Knowledge

Rollo Duke of Normandy

Source πŸ“

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Though the theatres were officially closed from 1642 to 1660, surreptitious performances occurred sporadically through the era. 1647 was a year of relative official lenience, when the actors were surprisingly active; but the London authorities soon cracked down. On 5 February 1648, King's Men players
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After he commits a number of other bloodthirsty deeds, Rollo is lured into a private meeting with the beautiful Edith, daughter of one of his victims, who plots to murder him. As Edith hesitates, Hamond, captain of the guard and brother of another of Rollo's victims, breaks in and murders Rollo.
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Scholars have been divided about the nature of the play's authorship. Some have regarded it as a play that was originally written by Jonson and Chapman and later revised by Fletcher and Massinger; while this scheme makes a good deal of sense, others have disputed it. In his sweeping study of
1419: 72:). Scholars have disputed almost everything about the play; but it was probably written sometime in the 1612–24 era and later revised, perhaps in 1630 or after. In addition to the four writers cited above, the names of 1510: 1580: 1140: 1517: 1447: 147:. Q2 appears to derive from a theatre prompt-book, while Q1 shows less sign of direct contact with the stage and is a more "literary" text. The play was included in the 332: 1105: 143:, published at Oxford by stationer Leonard Lichfield, "Printer to the University." Q2 assigns the play to Fletcher, and asserts that it was acted by the 88:
Rollo, Duke of Normandy, is locked in a struggle for power with his brother Otto. Urged on by the sycophantic LaTorch, Rollo eventually murders Otto.
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The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama,
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by the booksellers John Crook and Richard Sergier, as the work of "J. B." It was first published later in 1639, in a
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the Cook. The actors were arrested, and imprisoned in Hatton House for a time; their costumes were confiscated.
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Details of the play's earliest productions are not preserved in the historical record. The play was seen at the
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The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others,
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Aubrey, Rollo's cousin, succeeds to the dukedom; he has Edith cloistered and LaTorch whipped and hanged.
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Judith Milhous and Robert D. Hume, "New Light on English Acting Companies in 1646, 1648, and 1660,"
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Fletcher β€” Act II; Act III, 1 (middle portion) and 2; Act V, 2 (second part);
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printed by R. Bishop for John Crook and Thomas Allot, under the title
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Play by John Fletcher, Philip Massinger, Ben Jonson and George Chapman
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provided this breakdown among the shares of the four dramatists β€”
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Massinger and Fletcher β€”Act V, 1 (remainder) and 2 (first part);
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The Entertainment of the Kings of Great Britain and Denmark
1141:
The Memorable Masque of the Middle Temple and Lincoln's Inn
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Chapman β€” Act III, 1 (excluding middle portion); Act IV, 3;
159:
were arrested in the midst of a clandestine performance of
