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588:(1934), which was cut again. A third lyric, "The Bad in Every Man," was used in the film. At the urging of Jack Robbins, head of MGM's music publishing unit, Hart wrote a fourth lyric as a standalone song. Glen Grey and the Casa Loma Orchestra recorded it in 1936, and that version topped the charts for three weeks.
183:
Hart's lyrics – facile, vernacular, dazzling, sometimes playful, sometimes melancholic – raised the standard for
Broadway songwriting. "His ability to write cleverly and to come up with unexpected, polysyllabic rhymes was something of a trademark, but he also had the even rarer ability to write with
234:
are inevitable. Hammerstein's lyrics project warmth, sincere optimism, and occasional corniness. Hart's lyrics showed greater sophistication in subject matter, more use of overt verbal cleverness, and more of a "New York" or "Broadway" sensibility. The archetypal
Rodgers and Hart song, "Manhattan",
247:") are wistful or sad, and emotional ambivalence seems to be perceptible in the background of even the sunnier songs. For example, "You Took Advantage of Me" appears to be an evocation of amorous joy, but the very title suggests some doubt as to whether the relationship is mutual or exploitative.
164:
devoted a cover story to
Rodgers and Hart on September 26, 1938. The magazine reported that their success "rests on a commercial instinct that most of their rivals have apparently ignored". The article also noted their "spirit of adventure." "As Rodgers and Hart see it, what was killing musicomedy
84:" and led to a series of successful musicals and films. They quickly became among the most popular songwriters in America, and from 1925 to 1931 had fifteen scores featured on Broadway. In the early 1930s they moved to Hollywood, where they created several popular songs for film, such as "
195:
Their shows belong to the era when musicals were revue-like and librettos were not much more than excuses for comic turns and music cues. Still, just as their songs were a cut above, so did the team try to raise the standard of the musical form in general. Thus,
151:. The new production had a considerably longer run than the original and was now considered a classic by critics. Atkinson, reviewing the revival, wrote that the musical "renews confidence in the professionalism of the theatre."
146:
wrote in his review, "Although it is expertly done, how can you draw sweet water from a foul well?" When the show was revived in 1952, audiences had learned to accept darker material, thanks in large part to
Rodgers' work with
235:
rhymes "The great big city's a wondrous toy/Just made for a girl and boy" in the first stanza, then reprises with "The city's clamor can never spoil/The dreams of a boy and goil" in the last. Many of the songs ("
223:"They had always considered the integration of story and music a crucial factor in a successful show." They used dance significantly in their work, using the ballets of
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Richard
Rodgers and Lorenz Hart were introduced in 1919 while Rodgers was still in high school and Hart had already graduated from
619:) "features some of the most elegantly wistful lyrics... is, quite simply, one of the best songs Rodgers and Hart ever wrote."
44:(1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.
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106:. From 1935 to Hart's death in 1943, they wrote a string of highly regarded Broadway musicals, most of which were hits.
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utmost simplicity and deep emotion." Rodgers, as a creator of melodies, ranks with
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Many of their stage musicals from the late 1930s were made into films, including
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Their songs have long been favorites of cabaret singers and jazz artists.
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History of The
Musical Stage, 1920s IV, by John Kenrick, musicals101.com
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was its sameness, its tameness, its eternal rhyming of June with moon."
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Review, The
Incomparable Andrea Marcovicci Sings Rodgers & Hart
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based one of her cabaret acts entirely on
Rodgers and Hart songs.
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Interview with Mary
Rodgers about Rodgers and Hart for PBS (1999)
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679:
230:
Comparisons between
Rodgers and Hart and the successor team of
604:
included his Nashville-inflected version of the song on his
555:(revised, with additional songs, their last collaboration)
1354:
The Great American Songbook: Stories of the Standards
1265:
Philip George Furia & Michael L. Lasser (2006).
1097:and Rodgers & Hart's first serious composition
470:(Broadway revue with one song by Rodgers and Hart)
1326:songwritershalloffame.org, accessed April 5, 2009
2038:
1410:Somewhere for Me: A Biography of Richard Rodgers
1141:Guide to Musical Theatre, accessed April 5, 2009
128:(1940), termed their masterpiece, has a book by
122:(1937), though rarely with their scores intact.
1843:It's Easy to Remember (And So Hard to Forget)
1496:
680:Dorothy Hart and Robert Kimball, ed. (1995).
