Knowledge

Rich and Strange

Source 📝

1401: 315:. Later, the ship is badly damaged in a collision in fog and is abandoned by the crew, but Fred and Em are trapped in their cabin as the ship sinks and prepare themselves for the end. However, they awake in the morning to find the ship still afloat, and that they can escape through a porthole. A Chinese 303:, leaving Em alone on board. She becomes acquainted with Gordon, a dapper, popular bachelor of mature years. Later, after he recovers, Fred is smitten with a German princess. As the voyage progresses, Fred and Em spend more and more time with their new paramours, to the virtual exclusion of each other. 366:
sequence, which shows city office workers leaving work at the end of the day. This dialogue-free scene was made on a specially constructed set and filmed in a single continuous pan shot, and is followed by an extended comedic sequence depicting Fred's workaday travails as he travels home on the train.
306:
Upon arriving in Singapore, Fred and Em's marriage is in a shambles. Em prepares to leave with Gordon for his home in Kuala Lumpur. However, before boarding the train, Gordon tells her that Fred's princess is actually a con artist, using him until his money runs out. Em decides she cannot allow Fred
396:
was a failure at both the British and US box office. The film's lack of commercial and critical success is often attributed to the fact that there is dialogue for only about a quarter of the film, and that many features of silent films remain, including scene captions, exaggerated acting styles and
282:
A London couple, Fred and Emily ("Em") Hill, live a mundane middle-class existence, but Fred is dissatisfied. Then they receive a letter informing them a wealthy uncle will advance them as much money as they need to travel the world now rather than after his passing. So Fred quits his job, and they
365:
The film exhibits techniques developed by Hitchcock in his later films. Most notable are the shipboard sets, including a recreation of a full-size ship in a water tank. The director also experimented with camera techniques and shot compositions, most prominently in the film's innovative opening
31: 319:
arrives, and while the crew proceed to loot the ship Fred and Em rescue a cat and board the junk. Later, they discover the crew have cooked the cat and served it to them for dinner. Fred and Em finally arrive home with their love strengthened and ready to settle down.
397:
heavy makeup. Hitchcock's experiment in pre-sound emotive performances over dialogue was possibly another contributing factor. An early scene of Fred leaving work for home via the
1838: 1235: 647: 1848: 1783: 307:
to fall into this trap, so she abandons Gordon to warn her husband. But it is too late. Fred discovers his "princess" has just left for Rangoon, with
123: 642: 1793: 1808: 1215: 468: 1778: 1324: 1229: 637: 607: 1803: 1331: 1286: 632: 1788: 1437: 1293: 562: 450: 148: 1773: 1056: 835: 694: 382: 376: 1344: 1758: 1605: 504: 1763: 1753: 1828: 1300: 920: 678: 1549: 1469: 600: 261: 652: 486: 1823: 1818: 1768: 912: 627: 335: 99: 1833: 1813: 1798: 1509: 1008: 771: 1477: 1430: 1525: 1404: 1363: 1210: 795: 593: 1843: 1669: 1613: 1573: 1541: 1501: 1000: 851: 843: 388: 1688: 1350: 1279: 1191: 742: 726: 85: 420:
on home video. Despite this, various licensed, restored releases have appeared on DVD from
1311: 1183: 1048: 960: 553: 1645: 1423: 1258: 1159: 968: 928: 763: 734: 329: 311:
1000 of his money. Fred and Emily have only enough left to book passage home to England on a
95: 1621: 1493: 1461: 1222: 952: 859: 718: 710: 702: 547: 248:
during his time in the British film industry. The film was adapted by Hitchcock, his wife
8: 1748: 1597: 1589: 1306: 904: 827: 1637: 1629: 1485: 1357: 1088: 1080: 883: 867: 686: 398: 1725: 1661: 1653: 1175: 1167: 1120: 1024: 976: 944: 875: 531: 417: 536: 1714: 1696: 1581: 1533: 1338: 1096: 1040: 1016: 819: 803: 616: 245: 44: 1265: 992: 936: 787: 542: 402: 300: 284: 119: 1272: 1072: 421: 353: 308: 570: 1742: 1719: 1565: 1386: 1104: 1064: 576: 341: 253: 133: 60: 1446: 1381: 1317: 1252: 1112: 557: 257: 249: 241: 75: 56: 1136: 1032: 984: 347: 316: 312: 288: 270: 265: 525: 425: 292: 287:
to France and visit Paris's hot spots. Next, they book passage on an
469:"Alfred Hitchcock Collectors' Guide: Slaying the public domain myth" 585: 1517: 779: 580: 30: 1415: 1128: 296: 356:
as The Old Maid, a fellow ship's passenger who annoys everyone
451:"Alfred Hitchcock Collectors' Guide: Rich and Strange (1931)" 505:"Bootlegs Galore: The Great Alfred Hitchcock Rip-off" 260:. The title is an allusion to words of Ariel's song " 1839:
Films shot at British International Pictures Studios
564:
Alfred Hitchcock Collectors’ Guide: Rich and Strange
405:
and highly dissimilar to typical Hitchcock staging.
