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where the father can't convince the waitress to bring him "just one egg" (since all the portions must contain two) and has to explain his children the difference between battery-bred chicken and free ranging ones (in itself a metaphor of regimented urban life compared to the rougher, but more free, rural existence).
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The family finally reaches the development site where an enthusiastic real estate agent pressures them to reserve a yet-to-be-built house while telling off the warden (a southern Italian, representing the agricultural past of Italy) for having planted cabbages and other vegetables in a small patch of
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The family visits a highway service station with an adjoining supermarket and restaurant. In the supermarket the children clamor to have candies and toys bought for them and the parents give in for fear of "letting people think they're poor"; then they all sit down to consume a drab standardized meal
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and shows a young couple during a short period after the explosion of a nuclear bomb 120 km over Paris. The city is unaffected by it but the man begins to notice changes in the behaviour of the people in general and in that of his girl friend in particular in the period after the explosion: e.g.
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who asks Christ to take him in heaven. After giving his own rations to his wife and children, he finds himself hungry. Disguised in women's clothing and a wig he sneaks some more rations. Before he can eat it however he has to film his scene and so hides it. When he gets back however, he discovers
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is a story of a beautiful stewardess who attracts unwanted attention from one of the air travelers – a middle aged American. By chance, the two stay in the same hotel overnight. She has a fiancé back home, to whom she sends 8mm films made with her camera. These show how, in order to shoo away the
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The lecturer teaches the businessmen how to "stimulate consumption" via the substitution of small shops (where the customer was forced to talk to the shop-owner and so was allowed time to rationalize each buying action) with large supermarkets, where people could more easily give over to their
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her inability to keep up a coherent conversation and a loss of logic. He himself is not affected, but does not know why. The media reports that the explosion has not resulted in negative after effects. The man realizes this is not true and decides to write down his observations.
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that the dog belonging to the film's star has found his hiding place. Subsequent to this he sells the dog to a reporter and buys enough curd cheese and bread to feed himself. At the end, he dies from gastric congestion on the cross while filming.
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unwanted flirtatious attentions of the traveler, all she had to do was to act in an aggressively provocative way; his sexual attraction being fueled by the shyness with which she initially tried to endure his advances.
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by the family's odyssey. Finally, when in the evening the family is getting back to Milan, the father having decided against buying the house, a car accident befalls them, probably killing them all.
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While they do, a laringotomized marketing executive presents a lecture to a businessmen's seminar, reciting passage after passage in an impersonal, mechanical tone through a vocalizing apparatus.
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land, trampling over it and destroying the plants. The lecture goes on, in a harrowing enunciation of tricks and strategies to push consumerism to ever higher heights, all exemplified
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at a slightly hilly waste ground near a residential area. The main character is a simple man playing a bit part – one of the two men who were crucified with Christ, in particular
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The robot-voiced marketing executive concludes his exposition and is cheered by the businessmen' crowd, who congratulate him as they all leave the meeting room.
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instincts, grabbing frivolous or useless articles from the shelves on a whim due to the delay of the moment of bill presentation and payment.
