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Richard Hamilton (artist)

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47: 611: 467:, where it was reproduced in black and white and also used in posters for the exhibit. The collage depicts a muscle-man provocatively holding a Tootsie Pop and a woman with large, bare breasts wearing a lampshade hat, surrounded by emblems of 1950s affluence from a vacuum cleaner to a large canned ham. 924:
in 2014 was "the first retrospective to encompass the full scope of Hamilton’s work, from his early exhibition designs of the 1950s to his final paintings of 2011. exhibition explores his relationship to design, painting, photography and television, as well as his engagement and collaborations with
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portrayed as Jesus, with long flowing hair and a beard. Republican prisoners had refused to wear prison uniforms, claiming that they were political prisoners. Prison officers refused to let "the blanket protesters" use the toilets unless they wore prison uniforms. The republican prisoners refused,
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countryside, into a home and studios. "By 1970, always fascinated by new technology, Hamilton was redirecting advances in product design into fine art, with the backing of xartcollection, Zurich, a young company that pioneered the production of multiples with the aim of bringing art to a wider
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dated 16 January 1957 was: "Pop Art is: popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business", stressing its everyday, commonplace values. He thus created collages incorporating advertisements from mass-circulation newspapers and
392:. Hamilton's influence can be found in the visual styling and approach of Roxy Music. He described Ferry as "his greatest creation". Ferry repaid the compliment, naming him in 2010 as the living person he most admired, saying "he greatly influenced my ways of seeing art and the world". 558:
were loaned for a solo show of Hamilton's works at the Hanover Gallery in London, they were found to be cracked, with plastic lifting off the supporting surfaces. Hamilton experimented with materials, including plywood, acrylic glass, and plasticizers, and worked closely with
268:, London on 24 February 1922. Despite having left school with no formal qualifications, he managed to gain employment as an apprentice working at an electrical components firm, where he discovered an ability for draughtsmanship and began to do painting at evening classes at 738:
exhibition, 1992), that he saw the image of "the blanket man as a public relations contrivance of enormous efficacy. It had the moral conviction of a religious icon and the persuasiveness of the advertising man's dream soap commercial - yet it was a present reality".
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but only this time, as to what he felt the average household would be like during the 1990s. Instead of the male body builder, he used an accountant working at a desk. Instead of the female icon, he used a world class female body builder.
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After spending World War II working as a technical draftsman, he re-enrolled at the Royal Academy Schools but was expelled in 1946 on grounds of "not profiting from the instruction". Loss of his student status forced Hamilton to carry out
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camera, Hamilton deconstructed the technology of cinema to explain how it helped to create Hollywood’s allure. He further developed that theme in the early 1960s with a series of paintings inspired by film stills and publicity shots.
768:. A book of Hamilton's illustrations was published simultaneously, with text by Stephen Coppel. In the book, Hamilton explained that the idea of illustrating this complex, experimental novel occurred to him when he was doing his 701:
From the late 1970s Hamilton’s activity was concentrated largely on investigations of printmaking processes, often in unusual and complex combinations. In 1977–78 Hamilton undertook a series of collaborations with the artist
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Hamilton has been represented by The Robert Fraser Gallery. The Alan Cristea Gallery in London is the distributor of Hamilton's prints. His auction record is £440,000, set at Sotheby's, London, in February 2006, for
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audience." Hamilton realised a series of projects that blurred the boundaries between artwork and product design including a painting that incorporated a state-of-the-art radio receiver and the casing of a
574:, where, as well as meeting other leading pop artists, he was befriended by Duchamp. Arising from this Hamilton curated the first British retrospective of Duchamp's work, and his familiarity with 566:
In 1962 his first wife Terry was killed in a car accident. In part to recover from her loss, in 1963 Hamilton travelled for the first time to the United States for a retrospective of the works of
1756: 459: 238: 155: 1890: 340:'s seminal presentation of collages produced in the late 1940s and early 1950s that are now considered to be the first standard bearers of Pop Art. Also in 1952, he was introduced to the 717:
In 1981 Hamilton began work on a trilogy of paintings based on the conflict in Northern Ireland after watching a television documentary about the "Blanket" protest organized by
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During the 1970s, Richard Hamilton enjoyed international acclaim with a number of major exhibitions being organised of his work. Hamilton had found a new companion in painter
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The post at the ICA also afforded Hamilton the time to further his research on Duchamp, which resulted in the 1960 publication of a typographic version of Duchamp's
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computer. During the 1980s Hamilton again voyaged into industrial design and designed two computer exteriors: OHIO computer prototype (for a Swedish firm named
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Richard Hamilton designed the large scale picture (176 sqm) "Retard en Fer – Delay in Iron" as part of the exhibition series "Safety Curtain", conceived by
1484: 475:. Hamilton's written definition of what "pop" is laid the ground for the whole international movement. Hamilton's definition of Pop Art from a letter to 2111: 1812: 1686: 796:). The British Museum exhibition coincided with both the 80th anniversary of the publication of Joyce's novel, and Richard Hamilton's 80th birthday. 352:, whom Hamilton had met at the ICA. At the ICA, Hamilton was responsible for the design and installation of a number of exhibitions including one on 2166: 2121: 987: 825:
The first exhibition of Hamilton's paintings was shown at the Hanover Gallery, London, in 1955. In 1993 Hamilton represented Great Britain at the
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presented Hamilton’s ‘Modern Moral Matters’, an exhibition focusing on his political and protest works which were shown previously in 2008 at
1211: 730: 547: 447:). Designed to look more like an advertising display than a conventional art exhibition the show prefigured Hamilton's contribution to the 1911: 983: 890: 2171: 2096: 2081: 1371: 1354: 519:. The research eventually resulted in Hamilton organising the preservation of the work by relocating it to the Hatton Gallery in 937:
received a substantial gift of Hamilton's prints, making the museum the largest repository of the artist's prints in the world.
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Hamilton gave a 1959 lecture, "Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound", a phrase taken from a
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From the late 1940s Richard Hamilton was engaged with a project to produce a suite of illustrations for James Joyce's
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X, Kassel, 1997; and the Max Beckmann Prize for Painting of the City of Frankfurt, 2006. He was made a Member of the
901: 20: 1996: 542:(1961), a mixed-media work exploring the female nude, sculpted plastic was used for the breasts of the nude figure. 2126: 500: 333: 301: 249: 550:. The use of plastics has created significant challenges in conserving Hamilton's works. As early as 1964, when 1531: 1055: 893:, Madrid, to prepare a major museum retrospective of his oeuvre that had already been scheduled to open first at 269: 953:, 1969; the Talens Prize International, 1970; the Leone d’Oro for his exhibition in the British Pavilion at the 332:, it featured scientific models, diagrams and photographs presented as a unified artwork. In 1952, at the first 2141: 325: 297: 694:, 1986). As part of a television project, 1987 BBC series Painting with Light Hamilton was introduced to the 2156: 1238: 909: 789: 508: 2161: 2146: 2131: 1026: 838: 313: 734:
and instead smeared the excrement on the wall of their cells. Hamilton explained (in the catalogue to his
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for rejecting a policy of unilateral nuclear disarmament. In the early 1960s he received a grant from the
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to repair his works and develop better techniques for incorporating and conserving plastics in artworks.
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The Tate Gallery has a comprehensive collection of Hamilton's work from across his career. In 1996, the
950: 781: 743:(1988–89) shows an Orangeman, a member of an order dedicated to preserve Unionism in Northern Ireland. 625: 2019: 2014: 1281: 1197: 1614: 476: 440: 293: 273: 110: 2024: 858: 1593:'Painting With Light' Episode 6: Richard Hamilton's first digital art created on a Quantel Paintbox 2005:
Footage of Richard Hamilton who was interviewed on his 2001 Polaroid exhibition in Birmingham, UK
1305: 946: 813: 373: 368:, which lasted until 1966. Among the students Hamilton tutored at Newcastle in this period were 2051: 934: 203: 2004: 1421: 897:, London, on 13 February 2014, travelling later to Madrid where it will open on 24 June 2014. 431:
were all in some form a homage to Duchamp. In the same year Hamilton organized the exhibition
417:, which comprised Duchamp's original notes for the design and construction of his famous work 1981: 1455: 1144: 769: 718: 637: 595: 285: 277: 1172: 640:. This association with the 1960s pop music scene continued as Hamilton became friends with 2076: 2071: 966: 965:(CH) in 2000. He was presented with a special award by The Bogside Artists of Derry at the 850: 658: 535: 531: 520: 496: 488: 444: 969:
in 2010. The School of Arts building at Oxford Brookes University is named in his honour.