80:
have been connected with the play by individual scholars.
282:, Cambridge, Cambridge University Press, 2004; pp. 203–4. 1420:
A Private Entertainment of the King and Queen on May-Day
266:
Lincoln, NE, University of Nebraska Press, 1978; p. 71.
1011:† = Not published in the Beaumont and Fletcher folios 1106:
The Conspiracy and Tragedy of Charles, Duke of Byron
240:Vol. 35 No. 1 (August 1937), pp. 61–72; see p. 63. 253:New Haven, Yale University Press, 1927; pp. 457–9 2018: 204:Massinger β€” Act I; Act V, scene 1 (lines 1–90); 1574:News from the New World Discovered in the Moon 98: 1757: 1743: 1609:Time Vindicated to Himself and to His Honours 1214: 1034: 455:The Masque of the Inner Temple and Gray's Inn 326: 295:Vol. 42 No. 168 (November 1991), pp. 487–509. 262:Terence P. Logan and Denzell S. Smith, eds., 817:Four Plays, or Moral Representations, in One 1048: 196:authorship problems in the Fletcher canon, 1750: 1736: 1616:Neptune's Triumph for the Return of Albion 1221: 1207: 1041: 1027: 333: 319: 236:, "The Diary of a Caroline Theatergoer," 92:Hamond is himself killed in the process. 1099:The Tragedy of Chabot, Admiral of France 37:, is a play written in collaboration by 1483:The Speeches at Prince Henry's Barriers 2019: 1525:Mercury Vindicated from the Alchemists 1228: 141:The Tragoedy of Rollo Duke of Normandy 1731: 1202: 1022: 314: 2062:Plays by John Fletcher and Massinger 1476:The Entertainment at Britain's Burse 867:with Massinger, Chapman & Jonson 2047:Plays by John Fletcher (playwright) 1651:The King's Entertainment at Welbeck 1630:The Fortunate Isles and Their Union 1497:Love Freed from Ignorance and Folly 13: 1511:A Challenge at Tilt, at a Marriage 877:with Massinger, Ford & Webster 149:second Beaumont and Fletcher folio 14: 2078: 1637:Love's Triumph Through Callipolis 280:The Shakespeare Company 1594–1642 1623:The Masque of Owls at Kenilworth 1581:The Entertainment at Blackfriars 448:The Knight of the Burning Pestle 1078:The Blind Beggar of Alexandria 298: 285: 269: 256: 243: 227: 1: 1560:Pleasure Reconciled to Virtue 1155:The Revenge of Bussy D'Ambois 989:(Shakespeare & Fletcher?) 764:with Beaumont & Massinger 220: 190: 66: 1717:Sons of Ben (literary group) 1427:The Entertainment at Althorp 1320:EpicΕ“ne, or The Silent Woman 958:Beaumont and Fletcher folios 7: 1712:English Renaissance theatre 1469:The Hue and Cry After Cupid 1278:Every Man out of His Humour 948:English Renaissance theatre 654:Rule a Wife and Have a Wife 123:). It was entered into the 99:Performance and publication 83: 10: 2083: 1916:A New Way to Pay Old Debts 1860:The Great Duke of Florence 1658:Love's Welcome at Bolsover 788:with Massinger & Field 304:Logan and Smith, pp. 70–2. 18: 2052:Plays by Philip Massinger 2032:English Renaissance plays 1796:The Custom of the Country 1766: 1699: 1667: 1595:The Gypsies Metamorphosed 1518:The Irish Masque at Court 1402: 1241: 1178: 1060: 1009: 976: 938: 891: 755: 703:The Custom of the Country 663: 547: 464: 439: 426: 350: 293:Review of English Studies 1892:The Little French Lawyer 1884:John van Olden Barnavelt 1876:The Honest Man's Fortune 1490:Oberon, the Faery Prince 911:(Middleton & Rowley) 882:The Fair Maid of the Inn 793:The Honest Man's Fortune 682:The Little French Lawyer 556:The Faithful Shepherdess 2027:Plays by George Chapman 1836:The Emperor of the East 1567:For the Honour of Wales 1532:The Golden Age Restored 1434:The Masque of Blackness 1334:Catiline His Conspiracy 1271:Every Man in His Humour 1127:An Humorous Day's Mirth 986:The History of Cardenio 872:Rollo, Duke of Normandy 619:The Humorous Lieutenant 1964:Rollo Duke of Normandy 1932:The Parliament of Love 1413:The Coronation Triumph 1376:Rollo Duke of Normandy 1162:Rollo Duke of Normandy 908:Wit at Several Weapons 28:Rollo Duke of Normandy 1546:The Vision of Delight 1539:Christmas, His Masque 835:The Two Noble Kinsmen 769:Thierry and Theodoret 343:Beaumont and Fletcher 216:Jonson β€” Act IV, 1–2. 