297:, Orange and pink radiated into the surrounding environment: "The painted alumium plates seem to float in the room, and are blurred into diffuse 'air tones' through reflections in the plexiglas. What arises is a space sculpture, which reconstitutes itself constantly as the observer moves through the various points, until the color red becomes palpable as a red fog, like a veil, like an air tone." (In German "Die bemalten Aluminiumplatten scheinen im Raum zu schweben und werden durch die Spiegelung in den Plexiglasscheiben zu diffusen Lichttönen 'verschwommen'. Es entwickelt sich eine Gesamtskulptur, durch die der Betrachter sich bewegt und die sich im Abschreiten der unterschiedlichen Raumwerte immer wieder nu konstituiert und im Raum gleichsam die Farbe Rot wie einen roten Nebel, wie einen Schleier, eben wie einen Luftton erfahrbar macht.") Through the filter of the opaque, milky-looking glass panes, the color is fanfolded into a kind of spatial color, it loses its material quality and becomes – very appropriately the artist named the installation with this title – an "air tone" that increases the vibration intensity in the entire room.
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276:"Drahtseilakt" (in English "Balance Act"), "Scheinbar" (in English "Seemingly"), "Transparenzen" (in English "Transparence") and "Ambivalenz" (in English "Ambivalence"), many areas fascinating Rohlfing are hereby described. The essential aspect is always that nothing is certain or irrevocably fixed. Rooms change as one walks through them; depending on the point of view, the observer sees other parts of the installation and becomes part of the installation while walking through it. The installation effects the whole heart and soul. People locate themselves in a spatial structure among other things through the angles that indicate to them where the walls are, what limitations the space has, etc. Rita Rohlhfing uses this basic knowledge to design her spatial installations in such a way that the visitor experiences irritations, perspectives are altered, and the rooms appear larger, higher, narrower, or even disappear altogether, using both
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experience from another perspective". (In German "Was von einer fixierten
Position aus fast farblos erscheint, kann sich aus anderer Perspektive in ein ĂĽberraschendes Farberlebnis verwandeln.") Rohlfing realized the installation "Anscheinend" (in English "Apparently") in the garden hall of the museum. Matted acrylic glass walls, more than four meters high and two meters wide, radiated a red hue that could be perceived from inside and outside.A window thus became an opening between the inside and outside, which could be viewed from both sides and whose coloring fluctuated in different shades of red depending on the incoming daylight. Another element of the exhibition were the large photographs entitled "Scheinbar" (in English "Seemingly"), which had a height of 2 meters and a width of 1.25 meters. They show an obviously enlarged image of an indefinable
173:, she creates object-like wall and floor elements and designs spatial installations: "If her works with their vital interest in paint and its effects also have strong roots in the field of color painting, they, with their emphasis on material and spatial effects, always present themselves as three-dimensional objects and as such have a relation to sculpture. In a large-scale format they even expand into veritable environments." (In German "Wenn auch ihre Arbeiten mit ihrem vitalen Interesse an Farbe und Farbwirkung eine starke Verankerung im Bereich der Farbmalerei besitzen, so präsentieren sie sich mit ihrer Betonung von Material und Raumwirkung doch immer auch als dreidimensionale Objekte und besitzen als solche einen skulpturalen Bezug; im Großformat weiten sie sich sogar zu veritablen Rauminstallationen.")
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280:. The spatial installations of Rita Rohlfing developed from room-related installations to installations that not only determine the entire space, but also change its architecture for a limited period of time, up to presentations that make use of a complete museum in all its possibilities: "For Rita Rohlfing, rooms are no longer just mirror surfaces and virtual extensions of her works; the occupation of real space combined with the creation of color spaces has become part of her artistic concept." (In German "Räume sind für Rita Rohlfing nicht mehr nur Spiegelfläche und virtuelle Erweiterungen ihrer Arbeiten, die Besetzung des Realraums verbunden mit der Erzeugung von Farbräumen ist Teil ihres künstlerischen Konzeptes geworden.")
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an effect that unfolds between reality and projection, between surrounding space and artwork." (In German "Durch diesen gezielten
Eingriff hebt Rita Rohlfing das Konstruktive der realen Architektur scheinbar – also rein virtuell – auf und lässt ein visuelles Wechselspiel von Leichtigkeit und Schwere, Nähe und Ferne, Groß und Klein entstehen, das sich wirkungsvoll zwischen Realität und Projektion, zwischen Umraum und Kunstwerk entfaltet.") The "untitled spaces" attached to the wall also have an effect, objects made of matted
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because one cannot leave the paths: "The faculties of the walkers within this installation – visual perception, overall psychic state – are activated by the combination of linear guideposts and opacities, stimulating subjective associations." (in German "Die Sinne des
Durchschreitenden, sowohl seine optische Wahrnehmung als auch ihre Beeinflussung durch sein psychisches Gesamtempfinden, werden durch diese linearen Lenkungen oder Verunklärungen des Blicks aktiviert und zu subjektiven Assoziationen gereizt.")