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consisting of four segments, each written and directed by a different director. These include the French director
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The movie title is an abbreviation of the authors' last names:
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Trailer of the Film That Will Never Exist: "Phony Wars"
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Letter in Motion to Gilles Jacob and Thierry Frémaux
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sono le nuvole?" in 1646:Appunti per un film sull'India 1607:Salò, or the 120 Days of Sodom 1101:Les Enfants jouent Ă  la Russie 728:(segment: "Illibatezza", 1963) 640:(segment: "Napoli 1943", 1954) 613:The Machine to Kill Bad People 415: 278: 1: 1796:Italian black-and-white films 1639:Location Hunting in Palestine 408: 322: 53:(segment "Il Pollo ruspante") 1826:1960s Italian-language films 1359:Ten Minutes Older: The Cello 1248:"Montparnasse-Levallois" in 7: 1357:"Dans le noir du temps" in 1214:Charlotte and Her Boyfriend 273: 10: 1862: 1551:The Hawks and the Sparrows 765:L'etĂ  di Cosimo de' Medici 597:The Flowers of St. Francis 328: 174:19 February 1963 44:(segment "Il Nuovo mondo") 1741: 1723: 1672: 1616: 1521: 1514: 1411: 1383:"The Bridge of Sighs" in 1374:"Les Trois DĂ©sastres" in 1308:A Letter to Freddy Buache 1171: 1085:Germany Year 90 Nine Zero 855: 848: 839: 511: 251:(segment "Illibatezza"). 209: 199: 189: 165: 157: 141: 131: 101: 87: 79: 35: 26: 21: 1342:The French as Seen by... 353:When the film director ( 1831:Italian anthology films 669:Giovanna d'Arco al rogo 74:(segment "Illibatezza") 1367:Tribute to Eric Rohmer 161:CINERIZ – Rizzoli Film 1702:Caprice Italian Style 1350:Histoire(s) du cinĂ©ma 1259:The Oldest Profession 1239:"Le Grand escroc" in 1223:The Seven Deadly Sins 1021:Every Man for Himself 605:The Seven Deadly Sins 310:("The New World") by 1750:Who Killed Pasolini? 1593:The Canterbury Tales 1340:"Le Dernier mot" in 685:General Della Rovere 541:The Man with a Cross 1846:1960s Italian films 1508:Pier Paolo Pasolini 1460:Groupe Dziga Vertov 1428:Le Parti des choses 1385:Bridges of Sarajevo 1230:"The New World" in 1149:Goodbye to Language 241:Pier Paolo Pasolini 57:Pier Paolo Pasolini 1447:(1972 documentary) 1439:(2010 documentary) 1431:(1964 documentary) 1423:(1963 documentary) 1293:Here and Elsewhere 1190:Une femme coquette 1182:Operation Concrete 1069:Keep Your Right Up 1037:First Name: Carmen 869:A Woman Is a Woman 677:India: Matri Bhumi 581:Germany, Year Zero 505:Roberto Rossellini 503:Films directed by 292:Roberto Rossellini 249:Roberto Rossellini 114:Rosanna Schiaffino 70:Roberto Rossellini 1778: 1777: 1719: 1718: 1665: 1474: 1473: 1266:"CamĂ©ra-oeil" in 1167: 1166: 1125:In Praise of Love 799: 798: 757:Agostino d'Ippona 645:Where Is Freedom? 637:Mid-Century Loves 376:Il pollo ruspante 368:Il pollo ruspante 217: 216: 136:Carlo Rustichelli 118:Gianrico Tedeschi 75: 66: 54: 45: 16:1963 Italian film 1853: 1764:La macchinazione 1673:Short or segment 1663: 1519: 1518: 1501: 1494: 1487: 1478: 1477: 1268:Far from Vietnam 1206:A Story of Water 941:Masculin FĂ©minin 853: 852: 826: 819: 812: 803: 802: 653:Journey to Italy 497: 490: 483: 474: 473: 435: 434: 433: 432: 419: 290:("Chastity") by 181: 179: 73: 60: 52: 43: 31: 19: 18: 1861: 1860: 1856: 1855: 1854: 1852: 1851: 