408: 1740: 445: 443: 441: 416:is copyrighted worldwide but has been heavily 1431: 601: 438: 1849:English-language romantic comedy-drama films 374:Released during Hitchcock's period between 1784:Films about adultery in the United Kingdom 1438: 1424: 1325:Alfred Hitchcock: The Art of Making Movies 608: 594: 29: 1332:Alfred Hitchcock and the Making of Psycho 1287:German Concentration Camps Factual Survey 572:Cinema Then, Cinema Now: Rich and Strange 575:a 1990 discussion of the film hosted by 487:"Alfred Hitchcock: Dial © for Copyright" 1741: 1419: 695:The Lodger: A Story of the London Fog 589: 1345:Remakes of films by Alfred Hitchcock 615: 1794:British romantic comedy-drama films 1606:The Passing of the Third Floor Back 1294:Alfred Hitchcock's Mystery Magazine 234:, released in the United States as 13: 1809:Films directed by Alfred Hitchcock 14: 1860: 1779:1930s romantic comedy-drama films 519: 380:(1927) and his breakthrough hits 1804:Films based on Australian novels 1445: 1400: 1399: 299:. However, Fred quickly becomes 409:Copyright status and home media 497: 479: 461: 149:British International Pictures 1: 1789:British black-and-white films 431: 360: 1774:1930s English-language films 1301:Alfred Hitchcock's Anthology 369: 7: 428:in the US and many others. 10: 1865: 1759:1931 romantic comedy films 1715:Alfred Hitchcock (husband) 175:10 December 1931 1764:1931 romantic drama films 1707: 1680: 1453: 1395: 1374: 1245: 1231:Alfred Hitchcock Presents 1211:Alfred Hitchcock Presents 1202: 1151: 1057:The Man Who Knew Too Much 894: 836:The Man Who Knew Too Much 753: 668: 661: 623: 383:The Man Who Knew Too Much 219: 211: 201: 166: 155: 139: 129: 115: 105: 91: 81: 66: 50: 40: 28: 23: 1720:Pat Hitchcock (daughter) 1387:Pat Hitchcock (daughter) 186:1 January 1932 1754:1931 comedy-drama films 1192:The Fighting Generation 638:Themes and plot devices 401:is very reminiscent of 323: 277: 256:from the 1930 novel by 1829:Films set in Singapore 1312:Transatlantic Pictures 1049:The Trouble with Harry 554:British Film Institute 1160:Always Tell Your Wife 913:Foreign Correspondent 1510:Juno and the Paycock 1494:A Romance of Seville 1280:Lord Camber's Ladies 1223:Incident at a Corner 1009:Strangers on a Train 921:Mr. & Mrs. Smith 772:Juno and the Paycock 240:, is a 1931 British 1824:Films set in London 1819:Films set in France 1769:1930s British films 1598:Forbidden Territory 1590:Waltzes from Vienna 1382:Alma Reville (wife) 1307:Three Investigators 828:Waltzes from Vienna 679:The Pleasure Garden 633:Unproduced projects 344:as Commander Gordon 1834:Films set on ships 1814:Films set in Egypt 1799:Films about travel 1630:Young and Innocent 1550:Sally in Our Alley 1486:A South Sea Bubble 1470:The Constant Nymph 1358:Hitchcock/Truffaut 1081:North by Northwest 868:Young and Innocent 687:The Mountain Eagle 399:London Underground 283:travel across the 1736: 1735: 1726:The Lady Vanishes 1662:The Paradine Case 1654:Shadow of a Doubt 1574:The Water Gipsies 1502:After the Verdict 1413: 1412: 1176:Aventure Malgache 1168:An Elastic Affair 1147: 1146: 1025:Dial M for Murder 977:The Paradine Case 945:Shadow of a Doubt 876:The Lady Vanishes 719:The Farmer's Wife 648:Awards and honors 493:. 