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photographs, no matter how close he looks at them: Everything in this exhibition breathes mystery and enigma and thus stimulates reflection on one's own perception: "In her works, she reflects the fact that we live in a present age that is enormously complex and, in its many aspects, has become incomprehensible." (In German "In ihren
Arbeiten reflektiert sich die Tatsache, dass wir in einer Gegenwart leben, die ungeheuer komplex und in vielen ihrer Aspekte unverständlich geworden ist.")
394:. The massive concrete elements construct a space that radiates stability and clarity. In contrast, the artist Rita Rohlfing is particularly interested in the diffuse and mysterious nature of spaces, in the instability in experiencing spatiality" (in German "Verunsicherung im Raumerlebnis") caused by light, colors and spatial irritations. It was therefore a particular challenge for her to make these spatial experiences possible despite the rigid architecture.
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heightened color colorfulness". (In German "emotional gesteigerte
Farbigkeit".) While the visitor walks around the installation, he sees the color change in different shades of red and yet cannot recognize where the light actually comes from. For the viewer of the installation, it looks as if the containers have a mysterious inner life, a kind of infinite depth in which mystery happens.
268:. Every single element of the installation is carefully planned to achieve the desired effect for the viewer. The use of color in her objects is an integral part of her productions, mostly she uses different shades of Red tones that radiate intensively into the surrounding space. In her individual objects, the colored elements are often hidden under frosted
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room with two floors and a staircase in the middle of the room that connects the two. Rohlfing designed 14,5-meter long and 4,4-meter high containers for this area, which completely concealed the stairs and the basement floor. At the edges they were framed with aluminium panels and the upper side was covered with
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In 2000 Rita
Rohlfing was able to redesign the exhibition space in the Gotha Art Forum. It is an exhibition space that is very long and high. The room is spanned by an iron bridge to which stairs lead on both sides. Rita Rohlfing realized a walkable work of art: she installed 18 aluminum panels along
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hanging in front of him, floating one meter above the floor, three meters long, appearing opaque. At a distance of 3 metres, another row of acrylic glass panes, also suspended from the ceiling, followed at the same distance as the first row. Walking through the room, depending on the observer's point
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of the massive staircase with the small structures and lines of the projection counteracts the heaviness of the staircase: "By means of this specific intervention, Rita
Rohlfing has seemingly – that is, virtually – contrived a visual interplay of lightweight and heavy, near and far, large and small,
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that were anchored in the floor. As a result of these interventions, the space suddenly appears constricted, the viewer locked up in the eight narrow passages provided – they determine the direction of the steps. Other visitors of the installation can be seen, but a closer contact seems impossible,
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Eleven of the total of 19 works of art were created especially for the museum. Objects, installations, photographs and a projection were used: "The artist, who has been living in
Cologne for a long time, makes the museum dance with her very different spatial situations." (in German "Die seit langem
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With her installation "Rotlichtbezirk" Rita
Rohlfing went one step further. Not only did she use the available space for her installation, but through her work she changed the entire architectural ensemble of the exhibition space for a limited time. The "Alte Rotation" is a former industrially used
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With her installations, Rita
Rohlfing transforms existing spaces to such an extent that a kind of "second space" is created that superimposes the existing space, a "virtual space" so to speak. Considering the names of their exhibitions/installations such as "Lufftöne" (in English "Air Tones"),
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inside of which there are colored form elements which are not exactly recognizable and which radiate into the room. Here, too, the position of the observer determines which colors can be perceived: "What appears almost colorless from a fixed position can be transformed into a surprising colour
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film, which glowed reddish from the depth. On the one hand, the room was given a simple sobriety by the rectangular shape of the floor objects and the metallic appearance of the aluminium panels. At the same time, the reddish shimmer of the color radiation into the room gave it an "emotionally
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as in the installation in the garden hall; the wall objects shine in the most varied colors, but the visitor cannot be sure where the light comes from, since the matte acrylglas makes it impossible for him to see through them; the photographed objects do not reveal themselves to him in the
189:. This becomes clear in her work "R.o.T." If one is standing directly in front of the work, it appears like a usual rectangular mural. But if the viewer moves and changes his point of view, he recognizes that the canvas is thicker at the top than at the bottom and the character of the
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in Köln beheimatete Künstlerin bringt das Museum mit seinen ganz unterschiedlichen Raumsituationen zum Tanzen.") For the foyer with the staircase consisting of "concrete cubic blocks" ( in German "blockhaften kubischen Betonelementen") Rohlfing designed a 12 x 6.50-meter
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Rita Rohlfing for the first time had a complete museum at her disposal for her orchestration. her in her conception for the exhibition, she dealt intensively with the "bulky architecture" (in German "sperrigen Architektur") the building. It was realized in 1975 by
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becomes questionable. It seems as if the picture surface is curving towards the front into the room. Rohlfing's panel paintings are thus neither pure wall paintings nor pure sculptures, but rather they are expressions of the artist's cross-genre working method.
