Ichikawa Raizō VIII

1227: 460:, leaving her behind at his family's home. She was persecuted by his family and attempted to reach out to him for help but was ignored. When she could no longer bear it she fled to her own family's home, where Raizō was born. The relationship between her and her husband having deteriorated, Raizo's mother intended to raise him on her own. At this point she received repeated petitions from her husband's brother-in-law, Ichikawa Kudanji III, to allow him to raise the child. She initially refused these offers, but ultimately relented, and Raizō was officially adopted by Kudanji at the age of six months. Raizō was not aware of his adoption until he was 16 years old, and he did not meet his mother in person until he was 30. 624:, a name with deep roots in the Ichikawa house stretching back to the 1600s, but the chief cabinet secretary of the Ichikawa house, Ichikawa En'ō II, viciously fought against this wish, stating "We can't bestow a name with such deep family ties to some unknown performer from an unknown line." After long negotiations they finally settled on the name "Ichikawa Raizō." The adoption was finalized in April 1951, and the ceremony for the succession of the "Ichikawa Raizo" name was carried out in June of the same year. According to the film director Kazuo Ikehiro, around this time rumors began to circulate that Ichikawa Jukai III was actually Raizō's biological father. 1165:, the director with whom Raizō produced the greatest number of films, said that Raizo carried “a human pain of which he didn’t speak to anyone” which he sublimated into each of his performances. In an interview between Mori and the film critic Sadao Yamane, the two agreed that Raizō had a “refreshing sorrow” about him. Yamane explained this further, saying “while it’s true that he played a great many tragic roles, it wasn’t simply with a dark depression or gloom; he had a very crisp presentation. There wasn’t a single other actor who was equipped with both this sorrow and this cool crispness the way that Raizō was.” 911:, rather than director, as he would then be able to make decisions about subject matter, scripts, and casting in addition to direction. In January 1968, Raizō said “I want to assemble a new dramatic production, the likes of which has never been seen before,” and began the process of establishing a new theater company called “Teatoro Kaburaya” at which he would take a producer role, but as soon as it was founded he fell ill and the company never began operations. According to Seiji Hoshikawa, director of 14 of Raizō's films, Raizō said to Hoshikawa and 1203:

makeup Raizō's usual appearance would become completely different and beautiful. “Makeup would change him so suddenly, to the point where you’d say ‘woah! Who’s this?’” he said. Tokuō Tanaka said, “this guy, with his disarming warmth and aura of purity; as soon as work began he’d transform into an actor, he’d stiffen his shoulders and become immediately commanding, steadfast, dignified and strikingly good-looking. For someone like me who knew his usual face, it was so surprising that it made my eyes pop open.”

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other stars of the time, his fanbase had the rare characteristic of having many intelligent and educated female fans. “You didn’t see the type that only squealed and caused a big fuss,” he said. The “Ichikawa Raizo Film Festival,” in which a selection of his films are shown, became an annual event, held each year on the anniversary of his death, July 17. From December 2009 until May 2011 an especially large event was held and his performances were screened to commemorate the 40th anniversary of his passing.

518: 1218:), said of Raizō's transformation that he normally looked like a company man, but “when he appeared on the screen he’d have undergone a complete change; and in the midst of all the light was this youthful star, fighting against emptiness and loneliness.” Inoue said that the reason that so many of Raizō's movie posters feature an image of him from behind with his head turned to face the camera was because many directors felt that this view of him best showed off his "intriguing emptiness". 1347:, a Japanese word meaning “to fuss about, to harp on.” However, once he was satisfied in his understanding, he never complained or grumbled, and once filming began he would stop making these sorts of suggestions altogether. On the other hand, Katsu would go through the entire pre-production phase without saying a word, but start making suggestions and impromptu changes as soon as filming began which was a frequent source of trouble for the staff of his films. 501:, which can be translated as "exhaustive meeting," and together they focused diligently on training. However, there was one obstacle that this training could not overcome: Kudanji had been the son of a member of a minor politician in Kyoto rather than a kabuki actor, and had only been apprenticed (to an actor known as Ichikawa Sadanji II) because of Kudanji's own strong desire to enter the world of kabuki. Thus Kudanji was forever labeled as a 1008: 956:(released February 12, 1969), but his physical strength was rapidly dwindling, and they had to resort to a body double with voice-over for all of his scenes involving walking and movement. In February 1969, complaining of physical unwellness, Raizō was admitted to the hospital once again. After his second surgery Raizō was so weak that he couldn't swallow soup, but he deeply wished to play the role of a naval officer in the film 839:

complicated childhood had caused something like a base part of his heart to emerge, merging with and adding depth to his performance. Kazuo Ikehiro said that precisely because of this "hidden part of his childhood," or "base part of his heart," that Raizō was perfectly equipped for the performance. Once, when a member of the Daiei planning department named Hisakazu Tsuji mused aloud that he felt as though his performance in

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makeup plan. In particular, Raizō's original designs could be seen in the makeup around his eyes and eyebrows. Furthermore, Raizō carried out the most important points of his makeup application himself, and wouldn't allow anyone to see him while doing it. Inoue theorizes that the application of makeup was a crucial part of his process for immersing himself in a role, and thus he didn't want to be observed while doing so.

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that Raizō was incredibly friendly and helpful with the staff, often inviting people to his home for dinner and other such activities. According to Seiji Hoshikawa, Raizō didn’t much like “glitzy and neon-decked or famous restaurants,” but instead “would nearly always eat regular restaurants, without any regards to social standing,” where he would “happily argue and discuss life and films.”

935:, but the diagnosis was not made known to Raizō. On August 10, Raizō underwent surgery and was released from the hospital, but his family received a prognosis from his doctor stating that Raizō would “relapse in about half a year.” Raizō had possessed a weak digestive system from birth, and had previously visited a doctor for the same symptoms in January 1961, after filming 977:

death Raizō's face was wrapped in two layers of white cloth, which remained in place even as he was cremated. According to Masako, Raizō had said only “I don’t want anyone to see how dreadfully thin I've become,” and because of that wish she had not allowed anyone aside from his adopted father, Jukai, and his company president, Nagata, to see his face after his death.

675:, in which he played Yasuie Togashi. On that occasion Raizō said, "In Kabuki you're no good unless you're old. In film you're no good once you're old. While I'm still young I'll make a living in film, once I've gotten older I'll try kabuki again." Once he had decided to pursue a film career, Raizō began to frequent the movie theater to study the performances of 892:

face. Not with a sword, with his face,” he reminisced, “Rai-chan didn’t become Kyoshirō through his fight scenes or the delivery of his lines, he did it through his face; that’s my opinion, anyway.” Kazuo Ikehiro said, “without speaking, without any kind of facial expression, simply by the way he walked around as though he were carrying his past on his back”

995:?” – Tsurata being an actor well known for performing in such films – but Masayoshi Tsuchiya convinced him, saying “I’ll make sure you get the next role you want to play.” The following year Tsuchiya expressed deep regret that this role which Raizō had not wanted to play had become his last. In 1971, two years after Raizō's death, Daiei Studios filed for 1362:, in all of them.” Akinari Suzuki has made similar statements regarding the two actors. Tomomi Muramatsu, said that Katsu was the kind of actor where “no matter what he does, it always ends up in the vein of Shintarō Katsu,” but that Raizō, even though he was established as a mainstream Japanese film star in the ranks of Kazuo Hasegawa and 635:, Raizō often advised those around him to consider changing their names, and it's said that some 20 to 30 people related to the film studio did so upon Raizō's recommendation. In fact, Masako Nagata, the woman Raizō would eventually marry, was originally named Kyōko, and changed her given name after Raizō suggested she do so. 1191:, also attempted to change careers from kabuki to film, but failed to find success and returned to the kabuki stage. When asked his thoughts on this, Akinari Suzuki said that he felt that Raizō had found success in film because he was not steeped in kabuki in his young childhood, and thus avoided being totally stained by it. 1254:

player, and for a time was known as Kineya Katsumaru II. Both Raizō and Katsu signed on with Daiei in 1954, and joined the company in the same term. Both born in 1931, having made a hurried transition from kabuki to the new world of film, there were many similar circumstances about the pair of young