1850: 1781: 1780: 1779: 1774: 1737: 1732:Ragazzi di vita 1715: 1668: 1612: 1522:Fiction feature 1510: 1505: 1475: 1470: 1436:Two in the Wave 1407: 1173: 1163: 1141:Film Socialisme 1117:For Ever Mozart 989:Joy of Learning 917:A Married Woman 893:The Carabineers 885:Le petit soldat 844: 835: 833:Jean-Luc Godard 830: 800: 795: 693:Escape by Night 549:Rome, Open City 533:A Pilot Returns 517:La Vispa Teresa 507: 501: 470: 444: 439: 438: 430: 428: 421: 420: 416: 411: 400:in corpore vivo 371: 333: 327: 312:Jean-Luc Godard 303: 283: 276: 233:Jean-Luc Godard 192: 185: 177: 175: 168: 153: 146: 144: 124: 120: 116: 112: 108: 94: 72: 67: 59: 55: 51: 46: 42: 40:Jean-Luc Godard 17: 12: 11: 5: 1859: 1849: 1848: 1843: 1838: 1833: 1828: 1823: 1818: 1813: 1808: 1803: 1798: 1793: 1776: 1775: 1773: 1772: 1767: 1760: 1753: 1745: 1743: 1739: 1738: 1736: 1735: 1727: 1725: 1724:Literary works 1721: 1720: 1717: 1716: 1714: 1713: 1710:Love and Anger 1705: 1697: 1689: 1676: 1674: 1670: 1669: 1667: 1666: 1656: 1649: 1642: 1635: 1628: 1620: 1618: 1614: 1613: 1611: 1610: 1603: 1600:Arabian Nights 1596: 1589: 1582: 1575: 1568: 1561: 1554: 1547: 1540: 1533: 1525: 1523: 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525:The White Ship 521: 512: 509: 508: 500: 499: 492: 485: 477: 468: 467: 456: 443: 442:External links 440: 437: 436: 413: 412: 410: 407: 370: 365: 329:Main article: 326: 321: 307:Il nuovo mondo 302: 300:Il nuovo mondo 297: 282: 277: 275: 272: 237:Ugo Gregoretti 215: 214: 211: 207: 206: 201: 197: 196: 193: 190: 187: 186: 184: 183: 171: 169: 166: 163: 162: 159: 158:Distributed by 155: 154: 149: 147: 142: 139: 138: 133: 129: 128: 126:Edmonda Aldini 103: 99: 98: 96:Angelo Rizzoli 89: 85: 84: 81: 77: 76: 49:Ugo Gregoretti 37: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1858: 1847: 1844: 1842: 1839: 1837: 1834: 1832: 1829: 1827: 1824: 1822: 1819: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1788: 1786: 1771: 1768: 1766: 1765: 1761: 1759: 1758: 1754: 1752: 1751: 1747: 1746: 1744: 1740: 1734: 1733: 1729: 1728: 1726: 1722: 1712: 1711: 1706: 1704: 1703: 1698: 1696: 1695: 1690: 1688: 1687: 1682: 1678: 1677: 1675: 1671: 1662: 1661: 1657: 1655: 1654: 1650: 1648: 1647: 1643: 1641: 1640: 1636: 1634: 1633: 1632:Love Meetings 1629: 1627: 1626: 1622: 1621: 1619: 1615: 1609: 1608: 1604: 1602: 1601: 1597: 1595: 1594: 1590: 1588: 1587: 1586:The Decameron 1583: 1581: 1580: 1576: 1574: 1573: 1569: 1567: 1566: 1562: 1560: 1559: 1555: 1553: 1552: 1548: 1546: 1545: 1541: 1539: 1538: 1534: 1532: 1531: 1527: 1526: 1524: 1520: 1517: 1513: 1509: 1502: 1497: 1495: 1490: 1488: 1483: 1482: 1479: 1467: 1464: 1462: 1461: 1457: 1455:(2017 biopic) 1454: 1453: 1449: 1446: 1445: 1441: 1438: 1437: 1433: 1430: 1429: 1425: 1422: 1421: 1417: 1416: 1414: 1410: 1403: 1402: 1398: 1395: 1394: 1390: 1387: 1386: 1381: 1378: 1377: 1372: 1369: 1368: 1364: 1361: 1360: 1355: 1352: 1351: 1347: 1344: 1343: 1338: 1335: 1334: 1329: 1326: 1325: 1321: 1318: 1317: 1316:Soft and Hard 1313: 1310: 1309: 1305: 1303: 1302: 1298: 1295: 1294: 1290: 1287: 1286: 1282: 1279: 1278: 1275:"L'Amore" in 1273: 1270: 1269: 1264: 1261: 1260: 1255: 1252: 1251: 1246: 1243: 1242: 1237: 1234: 1233: 1228: 1225: 1224: 1219: 1216: 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25: 20: 1770:Bibliography 1762: 1755: 1748: 1730: 1708: 1700: 1692: 1685: 1684: 1664:(uncredited) 1658: 1651: 1644: 1637: 1630: 