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projection, "The Virtual in the Concrete". It was projected onto the concrete body of the staircase and shows a photograph from New York, a tall building with fire ladders, photographed by Rohlfing in extreme view from below. This
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of view, there were prospects of this second row. A further 3 meters away was another row of aluminium panels, which were suspended from the ceiling and monochrome painted in various "states of red": Pure
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1684:("reflction" in the original instead of "reflection". Preview for a longer video, which is presented in a DVD attached to the exhibition book. There the contribution has a length of 15′ 40″
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2002:
2631:[Bonn Women's Museum heralds the anniversary year. The Bonn Women's Museum presents the exciting show 'bauhaus*innen räume 1919-2019' and thus heralds the anniversary year].
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Rohlfing's panel paintings are usually very large, irregularly shaped and monochrome, painted in bright red tones that radiate intensively into the surrounding space. Although the
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2629:"Bonner Frauenmuseum läutet Jubiläumsjahr ein. Das Bonner Frauenmuseum zeigt die spannende Schau 'bauhaus*innen räume 1919-2019' und klinkt sich damit ins Jubiläumsjahr ein"
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Rohlfing's work in Kunstmuseum MĂĽlheim an der Ruhr covered the entire 16 metre deep and 12 metre wide room. As soon as the visitor entered the room, he saw five frosted
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417:. Nothing in this exhibition is clear, sharply defined, precisely delimited. On the contrary, borders between inside and outside become almost permeable
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in New York City. In 2002 she was a stipendiary of the "Stiftung Künstlerdorf Schöppingen" and in 2004 she was granted a junior scholarship by the
272:. They get a diffuse nuance and look "nebelig" (in English "foggy"). The observer cannot see which elements are responsible for the color effect.
2579:[Form, colour and space effectively put into scene. Three artists present their pictures and objects in the Heidelberg gallery p13].
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the two side walls, 3 meters high and 1.50 meters wide, which emphasize the longitudinal axis of the room. A further 14 three-metre-high
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2577:"Form, Farbe und Raum effektvoll in Szene gesetzt. Drei Künstler präsentieren in der Heidelberger Galerie p13 ihre Bilder und Objekte"
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Farbe – Raum – Objekt. Eine Ausstellung zum Jubiläum des Mülheimer Kunstvereins im Kunstmuseum Temporär und in der Galerie d'Hamé
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655:, Kunsthaus Nordrhein-Westfalen KornelimĂĽnster, (two corresponding Solo exhibitions in different rooms) KornelimĂĽnster, Germany
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2349:[Rendezvous of fine things. Art Nine artists exhibit at the 16th Gallery Days on the theme "Static – Dynamic"].
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2347:"Rendezvous feiner Dinge. Kunst Neun Künstler stellen bei den 16. Galerientagen zum Thema "Statisch – Dynamisch" aus"
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1364:[The Bonn Rotation becomes a Red Light District. Rita Rohlfing presents herself at the "Szene Rheinland".].
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painting. She often combines various elements such as panel paintings, photographs and spatial installations into a
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2706:[Color - Space - Object. An exhibition on the occasion of the anniversary of the MĂĽlheimer Kunstverein].
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1362:"Die Bonner Rotation wird zum Rotlichtbezirk. Rita Rohlfing präsentiert sich im Rahmen der "Szene Rheinland""
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Permanent installation "Reflection", 2013, Palace garden Heidenheim an der Brenz, Stainless steel, Lacquer
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Laureate of the Sculpture Symposium Werk 13, Permanent Installation, Kunstmuseum Heidenheim, Germany
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Rohlfing's works of art are located at the border between sculpture and painting. In addition to
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2757:[Tough Connections. The Kunstverein Aschaffenburg: Lollipops, pacifiers and licorice].
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Flemming, Klaus (2002). "Das Virtuelle im Konkreten. Zu einer Installation von Rita Rohlfing".