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It has been said that in the time before his death, Raizō deliriously entreated that nobody be allowed to see his face when he died. His wife, Masako Ōta, staunchly denies these claims, stating “Raizō never gave up on recovery, even until the end; he never even wrote a will.” Nevertheless, after his

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films, saying "When he was playing Kyoshirō he had a real animal magnetism about him, didn't he. Maybe you could say it came from this sense of the shadow of death hanging over him. It really is the face people make when they die, that expression." “When he’d walk by, Rai-chan would cut you with his

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Raizō had weak legs, and would often become faint when standing or walking. Masayoshi Tsuchida, then head of Daiei's planning department, said that it must have been an incredible adventure to play "Kiyomori, the youth who pierced the heavens" for the physically frail Raizō. Raizō was self-conscious

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kabuki scene during and after the Second World War. By the time he met Raizō in 1950, Jukai had become the president of the Kansai Kabuki Actors Guild, a position of great influence. Furthermore, the name "Jukai" had been bestowed upon Ichikawa Jukai III by both of the actors who had used it before:

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According to Arashi Ichikawa, Raizō’s essence was “hardness divided by simplicity,” and in stark contrast to other stars when playing their popular characters, Raizō's unmade-up simplicity “would transform completely with makeup,” he said of this peculiar quirk. According to Akira Inoue, when given

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Raizō married Masako Nagata, daughter of Masaichi Nagata, in a private wedding ceremony in 1962. She took his name, becoming Masako Ōta, and they had three children together. Raizō had told Masako “I never want in the public eye,” when he was alive, and she continued to uphold his wishes after his

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was scouting for young, talented kabuki performers to join his traditionalist troupe, Tetsuji Kabuki. The members of the Tsukushikai participated in this troupe and thus made the acquaintance of Tetsuji. Tetsuji thought very highly of Raizō's acting talents, but realized that so long as he remained

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According to Kazuo Ikehiro, even when working with someone he didn’t like, Katsu could “usually manage to get along,” but “when disliked someone, he disliked them completely” to the point where there had been cases when he had said “I don’t even want to see your face” directly to someone. Ikehiro

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According to Inoue, at the time of his debut, Raizō, along with Shintarō Katsu and Takeshi Hanayagi, received makeup instruction from the star Kazuo Hasegawa. The other two actors applied their makeup exactly as told, but Raizō alone had a number of points where he made personal alterations to the

700:). While Raizō had been held back in the world of kabuki by the circumstances of his parentage, he was treated with great respect in the world of film, as the son of Ichikawa Jukai III, president of the Kanto Kabuki Guild. Daiei's management intended to position Raizō as a successor to the popular 651:

Regarding his transition to film acting, Raizō maintained that he did it simply because it seemed like a good opportunity and he wanted to try it out. Rikiya Tayama has said that the real reason was that Raizō, dissatisfied with the treatment he received over the years, was extremely upset when he

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Speaking of their interactions with other film staff Yoshinobu Nishioka, who worked as a production designer on many of Daiei’s films, said that Katsu was the sort to go out drinking with other actors, while Raizō would often socialize with the production staff. Tokuzō Tanaka corroborates, saying

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As previously mentioned, Daiei's management intended from the start to position Raizō as a successor to the star Kazuo Hasegawa, and it “proceeded smoothly along the tracks.” Tokuzō Tanaka shared the opinion that Katsu, who was the first of the two to make his debut, was “like a second helping of

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In May 1949, a little over two years after his first performance, Raizō formed a study group with two other young kabuki performers. These were Rishō Arashi (known later in his kabuki career as Arashi Kichisaburō VIII, and as Yatarō Kitagami in his acting career) and Nakamura Taro II. They called

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rice.” When the two appeared on movie posters and in films together under this slogan, they were often made to appear in contrast to one another in their appearance and style, and it was widely believed that there was a strong rivalry between them. However, their usage of friendly nicknames like

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In 1974, five years after Raizō's death, a fan club called “Raizō-kai” was formed. This fan club is still functioning as of this writing in 2012. According to Masaki Matsubara, once president of Daiei Kyoto Studios, Raizō's fans were drawn in by his acting and his humanity, and thus, unlike many

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indicated that for Raizo, who had “worriedly spent his days in the world of kabuki, which is so dominated by lineage and ceremony, without ever receiving a large role,” and Katsu, whose father had been involved in the backstage world of kabuki, shared “the same complex, this large problem to be

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said of Raizō's acting, “even when he’s here, he’s not here,” and clarified, “even in this filthy world, there was a sense of purity about him, as though he were a glimpse into a faraway place.” “Some people might take my saying ‘sense of purity’ as some sort of posturing phrase, but it's not.”

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should not be given such a large role in his second film with the studio, but he was ultimately given the part, stating "we need to give the young actor Ichikawa Raizō a chance if we want to make him into a success." Raizō rose to the occasion and gave an excellent performance. Ichikawa praised

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reflected his childhood. Ichikawa said, "He's expressing something of his true self through his performance," and "He's overcome something through his acting ... some sort of burden he had been carrying; and his indescribable life can be seen in his expression." Tokuzō Tanaka said that Raizō's

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published an article titled “Film Stars of the 20th Century: Male Actors.” Raizō placed 6th. In the same issue's “Readers’ Choice: Male Film Stars of the 20th Century" he was ranked 7th. In the 2014 list of “All Time Best Japanese Film Stars” he was ranked 3rd in the list of male actors.

900:, said that there were other actors who played Kyoshirō, but none of them could compare to Raizō when it came to portraying Kyoshirō's soul. Raizō went on to hold the starring role in 12 films in the series, which represents a majority of the starring roles for which Raizō was cast. 643:

Raizō became Jukai's adopted son in 1951, but Jukai believed that the 20-year-old Raizō was still too young to take on major roles and adopted a policy of only giving him minor roles for the time being. As a result of this Raizō decided to pursue a film career in 1954 and joined the

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Kazuo Ikehiro said that Raizō's childhood cast a “shadow of heartlessness” over him, and because of that a “shadowed part” and a “true background part" of his life were exposed. Moreover, they were not merely exposed, but thrust forward willfully, in Ikehiro's estimation.

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On the experience of becoming a kabuki actor, Raizō himself said that as he was on the verge of quitting junior high school and simply spending his time about the house instead, he got something of an interest in the world of kabuki and somehow ended up as a kabuki

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as a substitute in order to begin filming. After learning of the recast by reading it in the newspaper, Raizō never again spoke about work. He died several months later, on July 17, of liver cancer, at the age of 37. His funeral was held on July 23, at the

505:– someone born and raised outside of the kabuki world and its "lineage" and later apprenticed into it – and doomed never to exceed a supporting role. That being the case, no matter how hard Raizō trained, he was unlikely to gain noteworthy roles as a 1148:

said of Raizō's manners, “Regardless of to whom he was speaking, he was always polite and proper, without arrogance or effusive emotion,” and that shone through in his acting style. According to Yahiro, “Even among the great number of

540:, which had been unused for a quarter century, but Nakamura Jakuemon III – who was no longer performing, but still alive – was dissatisfied with Raizō's thus-far inability to gain real recognition and refused to allow the name's use. 1373:

speaking largely favorably of Raizō, “his lower body always feels somewhat undetermined, but despite that his movement is quite real enough;” but he had to declare Katsu the superior of the two, saying “Katchan is just unbelievably

745:. Kazuo Ikehiro, who directed another 16 of Raizō's films, said that until that point it had seemed that Raizō was simply imitating Kazuo Hasegawa, but bit by bit his innate acting talent had begun to shine through. The film critic 613:

traditionally used by the head of the Ichikawa line. With the help of some mutual friends, Tetsuji was successful in his efforts and Jukai agreed to officially adopt Raizō. At this point Jukai wished to give Raizō the name Ichikawa

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in an attempt to train and strengthen them, but it was no use. Whenever photos were taken of Raizō, the photography staff took special precautions to frame the shot in such a way as to avoid showing Raizō's weak legs. According to

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series that Katsu became widely discussed and surpassed Raizō in earnings. Akinari Suzuki said of Katsu, “It wasn’t until after shooting 70 or 80 films without a single real hit, that he finally became of use with the release of

472:. Kudanji did not train him as a kabuki actor during his childhood, but in 1946, when he was in his third and final year at Osaka Prefectural Tennoji High School, Raizō elected to withdraw from school to pursue an acting career. 1259:

Hasegawa” when he played an attractive young man in his white-faced film makeup; but as the director and supporting cast could hardly be described as first-rate, it was a long time before Katsu managed to become a real success.

