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Richard Spare

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Judith A. Diment, Christopher J. Humphries, Linda Newington & Elaine Shaughnessy. Catalogue of the natural history drawings commissioned by Joseph Banks on the Endeavour voyage 1768–1771 held in the British Museum (Natural History), Part 2: Botany: Brazil, Java, Madeira, New Zealand, Society
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Richard Spare's characteristic hand printed and watercoloured original drypoints are admired for their pared down, and unique, view of the world – 'the joy of being'. Colour is a crucial element to Spare's work, each being selected to 'vibrate with the velvet black of the drypoint line'. Spare's
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Judith A. Diment, Christopher J. Humphries, Linda Newington & Elaine Shaughnessy. Catalogue of the natural history drawings commissioned by Joseph Banks on the Endeavour voyage 1768–1771 held in the British Museum (Natural History), Part I: Botany: Australia (Bulletin of the British Museum
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was designed as a rich source of inspiration. Focusing on wildlife it is a 'small haven' for the subjects of many of his works. Wellington studio is a 'homage' to the art of printmaking, with five restored antique etching presses, housed in a converted Victorian coach house.
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Ninth British International Print Biennale : 23 March-22 June 1986, Cartwright Hall, Lister Park, Bradford / an exhibition organised by Bradford Art Galleries and Museums
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in colour (Egerton-Williams Studio), the largest restorative printmaking project of the twentieth century. The plates for the 743 engravings of plants, from watercolours by
2162: 104: 1248:. The Midland Group and the Scottish Arts Council in association with Petersburg Press. pp. Catalogue Numbers: 200, 202, 207, 210 & 217. 2012: 1984: 683:
Since the late 1980s Spare has concentrated solely on his own work, which derives from nature and travel, publishing more than 400 images.
594:. In 1977 he worked with David Hockney as his assistant, setting up an etching studio for him and printing five editions from Hockney's 2232: 2227: 2182: 2177: 1884: 837:, Spare has exhibited 45 artworks across 31 exhibitions as of the 2024 Academy Summer Show; his work was first selected in 1973. 32: 2202: 2197: 2167: 2098: 2060:
Islands and Tierra del Fuego (Bulletin of the British Museum (Natural History), Historical Series Volume 12), London, 1987.
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printing ended with the Museum's Botanical Editor checking them for botanical correctness before they could be published.
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Butlin, M., Gage, J., Joll, E. and Wilton, A., Turner 1775–1851: Bicentenary Exhibition Catalogue (London: Tate, 1974)
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suite at his Wellington Studios in London. Published in 1990. Other collaborations with Haring included the series
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for 200 years, wrapped in a paper containing acid, they had become corroded. Meticulous restoration and demanding
2237: 2222: 1085: 834: 2207: 1213: 1156: 1143: 1129: 2104: 2050: 615: 2212: 624:' images followed 1979–81; sold in conjunction with the exhibition of his work at the Tate Gallery in 1981. 2217: 2172: 1058: 1034: 2187: 878: 638: 2123: 929: 894: 508: 2192: 1165:, Beatrice Royal Contemporary Art & Craft, The Beatrice Royal Art Gallery, Tramman Trust, 2000. 500: 85: 914: 657: 2152: 93: 1053:
Richard Spare's work appears in numerous public and private collections worldwide, including:
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Turner Bi-centenary Exhibition. Spare also printed original plates from masters including
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A Master Printmaker, Spare has editioned work for many contemporary artists, including
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The Valley, Keith Haring and William Burroughs, George Mulder Fine Arts, New York City
620:, topographical views of Great Britain, for the Tate Gallery. A posthumous edition of 1952: 1942: 1864: 1840: 1816: 1792: 1768: 1744: 1720: 1696: 1672: 1648: 1624: 1600: 1576: 1552: 1209: 1152: 1139: 1125: 1091: 1070: 1019: 989: 949: 906: 817: 813: 543: 471: 160: 124: 2133: 668: 2094: 1101: 1075: 1041:
Open exhibitions at the Mall Galleries, the Folkestone Metropole Galleries and the
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at Thomas Ross & Son of Putney (1974–77), where he was involved in printing
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Richard Spare scrim-wiping the copper plate of his drypoint 'Poppy Spray' c.1999
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Richard Spare represented in the Federation University Australia Art Collection
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In a Chiaroscuro, from: The Blue Guitar (Scottish Arts Council 204; Tokyo 186)
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Richard Spare's biography on Prints and printmaking Australia Asia Pacific
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Richard Spare represented in the Berlin Central and Regional Library (ZLB)
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Thomas Ross & Son, Fine Art Printers – The Nineteenth Century Heritage
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Solo exhibitions in the UK include The Craft Centre and Design Gallery,
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developed Spare's technical interests and appreciation of simple form.