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In 1992, Richard Hamilton was commissioned by the BBC to recreate his famous art piece,
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This article is about the English artist. For other people named Richard Hamilton, see
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in London, are considered by critics and historians to be among the earliest works of
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staged an exhibition of Hamilton's illustrations of James Joyce's Ulysses, entitled
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Richard Hamilton: Pop Daddy, from an interview by Hans-Ulrich Obrist, Tate Magazine
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series and his preoccupation with mass media through a selection of his own work.
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In his works, Hamilton frequently incorporated the materials of consumer society.
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Richard Hamilton in the National Gallery of Australia's Kenneth Tyler Collection
853:, Berlin, 1974. Some of the group exhibitions Hamilton participated in include: 364:
who gave him a teaching post in the Fine Art Department of Durham University at
1915: 1488: 1375: 1268: 920:’s "Richard Hamilton: The Late Works" opened in 2012. A major retrospective at 761: 641: 600: 590: 567: 538:. Hamilton also incorporated pieces of plastic directly into his collages. In 504: 436: 406: 401: 361: 349: 345: 229: 1664: 1591: 706:
that also blurred the definitions of the artist as sole author of their work.
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and subsequently purchased one for his studio to produce and modify his work.
603:'s first motion picture, and the first film in the United States to appeal an 2065: 846: 751:
was shown as part of "A Cellular Maze", a 1983 joint exhibition with Donagh.
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where Hamilton portrays a pop artist showing a "Blow Up" image. The film was
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and other glass works too fragile to travel. The exhibition was shown at the
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that was curated by Penrose. It was also through Penrose that Hamilton met
1510: 46: 1391:"Through The Large Glass: Richard Hamilton's Reframing of Marcel Duchamp" 921: 905: 894: 830: 703: 678: 674: 633: 546:(1959–1961) incorporated a plastic holographic eye, given to Hamilton by 396: 385: 369: 353: 167: 644:
resulting in him producing the cover design and poster collage for the
530:(1956) used American magazines, brought back from the United States by 381: 1485:
Richard Hamilton, British Painter and a Creator of Pop Art, Dies at 89
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American film now : the people, the power, the money, the movies
958: 881:, Royal Botanic Garden in Edinburgh. For the season 2001/2002 in the 862: 854: 804: 793: 722: 300:(ICA), where he also produced posters and leaflets. He taught at the 711:
Just What Is It That Makes Today's Homes So Different, So Appealing?
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Just what is it that makes today’s homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
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secured Hamilton further teaching assignments in particular at the
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and produced a work parodying the then leader of the Labour Party
220:(24 February 1922 – 13 September 2011) was an English painter and 2052:
Excerpts from a 2003 conversation with Richard Hamilton (podcast)
1853: 1212:"Tributes paid to Hamilton, the artist who 'created' Bryan Ferry" 645: 610: 516: 472: 265: 253: 221: 181: 126: 70: 256:. A major retrospective of his work was at Tate Modern in 2014. 1912:
Artist Richard Hamilton’s Biggest Show Insured at $ 157 Million
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PASSPORTS: Great Early Buys From The British Council Collection