941:. At that time he had been told simply that “there is a wound in the rectum” when examined. There's also a record of him confiding to Tetsuji Takechi, “I’m tormented by diarrhea,” in 1964, at the occasion of his performance of 821:

was originally intended for the role, but Ichikawa argued against this selection based on an instinctive feeling that Raizō was the right choice for the role and ultimately succeeded in convincing the studio president,

64: 757:, as though following in the footsteps of Kazuo Hasegawa" but that now he "has come to be a distinguished actor worthy of high praise, giving fresh performances in elegant dramas, rather than only performing in 1031:

In a 2014 blog post, Ichikawa Ebizō XI implied that the honorific name Ichikawa Raizō was under his care, and thus it can be seen as having been returned to the Ichikawa house and line following Raizō's death.

569:. Jukai had been the son of a kimono-maker and thus had had no connection to the world of kabuki through his lineage, but despite this, through great effort on his part, Jukai had become quite renowned in the 788:, director of 18 of Raizō's films, Raizō deeply loathed the physical frailty of his body, but when he finally managed to overcome that loathing and accept himself he became capable of incredible composure. 1316:“Rai-chan” and “Katchan” for each other indicates that their relationship certainly wasn't bad, and in fact might even have been quite friendly. In fact, Raizō had a close friendship with Katsu's wife, 1311:

Eventually the pair became treated as a unit, with the name “KATSURAISU,” taking Katsu's surname and the first half of Raizō's given name to create a name which happened to sound like the food dish “

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Award, both for the category of Best Performance by an Actor in a Leading Role. Among his fans he was referred to lovingly as "Rai-sama." In June 1968 he was diagnosed with and underwent surgery for

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known as Kudanji's son he would never be able to truly shine in the world of kabuki and his talent would be wasted. To that end Tetsuji formed a plan to have Raizō take the name of Nakamura Jakuemon

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Raizō usually looked plain, not eye-catching, but when his makeup was applied for a film shoot he would completely transform. Many people in the film industry spoke about this particular quirk.

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Raizō, as written above, was the son of Ichikawa Kudanji III, a supporting actor by trade, and for a time was known as Ichikawa Enzō II. Shintarō Katsu was the son of Kineya Katsutōji, a

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period dramas – and accepted it, leaving the kabuki world for film. From that time forwards, Raizō only performed in a single kabuki play: the January 1964 production of

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in June 1954, and thus decided to leave the world of kabuki for good. Fortuitously he received an offer from Daiei Films who intended to position him as a star in their

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or in modern dramas, “whether the most miserable role or the most comedic, he acted with elegance and lent sophistication and grace to the final product.” Film critic

915:, “Cinema might not have that much time left. Let’s stage a play sometime, the three of us. Let’s give a new job a shot,” and more specifically “Let’s try to capture 3122: 2848: 2964: 2435: 1354:

series, the films made under different directors are said to have a different flavor to them. On the other hand he said when speaking of Katsu, “When it comes to

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According to Akira Inoue, Raizō was quite capable of working together with the methodologies of various directors when acting. For example, even within the same

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According to the film critic Rikiya Tayama, the details of his adoption are as follows: While Raizō's mother was pregnant, Raizō's father was transferred to

2804: 2636: 3236: 3088: 2875: 2861: 631:. This name was chosen by Raizō himself, as he was weary of being judged by his current family name. According to Akinari Suzuki, the studio president of 3114: 2654: 348: 2886: 1887: 771:, Raizō performed in over 10 films released in the period of a single year. He worked tirelessly, giving up holidays and weekends to continue filming. 2816: 2218: 2937: 2023: 3452:

Raizō, who had been pining after a role in Kōyahijiri, said to Tetsuji Takechi, “thanks to this, I’ll be stuck as a supporting actor for all time.”（

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While the stage names of all kabuki actors have retained traditional order (Surname-Givenname) on Knowledge, birth names of those born after the

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was a child, there was a plan to have him adopted by Ichikawa Jukai III. Ei refused, saying he didn't want to become a kabuki actor." (「編集手帳」(

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According to Kazuo Ikehiro, as Raizō's experience as an actor accumulated he began to desire to take a larger role in film creation through

2765: 931:, Raizō visited a doctor because of bloody stool, and was soon admitted to the hospital. The results of his examinations clearly indicated 1226: 5420:) <Rekishi Dokuhon spechial printing, 1994>, Shinjin Butsuō Raisha. Commemorative publishing 25 years after Ichikawa Raizō's death. 3135: 1289:

was totally different,” referring to the document listing sumo wrestlers’ ranks before a tournament. “We already knew that Raizō was an

5920: 5170:) Ichikawa Raizō, Asuka Shinsha, 1995; Asahi Bunko 2003. Preface Yukio Mishima, foreword by Ōta Kōki (son), afterword by Hiroaki Fujii. 4556: 871:

in the west, are considered to be the representative work of Raizō's later years. According to Tokuzō Tanaka, playing the part of the

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Raizō was known for constantly offering all manner of suggestions during the pre-production process, and thus acquired the nickname “

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at about the same time, said of their personalities that Raizō was very diligent and serious, while describing Katsu as desperate.

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pro-yakuza films – produced by Toei Studios. Raizō was reluctant to participate, saying “Should I just reheat the scraps left by

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was published in 2009, featuring a memoir by Masako Ōta titled “A love letter to my husband, Ichikawa Raizo, 40 years later.”

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actors, nobody else had his good manners – and I mean that in a good way – not a single other actor felt like a true

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solved,” and that they were both equipped with “a similar factor which served as a sort of energy source” for them.

937: 403:). He was so admired for his gracefulness that in his lifetime he was called "the genius who thinks with his body." 17: 5895: 2559: 1605: 2172: 5905: 3443:, would someday take the name “Ichikawa Danjurō X,” but he fell ill and died young, so this never came to pass. 2453: 2392: 1766: 1366:, would always be very flexible and receptive to direction, which was highly unusual for the stars of that era. 593: 1419: 883:, that Raizō succeeded in bringing the hollowness, dandyism and nihilism of the character to life. The actor 692: 475:

In November 1946, at the age of 15, Raizō made his kabuki debut at the Osaka Kabukiza theater under the name

1791: 826:, to cast Raizō instead. There was some resistance within the studio, as it was felt that a newcomer with a 4501: 2416: 1705: 736: 4768: 4740: 4658: 4388: 4256: 4056: 3655: 3560: 3532: 3453: 521:

Commemorative photo of Ichikawa Raizō VIII on the day of his adoption by Ichikawa Jukai III in April, 1951

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In 1949, in the same period that Raizō was establishing the Tsukushikai, a kabuki theater director named

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After that, it is known that Tetsuji intended to apprentice Raizō under the childless Ichikawa Jukai III

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said that Raizō was particularly bothered by people who took their jobs lightly and did sloppy work.

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Raizō's acting, saying "I give it a perfect score, 100 of 100. There's simply nothing else to say."

479:(Kudanji had previously used the name Ichikawa Enzō II). His first role was the part of Lady Ohana ( 5732: 999:. Seiji Hoshikawa reflected on this, saying “Raizō’s death was a precursor to Daiei’s bankruptcy.” 579: 63: 5774: 1184: 3426:, representative of the Ichikawa line, as an alternative to his usual kamon as his acting symbol. 1123:

November 1968: Tokyo Citizens’ Film Festival – Best Performance by an Actor in a Leading Role (

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for best performer in a leading role, among others. Raizō's position as a star had been secured.