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Other notable mixed shows include 'The Art on paper Fair' at the
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Between 1989 and 1990 Spare collaborated with Keith Harring and
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suite. Being able to watch Hockney at work on his sets for the
155: 2056:(Natural History), Historical Series Volume 11), London, 1984. 768: 740: 736: 67: 2078: 1719:. London: Royal Academy of Arts. 2015. pp. 91&95. 1647:. London: Royal Academy of Arts. 2011. pp. 77&82. 1599:. London: Royal Academy of Arts. 2009. pp. 31&63. 1124:, A. Lighthart, Airlie Press, Oregon, USA. 1 October 2013. 764: 728: 1537:. London: Royal Academy of Arts. 2006. pp. 32&35. 1523:. London: Royal Academy of Arts. 2005. pp. 32&34. 1479:
Royal Academy of Arts Summer Exhibition 2001 List of Works
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In the early eighties, Spare was involved in printing the
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Cover illustration ('Snowdrop') for poetry publication:
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Richard Spare's biography at the Royal Academy of Arts
1313:. London: William Clowes & Sons. 1973. p. 82. 1233:. London: Thomas Ross & Son. pp. 24 & 56. 1134:'Rowing Boat I' reproduced to exemplify a drypoint in 1243: 1839:. London: Royal Academy of Arts. 2023. p. 133. 1815:. London: Royal Academy of Arts. 2022. p. 175. 1791:. London: Royal Academy of Arts. 2021. p. 103. 1767:. London: Royal Academy of Arts. 2019. p. 106. 1743:. London: Royal Academy of Arts. 2018. p. 122. 1863:. London: Royal Academy of Arts. 2024. p. 65. 1695:. London: Royal Academy of Arts. 2014. p. 50. 1671:. London: Royal Academy of Arts. 2012. p. 88. 1623:. London: Royal Academy of Arts. 2010. p. 42. 1575:. London: Royal Academy of Arts. 2008. p. 42. 1551:. London: Royal Academy of Arts. 2007. p. 33. 1327:. London: Royal Academy of Arts. 1985. p. 106. 1292:Bertok, Nina (October 2012). "Art for the People". 1203: 1509:. London: Royal Academy of Arts. 2004. p. 38. 1495:. London: Royal Academy of Arts. 2003. p. 94. 1481:. London: Royal Academy of Arts. 2001. p. 79. 1453:. London: Royal Academy of Arts. 1999. p. 35. 1425:. London: Royal Academy of Arts. 1997. p. 41. 1383:. London: Royal Academy of Arts. 1992. p. 58. 1369:. London: Royal Academy of Arts. 1990. p. 31. 1355:. London: Royal Academy of Arts. 1988. p. 83. 1341:. London: Royal Academy of Arts. 1986. p. 98. 1031:The Royal Society of Painter-Etchers and Engravers 857:. Alongside other then emerging artists including 1885:"The London Open - History - Whitechapel Gallery" 1258: 2144: 16:British artist and master printmaker (born 1951) 2163:Alumni of the University for the Creative Arts 800:Art Fair, Melbourne 2012. Solo exhibitions in 610:In 1979 Spare participated in the printing of 2063:Ceri Richards (exh. cat., London, Tate, 1981) 1007:Spare has twice been an invited exhibitor at 494: 1465:Royal Academy of Arts Summer Exhibition 2000 1437:Royal Academy of Arts Summer Exhibition 1998 1423:Royal Academy of Arts Summer Exhibition 1997 1409:Royal Academy of Arts Summer Exhibition 1996 1395:Royal Academy of Arts Summer Exhibition 1994 1381:Royal Academy of Arts Summer Exhibition 1992 1367:Royal Academy of Arts Summer Exhibition 1990 1353:Royal Academy of Arts Summer Exhibition 1988 1339:Royal Academy of Arts Summer Exhibition 1986 1325:Royal Academy of Arts Summer Exhibition 1985 1311:Royal Academy of Arts Summer Exhibition 1973 1272: 1270: 1263:. pp. Catalogue Number 204, Tokyo 186). 