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2859:. Aachen: Kunst aus Nordrhein-Westfalen (Ehemalige Reichsabteil Aachen-KornelimĂĽnster). 2006.
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Rita Rohlfing. Die Ausstellung Ambivalenz in der ehemaligen Reichsabtei Aachen-KornelimĂĽnster
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Lodermeyer, Peter (2016). "Rita Rohlfing. Works with Photography". In Zeman, Bettina (ed.).
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Uelsberg, Gabriele (2002). "Lufttöne, Installation, 1999, Kunstmuseum Mülheim an der Ruhr".
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Uelsberg, Gabriele (2002). "Lufttöne, Installation, 1999, Kunstmuseum Mülheim an der Ruhr".
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Uelsberg, Gabriele (2002). "Lufttöne, Installation, 1999, Kunstmuseum Mülheim an der Ruhr".
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Lodermeyer, Peter (2016). "Rita Rohlfing. Works with Photography". In Zeman, Bettina (ed.).
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Rita Rohlfing. The exhibition Ambivalenz in the former imperial abbey Aachen-KornelimĂĽnster
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Achim Zeman. Catalog for the exhibition Sehfest 2008 at the Rheinisches Landes Museum Bonn
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2269:[Exhibitions of the Kunstverein Gelsenkirchen 2007. Spatial Objects, Part VII].
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2797:. Bergisch-Gladbach; MĂĽlheim an der Ruhr: Villa Zanders; Kunstmuseum in der alten Post.
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485:, Installation in public space, Moving Locations registered association, Bonn, Germany
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Achim Zeman. Katalog zur Ausstellung Sehfest 2008 im Rheinischen Landes Museum Bonn
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2704:"Farbe – Raum – Objekt. Eine Ausstellung zum Jubiläum des Mülheimer Kunstvereins"
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were aligned in parallel at regular intervals. Between these, she fastened long
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Installation "Das Virtuelle im Konkreten" ("The Virtual in the Concrete", 2015)
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2755:"Tough Connections. Kunstverein Aschaffenburg: Lollis, Schnuller und Lakritze"
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Green City. Geformte Landschaft – Vernetzte Natur. Das Ruhrgebiet in der Kunst
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Green City: Geformte Landschaft – Vernetzte Natur.Das Ruhrgebiet in der Kunst
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1057:, Kunstverein MĂĽlheim and Kunstmuseum MĂĽlheim an der Ruhr, MĂĽlheim, Germany
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in 1992. In 1994 she received a scholarship for the United States from the
2267:"Ausstellungen des Kunstvereins Gelsenkirchen 2007. Raumobjekte, Teil VII"
2195:[Ludwig Forum für Internationale Kunst: True Color – Real Color].
2053:"Ausstellung "Rita Rohlfing - Passage Rot" in der Dr. Carl Dörken Galerie"
492:, Installation in public space, Vorgebirgspark Sculpture, Cologne, Germany
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2055:["Rita Rohlfing – Passage Red" at the Dr. Carl Dörken Gallery].
115:. She also received the "Dragoco Scholarship for Young Artists" at the
1104:"Rita Rohlfing – Das Virtuelle im Konkreten, Clemens Sels Museum Neuss"
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hangs on the wall like pictures, their form creates the impression of
2527:
Green City: Shaped Landscape – Networked Nature: The Ruhr Area in Art
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Bleyl, Matthias; Fehr, Michael; Noack, Wita, eds. (22 January 2014).
2156:[From Red to Violet. Spatial installation by Rita Rohlfing].
2079:"RĂĽckblick: Art 'n Sound III: Rita Rohlfing: colour in digital space"
816:, 2021, 318 Ă— 1140 Ă— 1110 cm, Kunstmuseum Gelsenkirchen, Germany
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1419:[Rita Rohlfing – The Virtual in the Concrete]. kunstforum.de
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Acrylic glass, Aluminium, Varnish, Wire rope, 217 x 571 x 449 inches
1748:[Eight new works for the collection of the Museum of Art].
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Lodermeyer, Peter (2016). "Rita Rohlfing. Works with Photography".
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Lodermeyer, Peter (2016). "Rita Rohlfing. Works with Photography".
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Title "Anscheinend", 2015, Clemens Sels Museum Neuss, Mixed Media
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648:, Verein fĂĽr aktuelle Kunst Ruhrgebiet e. V., Oberhausen, Germany
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107:. In 1992 she was appointed "Master Student" (MeisterschĂĽler) by
2679:"Osas: A dolgok konstellációi I. – Konstellationen der Dinge I."