301:. In 1954 he began a career as a film actor. He received breakout acclaim for his performance in 4525: 1101:

November 1964: Tokyo Citizens’ Film Festival – Best Performance by an Actor in a Leading Role (

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In 1934, about two years after his adoption by Ichikawa Kudanji III, Raizō moved from Kyoto to

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made officership unattainable, and he ended up abandoning hope of becoming a doctor as well.（

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In 1955, two years after his film debut, Raizō received great attention for his portrayal of

395: 30:"Raizo Ichikawa" and "Ichikawa Raizō" redirect here. For other actors by the same name, see 5885: 5880: 3692: 3143: 1743: 1188: 330: 5630: 875:, Kyoshirō, was an extreme challenge for Raizō. Speaking of the first film in the series, 420: 8: 5792: 5606: 5594: 4583: 1659: 1513: 780: 706: 5546: 3736: 2955: 2589: 1490: 855: 676: 562: 308: 863: 517: 5852: 5840: 5816: 5786: 5780: 5738: 5434: 3480: 2298: 1691: 966: 932: 728: 5654: 5528: 3762: 3423: 2571: 2381: 1851: 1363: 5858: 5624: 5498: 5444: 3315: 3101: 2999: 2911: 2125: 1467: 1328: 1077:

February 1959: Blue Ribbon Award – Best Performance by an Actor in a Leading Role,

916: 380: 5309:) Masaru Muro'oka (interviewer, layout), Tokuma Shoten Publishing Co., Ltd., 1993. 2241: 652:

was cast as an idiot without a single line in the Osaka Kabukiza's performance of

5768: 5750: 5690: 5678: 5672: 5642: 5600: 5552: 5540: 5522: 4479: 3055: 2509: 2335: 2136: 1718: 1176: 1154: 823: 732: 526: 435: 992: 5804: 5708: 5666: 5612: 5576: 5570: 5558: 5534: 5492: 2479: 2088: 2009: 1862: 1582: 1536: 1317: 1235: 884: 759: 716: 701: 672: 427:. At six months of age he was adopted by Ichikawa Kudanji III, who renamed him 4549: 2195: 654: 5874: 5846: 5828: 5726: 5660: 5510: 1321: 908: 904: 814: 570: 375: 357: 316: 38: 5439: 5131: 970: 5834: 5756: 5714: 5702: 5696: 5636: 5582: 4440: 4240: 3612: 3350: 1912: 1370: 1090: 923:

The final years and premature death at age 37 (June 1968 – July 17th, 1969)

912: 851: 797: 785: 684: 610: 361: 312: 817:. The film was released on August 19 of that year. According to Ichikawa, 667: 627:

Upon his second adoption Raizō's legal name was changed again as well, to

5744: 5648: 5564: 5486: 3684: 3364: 3186: 1291: 1231: 1145: 986: 872: 512: 423:

ward of Kyoto on August 29, 1931. At the time of his birth, he was named

5720: 5798: 5684: 5504: 5430: 3287: 2287: 1168: 1162: 996: 827: 746: 645: 632: 370: 5822: 5810: 5618: 5588: 660: 324: 1264: 5762: 2063: 1369:

Tokuzō Tanaka, who directed films with both actors, compared their

1312: 1297: 1270: 1250: 1007: 319:, but it metastasized to his liver and he died the following year. 1130:

November 1969: Tokyo Citizens’ Film Festival – Makino Shōzō Prize

257:. He made his kabuki acting debut at the age of 15 under the name 1303: 1285: 1244: 750: 704:, and gave Raizō the starring role in his fifth and sixth films, 638: 42: 4052: 4050: 2536: 802: 606: 303: 3393: 3228: 754: 169: 129: 5184:) Tomomi Muramatsu, Kawade Shobo Shinsha Publishers inc, 2009. 749:

wrote that until now Raizō had "portrayed only handsome young

307:

and received several awards for the performance including the

5198:) Tomomi Muramatsu, Shueisha Inc, 2002; Shueisha Bunko, 2006. 4047: 1262:

It wasn't until the 1960s and the release and success of the

1221: 469: 411: 386: 236: 172: 109: 91: 5379:) Victor Books, JVCKENWOOD Victor Entertainment Corp., 1992 5323:) Sadao Yamane (ed), AsahiGraph, 1994; Wides Publishin 1999. 5212:) Yoshiko Ishikawa (ed), San-ichi Publishing Co., Ltd, 1995. 1320:, from childhood, as her father, Nakamura Kanjirō II, was a 5365:) Sunday Mainichi, The Mainichi Newspapers Co., Ltd., 1990. 1002: 776: 194:, and his name was legally changed several times, first to 165: 3413:

Takechi Kabuki’s first production opened in December 1949.

1041:

death until 40 years had passed, when a special issue of

948:

After leaving the hospital, Raizo performed in the films

1388:

Fujio Morita, who served as cinematographer on Raizō’s

5254:) Wides Publishing, 1999. Annotations: Tadanori Yokoo 4407:("'Bungeishunjū'" May 2009 special issue, p. 362-363.） 1405:

The filmography of Ichikawa Raizō includes 158 films:

1011:

Raizō and Jukai's names can be seen inscribed on this

867:

series of films, which began in 1963 and are known as

843:

reflected Raizō's childhood, Raizō did not refute it.

582:; and he had even been granted usage of the "Naritaya" 513:

Adoption by Ichikawa Jūkai III (June 1949 – June 1951)

3388:, pp. 16-18）but in fact he had attempted to join the 3147:

film series include 12 films starring Raizo Ichikawa

1279:.” According to Tokuzō Tanaka, audience reception to 1015:

which is located at the Yasaka Shrine in Gion, Kyoto.

509:

performer as long as he remained the son of Kudanji.