1305: 1303: 1159:Illustrated by Richard Spare and Kay Spare. 1136:Etching – a guide to traditional techniques 2011:: CS1 maint: location missing publisher ( 1983:: CS1 maint: location missing publisher ( 1741:250th Summer Exhibition List of Works 2018 1451:Royal Academy of Arts Summer Exhibition 99 1276: 922:Ninth British International Print Biennale 711:(2001–21) 13 tours of Japan with over 200 31: 1267: 796:(2012) Guest International Artist at the 1300: 833:(1973–2024) A frequent exhibitor at the 641:to Australia. Having been stored in the 700: 2145: 1291: 1281:. Stoke-on-Trent: The Lytlewode Press. 652:In 1988 Spare worked in New York with 2051:The Endeavour Botanical Illustrations 1228: 1204:Baile de Laperrière, Charles (2006). 1183:"ArtPress - Richard Spare Collection" 1138:, A. Smith, The Crowood Press, 2004. 2099:Design and Artists Copyright Society 1861:Summer Exhibition List of Works 2024 1837:Summer Exhibition List of Works 2023 1813:Summer Exhibition List of Works 2022 1789:Summer Exhibition List of Works 2021 1765:Summer Exhibition List of Works 2019 1717:Summer Exhibition List of Works 2015 1693:Summer Exhibition List of Works 2014 1669:Summer Exhibition List of Works 2012 1645:Summer Exhibition 2011 List of Works 1621:Summer Exhibition 2010 List of Works 1597:Summer Exhibition 2009 List of Works 1573:Summer Exhibition 2008 List of Works 1549:Summer Exhibition 2007 List of Works 1535:Summer Exhibition 2006 List of Works 1521:Summer Exhibition 2005 List of Works 1507:Summer Exhibition 2004 List of Works 1493:Summer Exhibition 2003 List of Works 827: 565: 530:plates, which were exhibited at the 519:prints, which were sold through the 470:(born 1951) is a British artist and 1081:Berlin Central and Regional Library 1033:open exhibitions, 'The Originals', 705: 13: 1939:Bradford Art Galleries and Museums 1097:Maidstone Museum & Art Gallery 673:Untitled Series (with Sean Kalish) 656:, proofing and editioning complex 507:) where he studied painting under 358:Untitled Series (with Sean Kalish) 14: 2249: 2233:21st-century English male artists 2228:20th-century English male artists 2070: 675:along with independent etchings. 2183:21st-century British printmakers 2178:20th-century British printmakers 1917:Whitechapel Open Exhibition 1983 1039:Royal Society of British Artists 1009:The Discerning Eye ING Art Prize 920:Spare represented the UK at the 505:University for the Creative Arts 2019: 1991: 1963: 1927: 1909: 1877: 1853: 1829: 1805: 1781: 1757: 1733: 1709: 1685: 1661: 1637: 1613: 1589: 1565: 1541: 1527: 1513: 1499: 1485: 1471: 1457: 1443: 1429: 1415: 1401: 1387: 1373: 1359: 1345: 1331: 1114: 1086:Federation University Australia 1018:Shortlisted four times for the 835:Royal Academy Summer Exhibition 1317: 1285: 1279:The Joy of Being Richard Spare 1252: 1244:Scottish Arts Council (1979). 1237: 1222: 1197: 1175: 1151:, J. Powls, Poetry@MMD, 1998. 