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Rasmus Fleischer

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31: 332:(2009, in Swedish) analyzes how the contemporary culture of digital abundance produces a reevaluation of physical presence, taking examples mainly from the area of music. It has been published also in Finnish and in 2013 selected parts of it was published in an English translation by 351:
Besides from his books, writings by Fleischer appears in a number of anthologies as well as in magazines and newspapers, though not much of it has been translated to languages other than Swedish. As of 2023, he is a regular contributor to
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His second book, the double volume Boken & Biblioteket, was published in October 2011, also in Swedish. The first book is about books, including discussions about the political economy of publishing, the history of
130:. He earned his Ph.D. in history in 2012 with a dissertation that was also published as a book of 640 pages: "The political economy of music: Legislation, sound media and the defence of live music, 1925–2000". 312:, he criticized Swedish anti-war demonstrators for siding up with Hezbollah supporters. Since 2010, Fleischer's writings has appeared several times in the anarchist magazine 246:
in September 2006 ranked the fifty most influential persons in Swedish IT-industry, he ended up as seventh on the list. During January and February 2008, he stayed as an
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Between 2019 and 2023 he worked together with another economic historian, Daniel Berg, in a research project on the history of economic statistics, funded by the
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Fleischer's political background is leftist, without any known party affiliation. In the early 2000s, he worked for some years as a journalist for
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and its significance for social and economic history". The main findings of this research was published in late 2023 as a book titled
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which released an album in 2003 and was, after being inactive for many years, resuming activities in 2019. His main instruments are
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and co-authored the book "Spotify Teardown" (MIT Press, 2019). as well as another book on Spotify, published in Swedish and Danish.
879: 935: 724: 348:. The second book discusses the library both in terms of a selective institution, a digital interface and a post-digital space. 755: 383: 267: 955: 925: 141:, while continuing to also publishing non-academic articles and books. Since 2004 he has been running the blog 699: 930: 564: 279: 856: 950: 604: 792: 626: 679: 157:" and "how money is failing" to questions about contemporary fascism and the problems of speaking about " 577:"Valuations of quality in the Consumer Price Index and its significance for social and economic history" 443: 317: 172: 374: 164:
He was part of a transdisciplinary team of researchers investigating the music streaming company
920: 195: 945: 425:, with Maria Eriksson, Anna Johansson, Pelle Snickars and Patrick Vonderau (MIT Press, 2019). 915: 176: 138: 444:"Rasmus Fleischer Â» The political economy of music – English summary of Ph.D. thesis" 8: 247: 357: 553: 506: 229:(2006). While most of his writings on this topic has been in Swedish, in June 2008 the 819: 732: 496:
The next step in the automation of rave? (Transcript from a workshop at Transmediale)
379: 254:, invited by Transforming Freedom, an audio archiving platform based in the Viennese 591:"Daidalos: Varors vÀrde. KvalitetsvÀrderingar i konsumentprisindex under 1900-talet" 484: 313: 309: 158: 134: 752: 725:"How to own sound? The strange history of music copyright - Rasmus Fleischer (SE)" 647: 540: 518:
From cyber-libertarianism to national-populism (The many faces of fascism, part 1)
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Some thoughts about the idea of “internet freedom” in times of counter-revolution
341: 255: 225: 204:, the anti-copyright organization that, in turn, once founded BitTorrent tracker 271: 230: 205: 909: 201: 100: 605:"Between artworks and networks: Navigating through the crisis of copyright" 389: 286:. In recent years, he has been playing together with members of bands like 146: 353: 30: 397: 150: 541:"MIT Press: Spotify Teardown Inside the Black Box of Streaming Music" 316:
and has written essays presenting the thought of the Marxian thinker
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to live there while doing mainly theoretical and conceptual work.