30 August 2018. 227: 226: 35:Theatrical poster 1856: 1582:Number Seventeen 1558:Rich and Strange 1440: 1433: 1426: 1417: 1416: 1403: 1402: 1041:To Catch a Thief 820:Number Seventeen 812:Rich and Strange 666: 665: 617:Alfred Hitchcock 610: 603: 596: 587: 586: 549:Rich and Strange 538:Rich and Strange 527:Rich and Strange 513: 512: 511:. 8 August 2018. 501: 495: 494: 483: 477: 476: 475:. 8 August 2018. 465: 459: 458: 447: 414:Rich and Strange 394:Rich and Strange 262:Full fathom five 246:Alfred Hitchcock 237:East of Shanghai 231:Rich and Strange 193: 191: 182: 180: 162: 71:Rich and Strange 54:Alfred Hitchcock 45:Alfred Hitchcock 33: 24:Rich and Strange 21: 20: 1864: 1863: 1859: 1858: 1857: 1855: 1854: 1853: 1844:Seafaring films 1739: 1738: 1737: 1732: 1703: 1676: 1449: 1444: 1414: 1409: 1391: 1370: 1266:The Short Night 1241: 1198: 1143: 993:Under Capricorn 896: 890: 788:Elstree Calling 755: 749: 670: 657: 619: 614: 566:at Brenton Film 543:Rotten Tomatoes 522: 517: 516: 503: 502: 498: 485: 484: 480: 467: 466: 462: 457:. 21 June 2019. 449: 448: 439: 434: 411: 372: 363: 350:as The Princess 326: 280: 204: 197: 189: 187: 178: 176: 169: 160: 151: 144: 142: 122: 120:Winifred Cooper 110: 109:John "Jack" Cox 98: 74: 59: 55: 36: 17: 12: 11: 5: 1862: 1852: 1851: 1846: 1841: 1836: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1791: 1786: 1781: 1776: 1771: 1766: 1761: 1756: 1751: 1734: 1733: 1731: 1730: 1722: 1717: 1711: 1709: 1705: 1704: 1702: 1701: 1693: 1684: 1682: 1678: 1677: 1675: 1674: 1666: 1658: 1650: 1642: 1634: 1626: 1618: 1610: 1602: 1594: 1586: 1578: 1570: 1562: 1554: 1546: 1538: 1530: 1522: 1514: 1506: 1498: 1490: 1482: 1478:The First Born 1474: 1466: 1457: 1455: 1451: 1450: 1443: 1442: 1435: 1428: 1420: 1411: 1410: 1408: 1407: 1396: 1393: 1392: 1390: 1389: 1384: 1378: 1376: 1372: 1371: 1369: 1368: 1367: 1366: 1354: 1347: 1342: 1335: 1328: 1321: 1314: 1309: 1304: 1297: 1290: 1283: 1276: 1273:The Blackguard 1269: 1262: 1255: 1249: 1247: 1243: 1242: 1240: 1239: 1227: 1219: 1206: 1204: 1200: 1199: 1197: 1196: 1188: 1180: 1172: 1164: 1155: 1153: 1149: 1148: 1145: 1144: 1142: 1141: 1133: 1125: 1117: 1109: 1101: 1093: 1085: 1077: 1069: 1061: 1053: 1045: 1037: 1029: 1021: 1013: 1005: 997: 989: 981: 973: 965: 957: 949: 941: 933: 925: 917: 909: 900: 898: 892: 891: 889: 888: 880: 872: 864: 856: 848: 840: 832: 824: 816: 808: 800: 792: 784: 776: 768: 759: 757: 751: 750: 748: 747: 739: 731: 723: 