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467:, where it was reproduced in black and white and also used in posters for the exhibit. The collage depicts a muscle-man provocatively holding a Tootsie Pop and a woman with large, bare breasts wearing a lampshade hat, surrounded by emblems of 1950s affluence from a vacuum cleaner to a large canned ham.
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in 2014 was "the first retrospective to encompass the full scope of
Hamilton’s work, from his early exhibition designs of the 1950s to his final paintings of 2011. exhibition explores his relationship to design, painting, photography and television, as well as his engagement and collaborations with
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portrayed as Jesus, with long flowing hair and a beard. Republican prisoners had refused to wear prison uniforms, claiming that they were political prisoners. Prison officers refused to let "the blanket protesters" use the toilets unless they wore prison uniforms. The republican prisoners refused,
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countryside, into a home and studios. "By 1970, always fascinated by new technology, Hamilton was redirecting advances in product design into fine art, with the backing of xartcollection, Zurich, a young company that pioneered the production of multiples with the aim of bringing art to a wider
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dated 16 January 1957 was: "Pop Art is: popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big
Business", stressing its everyday, commonplace values. He thus created collages incorporating advertisements from mass-circulation newspapers and
392:. Hamilton's influence can be found in the visual styling and approach of Roxy Music. He described Ferry as "his greatest creation". Ferry repaid the compliment, naming him in 2010 as the living person he most admired, saying "he greatly influenced my ways of seeing art and the world".
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were loaned for a solo show of
Hamilton's works at the Hanover Gallery in London, they were found to be cracked, with plastic lifting off the supporting surfaces. Hamilton experimented with materials, including plywood, acrylic glass, and plasticizers, and worked closely with
268:, London on 24 February 1922. Despite having left school with no formal qualifications, he managed to gain employment as an apprentice working at an electrical components firm, where he discovered an ability for draughtsmanship and began to do painting at evening classes at
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exhibition, 1992), that he saw the image of "the blanket man as a public relations contrivance of enormous efficacy. It had the moral conviction of a religious icon and the persuasiveness of the advertising man's dream soap commercial - yet it was a present reality".
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but only this time, as to what he felt the average household would be like during the 1990s. Instead of the male body builder, he used an accountant working at a desk. Instead of the female icon, he used a world class female body builder.
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After spending World War II working as a technical draftsman, he re-enrolled at the Royal
Academy Schools but was expelled in 1946 on grounds of "not profiting from the instruction". Loss of his student status forced Hamilton to carry out
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camera, Hamilton deconstructed the technology of cinema to explain how it helped to create
Hollywood’s allure. He further developed that theme in the early 1960s with a series of paintings inspired by film stills and publicity shots.
768:. A book of Hamilton's illustrations was published simultaneously, with text by Stephen Coppel. In the book, Hamilton explained that the idea of illustrating this complex, experimental novel occurred to him when he was doing his
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From the late 1970s
Hamilton’s activity was concentrated largely on investigations of printmaking processes, often in unusual and complex combinations. In 1977–78 Hamilton undertook a series of collaborations with the artist
776:, and he continued to refine and re-work the images over the next 50 years. Hamilton felt his re-working of the illustrations in many different media had produced a visual effect analogous to Joyce's verbal techniques. The
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Hamilton has been represented by The Robert Fraser
Gallery. The Alan Cristea Gallery in London is the distributor of Hamilton's prints. His auction record is £440,000, set at Sotheby's, London, in February 2006, for
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audience." Hamilton realised a series of projects that blurred the boundaries between artwork and product design including a painting that incorporated a state-of-the-art radio receiver and the casing of a
574:, where, as well as meeting other leading pop artists, he was befriended by Duchamp. Arising from this Hamilton curated the first British retrospective of Duchamp's work, and his familiarity with
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In 1962 his first wife Terry was killed in a car accident. In part to recover from her loss, in 1963 Hamilton travelled for the first time to the United States for a retrospective of the works of
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340:'s seminal presentation of collages produced in the late 1940s and early 1950s that are now considered to be the first standard bearers of Pop Art. Also in 1952, he was introduced to the
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In 1981 Hamilton began work on a trilogy of paintings based on the conflict in
Northern Ireland after watching a television documentary about the "Blanket" protest organized by
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During the 1970s, Richard
Hamilton enjoyed international acclaim with a number of major exhibitions being organised of his work. Hamilton had found a new companion in painter
986:, the government-owned museum insured 246 works of Hamilton for 115.6 million euros ($ 157 million) against loss or damage, according to an order published as law by the
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The post at the ICA also afforded
Hamilton the time to further his research on Duchamp, which resulted in the 1960 publication of a typographic version of Duchamp's
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computer. During the 1980s Hamilton again voyaged into industrial design and designed two computer exteriors: OHIO computer prototype (for a Swedish firm named
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Richard Hamilton designed the large scale picture (176 sqm) "Retard en Fer – Delay in Iron" as part of the exhibition series "Safety Curtain", conceived by
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475:. Hamilton's written definition of what "pop" is laid the ground for the whole international movement. Hamilton's definition of Pop Art from a letter to
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796:). The British Museum exhibition coincided with both the 80th anniversary of the publication of Joyce's novel, and Richard Hamilton's 80th birthday.