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showed a joint retrospective exhibition of both Hamilton's and
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Hamilton died on 13 September 2011, at the age of 89. His work
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in 1947. His first preliminary sketches were made while at the
747:(1993) shows a British soldier on a "foot" patrol on a street. 1666:
QED: Art and Chips Richard Hamilton on a Quantel Paintbox 1992
677:. Together they set about converting North End, a farm in the 833:. Major retrospective exhibitions have been organized by the 1457:
Hollywood bloodshed : violence in 1980s American cinema
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Richard Hamilton, Father of British Pop Art, Dies at Age 89
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Richard Hamilton: The Late Works, National Gallery, London
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Etienne Lullin, Richard Hamilton, Stephen Coppel (eds.),
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In 1969, Hamilton appeared in a documentary by filmmaker
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Immaculate Conception: Richard Hamilton's digital prints
1779:"Pop art pioneer Richard Hamilton dies at the age of 89" 1755:. Royal Botanic Gardens Edinburgh. 2008. Archived from 908:'s work called "Civil Rights etc." That same year, the 471:
is widely acknowledged as one of the first pieces of
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meeting, held at the ICA, Hamilton was introduced to
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Richard Hamilton, the original pop artist dies at 89
1891:"Contemporary art evening, Sotheby's, February 2006" 801:
Le chef d’oeuvre inconnu – a painting in three parts
1329: 1327: 1956:(exhibition catalogue), London, Tate Gallery, 1992 1426:(Rev. ed.). New York: Zoetrope. p. 441. 2015:Hal Foster, On the First Pop Age, New Left Review 1966:John Richardson, Richard Cork, Richard Hamilton, 1005: 1003: 780:illustrations were subsequently exhibited at the 427:. Hamilton's 1955 exhibition of paintings at the 2152:Members of the Order of the Companions of Honour 2063: 1961:Richard Hamilton: Prints and Multiples 1939-2002 1555:ARTS TV: A history of arts television in Britain 1324: 1110: 624:From the mid-1960s, Hamilton was represented by 320:. In 1951, Hamilton staged an exhibition called 2177:Military personnel from the City of Westminster 1817:13 September 2011 (Retrieved 25 September 2011) 1083: 1081: 1079: 1077: 1075: 1073: 1071: 1069: 2107:British album-cover and concert-poster artists 1986:, Cambridge University Ph.D dissertation, 2013 1366: 1364: 1027:"Richard Hamilton – Exhibition at Tate Modern" 1000: 420:The Bride Stripped Bare by Her Bachelors, Even 16:English painter and collage artist (1922–2011) 2042:Richard Hamilton works in the Tate Collection 1021: 1019: 312:Hamilton's early work was much influenced by 1640:"Richard Hamilton | Portrait of Dieter Roth" 1139: 1137: 1135: 1066: 914:Richard Hamilton: Pop Art Pioneer, 1922-2011 807:images to visualize the moment of crisis in 296:, Hamilton began exhibiting his work at the 2047:Richard Hamilton's illustrations of Ulysses 1361: 1236: 358:The Wonder and the Horror of the Human Head 1087: 1016: 45: 1729: 1727: 1615:"'The Orangeman', Richard Hamilton, 1990" 1198:"University of Dundee Museum Collections" 1132: 988:Ministry of Education, Culture and Sports 984:Museo Nacional Centro de Arte Reina Sofía 891:Museo Nacional Centro de Arte Reina Sofía 463:was created in 1956 for the catalogue of 1453: 1447: 1347:"Kurt Schwitters and the Merz Barn Wall" 1275: 1237:Greenstreet, Rosanna (23 October 2010). 1049: 1047: 947:William and Noma Copley Foundation Award 609: 2167:20th-century British military personnel 2122:Alumni of the Westminster School of Art 1733:Jackie Wullschlager (11 October 2012), 1372:From the Beginning, a Master of Pop Art 1370:Benjamin Genocchio (29 February 2004), 1104: 982:(1969) For a 2014 retrospective at the 632:, based on Fraser's arrest, along with 2117:Alumni of the Slade School of Fine Art 2112:Alumni of Saint Martin's School of Art 2064: 1724: 1419: 1413: 1167: 1165: 1053: 725:Prison, officially known as The Maze. 628:and even produced a series of prints, 2102:Academics of the Royal College of Art 1753:"Richard Hamilton - Protest Pictures" 1302:Richard Hamilton, 88 and Going Strong 1054:Lynton, Norbert (13 September 2011). 