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Robert Kurz and the collapse of modernity – an introduction
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VĂ€rdekritisk kristeori – att tĂ€nka kapitalets sammanbrott
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Spotify Teardown: Inside the Black Box of Streaming Music
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Copyriot Â» Some notes on General Rights Management
464: 270:and, amongst other musical activities, interpreted 219:Parts of an interview with Fleischer commenting on 731:. Transforming Freedom. 2008-02-12. Archived from 290:and appears on a LP by Our Solar System in 2013. 907: 698:Mats Lewan, Charlotta von Schultz (2006-09-19). 565:Gaffa.dk: TankevĂŠkkende bog om Spotifys historie 857:MĂ„ndag pĂ„ Möllan (uppföljning kring Hizbollah) 306:Central Organisation of the Workers of Sweden 700:"MĂ€ktigast i it-Sverige 2006 - hela listan" 414:Den svenska enhörningen: storyn om Spotify 189: 29: 660:"The Oil of the 21st Century. Conference" 266:Rasmus Fleischer has also studied at the 941:Royal College of Music, Stockholm alumni 847:is a Swedish leftist political magazine. 133:He is a researcher at the department of 702:(in Swedish). Ny Teknik. Archived from 293: 200:In 2003, he was one of the founders of 908: 149:, addressing topics ranging from "the 859:, his blog Copyriot on July 26, 2006. 793:"Life On Earth! - A Space Water Loop" 261: 895:Rasmus Fleischer's personal homepage 839:"NationalvĂ€nstern - sĂ„ funkar den", 240:When the Swedish engineering weekly 13: 14: 967: 888: 820:"COPYRIOT - Solsystem i majafton" 753:Copyriot Â» Residerar i Wien 554:Mondial: Den svenska enhörningen 175:: "Valuations of quality in the 873: 862: 850: 833: 812: 785: 764: 746: 717: 691: 673: 652: 641: 627:"Piratbyran's speech at Reboot" 619: 597: 583: 569: 558: 367: 936:Intellectual property activism 547: 533: 522: 511: 500: 489: 485:Transmediale: Rasmus Fleischer 478: 457: 436: 304:, the weekly newspaper of the 145:. He is a frequent speaker at 16:Swedish historian and musician 1: 417:, with Pelle Snickars (2018). 233:commissioned an essay titled 7: 375:Det postdigitala manifestet 330:Det postdigitala manifestet 10: 972: 398:Musikens politiska ekonomi 323: 193: 729:Transforming Freedom News 96: 78: 68: 40: 28: 21: 429: 173:Swedish Research Council 35:Rasmus Fleischer in 2021 956:Musicians from Halmstad 648:::: PiratbyrĂ„n ::: 390:Boken & Biblioteket 235:The future of copyright 190:Anti-copyright activism 111:(born 19 April 1978 in 268:Royal College of Music 196:Criticism of copyright 926:Swedish male bloggers 931:People from Halmstad 507:How money is failing 294:Political background 177:Consumer Price Index 139:Stockholm University 951:Economic historians 248:artist in residence 758:2008-01-10 at the 685:2007-12-13 at the 607:. 12 December 2006 378:(2009), 82 pages, 262:Musical activities 843:(issue 1, 2004). 106: 105: 963: 882: 877: 871: 866: 860: 854: 848: 837: 831: 830: 828: 826: 816: 810: 809: 807: 805: 789: 783: 782: 780: 778: 768: 762: 750: 744: 743: 741: 740: 735:on July 28, 2009 721: 715: 714: 712: 711: 695: 689: 677: 671: 670: 668: 666: 656: 650: 645: 639: 638: 636: 634: 623: 617: 616: 614: 612: 601: 595: 594: 587: 581: 580: 573: 567: 562: 556: 551: 545: 544: 537: 531: 526: 520: 515: 509: 504: 498: 493: 487: 482: 476: 475: 473: 471: 461: 455: 454: 452: 450: 440: 358:Göteborgs-Posten 346:robot publishing 310:2006 Lebanon War 274:in the ensemble 223:are featured in 159:internet freedom 135:economic history 109:Rasmus Fleischer 54: 50: 48: 33: 23:Rasmus Fleischer 19: 18: 971: 970: 966: 965: 964: 962: 961: 960: 906: 905: 891: 886: 885: 878: 874: 867: 863: 855: 851: 838: 834: 824: 822: 818: 817: 813: 803: 801: 791: 790: 786: 776: 774: 770: 769: 765: 760:Wayback Machine 751: 747: 738: 736: 723: 722: 718: 709: 707: 696: 692: 687:Wayback Machine 678: 674: 