1003:, Verein fĂĽr aktuelle Kunst Ruhrgebiet e.V., Oberhausen, Germany
849:, Köln Gothaer Kunstforum, with Frauke Wilken), Cologne, Germany
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Part of the Spatial installation, Photographs "Scheinbar", 2015
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and of the "Westdeutscher KĂĽnstlerbund". She lives and works in
1552:]. Dortmund: Bettina Zeman; The town of Neuss. p. 36.
1523:]. Dortmund: Bettina Zeman; The town of Neuss. p. 18.
1494:]. Dortmund: Bettina Zeman; The town of Neuss. p. 17.
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Statisch – Dynamisch, Mannheimer Kunstverein, Mannheim, Germany
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2851:. Oberhausen: Verein fĂĽr aktuelle Kunst Ruhrgebiet e. V. 2004.
2193:"Ludwig Forum für Internationale Kunst: Farbecht – Echt Farbe"
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Osas: A dolgok konstellációi I. – Konstellationen der Dinge I.
2179:
Rita Rohlfing 01. März bis 09. April 2000, Gothaer Kunstforum
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Kunstmuseum MĂĽlheim an der Ruhr, MĂĽlheim an der Ruhr, Germany
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Lamda Print mounted behind Acrylic glass af Aluminium-Dibond
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In her spatial installations, Rita Rohlfing uses elements of
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art.db.com (Homepage of the Collection of the Deutsche Bank)
1974:"Rita Rohlfing: Off Perspective. Catalog of the Exhibition"
2897:
1800:[The Bonn Rotation becomes a red light district].
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2018, Gesellschaft fĂĽr Kunst und Gestaltung, Bonn, Germany
363:
Installation "Rotlichtbezirk" ("Red Light District", 2002)
2154:"From Red to Violet. Rauminstallation von Rita Rohlfing"
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Deutsche Bank Art Collection, Frankfurt am Main, Germany
2833:. Aachen: Ludwig Forum fĂĽr Internationale Kunst. 2003.
1106:[Rita Rohlfing – The Virtual in the Concrete].
996:, Ludwiggalerie Schloss Oberhausen, Oberhausen, Germany
778:, 2021, 330 Ă— 1070 Ă— 1030 cm,
623:, Kunstmuseum Villa Zanders, Bergisch Gladbach, Germany
2917:
2020 at the Dr. Carl Dörken Galerie, Herdecke, Germany
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1544:
Zeman, Bettina (2016). "The Virtual in the Concrete".
1515:
Zeman, Bettina (2016). "The Virtual in the Concrete".
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Zeman, Bettina (2016). "The Virtual in the Concrete".
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Im Kosmos der Farben: 10 Jahre Dr. Carl Dörken Galerie
759:
From Red to Violet. Rauminstallation von Rita Rohlfing
339:
Spatial installation "Lufttöne", 1999, Detailed view 2
327:
Spatial installation "Lufttöne", 1999, Detailed view 1
2217:
Out, Nico (2008). "Eingekreist" [Encircled].
874:, deWatertoren Aktuele Kunst, Vlissingen, Netherlands
829:
Beauty and the Public. America's most wanted painting
506:, Installation in public space, Radevormwald, Germany
2820:
1581:]. Bettina Zeman; The town of Neuss. p. 93.
1475:]. Bettina Zeman; The town of Neuss. p. 65.
1346:]. Cologne: Atelierforum Köln e.V. pp. 1–3.
16:
German painter, photographer and installation artist
2475:(in German and English). Berlin: Form & Zweck.
2030:[Rita Rohlfing receives Leo Breuer Award].
1746:"Acht neue Werke fĂĽr die Sammlung des Kunstmuseums"
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761:, Kunstmuseum Gelsenkirchen, Gelsenkirchen, Germany
161:, which was granted for the tenth time this year.
2788:. Holzminden: Kuratorium Rudolf-Jahns Haus. 1993.
2553:[Köln plus – Colour painting positions].
2292:"Veranstaltungen in der Moltkerei Werkstatt 2009"
1092:. Holzminden: Kuratorium Rudolf-Jahns Haus. 1993.
669:, The Art Collection Upper Austria, Linz, Austria
603:Kunstmuseum Gelsenkirchen, Gelsenkirchen, Germany
545:Detailed view Permanent installation "Reflection"
533:Detailed view Permanent installation "Reflection"
345:Installation "Drahtseilakt" ("Balance Act", 2000)
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2181:(in German). Köln: Atelierforum Köln e. V. 2000.
2005:[O Jerusalem – a conciliatory gesture].
1381:
1278:[Rita Rohlfing presents installations].
