter) 7: 284:He is featured in the book 10: 2444: 2334: 475:: Episode IV - A New Hope 20: 2189: 2024: 1882: 1693: 1524: 1287: 1062: 798: 676: 649: 577: 491:Director of photography; 467: 437: 380: 267: 218: 210: 202: 192: 170: 141: 134: 2408:British cinematographers 1021:. Published online 2011. 1019:Almanac of Famous People 1008:. 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Index

Ronnie Taylor (scriptwriter)

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"Ronnie Taylor"
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Hampstead, London
England
Ibiza
Spain
Cinematographer
BSC
cinematographer
Richard Attenborough
Dario Argento
BAFTA Awards for Best Cinematography
Academy Award
Gandhi
Billy Williams
Ibiza International Film Festival
The Young Mr. Pitt
Two and Two Make Six
Desmond Dickinson
The Avengers

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