352:, whom Hamilton had met at the ICA. At the ICA, Hamilton was responsible for the design and installation of a number of exhibitions including one on
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The first exhibition of Hamilton's paintings was shown at the Hanover Gallery, London, in 1955. In 1993 Hamilton represented Great Britain at the
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presented Hamilton’s ‘Modern Moral Matters’, an exhibition focusing on his political and protest works which were shown previously in 2008 at
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447:). Designed to look more like an advertising display than a conventional art exhibition the show prefigured Hamilton's contribution to the
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received a substantial gift of Hamilton's prints, making the museum the largest repository of the artist's prints in the world.
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Hamilton gave a 1959 lecture, "Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound", a phrase taken from a
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From the late 1940s Richard Hamilton was engaged with a project to produce a suite of illustrations for James Joyce's
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X, Kassel, 1997; and the Max Beckmann Prize for Painting of the City of Frankfurt, 2006. He was made a Member of the
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1996:
542:(1961), a mixed-media work exploring the female nude, sculpted plastic was used for the breasts of the nude figure.
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550:. The use of plastics has created significant challenges in conserving Hamilton's works. As early as 1964, when
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893:, Madrid, to prepare a major museum retrospective of his oeuvre that had already been scheduled to open first at
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332:, it featured scientific models, diagrams and photographs presented as a unified artwork. In 1952, at the first
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694:, 1986). As part of a television project, 1987 BBC series Painting with Light Hamilton was introduced to the
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and instead smeared the excrement on the wall of their cells. Hamilton explained (in the catalogue to his
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for rejecting a policy of unilateral nuclear disarmament. In the early 1960s he received a grant from the
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to repair his works and develop better techniques for incorporating and conserving plastics in artworks.
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The Tate Gallery has a comprehensive collection of Hamilton's work from across his career. In 1996, the
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743:(1988–89) shows an Orangeman, a member of an order dedicated to preserve Unionism in Northern Ireland.
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2014:
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1593:'Painting With Light' Episode 6: Richard Hamilton's first digital art created on a Quantel Paintbox
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Footage of Richard Hamilton who was interviewed on his 2001 Polaroid exhibition in Birmingham, UK
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897:, London, on 13 February 2014, travelling later to Madrid where it will open on 24 June 2014.
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were all in some form a homage to Duchamp. In the same year Hamilton organized the exhibition
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640:. This association with the 1960s pop music scene continued as Hamilton became friends with
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965:(CH) in 2000. He was presented with a special award by The Bogside Artists of Derry at the
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in 2010. The School of Arts building at Oxford Brookes University is named in his honour.
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In 1992, Richard Hamilton was commissioned by the BBC to recreate his famous art piece,
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This article is about the English artist. For other people named Richard Hamilton, see
2009:
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in London, are considered by critics and historians to be among the earliest works of
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staged an exhibition of Hamilton's illustrations of James Joyce's Ulysses, entitled
405:. In that lecture, which sported a pop soundtrack and the demonstration of an early
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Richard Hamilton: Pop Daddy, from an interview by Hans-Ulrich Obrist, Tate Magazine
1291:, thisistomorrow2.com (scroll to "image 027TT-1956.jpg"). Retrieved 27 August 2008.
