31:
332:(2009, in Swedish) analyzes how the contemporary culture of digital abundance produces a reevaluation of physical presence, taking examples mainly from the area of music. It has been published also in Finnish and in 2013 selected parts of it was published in an English translation by
351:
Besides from his books, writings by
Fleischer appears in a number of anthologies as well as in magazines and newspapers, though not much of it has been translated to languages other than Swedish. As of 2023, he is a regular contributor to
339:
His second book, the double volume Boken & Biblioteket, was published in
October 2011, also in Swedish. The first book is about books, including discussions about the political economy of publishing, the history of
130:. He earned his Ph.D. in history in 2012 with a dissertation that was also published as a book of 640 pages: "The political economy of music: Legislation, sound media and the defence of live music, 1925â2000".
312:, he criticized Swedish anti-war demonstrators for siding up with Hezbollah supporters. Since 2010, Fleischer's writings has appeared several times in the anarchist magazine
246:
in
September 2006 ranked the fifty most influential persons in Swedish IT-industry, he ended up as seventh on the list. During January and February 2008, he stayed as an
208:. Since then he has been lecturing extensively, on subjects related to "the collapse of copyright" and the future of music, at various European conferences addressing
171:
Between 2019 and 2023 he worked together with another economic historian, Daniel Berg, in a research project on the history of economic statistics, funded by the
345:
940:
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590:
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Fleischer's political background is leftist, without any known party affiliation. In the early 2000s, he worked for some years as a journalist for
528:
517:
275:
868:
305:
308:, a syndicalist union. Around the same time, he criticized parts of the Swedish political left for tendencies of nationalism and during the
179:
and its significance for social and economic history". The main findings of this research was published in late 2023 as a book titled
278:
which released an album in 2003 and was, after being inactive for many years, resuming activities in 2019. His main instruments are
168:
and co-authored the book "Spotify
Teardown" (MIT Press, 2019). as well as another book on Spotify, published in Swedish and Danish.
879:
935:
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348:. The second book discusses the library both in terms of a selective institution, a digital interface and a post-digital space.
755:
383:
267:
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141:, while continuing to also publishing non-academic articles and books. Since 2004 he has been running the blog
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930:
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157:" and "how money is failing" to questions about contemporary fascism and the problems of speaking about "
577:"Valuations of quality in the Consumer Price Index and its significance for social and economic history"
443:
317:
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He was part of a transdisciplinary team of researchers investigating the music streaming company
920:
195:
945:
425:, with Maria Eriksson, Anna Johansson, Pelle Snickars and Patrick Vonderau (MIT Press, 2019).
915:
176:
138:
444:"Rasmus Fleischer » The political economy of music â English summary of Ph.D. thesis"
8:
247:
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553:
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229:(2006). While most of his writings on this topic has been in Swedish, in June 2008 the
819:
732:
496:
The next step in the automation of rave? (Transcript from a workshop at
Transmediale)
379:
254:, invited by Transforming Freedom, an audio archiving platform based in the Viennese
591:"Daidalos: Varors vÀrde. KvalitetsvÀrderingar i konsumentprisindex under 1900-talet"
484:
313:
309:
158:
134:
752:
725:"How to own sound? The strange history of music copyright - Rasmus Fleischer (SE)"
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540:
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From cyber-libertarianism to national-populism (The many faces of fascism, part 1)
421:
759:
686:
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Some thoughts about the idea of âinternet freedomâ in times of counter-revolution
341:
255:
225:
204:, the anti-copyright organization that, in turn, once founded BitTorrent tracker
271:
230:
205:
909:
201:
100:
605:"Between artworks and networks: Navigating through the crisis of copyright"
389:
286:. In recent years, he has been playing together with members of bands like
146:
353:
30:
397:
150:
541:"MIT Press: Spotify Teardown Inside the Black Box of Streaming Music"
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and has written essays presenting the thought of the
Marxian thinker
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82:
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to live there while doing mainly theoretical and conceptual work.
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344:, the durability of e-books, the aesthetics of audiobooks and
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Robert Kurz and the collapse of modernity â an introduction
154:
899:
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VĂ€rdekritisk kristeori â att tĂ€nka kapitalets sammanbrott
422:
Spotify
Teardown: Inside the Black Box of Streaming Music
209:
465:"COPYRIOT - Multiplication can produce powerful numbers"
680:
Copyriot » Some notes on
General Rights Management
464:
270:and, amongst other musical activities, interpreted
219:Parts of an interview with Fleischer commenting on
731:. Transforming Freedom. 2008-02-12. Archived from
290:and appears on a LP by Our Solar System in 2013.
907:
698:Mats Lewan, Charlotta von Schultz (2006-09-19).