1623: 1605: 1598: 1591: 1584: 1577: 1570: 1563: 1556: 1549: 1542: 1535: 1528: 1466:Bibliography 1458: 1450: 1442: 1434: 1426: 1418: 1399: 1391: 1384: 1375: 1365: 1358: 1348: 1341: 1332: 1331:"Armide" in 1322: 1314: 1306: 1299: 1291: 1283: 1276: 1267: 1258: 1250:Paris vu par 1249: 1240: 1231: 1229: 1222: 1212: 1204: 1196: 1188: 1180: 1155: 1147: 1139: 1131: 1123: 1115: 1107: 1099: 1091: 1083: 1075: 1067: 1059: 1051: 1043: 1035: 1027: 1019: 1011: 1005:Tout Va Bien 1003: 995: 987: 979: 971: 963: 955: 947: 939: 931: 923: 915: 909:Bande Ă  part 907: 899: 891: 883: 877:Vivre sa vie 875: 867: 859: 787: 779: 771: 763: 755: 747: 739: 731: 724: 723: 715: 707: 699: 691: 683: 675: 667: 659: 651: 643: 635: 627: 619: 611: 603: 595: 587: 579: 571: 563: 555: 547: 539: 531: 523: 515: 469: 459: 448: 429:, retrieved 427:(in Italian) 423: 417: 404: 399: 396: 392: 388: 385: 380: 375: 374: 372: 367: 358: 355:Orson Welles 352: 343:Jesus Christ 338: 334: 323: 306: 305: 304: 299: 286: 285: 284: 279: 267: 263: 259: 255: 253: 220: 219: 218: 191:Running time 182: (Italy) 167:Release date 122:Ugo Tognazzi 106:Orson Welles 92:Alfredo Bini 47: 1742:Works about 1694:The Witches 1686:Ro.Go.Pa.G. 1660:12 dicembre 1617:Documentary 1558:Oedipus Rex 1452:Redoubtable 1232:Ro.Go.Pa.G. 1221:"Sloth" in 965:La Chinoise 842:Filmography 789:The Messiah 725:Ro.Go.Pa.G. 460:Ro.Go.Pa.G. 449:Ro.Go.Pa.G. 424:Ro.Go.Pa.G. 287:Illibatezza 280:Illibatezza 270:regoretti. 221:Ro.Go.Pa.G. 195:122 minutes 110:Laura Betti 88:Produced by 36:Directed by 22:Ro.Go.Pa.G. 1791:1963 films 1785:Categories 1681:La ricotta 1537:Mamma Roma 1324:Meetin' WA 1013:Number Two 925:Alphaville 861:Breathless 717:Anima nera 621:Europe '51 431:2023-06-11 409:References 381:autostrada 360:Mamma Roma 339:La ricotta 336:Pasolini's 331:La ricotta 324:La ricotta 314:is set in 258:ssellini, 245:La ricotta 243:(segment " 178:1963-02-19 143:Production 80:Written by 63:La Ricotta 61:(segment " 1625:La rabbia 1530:Accattone 1420:Paparazzi 1172:Short and 1061:King Lear 1053:DĂ©tective 1045:Hail Mary 773:Cartesius 701:Garibaldi 589:Stromboli 151:Arco Film 1757:Pasolini 1444:One P.M. 973:Week-end 901:Contempt 781:Anno uno 741:Socrates 465:AllMovie 274:Synopsis 266:solini, 210:Language 132:Music by 102:Starring 1565:Teorema 1412:Related 1174:segment 1029:Passion 849:Feature 573:L'Amore 347:the one 247:") and 213:Italian 200:Country 176: ( 145:company 1572:Pigsty 1404:(2023) 1396:(2014) 1388:(2014) 1379:(2013) 1370:(2010) 1362:(2002) 1353:(1998) 1345:(1988) 1336:(1987) 1327:(1986) 1319:(1985) 1311:(1982) 1296:(1976) 1288:(1972) 1280:(1969) 1271:(1967) 1262:(1965) 1253:(1964) 1244:(1963) 1235:(1962) 1226:(1962) 1217:(1958) 1209:(1958) 1201:(1957) 1193:(1955) 1185:(1955) 1160:(2018) 1152:(2014) 1144:(2010) 1136:(2004) 1128:(2001) 1120:(1996) 1112:(1995) 1104:(1993) 1096:(1993) 1088:(1991) 1080:(1990) 1072:(1987) 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Index


Jean-Luc Godard
Ugo Gregoretti
Pier Paolo Pasolini
La Ricotta
Roberto Rossellini
Alfredo Bini
Angelo Rizzoli
Orson Welles
Laura Betti
Rosanna Schiaffino
Gianrico Tedeschi
Ugo Tognazzi
Edmonda Aldini
Carlo Rustichelli
Arco Film
Italy
1963
film
Jean-Luc Godard
Ugo Gregoretti
Pier Paolo Pasolini
La ricotta
Roberto Rossellini
Roberto Rossellini
Jean-Luc Godard
Paris
La ricotta
Pasolini's
Jesus Christ

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