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series and his preoccupation with mass media through a selection of his own work.
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In his works, Hamilton frequently incorporated the materials of consumer society.
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803:, unfinished at his death, comprises a trio of large inkjet prints composed from
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Richard Hamilton in the National Gallery of Australia's Kenneth Tyler Collection
853:, Berlin, 1974. Some of the group exhibitions Hamilton participated in include:
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who gave him a teaching post in the Fine Art Department of Durham University at
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920:’s "Richard Hamilton: The Late Works" opened in 2012. A major retrospective at
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538:. Hamilton also incorporated pieces of plastic directly into his collages. In
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that also blurred the definitions of the artist as sole author of their work.
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and subsequently purchased one for his studio to produce and modify his work.
603:'s first motion picture, and the first film in the United States to appeal an
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was shown as part of "A Cellular Maze", a 1983 joint exhibition with Donagh.
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where Hamilton portrays a pop artist showing a "Blow Up" image. The film was
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and other glass works too fragile to travel. The exhibition was shown at the
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that was curated by Penrose. It was also through Penrose that Hamilton met
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1391:"Through The Large Glass: Richard Hamilton's Reframing of Marcel Duchamp"
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546:(1959–1961) incorporated a plastic holographic eye, given to Hamilton by
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resulting in him producing the cover design and poster collage for the
530:(1956) used American magazines, brought back from the United States by
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Richard Hamilton, British Painter and a Creator of Pop Art, Dies at 89
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American film now : the people, the power, the money, the movies
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881:, Royal Botanic Garden in Edinburgh. For the season 2001/2002 in the
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300:(ICA), where he also produced posters and leaflets. He taught at the
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Just What Is It That Makes Today's Homes So Different, So Appealing?
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Just what is it that makes today’s homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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Just what is it that makes today's homes so different, so appealing?
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
889:. Just the week prior to his death the artist was working with the
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secured Hamilton further teaching assignments in particular at the
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1460:. Carbondale: Southern Illinois University Press. pp. 49–50.
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and produced a work parodying the then leader of the Labour Party
220:(24 February 1922 – 13 September 2011) was an English painter and
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Excerpts from a 2003 conversation with Richard Hamilton (podcast)
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1212:"Tributes paid to Hamilton, the artist who 'created' Bryan Ferry"
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256:. A major retrospective of his work was at Tate Modern in 2014.
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Artist Richard Hamilton’s Biggest Show Insured at $ 157 Million
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PASSPORTS: Great Early Buys From The British Council Collection
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showed a joint retrospective exhibition of both Hamilton's and
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Hamilton died on 13 September 2011, at the age of 89. His work
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in 1947. His first preliminary sketches were made while at the
747:(1993) shows a British soldier on a "foot" patrol on a street.
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QED: Art and Chips Richard Hamilton on a Quantel Paintbox 1992
677:. Together they set about converting North End, a farm in the
833:. Major retrospective exhibitions have been organized by the
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Hollywood bloodshed : violence in 1980s American cinema
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Richard Hamilton, Father of British Pop Art, Dies at Age 89
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Richard Hamilton: The Late Works, National Gallery, London
499:. During this period Hamilton was also very active in the
1959:
Etienne Lullin, Richard Hamilton, Stephen Coppel (eds.),
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In 1969, Hamilton appeared in a documentary by filmmaker
1983:
Immaculate Conception: Richard Hamilton's digital prints
1779:"Pop art pioneer Richard Hamilton dies at the age of 89"
1755:. Royal Botanic Gardens Edinburgh. 2008. Archived from
908:'s work called "Civil Rights etc." That same year, the
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is widely acknowledged as one of the first pieces of
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meeting, held at the ICA, Hamilton was introduced to
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Richard Hamilton, the original pop artist dies at 89
1891:"Contemporary art evening, Sotheby's, February 2006"
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Le chef d’oeuvre inconnu – a painting in three parts
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1956:(exhibition catalogue), London, Tate Gallery, 1992
1426:(Rev. ed.). New York: Zoetrope. p. 441.