715: 707: 699: 691: 683: 674: 672: 663: 659: 658: 656: 655: 650: 645: 640: 635: 630: 624: 621: 620: 613: 612: 605: 598: 590: 584: 583: 568: 560: 545: 534: 521: 520:External links 518: 515: 514: 496: 478: 460: 436: 435: 433: 430: 410: 407: 371: 368: 362: 359: 358: 357: 354:Elsie Randolph 351: 345: 339: 333: 325: 322: 279: 276: 225: 224: 221: 217: 216: 215:United Kingdom 213: 209: 208: 205: 202: 199: 198: 196: 195: 184: 172: 170: 167: 164: 163: 159:Wardour Films 157: 156:Distributed by 153: 152: 147: 145: 140: 137: 136: 131: 127: 126: 117: 113: 112: 111:Charles Martin 107: 106:Cinematography 103: 102: 93: 89: 88: 83: 79: 78: 68: 64: 63: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1861: 1850: 1847: 1845: 1842: 1840: 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1780: 1777: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1746: 1744: 1728: 1727: 1723: 1721: 1718: 1716: 1713: 1712: 1710: 1706: 1699: 1698: 1694: 1691: 1690: 1686: 1685: 1683: 1679: 1672: 1671: 1667: 1664: 1663: 1659: 1656: 1655: 1651: 1648: 1647: 1643: 1640: 1639: 1635: 1632: 1631: 1627: 1624: 1623: 1619: 1616: 1615: 1611: 1608: 1607: 1603: 1600: 1599: 1595: 1592: 1591: 1587: 1584: 1583: 1579: 1576: 1575: 1571: 1568: 1567: 1566:Nine till Six 1563: 1560: 1559: 1555: 1552: 1551: 1547: 1544: 1543: 1539: 1536: 1535: 1531: 1528: 1527: 1526:The Skin Game 1523: 1520: 1519: 1515: 1512: 1511: 1507: 1504: 1503: 1499: 1496: 1495: 1491: 1488: 1487: 1483: 1480: 1479: 1475: 1472: 1471: 1467: 1464: 1463: 1459: 1458: 1456: 1452: 1448: 1441: 1436: 1434: 1429: 1427: 1422: 1421: 1418: 1406: 1398: 1397: 1394: 1388: 1385: 1383: 1380: 1379: 1377: 1373: 1365: 1362: 1361: 1360: 1359: 1355: 1353: 1352: 1348: 1346: 1343: 1341: 1340: 1336: 1334: 1333: 1329: 1327: 1326: 1322: 1320: 1319: 1315: 1313: 1310: 1308: 1305: 1303: 1302: 1298: 1296: 1295: 1291: 1289: 1288: 1284: 1282: 1281: 1277: 1275: 1274: 1270: 1268: 1267: 1263: 1261: 1260: 1256: 1254: 1251: 1250: 1248: 1244: 1237: 1233: 1232: 1228: 1225: 1224: 1220: 1217: 1213: 1212: 1208: 1207: 1205: 1201: 1194: 1193: 1189: 1186: 1185: 1181: 1178: 1177: 1173: 1170: 1169: 1165: 1162: 1161: 1157: 1156: 1154: 1150: 1139: 1138: 1134: 1131: 1130: 1126: 1123: 1122: 1118: 1115: 1114: 1110: 1107: 1106: 1102: 1099: 1098: 1094: 1091: 1090: 1086: 1083: 1082: 1078: 1075: 1074: 1070: 1067: 1066: 1065:The Wrong Man 1062: 1059: 1058: 1054: 1051: 1050: 1046: 1043: 1042: 1038: 1035: 1034: 1030: 1027: 1026: 1022: 1019: 1018: 1014: 1011: 1010: 1006: 1003: 1002: 998: 995: 994: 990: 987: 986: 982: 979: 978: 974: 971: 970: 966: 963: 962: 958: 955: 954: 950: 947: 946: 942: 939: 938: 934: 931: 930: 926: 923: 922: 918: 915: 914: 910: 907: 906: 902: 901: 899: 893: 886: 885: 881: 878: 877: 873: 870: 869: 865: 862: 861: 857: 854: 853: 849: 846: 845: 841: 838: 837: 833: 830: 829: 825: 822: 821: 817: 