5474: 4930: 4928: 3340: 791: 5226:) Yoshiko Ishikawa (ed), Kokushokankokai Inc, 2008. 3855: 3853: 671:directed by Tetsuji Takechi at the newly completed 5377:Ichikawa Raizō RAIZO Hizō Kessaku Suchiiru Sunappu 4649:("'Bungeishunjū'" May 2009 special issue, p. 354.） 4625:("'Bungeishunjū'" May 2009 special issue, p. 358.） 4613:("'Bungeishunjū'" May 2009 special issue, p. 357.） 4367:("'Bungeishunjū'" May 2009 special issue, p. 362.） 3825: 3823: 1324:-based kabuki actor like Raizō's adopted fathers. 1116:– Best Performance by an Actor in a Leading Role ( 1070:– Best Performance by an Actor in a Leading Role ( 5238:Ichikawa Raizō Shutsuen Eaiga Sakuhin Posutaa-shū 4925: 690:Raizō made his film debut on August 25, 1954, in 463: 322:Ichikawa Raizō appeared mostly in period dramas ( 239:he became the adopted son of Ichikawa Kudanji III 5872: 3850: 2564:, lit. "Nichiren and the Great Mongol Invasion") 1997:Tsukigata Hanpeita: Hana no maki; Arashi no maki 5240:) Munenaga Awata (ed), Wides Publishing, 1999. 3820: 2935: 2923: 2898: 2873: 2846: 2814: 2802: 2777: 2745: 2733: 2708: 2676: 2666: 2634: 2624: 2601: 2569: 2557: 2534: 2507: 2477: 2465: 2433: 2414: 2404: 2379: 2356: 2333: 2310: 2285: 2264: 2239: 2216: 2193: 2170: 2149: 2123: 2100: 2075: 2050: 2021: 1994: 1971: 1950:Zenigata Heiji Torimono no Hikae: Hitohada Gumo 1948: 1925: 1899: 1874: 1849: 1826: 1803: 1778: 1755: 1730: 1703: 1671: 1646: 1617: 1594: 1571: 1548: 1525: 1502: 1479: 1456: 1431: 854:for best male actor in a leading role, and the 552: 447: 285: 269: 248: 225: 206: 187: 157: 5407: 5403:) RoRaiKai (Raizō Fan Club), Hagashoten, 1983. 5393: 5381: 5369: 5355: 5341: 5327: 5313: 5299: 5282: 5268: 5256: 5244: 5230: 5216: 5202: 5188: 5174: 5160: 4200: 4198: 3977: 3975: 3973: 3840: 3838: 3810: 3808: 2962: 2944: 2917: 2892: 2867: 2840: 2823: 2796: 2771: 2754: 2727: 2702: 2685: 2660: 2643: 2618: 2595: 2578: 2551: 2528: 2501: 2486: 2459: 2442: 2423: 2398: 2373: 2350: 2327: 2304: 2279: 2258: 2233: 2210: 2187: 2164: 2143: 2117: 2094: 2069: 2044: 2015: 1988: 1965: 1942: 1919: 1893: 1868: 1843: 1820: 1797: 1772: 1749: 1724: 1697: 1665: 1640: 1611: 1588: 1565: 1542: 1519: 1496: 1473: 1450: 1425: 927:In June 1968, while in the process of filming 907:. Ikehiro advised Raizō to pursue the role of 896:, director of the seventh film in the series, 775:about the weakness of his legs and joined the 639:Transition into film acting (July 1951 – 1957) 617: 599: 585: 546: 533: 494: 441: 279: 276:. In 1951 he was adopted by Ichikawa Jūkai III 263: 242: 219: 200: 181: 151: 5460: 4736: 4734: 4673: 4671: 4360: 4358: 4356: 4300: 4298: 3651: 3649: 5401:Ichikawa Raizō Ginmaku no Kikōshi yo Eien ni 5290:Samurai... Ichikawa Raizō Sono Hito to Gei – 4843: 4841: 4494: 3528: 3526: 2497:The Swishing Sword a.k.a. Human Skin Peacock 834:It's often said that Raizō's performance in 4907: 4784: 4756: 4725: 4713: 4701: 4689: 4677: 4646: 4634: 4622: 4610: 4460: 4428: 4416: 4404: 4376: 4364: 4347: 4335: 4323: 4319: 4317: 4304: 4289: 4285: 4283: 4281: 4272: 4228: 4216: 4204: 4195: 4189: 4177: 4165: 4153: 4141: 4129: 4117: 4105: 4084: 4072: 4041: 4029: 4017: 4005: 3993: 3981: 3970: 3964: 3952: 3940: 3928: 3907: 3895: 3883: 3871: 3859: 3844: 3835: 3829: 3814: 3805: 3799: 3787: 3671: 3640: 3628: 3600: 3588: 3576: 3548: 3517: 3501: 3401: 3397: 3385: 1458:Zenigata Heiji Torimono-Hikae: Yūrei Daimyō 1056: 973:of Tokyo. His grave is at the same temple. 120:Yoshio Takeuchi, Yoshiya Ōta, Ichikawa Enzō 5467: 5453: 4731: 4668: 4585:八坂神社市川寿海, 市川雷蔵, 市川九團次] 市川海老蔵オフィシャルブログ 4353: 4295: 3646: 3473: 1222:Parallels and Comparison to Shintarō Katsu 412:Birth and adoption by Ichikawa Kudanji III 62: 5349:Yomigaeru! Ichikawa Raizō Gentei Hizō-ban 4838: 3523: 3483:are in Western order (Givenname-Surname). 360:). Raizō worked many times with director 4314: 4278: 3422:The “Kotobuki Ebi” is currently used by 2140:(Ukifune) a.k.a. "Tale of Genji Ukifune" 1225: 1171:said of Raizō's acting, that whether in 1006: 1003:Raizō's legacy (July 17, 1969 – present) 800:cast Raizō in the lead role of the film 516: 3497: 3495: 3493: 3491: 3489: 14: 5901:Japanese racehorse owners and breeders 5873: 3275:Shinobi no Mono: Zoku Kirigakure Saizo 5448: 4478:(in Japanese). e京都ねっと. Archived from 1112:– Excellence in a Male Leading Role, 1081:– Excellence in a Male Leading Role ( 887:described Raizō's performance in the 232:, separate from his performing name. 5118: 5094: 5070: 5058: 5022: 4998: 4958: 4883: 4859: 4820: 3486: 763:– samurai films with an action focus 5082: 5046: 5034: 5010: 4986: 4934: 4919: 4871: 4847: 4832: 4808: 984:was an example of the then-popular 714:), released December 22, 1954, and 24: 4311:" May 2009 special issue, p. 361.) 3309:Dai Satsujin Orochi - The Betrayal 3169:Nemuri Kyoshiro 3: Engetsu Sapporo 3153:Enter Kyōshirō Nemuri the Swordman 2791:The One-thousand Crane Secret File 1960:Travel Chronicles of Yaji and Kita 1829:Yagyū renyasai: hidentsuki kageshō 1210:Yoshio Shirasaki, screenwriter of 162:, August 29, 1931 – July 17, 1969) 25: 5932: 5921:20th-century Japanese male actors 5424: 3262:Shinobi no Mono: Kirigakure Saizo 2524:The Temple of the Golden Pavilion 2520:Conflagration or Flame of Torment 1937:Zenigata Heiji: Human-skin Spider 1157:-like swordsman the way he did.” 952:(released January 11, 1969), and 919:’s works through a modern lens.” 810:The Temple of the Golden Pavilion 792:Rise to stardom (1958 – May 1968) 5476:Blue Ribbon Award for Best Actor 5335:Koshū Ichikawa Raizō Shashin-shū 5124: 5112: 5106: 5100: 5088: 5076: 5064: 5052: 5040: 5028: 5016: 5004: 4992: 4980: 4964: 4952: 4946: 4940: 4913: 4901: 4895: 4889: 4877: 4865: 4853: 4796: 3764:『歌舞伎ファン』「右之助君, 5月22日のNHK教育TVに出演」 3708: 3357: 3343: 982:Bakuto Ichidai: Chimatsuri Fudō, 5363:Ichikawa Raizō no Eiga to Jidai 5351:) Kindaieigasha Co., Ltd, 1992. 