2015:Hal Foster, On the First Pop Age, New Left Review
1966:John Richardson, Richard Cork, Richard Hamilton,
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780:illustrations were subsequently exhibited at the
427:. Hamilton's 1955 exhibition of paintings at the
2152:Members of the Order of the Companions of Honour
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1961:Richard Hamilton: Prints and Multiples 1939-2002
1555:ARTS TV: A history of arts television in Britain
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624:From the mid-1960s, Hamilton was represented by
320:. In 1951, Hamilton staged an exhibition called
2177:Military personnel from the City of Westminster
1817:13 September 2011 (Retrieved 25 September 2011)
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2107:British album-cover and concert-poster artists
1986:, Cambridge University Ph.D dissertation, 2013
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1027:"Richard Hamilton – Exhibition at Tate Modern"
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420:The Bride Stripped Bare by Her Bachelors, Even
16:English painter and collage artist (1922–2011)
2042:Richard Hamilton works in the Tate Collection
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312:Hamilton's early work was much influenced by
1640:"Richard Hamilton | Portrait of Dieter Roth"
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914:Richard Hamilton: Pop Art Pioneer, 1922-2011
807:images to visualize the moment of crisis in
296:, Hamilton began exhibiting his work at the
2047:Richard Hamilton's illustrations of Ulysses
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358:The Wonder and the Horror of the Human Head
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1615:"'The Orangeman', Richard Hamilton, 1990"
1198:"University of Dundee Museum Collections"
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988:Ministry of Education, Culture and Sports
984:Museo Nacional Centro de Arte Reina Sofía
891:Museo Nacional Centro de Arte Reina Sofía
463:was created in 1956 for the catalogue of
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1347:"Kurt Schwitters and the Merz Barn Wall"
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1237:Greenstreet, Rosanna (23 October 2010).
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947:William and Noma Copley Foundation Award
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2167:20th-century British military personnel
2122:Alumni of the Westminster School of Art
1733:Jackie Wullschlager (11 October 2012),
1372:From the Beginning, a Master of Pop Art
1370:Benjamin Genocchio (29 February 2004),
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982:(1969) For a 2014 retrospective at the
632:, based on Fraser's arrest, along with
2117:Alumni of the Slade School of Fine Art
2112:Alumni of Saint Martin's School of Art
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725:Prison, officially known as The Maze.
628:and even produced a series of prints,
2102:Academics of the Royal College of Art
1753:"Richard Hamilton - Protest Pictures"
1302:Richard Hamilton, 88 and Going Strong
1054:Lynton, Norbert (13 September 2011).
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491:from 1957 to 1961, where he promoted
1713:, Daily Telegraph, 13 September 2011
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1090:"Richard Hamilton's Plastic Problem"
511:to investigate the condition of the
1943:, New York, Thames and Hudson, 1983
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1116:20th Century Painters and Sculptors
578:enabled Hamilton to make copies of
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1973:Hal Foster and Alex Bacon (eds.),
1263:Alice Rawthorn (2 December 2007),
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2172:20th-century English male artists
2097:21st-century English male artists
2025:exhibitions with Richard Hamilton
1990:
1936:, London, Thames and Hudson, 1985
1013:, New York: Harry N. Abrams, Inc.
963:Order of the Companions of Honour
957:, 1993; the Arnold Bode Prize at
902:Dublin City Gallery The Hugh Lane
2082:20th-century British printmakers
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1612:
589:In 1968, Hamilton appeared in a
501:Campaign for Nuclear Disarmament
388:and Ferry's visual collaborator
328:in London. A pioneering form of
302:Central School of Art and Design
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1336:Museum of Modern Art, New York.
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980:Fashion Plate, Cosmetic Study X
729:(1981–1983) shows IRA prisoner
1828:"Minneapolis Institute of Art"
1644:The Metropolitan Museum of Art
1321:Alan Christea Gallery, London.
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439:in the Fine Art Department at
326:Institute of Contemporary Arts
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298:Institute of Contemporary Arts
276:. In 1938, he enrolled in the
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2092:21st-century English painters
2087:20th-century English painters
1977:, London, The MIT Press, 2010
1880:Alan Cristea Gallery, London.