1048: 964:. The 346 exhibitors included 1: 2203:21st-century English painters 2198:20th-century English painters 1277:Littlewood, Robert C (2012). 1206:Who's Who in Art 32nd Edition 1169: 523:, and the renovation of fine 176:Founder of Wellington Studios 2168:English contemporary artists 1246:David Hockney Prints 1954–77 1059:Victoria & Albert Museum 735:in the south, and including 715:in cities the length of the 692:Wellington Studio garden in 617:A Voyage Round Great Britain 489: 255:A Voyage Round Great Britain 7: 2027:"Richard Spare's Biography" 1035:Society of Wildlife Artists 847:Whitechapel Open Exhibition 667:, printing the entirety of 10: 2254: 1163:Richard Spare – Printmaker 686: 639:first voyage of James Cook 495:Education and early career 2105:Richard Spare's biography 678: 486:. He is based in London. 451: 447: 418: 393: 368: 341: 322: 296: 276: 243: 222: 218: 213: 209: 169: 148: 75: 42: 30: 23: 992:from the United States, 501:Maidstone College of Art 474:known primarily for his 86:Maidstone College of Art 2095:Richard Spare's profile 2086:Richard Spare's artwork 1999:The Discerning Eye 2005 1971:The Discerning Eye 1997 1259:Scottish Arts Council. 1229:Dyson, Anthony (1983). 824:and Cambridge Gallery. 2238:20th-century engravers 2223:People from Chelmsford 2097:on Artimage, from the 2208:English male painters 637:were made during the 532:Royal Academy of Arts 298:Royal Academy of Arts 105:Thomas Ross & Son 2213:Painters from London 1294:The Melbourne Review 1108:University of Durham 1027:Royal College of Art 822:University of Durham 806:Daylesford, Victoria 701:Selected exhibitions 665:William S. Burroughs 2218:Artists from London 2173:English printmakers 1921:Whitechapel Gallery 1890:Whitechapel Gallery 966:Robert Rauschenberg 851:Whitechapel Gallery 503:(1971–74) (now the 1045:Open Exhibitions. 1011:exhibition at the 924:in 1986 alongside 871:Shirazeh Houshiary 855:East End of London 658:carborundum prints 630:Banks' Florilegium 580:Francesco Clemente 468:Richard John Spare 428:Catalogue Raisonné 395:Francesco Clemente 287:Banks' Florilegium 47:Richard John Spare 2188:English engravers 2136:The old guitarist 1092:Chelmsford Museum 1071:Leeds Art Gallery 1020:Hunting Art Prize 990:Elaine de Kooning 950:Patrick Caulfield 907:Jean-Luc Vilmouth 899:Hughie O'Donoghue 879:Richard Wentworth 828:Group exhibitions 818:Trevelyan College 814:Leeds Art Gallery 566:Master Printmaker 472:Master Printmaker 465: 464: 443: 442: 434:Couples Portfolio 253:William Daniell: 161:Master printmaker 2245: 2134:David Hockney's 2082: 2081: 2079:Official website 2038: 2037: 2035: 2033: 2023: 2017: 2016: 2010: 2002: 1995: 1989: 1988: 1982: 1974: 1967: 1961: 1960: 1931: 1925: 1924: 1913: 1907: 1906: 1904: 1902: 1893:. 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Index


Chelmsford
Essex
Maidstone College of Art
Fred Cuming
Joan Williams
Thomas Ross & Son
Stubbs
Turner
Hogarth
Cruikshank
Rowlandson
Gillray
Landseer
Martin
Artist
Master printmaker
Printmaking
drypoint
etching
painting
David Hockney
The Blue Guitar
Tate Gallery
William Daniell: A Voyage Round Great Britain
Ceri Richards
George Stubbs
British Museum
Banks' Florilegium
Royal Academy of Arts

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