4826: 4814: 4802: 4790: 4778: 4762: 4750: 4719: 4707: 4695: 4683: 4652: 4640: 4628: 4616: 4604: 4576: 4542: 4518: 4466: 4454: 4434: 4422: 4410: 4398: 4382: 4370: 4341: 4329: 4266: 4250: 4234: 4222: 4210: 4183: 4171: 4159: 4147: 4135: 4123: 4111: 4099: 4090: 4078: 4066: 4035: 4023: 4011: 3999: 3987: 3958: 3946: 3934: 3922: 3913: 3901: 3889: 3877: 3865: 3793: 3781: 3755: 3729: 3702: 3677: 3665: 3634: 3622: 3606: 3594: 3446: 3429: 3416: 3407: 3392:as an officer or a doctor. His 1183:Two of Raizō’s contemporaries, 954:Bakuto Ichidai: Chimatsuri Fudō 364:. Their collaborations include 5153: 3582: 3570: 3554: 3542: 3511: 3377: 2454:The 7th Secret Courier for Edo 1767:Migratory Birds of the Flowers 1400: 724:), released January 29, 1955. 464:Kabuki debut (1934 – May 1949) 235:Six months after his birth in 13: 1: 5337:) MAGAZINE HOUSE, Ltd., 1991. 3336: 2160:Fighting Letter for 29 People 1673:Tsuna Watari Misemono Zamurai 1420:The Great White Tiger Platoon 1301:. I still hadn’t entered the 1194: 1094:– Excellence in a Male Role ( 693:The Great White Tiger Platoon 5307:Ichikawa Raizō to Sono Jidai 3466: 3371: 3027:Daibosatsu Tōge Kanketsu-Hen 2994:1960: Jirocho the Chivalrous 2417:Tabi wa Kimagure Kaze Makase 1606:A Girl Isn't Allowed to Love 406: 328:). He is best known for the 7: 4850:, pp. 94, 100-101, 134-135. 2936: 2924: 2899: 2874: 2847: 2815: 2803: 2778: 2746: 2734: 2709: 2697:Her Highness Princess Snake 2677: 2667: 2635: 2625: 2602: 2570: 2558: 2535: 2508: 2478: 2466: 2434: 2415: 2405: 2380: 2357: 2334: 2311: 2286: 2265: 2240: 2217: 2194: 2171: 2150: 2124: 2101: 2076: 2051: 2022: 1995: 1972: 1949: 1926: 1900: 1875: 1850: 1827: 1816:Renyasai Yagyū Hidden Story 1804: 1779: 1756: 1731: 1704: 1672: 1647: 1635:The Dancer and Two Warriors 1618: 1595: 1572: 1549: 1526: 1503: 1480: 1457: 1432: 950:Nemuri Kyōshirō: Akujo-gari 553: 448: 286: 270: 249: 226: 207: 188: 158: 10: 5937: 5440:JMDb profile (in Japanese) 5371:『市川雷蔵 RAIZO 秘蔵傑作スチール・スナップ』 5252:Shashin-shū Ichikawa Raizō 2780:Yamada Nagamasa Ōja no ken 2722:Lord Nobunaga's Early Days 2560:Nichiren to mōko daishūrai 2253:A Fantastic Tale of Naruto 1792:Matashirō Fighting Journey 1527:Shiode Kushima Binan Kenpō 1445:Zenigata Heiji: Ghost Lord 1134: 712:Shiode Kushima Binan Kenpō 491:this group the Tsukushikai 393:Other great works include 36: 29: 27:Japanese actor (1931-1969) 5916:Japanese male film actors 5482: 5408: 5394: 5382: 5370: 5356: 5342: 5328: 5314: 5300: 5283: 5269: 5257: 5245: 5231: 5217: 5203: 5189: 5175: 5161: 3221:Tenya wanya jirōchō dōchō 3177:Nemuri Kyōshirō Akujogari 2945: 2918: 2893: 2868: 2841: 2824: 2797: 2772: 2755: 2728: 2703: 2686: 2661: 2644: 2619: 2596: 2579: 2552: 2529: 2502: 2487: 2460: 2443: 2424: 2399: 2374: 2351: 2328: 2305: 2280: 2259: 2234: 2211: 2188: 2165: 2144: 2118: 2095: 2070: 2045: 2016: 1989: 1966: 1943: 1920: 1894: 1869: 1844: 1821: 1798: 1773: 1750: 1725: 1698: 1666: 1641: 1612: 1589: 1566: 1543: 1520: 1497: 1474: 1451: 1426: 1390:Nemuri Kyoshirō: Enjō-ken 1139: 1050: 1035: 618: 600: 586: 547: 534: 495: 442: 280: 264: 250:Sandaime Ichikawa Kudanji 243: 220: 201: 182: 159:Hachidaime Ichikawa Raizō 152: 136: 124: 116: 98: 73: 61: 54: 4584: 4550: 4526: 4502: 4474: 3763: 3737: 3711: 3161:Nemuri Kyoshiro 2: Shōbu 2974: 2151:Genji Monogatari Ukifune 1504:Utagoyomi Onatsu Seijūrō 1408: 1336:Acting Style and Ability 967:Ikegami Honmon-ji temple 32:Ichikawa Raizō (lineage) 5415:RAIZO "Nemuri Kyoshirō" 5276:Ichikawa Raizō no Toshi 5264:Ichikawa Raizō no Reiki 3919:Tayama 1988, pp. 28-30. 3094:Edo e hyakku-nana-jū ri 3016:Daibosatsu Tōge no Make 2173:Nijūkyū-nin no Kenka-jō 1216:First-generation Lecher 1125:Hanaoka Seishū no Tsuma 1118:Hanaoka Seishū no Tsuma 945:at the Nissay Theater. 846:For his performance in 554:Sandaime Ichikawa Jukai 438:as an executive trainee 356:) series (based on the 287:Sandaime Ichikawa Jūkai 5896:Male actors from Kyoto 5295:), Nōberu Shobo, 1991. 5284:『侍...市川雷蔵その人と芸』　ノーベル書房 5168:Raizō, Raizō ga Kataru 4551:オールタイム・ベスト10 日本映画男優・女優 3712:『上方歌舞伎・想い出の俳優』「三世市川壽海」 3683:"I've heard that when 3506:Raizō, Raizō ga Kataru 3390:Japanese Imperial Navy 2965:Hatsuharu tanuki goten 2963: 2547:A Man of Many Miracles 2436:Inochi wo Kakeru Otoko 1343:,” seemingly a pun on 1239: 1059:Raizō, Raizō ga Kataru 1016: 522: 458:Imperial Japanese Army 68:Jinan-bō Hangan (1955) 5906:Japanese male dancers 5775:Shōfukutei Tsurube II 5321:Kanpon Ichikawa Raizō 4096:Ichikawa 1995, p. 32. 3699:) September 6, 2014). 3439:, who was adopted by 2989:The Demon of Mount Oe 2736:Wakaki hi no Nobunaga 2039:Fighting Fire Fighter 1706:Shin Heike Monogatari 1229: 1212:Kōshoku Ichidai Otoko 1010: 962:Nakamura Kichiemon II 850:, Raizō received the 769:Shin Heike Monogatari 743:Shin Heike Monogatari 738:Shin Heike Monogatari 520: 175:. His birth name was 3769:si-com.at.webry.info 3212:Zoku shinobi no mono 3199:Shin Shinobi no Mono 3144:Sleepy Eyes of Death 2849:Jan Arima no shūgeki 2835:Attack of Jean Arima 1805:Matashirō Kenka-tabi 1744:Thief and Magistrate 1413:(1950s is complete) 1394:Zatoichi: Nitan-kiri 1189:Nakamura Jakuemon IV 980:Raizō's final film, 869:Sleepy Eyes of Death 576:Ichikawa Danjūrō VII 354:Rikugun Nakano Gakkō 331:Sleepy Eyes of Death 294:and was renamed as 5607:Toshiyuki Nagashima 5595:Tomisaburo Wakayama 5517:Ichikawa Raizō VIII 4989:, pp. 102-103, 137. 