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687:, Gallery Bernd A. Lausberg, DĂĽsseldorf, Germany
2926:2021 at the Gustav-LĂĽbcke-Museum, Hamm, Germany
2521:Vogt, Christine; Dunkmann, Nina (19 May 2015).
1241:]. Aachen: Landeseinrichtung Kunst aus NRW.
890:Homonym – Deutsch–Israelisches Austauschprojekt
736:, Galerie Floss & Schultz, Cologne, Germany
701:, Galerie Floss & Schultz, Cologne, Germany
452:Projection "The Virtual in the Concrete", 2015
103:Rita Rohlfing studied from 1985 to 1991 at the
2470:
1593:"Internationale Kunstausstellung Fully Booked"
1414:
1327:]. Bonn: Frank JĂĽrgen Zehnder. p. 19.
1308:]. Bonn: Frank JĂĽrgen Zehnder. p. 18.
1008:Form, Farbe, Raum – Gatermann, Rohlfing, Siber
831:, Visual Arts Gallery, New York, United States
662:, International Art Biennale, Tel Aviv, Israel
584:Kunsthaus Nordrhein-Westfalen KornelimĂĽnster,
2681:[Osas: Constellations of things I.].
2028:"Rita Rohlfing erhält Leo-Breuer-Förderpreis"
1798:"Die Bonner Rotation wird zum Rotlichtbezirk"
1796:Christina zu Mecklenburg (27 February 2002).
1360:Christina zu Mecklenburg (27 February 2002).
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711:2018: Exhibition on occasion of winning the
597:Sammlung Sparkasse KölnBonn, Cologne, Germany
2876:(in German and English). Dortmund: Kettler.
2801:
2520:
1417:"Rita Rohlfing – Das Virtuelle im Konkreten"
1154:"Westdeutscher Künstlerbund e. V. – Members"
1064:, Dr. Carl Dörken Galerie, Herdecke, Germany
897:Wahrnehmung. Erinnerung. Installationen von
729:, Dr. Carl Dörken Galerie, Herdecke, Germany
248:General information on spatial installations
2867:. Heidenheim: Kunstmuseum Heidenheim. 2013.
2802:Uelsberg, Gabriele; Vomm, Wolfgang (1999).
2294:[Events at Moltkerei Studio 2009].
1875:[The Art Collection Archive 2014].
1664:
1355:
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609:Dr. Carl Dörken Stiftung, Herdecke, Germany
284:Installation "Lufttöne" ("Air Tones", 1999)
123:and was honoured with an exhibition of her
2605:[Body and colour in interaction].
2600:
1697:[Radevormwald: Flags of artists].
1572:
1466:
1437:
1276:"Rita Rohlfing präsentiert Installationen"
1203:
1071:, Neuer Kunstverein Aschaffenburg, Germany
947:Museo de Arte Moderno del Estado de MĂ©xico
674:Rita Rohlfing – Das Virtuelle im Konkreten
563:Museo de Arte Moderno del Estado de MĂ©xico
2874:Rita Rohlfing: Das Virtuelle im Konkreten
2449:[Mainly Gray. List of Contents].
1410:
1408:
1406:
1273:
977:2013: Bildhauersymposium and Exhibition
594:Villa Zanders, Bergisch Gladbach, Germany
550:
2344:
2003:"Oh Jerusalem – eine versöhnliche Geste"
1399:]. Frank JĂĽrgen Zehnder. p. 25.
1390:
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1318:
1299:
1263:]. Frank JĂĽrgen Zehnder. p. 19.
1254:
910:, Taf the Art Foundation, Athens, Greece
743:, Smudajescheck Galerie, Munich, Germany
694:, Smudajescheck Galerie, Munich, Germany
91:) is a German painter, photographer and
2872:Zeman, Bettina, ed. (31 January 2016).
2792:
2752:
1946:
1337:
1179:"eRita Rohlfing: Leo-Breuer-Preis 2018"
1039:, Galerie Lausberg, DĂĽsseldorf, Germany
892:, Moltkerei Werkstatt, Cologne, Germany
708:, Galerie Lausberg, DĂĽsseldorf, Germany
309:Spatial installation "Lufttöne", 1999,
2933:
2627:Gudrun von Schoenebeck (4 June 2019).
1723:[Deutsche Bank. The artists].
1446:]. Dortmund: Kettler. p. 67.
1403:
1232:
1212:]. Dortmund: Kettler. p. 93.
903:, Galerie Hoffmann, Friedberg, Germany
734:Rita Rohlfing: Colour in digital space
475:
150:In 2018 Rita Rohlfing was awarded the
2871:
2825:. Bonn: Landschaftsverband Rheinland.