1996:The Unnatural Combat 1900:The Lovers' Progress 1602:The Masque of Augurs 1462:The Masque of Queens 1455:The Masque of Beauty 862:The Maid in the Mill 800:The Queen of Corinth 710:The Lovers' Progress 640:The Wild Goose Chase 125:Stationers' Register 113:Hampton Court Palace 19:For the person, see 2057:Plays by Ben Jonson 1812:The Double Marriage 1780:Believe as You List 1348:The Devil Is an Ass 1257:The Case is Altered 1187:The Shadow of Night 1120:The Gentleman Usher 998:(possibly based on 807:The Knight of Malta 696:The Double Marriage 626:The Island Princess 538:The Noble Gentleman 383:William Shakespeare 249:E. H. C. Oliphant, 111:, and was acted at 1988:The Spanish Curate 1908:The Maid of Honour 1355:The Staple of News 717:The Spanish Curate 647:A Wife for a Month 517:A King and No King 510:The Maid's Tragedy 171:was acting Rollo; 137:The Bloody Brother 61:duke of Normandy, 57:is the historical 34:The Bloody Brother 2014: 2013: 1828:The Elder Brother 1820:The Duke of Milan 1772:The Bashful Lover 1725: 1724: 1707:Ben Jonson folios 1676:On My First Sonne 1588:Pan's Anniversary 1395: 1390:Mortimer His Fall 1369:The Magnetic Lady 1196: 1195: 1169:The Widow's Tears 1092:Caesar and Pompey 1016: 1015: 968:Humphrey Robinson 934: 933: 916:The Laws of Candy 852:Wit Without Money 738:The Elder Brother 605:The Loyal Subject 563:The Woman's Prize 531:The Scornful Lady 524:Love's Pilgrimage 183:was Latorch, and 2074: 1760:Philip Massinger 1752: 1745: 1738: 1729: 1728: 1393: 1383:The Sad Shepherd 1341:Bartholomew Fair 1299:Sejanus His Fall 1285:Cynthia's Revels 1264:The Isle of Dogs 1223: 1216: 1209: 1200: 1199: 1148:Monsieur D'Olive 1043: 1036: 1029: 1020: 1019: 995:Double Falsehood 963:Humphrey Moseley 845:The Night Walker 822:with Shakespeare 437: 436: 393:Thomas Middleton 370:Philip Massinger 356:Francis Beaumont 335: 328: 321: 312: 311: 305: 302: 296: 289: 283: 273: 267: 260: 254: 247: 241: 238:Modern Philology 231: 71: 68: 43:Philip Massinger 31:, also known as 2082: 2081: 2077: 2076: 2075: 2073: 2072: 2071: 2017: 2016: 2015: 2010: 1972:The Roman Actor 1852:The Fatal Dowry 1762: 1756: 1726: 1721: 1695: 1663: 1553:Lovers Made Men 1398: 1250:A Tale of a Tub 1237: 1227: 1197: 1192: 1174: 1056: 1047: 1017: 1012: 1005: 972: 941:and publication 940: 930: 900:The Nice Valour 887: 757: 751: 665: 659: 584:Monsieur Thomas 543: 482:Cupid's Revenge 475:The Woman Hater 466: 460: 432: 430: 428: 422: 346: 339: 309: 308: 303: 299: 290: 286: 274: 270: 261: 257: 248: 244: 232: 228: 223: 193: 175:played Aubrey, 165:Cockpit Theatre 101: 86: 69: 55:title character 24: 17: 12: 11: 5: 2080: 2070: 2069: 2064: 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Bush 773: 771: 770: 766: 763: 762: 760: 754: 748: 747: 742: 740: 739: 735: 733: 732: 728: 726: 725: 721: 719: 718: 714: 712: 711: 707: 705: 704: 700: 698: 697: 693: 691: 690: 689:The False One 686: 684: 683: 679: 677: 676: 671: 670: 668: 662: 656: 655: 651: 649: 648: 644: 642: 641: 637: 635: 634: 630: 628: 627: 623: 621: 620: 616: 614: 613: 612:Women Pleased 609: 607: 606: 602: 600: 599: 595: 593: 592: 591:The Mad Lover 588: 586: 585: 581: 579: 578: 574: 572: 571: 567: 565: 564: 560: 558: 557: 553: 552: 550: 546: 540: 539: 535: 533: 532: 528: 526: 525: 521: 519: 518: 514: 512: 511: 507: 505: 504: 500: 498: 497: 493: 491: 490: 486: 484: 483: 479: 477: 476: 472: 471: 469: 463: 457: 456: 452: 450: 449: 445: 444: 442: 438: 435: 425: 419: 416: 414: 411: 409: 406: 404: 401: 399: 396: 394: 391: 389: 388:James Shirley 386: 384: 381: 379: 376: 375: 372: 371: 367: 365: 364: 363:John Fletcher 360: 358: 357: 353: 352: 349: 344: 336: 331: 329: 324: 322: 317: 316: 313: 301: 294: 288: 281: 277: 272: 265: 259: 252: 246: 239: 235: 