4728:, pp. 12-13, 48-50. 4530:(in Japanese). 角川映画 4506:(in Japanese). 角川映画 3441:Ichikawa Danjurō IX 2979:(1960s incomplete) 2467:Nanabanme no Misshi 2275:Demonfire Palanquin 2183:Yatarō’s Travel Hat 1660:The Magical Warrior 1514:The Young Swordsman 807:based on the novel 781:Doshisha University 707:The Young Swordsman 580:Ichikawa Danjūrō IX 567:Shuzenji Monogatari 147:Ichikawa Raizō VIII 56:Ichikawa Raizō VIII 5547:Nakamura Kinnosuke 3537:) (collected) 1991 3435:It was hoped that 3245:An Actor's Revenge 3237:Daisanno kagemusha 3089:170 Leagues to Edo 3038:Kutsukake Tokijiro 3034:The Gambler's Code 2956:Enchanted Princess 2876:Nuregami sandogasa 2862:Wet-Hair Sando Hat 2590:Ambush at Iga Pass 2393:The Loyal 47 Ronin 2113:Love of a Princess 1984:Hanpeita Tsukigata 1973:Yaji-Kita Dōchū-ki 1780:Hana no Wataridori 1491:Onatsu and Seijuro 1240: 1017: 938:Kutsukake Tokijirō 852:Kinema Junpo Award 677:Yorozuya Kinnosuke 633:Daiei Kyoto Studio 563:Minamoto no Yoriie 523: 396:An Actor's Revenge 374:) (from a book by 5868: 5867: 5853:Kazunari Ninomiya 5841:Tsuyoshi Kusanagi 5817:Kenichi Matsuyama 5787:Yutaka Takenouchi 5781:Satoshi Tsumabuki 5739:Toshiyuki Nishida 5395:『市川雷蔵銀幕の貴公子よ永遠に』 5232:『市川雷蔵出演映画作品ポスター集』 4975:) (Complete) 1991 4773:) (Complete) 1991 4745:) (Complete) 1991 4663:) (Complete) 1991 4393:) (Complete) 1991 4261:) (Complete) 1991 4061:) (Complete) 1991 3567:1991 pp. 264-266. 3481:Meiji Restoration 3458:) (Complete) 1991 3437:Ichikawa Shinzō V 3324:The Doctor's Wife 3115:Nakayama shichiri 3023:Satan's Sword III 2655:Smooth Tree Peony 2359:Yūkyō Gonin Otoko 2299:Freelance Samurai 1692:Tale of the Heike 1433:Hana no Byakkotai 1358:, it’s Katchan’s 1144:The screenwriter 1083:Enjō, Benten Kozō 856:Blue Ribbon Award 819:Hiroshi Kawaguchi 729:Taira no Kiyomori 698:Hana no Byakkotai 477:Ichikawa Enzō III 349:Nakano Spy School 309:Blue Ribbon Award 144: 143: 137:Years active 16:(Redirected from 5928: 5911:Japanese dancers 5859:Ryunosuke Kamiki 5625:Tsutomu Yamazaki 5499:Hisaya Morishige 5469: 5462: 5455: 5446: 5445: 5412: 5411: 5410: 5409:『RAIZO「眠狂四郎」の世界』 5398: 5397: 5396: 5388: 5387: 5386: 5374: 5373: 5372: 5360: 5359: 5358: 5346: 5345: 5344: 5332: 5331: 5330: 5318: 5317: 5316: 5304: 5303: 5302: 5287: 5286: 5285: 5273: 5272: 5271: 5261: 5260: 5259: 5249: 5248: 5247: 5235: 5234: 5233: 5224:Watashi no Raizō 5221: 5220: 5219: 5207: 5206: 5205: 5193: 5192: 5191: 5179: 5178: 5177: 5165: 5164: 5163: 5147: 5146: 5144: 5142: 5128: 5122: 5116: 5110: 5104: 5098: 5092: 5086: 5080: 5074: 5068: 5062: 5056: 5050: 5044: 5038: 5032: 5026: 5020: 5014: 5008: 5002: 4996: 4990: 4984: 4978: 4968: 4962: 4956: 4950: 4944: 4938: 4932: 4923: 4917: 4911: 4905: 4899: 4893: 4887: 4881: 4875: 4869: 4863: 4857: 4851: 4845: 4836: 4830: 4824: 4818: 4812: 4806: 4800: 4794: 4788: 4782: 4776: 4766: 4760: 4754: 4748: 4738: 4729: 4723: 4717: 4711: 4705: 4699: 4693: 4687: 4681: 4675: 4666: 4656: 4650: 4644: 4638: 4632: 4626: 4620: 4614: 4608: 4602: 4601: 4599: 4597: 4580: 4574: 4573: 4571: 4569: 4546: 4540: 4539: 4537: 4535: 4522: 4516: 4515: 4513: 4511: 4498: 4492: 4491: 4489: 4487: 4470: 4464: 4458: 4452: 4447:, Foreword and 4443:Watashi no Raizō 4438: 4432: 4426: 4420: 4414: 4408: 4402: 4396: 4386: 4380: 4374: 4368: 4362: 4351: 4345: 4339: 4333: 4327: 4321: 4312: 4302: 4293: 4287: 4276: 4270: 4264: 4254: 4248: 4243:Watashi no Raizō 4238: 4232: 4226: 4220: 4214: 4208: 4202: 4193: 4187: 4181: 4175: 4169: 4163: 4157: 4151: 4145: 4139: 4133: 4127: 4121: 4115: 4109: 4103: 4097: 4094: 4088: 4082: 4076: 4070: 4064: 4054: 4045: 4039: 4033: 4027: 4021: 4015: 4009: 4003: 3997: 3991: 3985: 3979: 3968: 3962: 3956: 3950: 3944: 3938: 3932: 3926: 3920: 3917: 3911: 3905: 3899: 3893: 3887: 3881: 3875: 3869: 3863: 3857: 3848: 3842: 3833: 3827: 3818: 3812: 3803: 3797: 3791: 3785: 3779: 3778: 3776: 3775: 3759: 3753: 3752: 3750: 3749: 3733: 3727: 3726: 3724: 3723: 3706: 3700: 3681: 3675: 3669: 3663: 3653: 3644: 3638: 3632: 3626: 3620: 3615:Watashi no Raizō 3610: 3604: 3598: 3592: 3586: 3580: 3574: 3568: 3558: 3552: 3546: 3540: 3530: 3521: 3515: 3509: 3499: 3484: 3477: 3461: 3450: 3444: 3433: 3427: 3420: 3414: 3411: 3405: 3381: 3367: 3362: 3361: 3360: 3353: 3348: 3347: 3346: 3316:A Certain Killer 3012:Satan's Sword II 2970: 2968: 2950: 2948: 2947: 2941: 2931: 2930: 2927: 2921: 2920: 2912:Samurai Vendetta 2906: 2904: 2896: 2895: 2887:Stop the Old Fox 2881: 2879: 2871: 2870: 2856: 2855: 2852: 2844: 2843: 2829: 2827: 2826: 2820: 2810: 2808: 2805:Dewa tsuru hichō 2800: 2799: 2785: 2783: 2775: 2774: 2760: 2758: 2757: 2751: 2741: 2739: 2731: 2730: 2716: 2714: 2706: 2705: 2691: 2689: 2688: 2682: 2672: 2670: 2664: 2663: 2649: 2647: 2646: 2640: 2637:Bakeneko goyō da 2630: 2628: 2622: 2621: 2607: 2605: 2599: 2598: 2584: 2582: 2581: 2575: 2565: 2563: 2555: 2554: 2542: 2540: 2532: 2531: 2515: 2513: 2505: 2504: 2492: 2490: 2489: 2483: 2473: 2472: 2469: 2463: 2462: 2448: 2446: 2445: 2439: 2429: 2427: 2426: 2420: 2410: 2408: 2402: 2401: 2387: 2385: 2377: 2376: 2364: 2362: 2354: 2353: 2346:Magnificent Five 2341: 2339: 2331: 2330: 2318: 2317: 2314: 2312:Momotarō zamurai 2308: 2307: 2293: 2291: 2283: 2282: 2270: 2268: 2262: 2261: 2247: 2245: 2237: 2236: 2224: 2222: 2214: 2213: 2201: 2199: 2191: 2190: 2178: 2176: 2168: 2167: 2155: 2153: 2147: 2146: 2131: 2129: 2121: 2120: 2108: 2107: 2104: 2102:Ōsaka monogatari 2098: 2097: 2083: 2082: 2079: 2077:Amigasa Gonpachi 2073: 2072: 2058: 2057: 2054: 2048: 2047: 2033: 2027: 2019: 2018: 2004: 2003: 2000: 1992: 1991: 1979: 