1044: 491:from 1957 to 1961, where he promoted 1713:, Daily Telegraph, 13 September 2011 1388: 1382: 1090:"Richard Hamilton's Plastic Problem" 511:to investigate the condition of the 1943:, New York, Thames and Hudson, 1983 1162: 1116:20th Century Painters and Sculptors 578:enabled Hamilton to make copies of 13: 1973:Hal Foster and Alex Bacon (eds.), 1263:Alice Rawthorn (2 December 2007), 14: 2188: 2172:20th-century English male artists 2097:21st-century English male artists 2025:exhibitions with Richard Hamilton 1990: 1936:, London, Thames and Hudson, 1985 1013:, New York: Harry N. Abrams, Inc. 963:Order of the Companions of Honour 957:, 1993; the Arnold Bode Prize at 902:Dublin City Gallery The Hugh Lane 2082:20th-century British printmakers 1851: 1612: 589:In 1968, Hamilton appeared in a 501:Campaign for Nuclear Disarmament 388:and Ferry's visual collaborator 328:in London. A pioneering form of 302:Central School of Art and Design 1926: 1904: 1883: 1871: 1845: 1820: 1805: 1771: 1745: 1701: 1679: 1657: 1632: 1606: 1584: 1559: 1547: 1525: 1495: 1474: 1339: 1336:Museum of Modern Art, New York. 1312: 1294: 1257: 1230: 980:Fashion Plate, Cosmetic Study X 729:(1981–1983) shows IRA prisoner 1828:"Minneapolis Institute of Art" 1644:The Metropolitan Museum of Art 1321:Alan Christea Gallery, London. 1204: 1190: 940: 928: 820: 439:in the Fine Art Department at 326:Institute of Contemporary Arts 307: 298:Institute of Contemporary Arts 276:. In 1938, he enrolled in the 1: 2092:21st-century English painters 2087:20th-century English painters 1977:, London, The MIT Press, 2010 1880:Alan Cristea Gallery, London. 1011:Pop Art: A Continuing History 993: 972: 912:showcased Hamilton's work in 910:Minneapolis Institute of Arts 790:Museum Boijmans Van Beuningen 690:, 1984) and DIAB DS-101 (for 668: 453:exhibition in London, at the 259: 2137:English contemporary artists 1173:"Richard Hamilton 1922-2011" 1149:Guggenheim Collection Online 1118:. Antique Collectors' Club. 1088:Filipowska, Roksana (2016). 839:Solomon R. Guggenheim Museum 661:, in which he discussed the 270:Saint Martin's School of Art 224:artist. His 1955 exhibition 7: 2020:Richard Hamilton, Catalogue 1910:Todd White (18 June 2014), 1300:Paul Levy (12 March 2010), 1056:"Richard Hamilton obituary" 10: 2193: 1796:"Safety Curtain 2001/2002" 951:John Moores Painting Prize 782:Irish Museum of Modern Art 399:lyric in the 1957 musical 18: 1941:Collected Words 1953-1982 1503:"Richard Hamilton (1969)" 1009:Livingstone, M., (1990), 945:Hamilton was awarded the 849:, Cologne, 2003, and the 837:, London, 1970 and 1992, 614:Hamilton's cover art for 477:Alison and Peter Smithson 314:D'Arcy Wentworth Thompson 294:University College London 288:. After two years at the 274:Westminster School of Art 213:Richard William Hamilton 204:Richard Hamilton – Art UK 198: 187: 177: 145: 119: 111:University College London 94: 78: 56: 44: 30: 2030:27 December 2005 at the 1997:The Guardian: Obituary, 1537:9 September 2011 at the 1454:Kendrick, James (2009). 2127:British collage artists 1571:www.quantelpaintbox.com 1306:The Wall Street Journal 1287:15 January 2010 at the 814:The Unknown Masterpiece 304:from 1952 until 1966. 236:) and his 1956 collage 226:Man, Machine and Motion 2037:Hamilton New York 2006 1567:"The Quantel Paintbox" 1420:Monaco, James (1984). 1239:"Q&A: Bryan Ferry" 935:Kunstmuseum Winterthur 859:São Paulo Art Biennial 621: 441:King's College, Durham 51:Richard Hamilton, 1992 2142:English male painters 1946:David Robbins (ed.), 1483:(13 September 2011), 1389:Bery, Bryony (2016). 873:, 2006. In 2010, the 613: 523:Fine Art Department. 278:Royal Academy of Arts 264:Hamilton was born in 2157:Painters from London 1785:. 