814: 813: 809: 806: 805: 801: 798: 797: 796:The Skin Game 793: 790: 789: 785: 782: 781: 777: 774: 773: 769: 766: 765: 761: 760: 758: 752: 745: 744: 740: 737: 736: 732: 729: 728: 724: 721: 720: 716: 713: 712: 708: 705: 704: 700: 697: 696: 692: 689: 688: 684: 681: 680: 676: 675: 673: 667: 664: 662:Feature films 660: 654: 651: 649: 646: 644: 641: 639: 636: 634: 631: 629: 626: 625: 622: 618: 611: 606: 604: 599: 597: 592: 591: 588: 582: 578: 577:Jerry Carlson 574: 573: 569: 567: 565: 561: 559: 555: 551: 550: 546: 544: 540: 539: 535: 533: 529: 528: 524: 523: 510: 506: 500: 492: 488: 482: 474: 470: 464: 456: 452: 446: 444: 442: 437: 429: 427: 423: 419: 415: 406: 404: 400: 395: 391: 390: 385: 384: 379: 378: 367: 355: 352: 349: 346: 343: 342:Percy Marmont 340: 338:as Emily Hill 337: 334: 331: 330:Henry Kendall 328: 327: 321: 318: 314: 313:tramp steamer 310: 304: 302: 298: 294: 290: 286: 275: 273: 272: 267: 263: 259: 255: 254:Val Valentine 251: 247: 243: 239: 238: 233: 232: 222: 218: 214: 210: 206: 200: 185: 174: 173: 171: 168:Release dates 165: 158: 154: 150: 146: 138: 135: 134:Adolph Hallis 132: 128: 125: 124:Rene Marrison 121: 118: 114: 108: 104: 101: 97: 96:Henry Kendall 94: 90: 87: 84: 80: 77: 72: 69: 65: 62: 61:Val Valentine 58: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 19: 1724: 1695: 1687: 1670:Stage Fright 1668: 1660: 1652: 1644: 1636: 1628: 1620: 1614:Secret Agent 1612: 1604: 1596: 1588: 1580: 1572: 1564: 1557: 1556: 1548: 1542:The Outsider 1540: 1532: 1524: 1516: 1508: 1500: 1492: 1484: 1476: 1468: 1460: 1447:Alma Reville 1356: 1349: 1337: 1330: 1323: 1318:High Anxiety 1316: 1299: 1292: 1285: 1278: 1271: 1264: 1257: 1253:Hitchcockian 1230: 1221: 1209: 1190: 1182: 1174: 1166: 1158: 1135: 1127: 1119: 1113:Torn Curtain 1111: 1103: 1095: 1087: 1079: 1071: 1063: 1055: 1047: 1039: 1031: 1023: 1015: 1007: 1001:Stage Fright 999: 991: 983: 975: 967: 959: 951: 943: 935: 927: 919: 911: 903: 882: 874: 866: 858: 852:Secret Agent 850: 844:The 39 Steps 842: 834: 826: 818: 811: 810: 802: 794: 786: 778: 770: 762: 741: 733: 725: 717: 709: 701: 693: 685: 677: 653:Bibliography 571: 563: 558:Screenonline 548: 537: 526: 509:Brenton Film 508: 499: 491:Brenton Film 490: 481: 473:Brenton Film 472: 463: 455:Brenton Film 454: 413: 412: 393: 389:The 39 Steps 387: 381: 375: 373: 364: 332:as Fred Hill 305: 281: 269: 258:Dale Collins 250:Alma Reville 244:directed by 242:romance film 236: 235: 230: 229: 228: 203:Running time 86:John Maxwell 76:Dale Collins 70: 57:Alma Reville 18: 1729:(1938 film) 1638:Jamaica Inn 1454:Screenplays 1152:Short films 1137:Family Plot 1033:Rear Window 884:Jamaica Inn 756:sound films 743:The Manxman 727:Easy Virtue 628:Filmography 424:in the UK, 386:(1934) and 348:Betty Amann 289:ocean liner 271:The Tempest 266:Shakespeare 82:Produced by 41:Directed by 1749:1931 