1011:Pop Art: A Continuing History
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912:showcased Hamilton's work in
910:Minneapolis Institute of Arts
790:Museum Boijmans Van Beuningen
690:, 1984) and DIAB DS-101 (for
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453:exhibition in London, at the
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2137:English contemporary artists
1173:"Richard Hamilton 1922-2011"
1149:Guggenheim Collection Online
1118:. Antique Collectors' Club.
1088:Filipowska, Roksana (2016).
839:Solomon R. Guggenheim Museum
661:, in which he discussed the
270:Saint Martin's School of Art
224:artist. His 1955 exhibition
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2020:Richard Hamilton, Catalogue
1910:Todd White (18 June 2014),
1300:Paul Levy (12 March 2010),
1056:"Richard Hamilton obituary"
10:
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1796:"Safety Curtain 2001/2002"
951:John Moores Painting Prize
782:Irish Museum of Modern Art
399:lyric in the 1957 musical
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1941:Collected Words 1953-1982
1503:"Richard Hamilton (1969)"
1009:Livingstone, M., (1990),
945:Hamilton was awarded the
849:, Cologne, 2003, and the
837:, London, 1970 and 1992,
614:Hamilton's cover art for
477:Alison and Peter Smithson
314:D'Arcy Wentworth Thompson
294:University College London
288:. After two years at the
274:Westminster School of Art
213:Richard William Hamilton
204:Richard Hamilton – Art UK
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111:University College London
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2030:27 December 2005 at the
1997:The Guardian: Obituary,
1537:9 September 2011 at the
1454:Kendrick, James (2009).
2127:British collage artists
1571:www.quantelpaintbox.com
1306:The Wall Street Journal
1287:15 January 2010 at the
814:The Unknown Masterpiece
304:from 1952 until 1966.
236:) and his 1956 collage
226:Man, Machine and Motion
2037:Hamilton New York 2006
1567:"The Quantel Paintbox"
1420:Monaco, James (1984).
1239:"Q&A: Bryan Ferry"
935:Kunstmuseum Winterthur
859:São Paulo Art Biennial
621:
441:King's College, Durham
51:Richard Hamilton, 1992
2142:English male painters
1946:David Robbins (ed.),
1483:(13 September 2011),
1389:Bery, Bryony (2016).
873:, 2006. In 2010, the
613:
523:Fine Art Department.
278:Royal Academy of Arts
264:Hamilton was born in
2157:Painters from London
1785:. 13 September 2011.
1687:"The citizen 1981-3"
967:Royal College of Art
851:Neue Nationalgalerie
829:and was awarded the
636:, for possession of
521:Newcastle University
489:Royal College of Art
457:the following year.
445:Newcastle University
2162:People from Pimlico
2147:English printmakers
2132:British pop artists
1218:. 14 September 2011
774:Slade School of Art
572:Pasadena Art Museum
455:Whitechapel Gallery
366:Newcastle upon Tyne
290:Slade School of Art
242:, produced for the
234:Newcastle upon Tyne
107:Slade School of Art
1939:Richard Hamilton,
1800:museum in progress
1513:on 15 October 2015
1282:"This is tomorrow"
1145:"Richard Hamilton"
887:museum in progress
883:Vienna State Opera
875:Serpentine Gallery
841:, New York, 1973,
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433:Man Machine Motion
318:On Growth and Form
248:exhibition of the
192:Praemium Imperiale
1970:, Dickinson, 2006
1950:, MIT Press, 1990
1932:Lucy R. Lippard,
1689:. Tate Collection
871:Shanghai Biennale
857:4, Kassel, 1968;
692:Dataindustrier AB
684:Dataindustrier AB
390:Nicholas de Ville
334:Independent Group
250:Independent Group
210:
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82:13 September 2011
73:, London, England
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1975:Richard Hamilton
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1854:"Search results"
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1759:on 19 March 2012
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1357:on 14 July 2014.