234:G. E. Bentley 230: 226: 215: 212: 209: 206: 203: 202: 201: 199: 188: 186: 182: 181:Nicholas Burt 178: 174: 170: 169:Joseph Taylor 166: 162: 156: 154: 150: 146: 142: 138: 134: 130: 127:on 4 October 126: 122: 118: 114: 110: 106: 105:Globe Theatre 96: 93: 89: 81: 79: 75: 65:(lived 846 – 64: 60: 56: 52: 48: 44: 40: 39:John Fletcher 36: 35: 30: 29: 22: 2004:A Very Woman 2002: 1994: 1986: 1978: 1970: 1963: 1962: 1956:The Renegado 1954: 1946: 1938: 1930: 1922: 1914: 1906: 1903:(1624, 1634) 1898: 1890: 1882: 1874: 1868:The Guardian 1866: 1858: 1850: 1842: 1834: 1826: 1818: 1810: 1802: 1794: 1786: 1778: 1770: 1690:To Penshurst 1656: 1649: 1642: 1635: 1628: 1621: 1614: 1607: 1600: 1593: 1586: 1579: 1572: 1565: 1558: 1551: 1544: 1537: 1530: 1523: 1516: 1509: 1502: 1495: 1488: 1481: 1474: 1467: 1460: 1453: 1446: 1439: 1432: 1425: 1418: 1411: 1388: 1381: 1375: 1374: 1367: 1360: 1353: 1346: 1339: 1332: 1325: 1318: 1311: 1306:Eastward Hoe 1304: 1297: 1290: 1283: 1276: 1269: 1262: 1255: 1248: 1185: 1167: 1161: 1160: 1153: 1146: 1139: 1132: 1125: 1118: 1113:Eastward Hoe 1111: 1104: 1097: 1090: 1083: 1076: 1069: 999: 993: 984: 922: 914: 906: 898: 880: 870: 860: 850: 843: 840:with Shirley 833: 826: 815: 805: 798: 791: 781: 774: 767: 746:A Very Woman 744: 736: 729: 722: 715: 708: 701: 694: 687: 680: 673: 664:Fletcher and 652: 645: 638: 631: 624: 617: 610: 603: 596: 589: 582: 575: 568: 561: 554: 536: 529: 522: 515: 508: 501: 494: 487: 480: 473: 467:and Fletcher 453: 446: 433:conjectural) 431:attributions 418:John Webster 378:Nathan Field 368: 361: 354: 300: 292: 287: 279: 271: 263: 258: 250: 245: 237: 229: 194: 177:Charles Hart 160: 157: 140: 136: 102: 94: 90: 87: 74:Nathan Field 33: 32: 27: 26: 25: 2042:1620s plays 2037:1610s plays 1940:The Picture 1924:The Old Law 1788:The Bondman 1362:The New Inn 939:Performance 903:(Middleton) 857:with Rowley 783:Love's Cure 633:The Pilgrim 598:The Chances 570:Valentinian 503:The Captain 489:The Coxcomb 276:Andrew Gurr 2021:Categories 2007:(1619–22?) 1967:(1612–24?) 1394:(fragment) 1230:Ben Jonson 953:King's Men 828:Henry VIII 812:with Field 758:and others 408:Ben Jonson 221:References 191:Authorship 173:John Lowin 145:King's Men 107:on 13 May 70: 931 47:Ben Jonson 1927:(1614–18) 1895:(1619–23) 1847:(1619–20) 1815:(1619–22) 1799:(1619–23) 1758:Plays by 1644:Chloridia 1292:Poetaster 1071:All Fools 927:(Shirley) 675:Barnavelt 666:Massinger 496:Philaster 403:John Ford 198:Cyrus Hoy 121:new style 1683:To Celia 1441:Hymenaei 1000:Cardenio 756:Fletcher 548:Fletcher 465:Beaumont 440:Beaumont 84:Synopsis 1999:(1624?) 1700:Related 1404:Masques 1313:Volpone 1134:May Day 977:Related 577:Bonduca 345:" Canon 163:at the 1991:(1622) 1983:(1622) 1975:(1626) 1959:(1630) 1951:(1622) 1943:(1630) 1935:(1624) 1919:(1625) 1911:(1632) 1887:(1619) 1879:(1613) 1871:(1633) 1863:(1636) 1855:(1632) 1839:(1632) 1831:(1625) 1823:(1623) 1807:(1632) 1791:(1624) 1783:(1631) 1775:(1636) 1179:Poetry 919:(Ford) 892:Others 179:Otto; 133:quarto 59:Viking 53:. The 2067:Rollo 1668:Poems 1242:Plays 1234:works 1062:Plays 1050:Works 429:(some 427:Plays 341:The " 161:Rollo 63:Rollo 21:Rollo 153:1679 129:1639 117:1637 109:1633 76:and 49:and 1052:by 167:. 151:of 2023:: 278:, 155:. 67:c. 45:, 41:, 1751:e 1744:t 1737:v 1692:" 1688:" 1685:" 1681:" 1678:" 1674:" 1236:) 1232:( 1222:e 1215:t 1208:v 1042:e 1035:t 1028:v 1002:) 992:† 983:† 825:† 743:† 672:† 334:e 327:t 320:v 119:( 23:.

Index

Rollo
John Fletcher
Philip Massinger
Ben Jonson
George Chapman
title character
Viking
Rollo
Nathan Field
Robert Daborne
Globe Theatre
1633
Hampton Court Palace
1637
new style
Stationers' Register
1639
quarto
King's Men
second Beaumont and Fletcher folio
1679
Cockpit Theatre
Joseph Taylor
John Lowin
Charles Hart
Nicholas Burt
Thomas Pollard
Cyrus Hoy
G. E. Bentley
Andrew Gurr

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