2574:
2424:[We here again BO–WKB 2013].
2225:]. Essen: Bacht. pp. 32–34.
1827:vfakr.de (Website of the Kunstverein)
1543:
1514:
1485:
865:Ludwig Forum fĂĽr Internationale Kunst
692:Cologne : Photographs and Spaces
2806:. Bergisch-Gladbach: Villa Zanders.
2753:SchĂĽtte, Christoph (28 March 2022).
2601:Boronowsky, Bettina (11 July 2019).
2317:"Newsletter Hoffmann Nummer 3, 2010"
925:M. K. ÄŚiurlionis National Art Museum
856:, Huyton Gallery, Liverpool, England
821:
2731:[In the cosmos of colors].
2603:"Körper und Farbe im Zusammenspiel"
2551:"Köln plus – Farbmalereipositionen"
2447:"Hauptsache Grau. InhaltsĂĽbersicht"
2216:
1616:
613:
606:Gustav-LĂĽbcke-Museum, Hamm, Germany
470:each 78,5 x 49 Ă— 1 inches
139:. Rita Rohlfing is a member of the
13:
2821:Frank GĂĽnter Zehnder, ed. (2002).
2778:
2345:Heybrock, Christel (27 May 2011).
1274:Schmerker, Ernst (28 March 2017).
1010:, Galerie p13, Heidelberg, Germany
796:, 2020, 270 Ă— 1200 Ă— 800 cm,
176:
14:
3022:
3001:21st-century German women artists
2996:20th-century German women artists
2891:
2804:Rita Rohlfing: Farbraumskulpturen
1619:"Rita Rohlfing. Mapping the City"
1001:Köln plus – Farbmalereipositionen
774:Rita Rohlfing: Installation view
450:Part of the Spatial installation
434:Part of the Spatial installation
40:, North Rhine-Westphalia, Germany
2397:"Transparency – Looking Through"
1665:artman.film (22 November 2015).
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129:German Academic Exchange Service
2908:– Rita Rohlfing at Kunstaspekte
2865:Werk13. Bildhauersymposion 2013
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1873:"Die Kunstsammlung Archiv 2014"
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1825:[Exhibitions archive].
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1646:. Bildhauersymposion Heidenheim
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641:, Perron I, Delden, Netherlands
2760:Frankfurter Allgemeine Zeitung
2129:"Rita Rohlfing: Hoffent-Licht"
1947:Manthey, Achim (14 May 2016).
1848:"Werner Reuber, Rita Rohlfing"
1774:[Exhibition archive].
1695:"Radevormwald: KĂĽnstlerfahnen"
1267:
1226:
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1158:westdeutscher-kuenstlerbund.de
1146:
1121:
1096:
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667:Rita Rohlfing: Objekt, Malerei
483:Fully Booked – Hotel Beethoven
311:Kunstmuseum in der Alten Post
238:Panel painting "R.o.T.", 2001
222:Panel painting "R.o.T.", 1998
206:Panel painting "R.o.T.", 1992
105:Braunschweig University of Art
1:
2823:Rotlichtbezirk. Rita Rohlfing
2575:Seele, Heide (28 June 2018).
2422:"wir wieder hier.BO–WKB 2013"
1721:"Deutsche Bank. Die KĂĽnstler"
1075:
1026:Bauhaus*innen Räume 1919-2019
932:Transparency. Looking through
901:und Objekte von Rita Rohlfing
780:Gustav-LĂĽbcke-Museum, Germany
632:Rheinisches Landesmuseum Bonn
579:Rheinisches Landesmuseum Bonn
2956:21st-century German painters
2951:20th-century German painters
2793:Zanders, Villa, ed. (1999).
2271:kunstverein-gelsenkirchen.de
1902:clemens-sels-museum-neuss.de
812:Rita Rohlfing: Installation
792:Rita Rohlfing: Installation
748:Rita Rohlfing: Hoffent_Licht
98:
7:
3011:21st-century women painters
3006:20th-century women painters
2971:German contemporary artists
2941:German installation artists
2903:– Rita Rohlfing at Artfacts
2104:"Rita Rohlfing: Reflecting"
1953:muenchenphoto.wordpress.com
1667:"Rita Rohlfing "reflction""
1579:The Virtual in the Concrete
1550:The Virtual in the Concrete
1521:The Virtual in the Concrete
1492:The Virtual in the Concrete
1473:The Virtual in the Concrete
1444:The Virtual in the Concrete
1210:The Virtual in the Concrete
34:1964 (age 59–60)
10:
3027:
2981:People from Bad Oeynhausen
2849:Rita Rohlfing: Anscheinend
1575:Das Virtuelle im Konkreten
1546:Das Virtuelle im Konkreten
1517:Das Virtuelle im Konkreten
1488:Das Virtuelle im Konkreten
1469:Das Virtuelle im Konkreten
1440:Das Virtuelle im Konkreten
1206:Das Virtuelle im Konkreten
985:, Kunstmuseum Heidenheim,
983:Sculptures in Public Space
981:, Winner of the symposium
798:Dr. Carl Doerken Galerie,
240:Acrylic and Oil on Canvas
224:Acrylic and Oil on Canvas
208:Acrylic and Oil on Canvas
2898:Website von Rita Rohlfing
2857:Rita Rohlfing: Ambivalenz
2083:Galerie Floss und Schultz
1981:galerieflossundschultz.de
1951:[Ground stages].
