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Harling now turned his hand to writing a number of popular 'pulp fiction' titles including: The Paper Palace (1951), The Dark
Saviour (1952), The Enormous Shadow (1955), The Endless Colonnade (1958), The Hollow Sunday (1967), The Athenian Widow (1974) and finally The Summer Portrait (1979). He wrote
451:
Besides the magazine, he launched a series of books on the same theme, starting in 1959 with House & Garden
Interiors and Colour. Ten more books followed, his last contributions being the House & Garden Book of Romantic Rooms (1985), and House & Garden Book of Classic Rooms (1989); in
241:, "trying – not all that successfully – to learn more about the technical side of printing". This led him to write and publish two books prior to the war: The London Miscellany (1937) and Home: a vignette (1938). Both drew on his love of 19th-century architecture and design. By the start of
267:, and had heard about Harling's editorship of the Typography journal, which was setting new standards for the design and display of printed matter. During their meeting he learned that Harling was also writer and designer of "News-Reel Maps" for the
329:(ISTD), where he put him to work examining photographs of enemy held terrain and applying the knowledge he had gained researching maps for the News Chronicle. This led to an adventurous air-trip to various parts of the world to collect data.
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Robert Henry
Harling, typographer, graphic artist and designer, editor and novelist: born London 27 March 1910. Married Phoebe Konstam (who predeceased him in 2006) in April 1945, having met at the
475:(1976) is still considered the best assessment of Gill's work, which perhaps is no surprise given Harling was also a master of lettering. He also contributed his memories to The Wood-engravings of
448:(on interior design). With his dedicated and happy crew he revitalised House & Garden, and produced a Magazine in Britain which would contrast the ancient and modern, colour and simplicity.
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409:, about the editorship of House & Garden. Fleming was astounded that his friend Harling wanted the job, but did what he was asked, and the deal was done surprisingly quickly.
179:. This was the story he put about. "Later research showed this was complete invention. He grew up and went to school in Islington, with a living mother and a father who drove a
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Harling's greatest legacy to
Printing and Publishing can probably be summed up as his generous approach to helping younger designers, editors and authors in understanding the
464:
Harling would admit that some of the fun of life diminished following the death of his friend
Fleming in 1964, but he remained alert and active, and could still be found at
183:. He had a brother and a first wife who, like his parents, had been ruthlessly excised by Harling from his biography, and came as a revelation to his middle-aged children."
275:'s up-and-coming advertising agency. This led him to commission Harling to redesign the Admiralty's weekly intelligence report, but they were not to meet again until 1941.
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194:
for plate, fine examples of
English vernacular lettering. His "uncle" would enlarge them for him photographically so he could laboriously copy them. This love of
713:
and inherited by other companies after it left the printing market. They are single-style designs with no italics; Tea Chest has no lower-case characters.
373:
372:, where his friend Fleming had become Foreign News Manager. With his old friend James Shand, printer and sponsor of Typography, he launched a new journal,
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taking over his creator's life to an alarming extent. In 1957 Fleming was about to go to New York, when
Harling suggested that he might sound out "Pat" (
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445:
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340:, he pursued the task assigned to the unit to pick up enemy code-books, security documents and wireless equipment through fierce fighting round
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376:(1946–48), which later became Image (1949–52). He was also given a larger room in the Delamere advertising agency, and was a consultant to
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border in 1953, which was made more picturesque by the removal of a later top floor. He died on 1 June 2008, at
Godstone, Surrey.
67:
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His work can be seen to the present day as he was responsible for the current, and iconic, external design and typography of the
272:
163:, and a lifelong appreciation for architecture and design, and the Sea, where he learnt to swim and sail. With the death of his
326:
217:, but as he would tell friends later "left, quite untrained, a year later". Two six-month stints followed at two of the best
151:, London, in 1910, and was orphaned at an early age being brought up by his mother's friend, a nurse whom he regarded as an
74:
344:, and on into France. Cautious, eventually cordial relations with American forces brought a memorable meeting with General
352:
to round up German scientists. A final mission to Norway to disarm German naval forces brought a close to
Harling's war.
