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Latin ballad

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multinational record labels, Miami has become the main producer of ballads which in turn has fed back trends of migration of Latino and Hispanic performers, producers and musicians to that city. By the turn of the 2010s however, Latin ballads have begun to lose popularity as uptempo Latin genres such as
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the hits "Algo de Mí" (Something from Me), "Perdóname" (Forgive Me), "Si Tú Te Vas" (If you leave), "Melina", "Jamás" (Never), "Todo por Nada" (All for Nothing), "Fresa Salvaje" (Wild Strawberry) . Rocío Dúrcal enjoyed Latin America success and was known as "La Dama de la canción" (The Lady of Song).
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Party stressed that the romantic ballad derive from "Latin common sensibility" He draws on the research of Jesus Martin-Barbero to highlight that the romantic ballad is an expression of a broader cultural process, called by Martin-Barbero as "emotional integration in Latin America", a phenomenon
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From the 1990s, globalization and media internationalization processes that integrated contributed to the ballad's spread international spread and further homogenize around a common Latin identity. As part of the Latin Americanization of the United States and the dominant presence in the genre of
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The ballad and bolero are often confused and songs can fall in one or the other category without too much precision. The distinction between them is referring primarily to a more sophisticated and more metaphorical language and subtle bolero, compared with a more direct expression of the ballad.
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and others released a big number of hits. The main hits of Julio Iglesias "To All the Girls I've Loved Before", Amanda Miguel were "Así no te amará jamás" (This Way He Will Never Love You), by 1984 among many others that were released in Los Angeles. These songs are widely known today in
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in the mid-1950s transforms contemporary types of music in terms of how to sing them and instrumentation, which includes electric instruments in addition to the traditional balladism. Ballads spread in the acetates records and in American cinema to the world also influencing.
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were "El triste" (The Sad One), "La nave del olvido" (The Ship of Forgetfullness), "Te extraño" (I Miss You, also written by Manzanero), "Amar y querer" (To love and To want). By Roberto Carlos(singer) the songs "Amigos" (Friends) or "Detalles" (Details). By
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among others. Because of its difficulty, the Latin balladeers are often recognized as skilled singers such as the case of Nino Bravo, Camilo Sesto, José José, Luis Miguel or Raphael. In recent decades it has become the dominant musical genre of Latin pop.
227:). Postwar years 1950s, Latin America, Europe and the other continents received American musical influence and produced reissues of American ballads with new lyrics in native languages for more than a decade. 370:
that would explain a generalization of the ways of feeling and express the emotions of the Latinos, through gestures, sounds, rhythms and cadences common literary devices, linked in turn to the
258:, George Mustaki) in the 1960s and 1970s. In Mexico, the ballad recorded as such is "Sonata de Amor" (Sonata of Love) of Mario Álvarez in 1961. In 1965 the famous bolero singer-songwriter 655:
Martín-Barbero, Jesús. "Memory and Form in the Latin American Soap Opera." To Be Continued...: Soap Operas around the World. Ed. Robert Clyde Allen. London: Routledge, 1995. 276-84.
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The ethnomusicologist Daniel Party defines the romantic ballad as "a love song of slow tempo, played by a solo singer accompanied by an orchestra usually" .
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in the United States underwent transformations that were brewing since the 1930s and 1940s and that led to the origin of new rhythms.
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In the course of their existence the genre merged with diverse rhythms to form several variants, such as romantic
1851: 1846: 203:, Marlene Dietrich's "Lili Marleen" and Dooley Wilson's "As Time Goes By" were examples of early Ballad singers. 17: 676: 526: 243: 1881: 1876: 1871: 1866: 1813: 1886: 1312: 669: 509: 1841: 1634: 618: 163: 922: 1440: 1727: 1722: 902: 496:"Who Played It Again, Sam? The Three Pianists of 'Casablanca'". AFM. Retrieved 19 July 2021. 104: 497: 1297: 613: 874: 831: 246:". The Latin or romantic ballad has its origin in the Latin American bolero in the 1950s ( 8: 1659: 1654: 1317: 977: 428: 324: 128: 1861: 1599: 1560: 992: 391: 216: 120: 1527: 1239: 1225: 1087: 1717: 1589: 1247: 1047: 290: 259: 239: 155: 1162: 969: 661: 1856: 1579: 952: 947: 802: 315: 286: 255: 251: 171: 167: 1052: 987: 265:
Latin ballad was popular during the 1970s in Latin America, where artists such as
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The heyday of the ballad was romantic in the 1980s, where artists such as
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music have gained popularity with the Hispanic audience in the radio.
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that originated in the early 1960s in Los Angeles, California and
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and others released hits. The main hits of Mocedades "Eres Tú",
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Music fans can find roots of "Ballads" in pre-war years.
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Some of the best known artists of the Latin ballad are
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Trio Los Panchos gained latin ballad hits such as "
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YouTube. 8 March 2011 350:, and Spanish-language 1852:Spanish-language music 1847:Music of Latin America 498:Pianists of Casablanca 244:Quizas, Quizas, Quizas 199:'s "White Christmas", 116: 607:(10 September 2014). 1882:2000s in Latin music 1877:1990s in Latin music 1872:1980s in Latin music 1867:1970s in Latin music 692:Music genres in the 183:Origin and evolution 1655:Afro-Peruvian music 978:Afro-Peruvian music 571:. swedishcharts.com 429:Latin music (genre) 325:Southern California 279:José Luis Rodriguez 144:José Luis Rodriguez 129:Southern California 76:Typical instruments 1887:Latin music genres 1561:Charanga-vallenata 993:Son de los Diablos 392:Latin music portal 289:, Roberto Carlos, 217:Sentimental ballad 121:sentimental ballad 1829: 1828: 1643: 1642: 1234: 1233: 931: 930: 260:Armando Manzanero 240:Solamente Una Vez 110: 109: 50:Stylistic origins 16:(Redirected from 1894: 1723:Canción melódica 1568: 1567: 1337:Traditional folk 1179: 1178: 970:Peruvian coastal 953:Paraguayan 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others. 308:Julio Iglesias 271:Julio Iglesias 254:) and French ( 184: 181: 164:Roberto Carlos 136:Julio Iglesias 108: 107: 101: 100: 96: 95: 93: 92: 89: 86: 83: 79: 77: 73: 72: 65: 61: 60: 58:Peruvian waltz 51: 47: 46: 43: 41: 37: 36: 28: 9: 6: 4: 3: 2: 1899: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1839: 1837: 1822: 1819: 1815: 1812: 1811: 1810: 1807: 1806: 1804: 1800: 1794: 1791: 1789: 1786: 1784: 1783:Spanish opera 1781: 1779: 1776: 1774: 1773:Punto guajiro 1771: 1769: 1766: 1764: 1761: 1759: 1756: 1754: 1751: 1749: 1746: 1744: 1741: 1739: 1736: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1715: 1713: 1709: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1681: 1678: 1677: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1652: 1650: 1646: 1636: 1633: 1631: 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1581: 1578: 1577: 1575: 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Index

Romantic ballad
Bolero
Peruvian waltz
Texas
Canción melódica
sentimental ballad
bolero
Southern California
Julio Iglesias
Mocedades
José Luis Rodriguez
Luis Miguel
Camilo Sesto
Emmanuel
Nino Bravo
Roberto Carlos
Ricardo Montaner
Raphael
José José
Blues
jazz
Bing Crosby
Frank Sinatra
Rock and roll
Elvis Presley
Sentimental ballad
Paul Anka
Neil Sedaka
Besame Mucho
Sabor a Mí

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