films 1743:Categories 1681:Portrayals 1203:Television 1184:Bon Voyage 961:Spellbound 432:References 418:bootlegged 377:The Lodger 361:Production 336:Joan Barry 291:departing 207:83 minutes 190:1932-01-01 179:1931-12-10 141:Production 100:Joan Barry 1697:Hitchcock 1646:Suspicion 1339:Hitchcock 1259:Number 13 1097:The Birds 1017:I Confess 969:Notorious 929:Suspicion 897:and later 895:Hollywood 764:Blackmail 735:Champagne 426:Lionsgate 370:Reception 293:Marseille 194: (US) 183: (UK) 116:Edited by 16:1931 film 1689:The Girl 1622:Sabotage 1462:The Ring 1405:Category 1351:The Girl 1236:episodes 1216:episodes 953:Lifeboat 937:Saboteur 860:Sabotage 711:Downhill 703:The Ring 392:(1935), 295:for the 220:Language 130:Music by 92:Starring 67:Based on 1708:Related 1518:Murder! 1246:Related 1234:(1985, 1214:(1955, 1073:Vertigo 905:Rebecca 780:Murder! 754:British 581:CUNY TV 552:at the 422:Optimum 403:Chaplin 301:seasick 285:channel 223:English 212:Country 188: ( 177: ( 143:company 1700:(2012) 1692:(2012) 1673:(1950) 1665:(1947) 1657:(1943) 1649:(1941) 1641:(1939) 1633:(1937) 1625:(1936) 1617:(1936) 1609:(1935) 1601:(1934) 1593:(1934) 1585:(1932) 1577:(1932) 1569:(1931) 1561:(1931) 1553:(1931) 1545:(1931) 1537:(1931) 1529:(1931) 1521:(1930) 1513:(1929) 1505:(1929) 1497:(1929) 1489:(1928) 1481:(1928) 1473:(1928) 1465:(1927) 1375:Family 1226:(1960) 1195:(1944) 1187:(1944) 1179:(1944) 1171:(1930) 1163:(1923) 1140:(1976) 1132:(1972) 1129:Frenzy 1124:(1969) 1116:(1966) 1108:(1964) 1105:Marnie 1100:(1963) 1092:(1960) 1089:Psycho 1084:(1959) 1076:(1958) 1068:(1956) 1060:(1956) 1052:(1955) 1044:(1955) 1036:(1954) 1028:(1954) 1020:(1953) 1012:(1951) 1004:(1950) 996:(1949) 988:(1948) 980:(1947) 972:(1946) 964:(1945) 956:(1944) 948:(1943) 940:(1942) 932:(1941) 924:(1941) 916:(1940) 908:(1940) 887:(1939) 879:(1938) 871:(1937) 863:(1936) 855:(1936) 847:(1935) 839:(1934) 831:(1934) 823:(1932) 815:(1931) 807:(1931) 799:(1931) 791:(1930) 783:(1930) 775:(1930) 767:(1929) 746:(1929) 738:(1928) 730:(1928) 722:(1928) 714:(1927) 706:(1927) 698:(1927) 690:(1926) 682:(1925) 669:Silent 643:Cameos 297:Orient 252:, and 1121:Topaz 671:films 264:" in 1534:Mary 1364:film 985:Rope 804:Mary 532:IMDb 324:Cast 317:junk 278:Plot 161:(UK) 579:of 556:'s 541:at 530:at 268:'s 1745:: 507:. 489:. 471:. 453:. 440:^ 274:. 73:by 1439:e 1432:t 1425:v 1238:) 1218:) 609:e 602:t 595:v 309:£ 192:) 181:)

Index


Alfred Hitchcock
Alma Reville
Val Valentine
Dale Collins
John Maxwell
Henry Kendall
Joan Barry
Winifred Cooper
Rene Marrison
Adolph Hallis
British International Pictures
romance film
Alfred Hitchcock
Alma Reville
Val Valentine
Dale Collins
Full fathom five
Shakespeare
The Tempest
channel
ocean liner
Marseille
Orient
seasick
£
tramp steamer
junk
Henry Kendall
Joan Barry

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.