56:
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1980 with Miles
Hadfield he published British Gardeners: a biographical dictionary – this being a reworking of
45:
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he had a staff of 18 which included Leonie Highton, and later John Bridges, and three outstanding advisers:
425:, where he was architectural correspondent as well as designer (and from 1961 he would become Editor of the
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Fleming, too, had taken to thrillers, and their friendship continued to increase during the period, despite
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late on Saturday evenings until 1985. Nor did his interest in the graphic arts wain. His publication
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design inspired by theatre and circus posters. Known for being bundled with some Microsoft software.
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a book which he had developed with Miles Hadfield and Leonie Highton thirty five years earlier.
750:"Tight trousers and typography: Robert Harling, the mystery man who could have been James Bond"
553:, Miles Hadfield, Robert Harling, Leonie Highton. Routledge & Kegan Paul Ltd, London (1955)
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535:, Robert Harling, Leonie Highton, Yvonne Jaques, Nigel Kendall. London, Condé Nast (1967)
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Robert Harling's "Chisel" typeface, an adaptation of a "Latin" or wedge-serif face.
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517:, Miles Hadfield, Robert Harling & Leonie Highton. Condé Nast, London (1980)
263:, the meeting was (as Harling found later) no accident. Fleming, was serving in
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Robert Harling's success came despite an unpromising upbringing. He was born in
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Following a meeting in London in 1941 Fleming recruited Harling to work in the
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In between convoy duty and the ISTD Harling had redesigned the ailing
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Tea Chest (1939), a stencil design inspired by old boxes and industry
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139:, designer, journalist and novelist who lived to the age of 98.
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348:, which was followed by a lightning dash across Germany to
282:. Before he finished training, under the legendary Captain
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All three designs were created for Sheffield type-foundry
670:, both editing, writing, designing layout and typesetting.
497:, before moving to an 18th-century Gothic vicarage on the
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He attributed his interest in lettering from his study of
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Alphabet and Image, Published in Baseline Magazine, 2009
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Royal Naval Volunteer Reserve personnel of World War II
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Harling now established a new routine, four days at
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Harling, a keen amateur sailor, volunteered for the
769:
294:. Sub-Lieutenant Harling, RNVR, next found himself
48:. Unsourced material may be challenged and removed.
652:He worked for several other newspapers including:
533:Guide to interior decoration (House & garden)
336:Fleming again tapped Harling. Landing soon after
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508:
605:The London Miscellany. A 19th Century Scrapbook
394:easily and well, with a good ear for dialogue.
587:Notes on the Wood-engravings of Eric Ravilious
527:The Letterforms and Type Designs of Eric Gill
255:World War Two. The Royal Navy and Ian Fleming
515:British Gardeners. A biographical dictionary
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595:(1944) reprinted in 1952 under his own name
271:, and "demi-semi-resident art director" of
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314:in 1946, based on his experiences in the
213:, and then got a job as a trainee at the
108:Learn how and when to remove this message
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1012:English typographers and type designers
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198:and contemporary gothic led him to the
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327:Inter-Service Topographical Department
229:(for whom he mounted an exhibition on
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470:The Letter-forms and Type-designs of
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46:adding citations to reliable sources
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1027:Royal Navy officers of World War II
159:, bringing him in contact with the
155:. After her marriage they moved to
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831:"Modern Typography in Advertising"
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571:(Chatto & Windus, London 1951)
444:(to discover unknown houses), and
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1017:20th-century English male writers
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200:Central School of Arts and Crafts
57:"Robert Harling" typographer
583:, Chatto and Windus, London 1946
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613:(The Robson Press, London 2015)
33:needs additional citations for
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733:. "Robert Harling at Ninety".