1623:vorgebirgsparkskulptur.eu
1338:Kolberg, Gerhard (2000).
883:Kunstmuseum Gelsenkirchen
854:Cologne Artists at Huyton
840:Josef-Haubrich-Kunsthalle
741:Rita Rohlfing: Reflecting
678:Clemens Sels Museum Neuss
131:and studied there at the
72:
53:
45:
30:
23:
2633:general-anzeiger-bonn.de
1802:general-anzeiger-bonn.de
885:, Gelsenkirchen, Germany
872:More colour – More space
750:, Gustav-LĂĽbcke-Museum,
2966:German abstract artists
2922:Film on the exhibition
2913:Film on the exhibition
2529:]. Berlin: Kerber.
1367:Bonner General-Anzeiger
521:98,5 x 590 x 315 inches
392:postmodern architecture
2961:German modern painters
2729:"Im Kosmos der Farben"
1233:Engels, Maria (2006).
1019:Museum–Wilhelm-Morgner
972:Mies van der Rohe Haus
713:Leo-Breuer-Förderpreis
551:Collections (selected)
278:acute and blunt angles
152:Leo-Breuer-Förderpreis
141:Deutscher KĂĽnstlerbund
2976:German women painters
2501:bildhauersymposion.de
2108:Smudajescheck Galerie
1750:Town of Gelsenkirchen
1617:Koerver, Jens Peter.
943:Luft. Aire compartido
881:, Old Mansion of the
879:Raumobjekte, Teil VII
861:Farbecht – Echt Farbe
438:177 x 67 x 8,5 inches
133:School of Visual Arts
2708:Rheinische Museen.de
2426:kunstmuseumbochum.de
2133:Gustav-LĂĽbcke-Museum
2007:galerie-lausberg.com
1927:galerie-lausberg.com
1823:"Ausstellungsarchiv"
1772:"Ausstellungsarchiv"
1415:Sabine Elsa MĂĽller.
1108:kunststiftung-nrw.de
313:MĂĽlheim an der Ruhr
187:three-dimensionality
2607:soester-anzeiger.de
2197:germangalleries.com
2059:. 21 September 2020
1597:moving-locations.de
1050:, Budapest, Hungary
1030:Bonn Women's Museum
938:, Budapest, Hungary
927:, Kaunas, Lithuania
557:Clemens Sels Museum
476:Other installations
410:acrylic glass cases
383:Clemens Sels Museum
290:acrylic glass panes
258:monochrome painting
93:installation artist
62:monochrome painting
2946:Minimalist artists
2324:galeriehoffmann.de
1923:"Immaterial Space"
1877:diekunstammlung.at
1397:Red Light District
1325:Red Light District
1306:Red Light District
1261:Red Light District
1015:Embodying Colour V
962:Kunstmuseum Bochum
842:, Cologne, Germany
814:From Red to Violet
660:Cartographic works
575:, Cologne, Germany
2733:Dörkenstiftung.de
2232:978-3-9811834-1-2
1069:Tough Connections
974:, Berlin, Germany
964:, Bochum, Germany
867:, Aachen, Germany
822:Group exhibitions
800:Herdecke, Germany
630:, Alte Rotation,
210:142 x 87,5 inches
137:Kunststiftung NRW
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685:Immaterial Space
680:, Neuss, Germany
614:Solo exhibitions
559:, Neuss, Germany
542:
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490:Mapping the City
463:
454:394 x 256 inches
447:
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390:in the style of
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270:acrylglas panels
242:20 x 27,5 inches
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1752:. 23 March 2021
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1701:. 24 April 2017
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1048:Vasarely Museum
1032:, Bonn, Germany
969:Hauptsache Grau
960:, BO–WKB 2013,
958:Wir wieder hier
936:Vasarely Museum
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2892:External links
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2883:978-3862065431
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