572:One of Rodgers and Hart's best known songs, "
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80:, in 1925, which introduced their hit song "
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1368:The Cambridge Companion to the Musical
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780:(1929) “A Ship Without a Sail” (from
1850:The Most Beautiful Girl in the World
1510:
1384:(1984, 4th Edition), Da Capo Press,
1370:(2008), Cambridge University Press,
1356:(2004), Author's Choice Publishing,
1342:(2002), Oxford University Press US,
1129:
1053:", "Nobody's Heart Belongs to Me", "
877:The Most Beautiful Girl in the World
255:
1398:(1995), Oxford University Press US,
66:, which incidentally also involved
40:(1902–1979) and the lyricist
13:
2011:Bewitched, Bothered and Bewildered
1366:Everett, William and Laird, Paul.
1237:talkinbroadway.com, August 7, 2007
1034:Bewitched, Bothered and Bewildered
682:The Complete Lyrics of Lorenz Hart
660:Bewitched, Bothered and Bewildered
622:Other of their many hits include "
14:
2073:
1437:
1412:(2002), Hal Leonard Corporation,
1217:"Theater: The Boys from Columbia"
16:American songwriting partnership
1934:I'll Tell the Man in the Street
1396:Lorenz Hart: A Poet on Broadway
1317:
1308:
1292:When Broadway Went to Hollywood
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987:I'll Tell the Man in the Street
1976:I Didn't Know What Time It Was
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1080:
1000:I Didn't Know What Time It Was
787:(1930) "Yours Sincerely" and "
1:
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611:Frederick Nolan writes that "
36:partnership between composer
1969:I Like to Recognize the Tune
1162:"Sing a Song of Morningside"
1004:I Like to Recognize the Tune
7:
1983:Give It Back to the Indians
1899:I Wish I Were in Love Again
1382:The World of Musical Comedy
1294:. Oxford University Press.
1101:
1008:Give It Back to the Indians
924:I Wish I Were in Love Again
762:One Dam Thing After Another
338:One Dam Thing After Another
154:
10:
2078:
2062:American male musical duos
2057:Columbia University alumni
2047:American songwriting teams
1462:Internet Broadway Database
1340:The Richard Rodgers Reader
1269:. Routledge. p. 117.
1139:Rodgers and Hart Biography
1113:List of songwriter tandems
251:Stage and film productions
47:
1948:Falling in Love with Love
1885:Slaughter on Tenth Avenue
1701:
1536:
1518:
966:Falling in Love with Love
628:Falling in Love with Love
237:Falling in Love with Love
1997:It Never Entered My Mind
1927:Have You Met Miss Jones?
1759:You Took Advantage of Me
1338:Block, Geoffrey Holden.
1123:
1021:It Never Entered My Mind
949:Have You Met Miss Jones?
769:You Took Advantage of Me
674:List of well-known songs
668:Have You Met Miss Jones?
567:
309:The Fifth Avenue Follies
25:Rodgers and Hart in 1936
1766:With a Song in My Heart
1290:Mordden, Ethan (2016).
1118:Rodgers and Hammerstein
789:With a Song in My Heart
232:Rodgers and Hammerstein
92:", before returning to
1780:Dancing on the Ceiling
1657:The Boys from Syracuse
975:The Boys from Syracuse
806:Dancing on the Ceiling
652:Dancing on the Ceiling
493:The Boys from Syracuse
209:The Boys From Syracuse
26:
2052:American musical duos
2025:Wait till You See Her
1871:There's a Small Hotel
1829:You Are Too Beautiful
1801:I've Got Five Dollars
1794:He Was Too Good to Me
1773:A Ship Without a Sail
1752:To Keep My Love Alive
1552:Poor Little Ritz Girl
1223:. September 26, 1938.
1160:Vinciguerra, Thomas.
1068:To Keep My Love Alive
1051:Wait Till You See Her
903:There's a Small Hotel
890:It's Easy to Remember
858:Hallelujah, I'm a Bum
853:You Are Too Beautiful
819:I’ve Got Five Dollars
427:Hallelujah, I'm a Bum
418:The Phantom President
24:
2004:I Could Write a Book
1962:Sing for Your Supper
1738:My Heart Stood Still
1622:America's Sweetheart
1587:A Connecticut Yankee
1559:The Garrick Gaieties
1073:A Connecticut Yankee
1038:I Could Write a Book
970:Sing For Your Supper
824:America’s Sweetheart
758:My Heart Stood Still
750:A Connecticut Yankee
711:The Garrick Gaieties
640:My Heart Stood Still
552:A Connecticut Yankee
397:America's Sweetheart
331:A Connecticut Yankee
322:The Garrick Gaieties
272:The Garrick Gaieties
219:The Comedy of Errors
202:(1927) was based on
199:A Connecticut Yankee
149:Oscar Hammerstein II
77:The Garrick Gaieties
68:Oscar Hammerstein II
2018:Ev'rything I've Got
1920:The Lady Is a Tramp
1650:I'd Rather Be Right
1055:Ev'rything I've Got
1040:", and “Zip” (from
954:I'd Rather Be Right
936:The Lady Is a Tramp
585:Manhattan Melodrama
485:I'd Rather Be Right
214:William Shakespeare
54:Columbia University
1955:This Can't Be Love
1906:My Funny Valentine
1878:Glad to Be Unhappy
1808:Isn't It Romantic?
