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Thomson moved to the story department where he became a writer and director. He directed the short films
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from 1950 to 1953 drawing for several different comic books. His work mainly included
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Throughout the 1950s, Thomson drew comic strips for the Disney
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In 1950, Thomson moved into the field of comics. He worked for
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Thomson began his career in 1930 at the ill-fated studio of
245:(1951). (The latter misspells his surname as "Thompson.")
146:(Warner Bros.) as an animator. While there he worked on
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short films. He also worked on the feature-length film
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Thomson returned to animation in 1957 and worked for
102:(October 5, 1912 – January 26, 1960) was an American
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156:. The following year Thomson went to work at
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110:who spent most of his career working with
290:Uncle Remus and His Tales of Br'er Rabbit
160:. He was first an animator and worked on
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16:American animator and comics artist
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555:People from Alhambra, California
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530:20th-century American artists
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565:Warner Bros. Cartoons people
473:. You can help Knowledge by
416:. You can help Knowledge by
144:Leon Schlesinger Productions
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217:(1941), the 1941 remake of
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305:daily newspaper strip.
226:Mickey's Birthday Party
158:Walt Disney Productions
85:Animator, comics artist
469:-related article is a
570:Disney comics artists
142:. In 1935, he joined
208:The Little Whirlwind
100:Riley A. Thomson Jr.
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33:Riley A. Thomson Jr.
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250:Western Publishing
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262:Donald Duck
256:featuring
239:(1948) and
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172:Donald Duck
116:short films
112:Walt Disney
514:Categories
369:References
299:) and the
140:Romer Grey
118:including
66:California
39:1912-10-05
242:Dude Duck
154:Porky Pig
93:1930–1960
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211:(1941),
205:(1940),
197:Fantasia
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104:animator
388:INDUCKS
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