565:Gaffa.dk: TankevĂŠkkende bog om Spotifys historie
857:MÄndag pÄ Möllan (uppföljning kring Hizbollah)
306:Central Organisation of the Workers of Sweden
700:"MĂ€ktigast i it-Sverige 2006 - hela listan"
414:Den svenska enhörningen: storyn om Spotify
189:
29:
660:"The Oil of the 21st Century. Conference"
266:Rasmus Fleischer has also studied at the
941:Royal College of Music, Stockholm alumni
847:is a Swedish leftist political magazine.
133:He is a researcher at the department of
702:(in Swedish). Ny Teknik. Archived from
293:
200:In 2003, he was one of the founders of
908:
149:, addressing topics ranging from "the
859:, his blog Copyriot on July 26, 2006.
793:"Life On Earth! - A Space Water Loop"
261:
895:Rasmus Fleischer's personal homepage
839:"NationalvÀnstern - sÄ funkar den",
240:When the Swedish engineering weekly
13:
14:
967:
888:
820:"COPYRIOT - Solsystem i majafton"
753:Copyriot » Residerar i Wien
554:Mondial: Den svenska enhörningen
175:: "Valuations of quality in the
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627:"Piratbyran's speech at Reboot"
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936:Intellectual property activism
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485:Transmediale: Rasmus Fleischer
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457:
436:
304:, the weekly newspaper of the
145:. He is a frequent speaker at
16:Swedish historian and musician
1:
417:, with Pelle Snickars (2018).
233:commissioned an essay titled
7:
375:Det postdigitala manifestet
330:Det postdigitala manifestet
10:
972:
398:Musikens politiska ekonomi
323:
193:
729:Transforming Freedom News
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78:
68:
40:
28:
21:
429:
173:Swedish Research Council
35:Rasmus Fleischer in 2021
956:Musicians from Halmstad
648:::: PiratbyrÄn :::
390:Boken & Biblioteket
235:The future of copyright
190:Anti-copyright activism
111:(born 19 April 1978 in
268:Royal College of Music
196:Criticism of copyright
926:Swedish male bloggers
931:People from Halmstad
507:How money is failing
294:Political background
177:Consumer Price Index
139:Stockholm University
951:Economic historians
248:artist in residence
758:2008-01-10 at the
685:2007-12-13 at the
607:. 12 December 2006
378:(2009), 82 pages,
262:Musical activities
843:(issue 1, 2004).
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358:Göteborgs-Posten
346:robot publishing
310:2006 Lebanon War
274:in the ensemble
223:are featured in
159:internet freedom
135:economic history
109:Rasmus Fleischer
54:
50:
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33:
23:Rasmus Fleischer
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342:print on demand
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256:Museumsquartier
226:Steal This Film
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889:External links
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772:"Vox Vulgaris"
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272:medieval music
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231:Cato Institute
206:The Pirate Bay
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97:Known for
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921:Living people
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706:on 2006-11-11
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629:. 3 June 2006
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79:Occupation(s)
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53:(age 46)
51:19 April 1978
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39:
32:
27:
20:
946:Syndicalists
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852:
840:
835:
823:. Retrieved
814:
802:. Retrieved
796:
787:
775:. Retrieved
766:
748:
737:. Retrieved
733:the original
728:
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708:. Retrieved
704:the original
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663:. Retrieved
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631:. Retrieved
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609:. Retrieved
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468:. Retrieved
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447:. Retrieved
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368:Bibliography
350:
338:
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329:
327:
299:
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276:Vox Vulgaris
265:
241:
239:
234:
224:
218:
199:
185:
181:Varors vÀrde
180:
170:
163:
147:transmediale
142:
132:
108:
107:
916:1978 births
825:25 November
804:25 November
665:25 November
633:25 November
611:25 November
470:25 November
449:25 November
406:Tapirskrift
354:Aftonbladet
318:Robert Kurz
69:Nationality
910:Categories
739:2009-05-03
710:2007-02-11
328:His essay
202:PiratbyrÄn
194:See also:
151:automation
101:PiratbyrÄn
47:1978-04-19
777:8 January
336:in 2013.
301:Arbetaren
243:Ny Teknik
221:copyright
214:new media
120:historian
83:Historian
900:Copyriot
756:Archived
683:Archived
284:clarinet
280:recorder
143:Copyriot
128:musician
124:essayist
113:Halmstad
91:Musician
87:Essayist
58:Halmstad
798:Discogs
409:(2013).
401:(2012).
393:(2011).
362:Flamman
324:Writing
212:and/or
166:Spotify
117:Swedish
115:) is a
73:Swedish
902:, blog
382:
288:Dungen
252:Vienna
62:Sweden
845:Arena
841:Arena
430:Notes
314:Brand
827:2016
806:2016
779:2020
667:2016
635:2016
613:2016
472:2016
451:2016
380:ISBN
360:and
282:and
155:rave
126:and
41:Born
250:in
210:art
161:".
153:of
912::
795:.
727:.
364:.
356:,
320:.
237:.
216:.
183:.
137:,
122:,
60:,
49:)
829:.
808:.
781:.
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713:.
669:.
637:.
615:.
593:.
579:.
543:.
474:.
453:.
45:(
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