664: 662: 658: 657: 653: 646: 642: 632: 630: 625: 624: 620: 610: 608: 603: 602: 598: 589: 588: 584: 575: 574: 570: 563: 559: 552: 548: 539: 538: 534: 527: 523: 516: 512: 505: 501: 494: 490: 483: 479: 469: 467: 463: 462: 458: 448: 446: 442: 441: 437: 432: 370: 342:print on demand 334:E-flux magazine 326: 296: 264: 256:Museumsquartier 226:Steal This Film 198: 192: 186: 89: 85: 64: 55: 52: 46: 44: 36: 24: 17: 12: 11: 5: 969: 959: 958: 953: 948: 943: 938: 933: 928: 923: 918: 904: 903: 897: 890: 889:External links 887: 884: 883: 872: 861: 849: 832: 811: 784: 772:"Vox Vulgaris" 763: 745: 716: 690: 672: 651: 640: 618: 596: 582: 568: 557: 546: 532: 521: 510: 499: 488: 477: 456: 434: 433: 431: 428: 427: 426: 418: 410: 402: 394: 386: 369: 366: 325: 322: 295: 292: 272:medieval music 263: 260: 231:Cato Institute 206:The Pirate Bay 191: 188: 104: 103: 98: 97:Known for 94: 93: 80: 76: 75: 70: 66: 65: 56: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 968: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 932: 929: 927: 924: 922: 921:Living people 919: 917: 914: 913: 911: 901: 898: 896: 893: 892: 881: 876: 870: 865: 858: 853: 846: 842: 836: 821: 815: 800: 799: 794: 788: 773: 767: 761: 757: 754: 749: 734: 730: 726: 720: 706:on 2006-11-11 705: 701: 694: 688: 684: 681: 676: 661: 655: 649: 644: 629:. 3 June 2006 628: 622: 606: 600: 592: 586: 578: 572: 566: 561: 555: 550: 542: 536: 530: 525: 519: 514: 508: 503: 497: 492: 486: 481: 466: 460: 445: 439: 435: 424: 423: 419: 416: 415: 411: 408: 407: 403: 400: 399: 395: 392: 391: 387: 385: 384:91-973586-9-X 381: 377: 376: 372: 371: 365: 363: 359: 355: 349: 347: 343: 337: 335: 331: 321: 319: 315: 311: 307: 303: 302: 291: 289: 285: 281: 277: 273: 269: 259: 257: 253: 249: 245: 244: 238: 236: 232: 228: 227: 222: 217: 215: 211: 207: 203: 197: 187: 184: 182: 178: 174: 169: 167: 162: 160: 156: 152: 148: 144: 140: 136: 131: 129: 125: 121: 118: 114: 110: 102: 99: 95: 92: 88: 84: 81: 79:Occupation(s) 77: 74: 71: 67: 63: 59: 53:(age 46) 51:19 April 1978 43: 39: 32: 27: 20: 946:Syndicalists 875: 864: 852: 840: 835: 823:. 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Retrieved 438: 420: 412: 404: 396: 388: 373: 368:Bibliography 350: 338: 333: 329: 327: 299: 297: 276:Vox Vulgaris 265: 241: 239: 234: 224: 218: 199: 185: 181:Varors vĂ€rde 180: 170: 163: 147:transmediale 142: 132: 108: 107: 916:1978 births 825:25 November 804:25 November 665:25 November 633:25 November 611:25 November 470:25 November 449:25 November 406:Tapirskrift 354:Aftonbladet 318:Robert Kurz 69:Nationality 910:Categories 739:2009-05-03 710:2007-02-11 328:His essay 202:PiratbyrĂ„n 194:See also: 151:automation 101:PiratbyrĂ„n 47:1978-04-19 777:8 January 336:in 2013. 301:Arbetaren 243:Ny Teknik 221:copyright 214:new media 120:historian 83:Historian 900:Copyriot 756:Archived 683:Archived 284:clarinet 280:recorder 143:Copyriot 128:musician 124:essayist 113:Halmstad 91:Musician 87:Essayist 58:Halmstad 798:Discogs 409:(2013). 401:(2012). 393:(2011). 362:Flamman 324:Writing 212:and/or 166:Spotify 117:Swedish 115:) is a 73:Swedish 902:, blog 382:  288:Dungen 252:Vienna 62:Sweden 845:Arena 841:Arena 430:Notes 314:Brand 827:2016 806:2016 779:2020 667:2016 635:2016 613:2016 472:2016 451:2016 380:ISBN 360:and 282:and 155:rave 126:and 41:Born 250:in 210:art 161:". 153:of 912:: 795:. 727:. 364:. 356:, 320:. 237:. 216:. 183:. 137:, 122:, 60:, 49:) 829:. 808:. 781:. 742:. 713:. 669:. 637:. 615:. 593:. 579:. 543:. 474:. 453:. 45:(

Index


Halmstad
Sweden
Swedish
Historian
Essayist
Musician
PiratbyrÄn
Halmstad
Swedish
historian
essayist
musician
economic history
Stockholm University
transmediale
automation
rave
internet freedom
Spotify
Swedish Research Council
Consumer Price Index
Criticism of copyright
PiratbyrÄn
The Pirate Bay
art
new media
copyright
Steal This Film
Cato Institute

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