1664:I Married an Angel
1422:Zinnser, William.
1394:Nolan, Frederick.
992:I Married an Angel
962:This Can't Be Love
928:My Funny Valentine
907:Glad to Be Unhappy
840:Isn't It Romantic?
624:My Funny Valentine
537:Two Weeks with Pay
502:I Married an Angel
451:Billy Rose's Jumbo
245:My Funny Valentine
86:Isn't It Romantic?
27:
2034:
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1787:Ten Cents a Dance
1717:Mountain Greenery
1678:Higher and Higher
1408:Secrest, Meryle.
1233:Connema, Richard.
1026:Higher and Higher
802:Ten Cents a Dance
706:Mountain Greenery
684:. Da Capo Press.
648:Ten Cents a Dance
636:Mountain Greenery
564:
563:
520:Higher and Higher
225:George Balanchine
178:Andrea Marcovicci
32:were an American
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1864:Little Girl Blue
1512:Rodgers and Hart
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1426:(2000), Godine,
1424:Easy to Remember
1380:Green, Stanley.
1352:Denison, Chuck.
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615:" (written for
608:album of 1970.
579:Hollywood Party
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409:Love Me Tonight
288:The Girl Friend
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170:Ella Fitzgerald
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1169:. Retrieved
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58:Varsity Show
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1545:Fly with Me
1528:Lorenz Hart
1467:Lorenz Hart
1081:Other works
895:Mississippi
598:The Marcels
532:(1957 film)
523:(1943 film)
514:(1940 film)
505:(1942 film)
496:(1940 film)
479:(1939 film)
463:(1939 film)
448:(1962 film
436:Mississippi
264:Fly With Me
186:Jerome Kern
136:John O'Hara
63:Fly With Me
42:Lorenz Hart
34:songwriting
2041:Categories
1857:My Romance
1745:Thou Swell
1692:By Jupiter
1608:Ever Green
1333:References
1276:0415972469
1171:January 9,
1089:(1937), a
1060:By Jupiter
782:Me For You
745:Thou Swell
613:My Romance
596:style, by
544:By Jupiter
381:Ever Green
212:(1938) on
204:Mark Twain
98:Billy Rose
1836:Blue Moon
1731:Blue Room
1710:Manhattan
1601:Chee-Chee
1580:Peggy-Ann
1091:monodrama
866:Blue Moon
842:", (from
702:Manhattan
602:Bob Dylan
574:Blue Moon
366:Heads Up!
353:Chee-Chee
315:Lido Lady
302:Peggy-Ann
142:. Critic
82:Manhattan
74:musical,
1685:Pal Joey
1537:Musicals
1102:See also
1070:” (from
1066:(1943) “
1057:" (from
1049:(1942) "
1043:Pal Joey
1032:(1940) "
1023:" (from
1019:(1940) "
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998:(1939) "
989:" (from
981:(1938) "
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968:", and “
960:(1938) "
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830:(1932) "
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700:(1925) "
666:", and "
529:Pal Joey
174:songbook
155:Analysis
125:Pal Joey
94:Broadway
72:Broadway
1460:at the
985:" and "
804:” and “
704:" and "
594:doo-wop
549:(1943)
541:(1942)
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134:writer
88:" and "
48:History
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439:(film)
430:(film)
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114:(1936)
1815:Lover
1702:Songs
1629:Jumbo
1124:Notes
882:Jumbo
832:Lover
656:Lover
617:Jumbo
568:Songs
445:Jumbo
295:Betsy
176:and
103:Jumbo
90:Lover
1822:Mimi
1471:IMDb
1453:IMDb
1428:ISBN
1414:ISBN
1400:ISBN
1386:ISBN
1372:ISBN
1358:ISBN
1344:ISBN
1296:ISBN
1271:ISBN
1221:Time
1173:2022
1036:", "
1006:", "
1002:", "
964:", "
930:", "
926:", "
922:", "
875:", "
836:Mimi
834:", "
686:ISBN
664:Mimi
662:", "
658:", "
654:", "
650:", "
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626:", "
243:", "
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188:and
161:Time
140:heel
116:and
1469:at
1451:at
670:".
216:'s
100:'s
2043::
1219:.
1181:^
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