13 September 2011. 1687:"The citizen 1981-3" 967:Royal College of Art 851:Neue Nationalgalerie 829:and was awarded the 636:, for possession of 521:Newcastle University 489:Royal College of Art 457:the following year. 445:Newcastle University 2162:People from Pimlico 2147:English printmakers 2132:British pop artists 1218:. 14 September 2011 774:Slade School of Art 572:Pasadena Art Museum 455:Whitechapel Gallery 366:Newcastle upon Tyne 290:Slade School of Art 242:, produced for the 234:Newcastle upon Tyne 107:Slade School of Art 1939:Richard Hamilton, 1800:museum in progress 1513:on 15 October 2015 1282:"This is tomorrow" 1145:"Richard Hamilton" 887:museum in progress 883:Vienna State Opera 875:Serpentine Gallery 841:, New York, 1973, 622: 433:Man Machine Motion 318:On Growth and Form 248:exhibition of the 192:Praemium Imperiale 1970:, Dickinson, 2006 1950:, MIT Press, 1990 1932:Lucy R. Lippard, 1689:. Tate Collection 871:Shanghai Biennale 857:4, Kassel, 1968; 692:Dataindustrier AB 684:Dataindustrier AB 390:Nicholas de Ville 334:Independent Group 250:Independent Group 210: 209: 82:13 September 2011 73:, London, England 2184: 1975:Richard Hamilton 1954:Richard Hamilton 1920: 1908: 1902: 1901: 1899: 1897: 1887: 1881: 1878:Richard Hamilton 1875: 1869: 1868: 1866: 1864: 1854:"Search results" 1849: 1843: 1842: 1840: 1838: 1824: 1818: 1809: 1803: 1793: 1787: 1786: 1775: 1769: 1768: 1766: 1764: 1759:on 19 March 2012 1749: 1743: 1731: 1722: 1721: 1720: 1718: 1710:Richard Hamilton 1705: 1699: 1698: 1696: 1694: 1683: 1677: 1676: 1675: 1673: 1661: 1655: 1654: 1652: 1650: 1636: 1630: 1629: 1627: 1625: 1610: 1604: 1603: 1602: 1600: 1588: 1582: 1581: 1579: 1577: 1563: 1557: 1553:John A. Walker, 1551: 1545: 1529: 1523: 1522: 1520: 1518: 1509:. Archived from 1499: 1493: 1478: 1472: 1471: 1451: 1445: 1444: 1442: 1440: 1417: 1411: 1410: 1408: 1406: 1386: 1380: 1368: 1359: 1358: 1357:on 14 July 2014. 1353:. Archived from 1343: 1337: 1334:Richard Hamilton 1331: 1322: 1319:Richard Hamilton 1316: 1310: 1298: 1292: 1279: 1273: 1261: 1255: 1254: 1252: 1250: 1234: 1228: 1227: 1225: 1223: 1208: 1202: 1201: 1194: 1188: 1187: 1185: 1183: 1169: 1160: 1159: 1157: 1155: 1141: 1130: 1129: 1112:Frances Spalding 1108: 1102: 1101: 1085: 1064: 1063: 1051: 1042: 1041: 1039: 1037: 1023: 1014: 1007: 925:other artists". 918:National Gallery 879:Inverleith House 867:Gwangju Biennale 865:X, Kassel 1997; 770:National Service 760:. In 2002, the 696:Quantel Paintbox 663:Swingeing London 630:Swingeing London 485:This Is Tomorrow 465:This Is Tomorrow 450:This Is Tomorrow 423:, also known as 338:Eduardo Paolozzi 330:installation art 286:National Service 245:This Is Tomorrow 219: 206: 148: 85: 67:24 February 1922 66: 64: 49: 39: 32:Richard Hamilton 28: 27: 21:Richard Hamilton 2192: 2191: 2187: 2186: 2185: 2183: 2182: 2181: 2062: 2061: 2032:Wayback Machine 1993: 1963:, Richter, 2004 1929: 1924: 1923: 1909: 1905: 1895: 1893: 1889: 1888: 1884: 1876: 1872: 1862: 1860: 1850: 1846: 1836: 1834: 1832:new.artsmia.org 1826: 1825: 1821: 1810: 1806: 1794: 1790: 1777: 1776: 1772: 1762: 1760: 1751: 1750: 1746: 1739:Financial Times 1732: 1725: 1716: 1714: 1707: 1706: 1702: 1692: 1690: 1685: 1684: 1680: 1671: 1669: 1663: 1662: 1658: 1648: 1646: 1638: 1637: 1633: 1623: 1621: 1611: 1607: 1598: 1596: 1590: 1589: 1585: 1575: 1573: 1565: 1564: 1560: 1552: 1548: 1542:British Council 1539:Wayback Machine 1530: 1526: 1516: 1514: 1501: 1500: 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Index

Richard Hamilton
CH

Pimlico
Royal Academy
Slade School of Art
University College London
Collage
painting
graphics
Just what is it that makes today's homes so different, so appealing?
The Beatles
album cover
Pop art
Praemium Imperiale
Richard Hamilton – Art UK
CH
collage
Hatton Gallery
Newcastle upon Tyne
Just what is it that makes today's homes so different, so appealing?
This Is Tomorrow
Independent Group
pop art
Pimlico
Saint Martin's School of Art
Westminster School of Art
Royal Academy of Arts
National Service
Slade School of Art

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