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865:X, Kassel 1997;
770:National Service
760:. In 2002, the
696:Quantel Paintbox
663:Swingeing London
630:Swingeing London
485:This Is Tomorrow
465:This Is Tomorrow
450:This Is Tomorrow
423:, also known as
338:Eduardo Paolozzi
330:installation art
286:National Service
245:This Is Tomorrow
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483:The success of
429:Hanover Gallery
425:The Large Glass
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1927:Bibliography
1914:
1906:
1894:. Retrieved
1885:
1873:
1861:. Retrieved
1857:
1847:
1835:. Retrieved
1831:
1822:
1813:
1807:
1791:
1782:
1773:
1763:13 September
1761:. Retrieved
1757:the original
1747:
1737:
1715:, retrieved
1709:
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1693:13 September
1691:. Retrieved
1681:
1670:, retrieved
1665:
1659:
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1643:
1634:
1622:. Retrieved
1618:
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1592:
1586:
1574:. Retrieved
1570:
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1527:
1515:. Retrieved
1511:the original
1506:
1497:
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1449:
1437:. Retrieved
1422:
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1398:
1394:
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1374:
1355:the original
1350:
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1314:
1304:
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1267:
1259:
1247:. Retrieved
1243:The Guardian
1242:
1232:
1220:. Retrieved
1215:
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1180:. Retrieved
1176:
1152:. Retrieved
1148:
1115:
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1060:The Guardian
1059:
1034:. Retrieved
1030:
1010:
979:
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949:, 1960; the
944:
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869:, 2004; and
835:Tate Gallery
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736:Tate Gallery
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593:film titled
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584:Tate Gallery
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561:conservators
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509:Arts Council
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147:Notable work
84:(2011-09-13)
25:
2077:2011 deaths
2072:1922 births
1896:15 February
1717:12 December
1672:17 February
1649:17 February
1624:17 February
1599:17 February
1576:17 February
1395:Tate Papers
1222:15 February
1182:15 February
1100:(3): 34–39.
1036:15 February
941:Recognition
929:Collections
922:Tate Modern
906:Rita Donagh
895:Tate Modern
831:Golden Lion
821:Exhibitions
749:The citizen
741:The subject
731:Hugh Rooney
727:The citizen
704:Dieter Roth
679:Oxfordshire
675:Rita Donagh
659:James Scott
651:White Album
634:Mick Jagger
617:The Beatles
548:Herbert Ohl
532:John McHale
515:Merzbau in
497:Peter Blake
480:magazines.
397:Cole Porter
386:Bryan Ferry
370:Rita Donagh
354:James Joyce
308:1950s–1960s
272:and at the
168:album cover
164:The Beatles
2066:Categories
1517:1 December
1265:Bada Bing!
994:References
973:Art market
788:) and the
669:1970s–2011
382:Roxy Music
260:Early life
63:1922-02-24
1916:Bloomberg
1802:, Vienna.
959:Documenta
863:Documenta
855:Documenta
811:’s novel
805:Photoshop
794:Rotterdam
745:The state
723:Long Kesh
596:Greetings
586:in 1966.
415:Green Box
344:notes of
342:Green Box
95:Education
2028:Archived
1968:Hamilton
1783:BBC News
1535:Archived
1401:(Autumn)
1285:Archived
1245:. London
1114:(1990).
900:In 2011
861:, 1989;
605:X rating
407:Polaroid
384:founder
378:Tim Head
348:through
178:Movement
137:graphics
132:painting
1934:Pop Art
1863:24 June
1837:24 June
1439:11 July
1405:11 July
1249:16 July
1154:11 July
778:Ulysses
757:Ulysses
688:Isotron
646:Beatles
570:at the
517:Cumbria
473:pop art
435:at the
324:at the
266:Pimlico
254:pop art
222:collage
199:Website
182:Pop art
127:Collage
71:Pimlico
1852:Tate.
1613:Tate.
1464:
1430:
1122:
916:. The
809:Balzac
786:Dublin
620:(1968)
552:Pin-up
540:Pin-up
194:(2008)
188:Awards
170:(1968)
159:(1956)
843:MACBA
638:drugs
443:(now
1898:2020
1865:2019
1858:Tate
1839:2019
1765:2011
1719:2011
1695:2011
1674:2024
1651:2024
1626:2024
1619:Tate
1601:2024
1578:2024
1519:2015
1462:ISBN
1441:2017
1428:ISBN
1407:2017
1251:2015
1224:2020
1184:2020
1177:Tate
1156:2017
1120:ISBN
1038:2020
1031:Tate
792:(in
784:(in
556:$ he
554:and
544:$ he
534:and
495:and
356:and
79:Died
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719:IRA
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228:(
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