611:Ian Fleming: A Personal Memoir
442:Loelia, Duchess of Westminster
209:He briefly kept a bookshop in
1:
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575:The Drawings of Edward Bawden
509:Selected Books and other work
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421:, and Friday and Saturday at
202:, having rejected a place at
705:Chisel (1939), inscriptional
627:'s UK and European magazine
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857:Wisden Cricketers' Almanack
675:Wisden Cricketers' Almanack
259:In 1939 Robert Harling met
10:
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308:The Steep Atlantick Stream
748:Jack, Ian (21 May 2014).
661:Times Literary Supplement
581:The Steep Atlantic Stream
356:Immediate Post-War Career
829:Schmoller, Hans (1953).
776:Harling, Robert (1936).
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645:Designed the periodical
607:(Heinemann, London 1937)
306:. This led him to write
302:, on convoy duty in the
380:and in 1947 redesigned
322:between 1941 and 1942.
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334:30AU (30 Assault Unit)
286:, he found himself at
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618:Selected Achievements
551:Pioneers in Gardening
545:The Endless Colonnade
454:Pioneers in Gardening
211:Lamb's Conduit Street
639:The Sunday Telegraph
121:Robert Henry Harling
42:improve this article
859:2009 edition, p1605
695:Playbill (1938), a
557:The Enormous Shadow
521:The Summer Portrait
378:The Financial Times
312:Chatto & Windus
143:Early life and work
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630:House & Garden
419:House & Garden
413:House & Garden
374:Alphabet and Image
304:Western Approaches
265:Naval Intelligence
188:Pears' Cyclopaedia
123:(27 March 1910 in
959:2 July 2008 (p34)
778:"The New Display"
539:The Hollow Sunday
233:in 1935) and the
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647:Art and Industry
599:Home: a vignette
569:The Paper Palace
563:The Dark Saviour
477:Tirzah Ravilious
466:The Sunday Times
434:House and Garden
427:Sunday Telegraph
423:The Sunday Times
370:The Sunday Times
248:Art and Industry
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40:Please help
35:verification
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1007:2008 deaths
1002:1910 births
983:8 July 2008
971:3 July 2008
922:"Chisel LT"
896:"Tea Chest"
841:20 November
814:20 November
788:20 November
440:(on food),
332:On forming
284:O. M. Watts
261:Ian Fleming
231:Rudolf Koch
192:assay marks
181:London taxi
137:typographer
996:Categories
932:11 October
928:. Linotype
906:11 October
902:. Linotype
880:11 October
876:. Linotype
870:"Playbill"
810:: 95. 1940
717:References
636:Editor of
625:Condé Nast
623:Editor of
460:Later life
407:Condé Nast
280:Royal Navy
239:Birmingham
215:Daily Mail
98:March 2017
68:newspapers
968:The Times
837:: 290–301
472:Eric Gill
350:Magdeburg
342:Cherbourg
296:navigator
171:with his
169:Islington
975:Obituary
963:Obituary
951:Obituary
737:: 60–61.
642:(1961– )
633:(1957– )
479:(1987).
300:corvette
227:Bradford
219:printers
157:Brighton
149:Highbury
129:Godstone
926:MyFonts
900:MyFonts
874:MyFonts
835:Graphis
784:: 183–9
761:3 March
495:Suffolk
288:Dunkirk
243:the war
82:scholar
735:Matrix
649:(1940)
601:(1938)
589:(1945)
577:(1950)
565:(1952)
559:(1955)
547:(1958)
541:(1967)
529:(1976)
523:(1979)
503:Sussex
292:whaler
204:Oxford
133:Surrey
125:London
84:
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63:
55:
682:Fonts
338:D-Day
298:of a
165:uncle
89:JSTOR
75:books
934:2015
908:2015
882:2015
843:2017
816:2017
790:2017
763:2017
499:Kent
399:Bond
386:for
364:for
318:and
173:aunt
153:aunt
61:news
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432:At
429:).
237:at
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