1978: 1975: 1969: 1968: 1954: 1952: 1946: 1945: 1931: 1929: 1923: 1922: 1907: 1906: 1903: 1897: 1896: 1888:Flowery Brothers 1882: 1881: 1878: 1872: 1871: 1857: 1855: 1847: 1846: 1834: 1832: 1824: 1823: 1811: 1810: 1807: 1801: 1800: 1786: 1785: 1782: 1776: 1775: 1761: 1759: 1753: 1752: 1738: 1737: 1734: 1728: 1727: 1713: 1712: 1709: 1701: 1700: 1679: 1678: 1675: 1669: 1668: 1654: 1653: 1650: 1644: 1643: 1623: 1621: 1615: 1614: 1600: 1598: 1596:Onikiri Wakasama 1592: 1591: 1577: 1575: 1569: 1568: 1554: 1552: 1546: 1545: 1531: 1529: 1523: 1522: 1508: 1506: 1500: 1499: 1485: 1483: 1477: 1476: 1468:The Princess Sen 1462: 1460: 1454: 1453: 1439: 1438: 1435: 1429: 1428: 1329:Tomomi Muramatsu 1185:Sakata Tōjūrō IV 1088:September 1959: 1055:Data taken from 917:Kawatake Mokuami 623: 621: 620: 605: 603: 602: 591: 589: 588: 560: 559: 556: 550: 549: 539: 537: 536: 500: 498: 497: 485:Nakayamashichiri 455: 454: 451: 445: 444: 419:was born in the 293: 292: 289: 283: 282: 275: 273: 267: 266: 256: 255: 252: 246: 245: 231: 229: 223: 222: 212: 210: 204: 203: 193: 191: 185: 184: 163: 161: 155: 154: 117:Other names 105: 87: 85: 66: 52: 51: 21: 5936: 5935: 5931: 5930: 5929: 5927: 5926: 5925: 5871: 5870: 5869: 5864: 5769:Masahiro Motoki 5751:Hiroyuki Sanada 5691:Hiroyuki Sanada 5679:Hiroyuki Sanada 5673:Masahiro Motoki 5643:Takanori Jinnai 5601:Tatsuya Nakadai 5553:Keiju Kobayashi 5541:Tatsuya Nakadai 5523:Hiroyuki Nagato 5478: 5473: 5427: 5406: 5392: 5380: 5368: 5354: 5343:『甦る!市川雷蔵限定秘蔵版』 5340: 5326: 5312: 5298: 5281: 5267: 5266:), Mieko Kanai 5255: 5243: 5229: 5215: 5201: 5187: 5173: 5159: 5156: 5151: 5150: 5140: 5138: 5130: 5129: 5125: 5117: 5113: 5105: 5101: 5093: 5089: 5081: 5077: 5069: 5065: 5057: 5053: 5045: 5041: 5033: 5029: 5021: 5017: 5009: 5005: 4997: 4993: 4985: 4981: 4969: 4965: 4957: 4953: 4945: 4941: 4933: 4926: 4918: 4914: 4906: 4902: 4894: 4890: 4882: 4878: 4870: 4866: 4858: 4854: 4846: 4839: 4831: 4827: 4819: 4815: 4807: 4803: 4795: 4791: 4783: 4779: 4767: 4763: 4755: 4751: 4739: 4732: 4724: 4720: 4712: 4708: 4700: 4696: 4688: 4684: 4676: 4669: 4657: 4653: 4645: 4641: 4633: 4629: 4621: 4617: 4609: 4605: 4595: 4593: 4586: 4582: 4581: 4577: 4567: 4565: 4564:. December 2014 4552: 4548: 4547: 4543: 4533: 4531: 4528: 4524: 4523: 4519: 4509: 4507: 4504: 4500: 4499: 4495: 4485: 4483: 4476: 4472: 4471: 4467: 4459: 4455: 4439: 4435: 4427: 4423: 4415: 4411: 4403: 4399: 4387: 4383: 4375: 4371: 4363: 4354: 4346: 4342: 4334: 4330: 4322: 4315: 4303: 4296: 4288: 4279: 4271: 4267: 4255: 4251: 4239: 4235: 4227: 4223: 4215: 4211: 4203: 4196: 4188: 4184: 4176: 4172: 4164: 4160: 4152: 4148: 4140: 4136: 4128: 4124: 4116: 4112: 4104: 4100: 4095: 4091: 4083: 4079: 4071: 4067: 4055: 4048: 4040: 4036: 4032:, pp. 254, 270. 4028: 4024: 4016: 4012: 4004: 4000: 3992: 3988: 3980: 3971: 3963: 3959: 3951: 3947: 3939: 3935: 3927: 3923: 3918: 3914: 3906: 3902: 3894: 3890: 3882: 3878: 3870: 3866: 3858: 3851: 3843: 3836: 3828: 3821: 3813: 3806: 3798: 3794: 3786: 3782: 3773: 3771: 3765: 3761: 3760: 3756: 3747: 3745: 3739: 3735: 3734: 3730: 3721: 3719: 3713: 3707: 3703: 3697:Dokubai Shimbun 3682: 3678: 3670: 3666: 3654: 3647: 3639: 3635: 3627: 3623: 3611: 3607: 3599: 3595: 3587: 3583: 3575: 3571: 3559: 3555: 3547: 3543: 3531: 3524: 3516: 3512: 3500: 3487: 3478: 3474: 3469: 3464: 3451: 3447: 3434: 3430: 3421: 3417: 3412: 3408: 3382: 3378: 3374: 3363: 3358: 3356: 3349: 3344: 3342: 3339: 3056:Shinobi no mono 3005:Daibosatsu Tōge 2977: 2960: 2942: 2938:Ukare sandogasa 2928: 2915: 2890: 2865: 2853: 2838: 2821: 2794: 2769: 2752: 2725: 2700: 2683: 2658: 2641: 2616: 2603:Iga no suigetsu 2593: 2576: 2549: 2526: 2510:Hitohada Kujaku 2499: 2484: 2470: 2457: 2440: 2421: 2396: 2371: 2348: 2336:Tsukihime keizu 2325: 2315: 2302: 2277: 2256: 2231: 2208: 2185: 2162: 2141: 2137:Floating Vessel 2115: 2105: 2092: 2080: 2067: 2055: 2042: 2024:Zoku Hana Zukin 2013: 2001: 1986: 1976: 1963: 1940: 1917: 1904: 1891: 1879: 1866: 1841: 1818: 1808: 1795: 1783: 1770: 1757:Kaitō to Hangan 1747: 1735: 1722: 1719:The Iroha Elegy 1710: 1695: 1684:Taira Clan Saga 1676: 1663: 1651: 1648:Odoriko Gyōjōki 1638: 1609: 1586: 1563: 1540: 1517: 1494: 1471: 1448: 1436: 1423: 1411: 1403: 1371:fighting scenes 1281:Shiranui Kengyō 1224: 1197: 1177:Saburō Kawamoto 1142: 1137: 1108:February 1967: 1053: 1038: 1005: 929:Seki no Yatappe 925: 889:Nemuri Kyoshirō 864:Nemuri Kyoshirō 824:Masaichi Nagata 794: 767:In the wake of 733:Kenji Mizoguchi 641: 615: 597: 583: 557: 544: 531: 527:Tetsuji Takechi 515: 492: 466: 452: 439: 429:Yoshio Takeuchi 414: 409: 344:Shinobi no Mono 336:Nemuri Kyoshirō 290: 277: 261: 253: 240: 217: 213:, and later to 208:Takeuchi Yoshio 198: 196:Yoshio Takeuchi 179: 164:was a Japanese 149: 140:1954–1969 112: 107: 103: 94: 89: 88:August 29, 1931 83: 81: 80: 79: 69: 57: 50: 35: 28: 23: 22: 15: 12: 11: 5: 5934: 5924: 5923: 5918: 5913: 5908: 5903: 5898: 5893: 5888: 5883: 5866: 5865: 5863: 5862: 5856: 5850: 5844: 5838: 5832: 5826: 5820: 5814: 5808: 5805:Tadanobu Asano 5802: 5796: 5790: 5784: 5778: 5772: 5766: 5760: 5754: 5748: 5742: 5736: 5730: 5724: 5718: 5712: 5709:Takeshi Kitano 5706: 5700: 5694: 5688: 5682: 5676: 5670: 5667:Naoto Takenaka 5664: 5658: 5655:Rentarō Mikuni 5652: 5646: 5640: 5634: 5631:Kin'ya Kitaōji 5628: 5622: 5616: 5613:Kiyoshi Atsumi 5610: 5604: 5598: 5592: 5586: 5580: 5577:Tetsuya Watari 5574: 5571:Bunta Sugawara 5568: 5562: 5559:Toshiro Mifune 5556: 5550: 5544: 5538: 5535:Toshiro Mifune 5532: 5529:Rentarō Mikuni 5526: 5520: 5514: 5508: 5502: 5496: 5493:Toshiro Mifune 5490: 5483: 5480: 5479: 5472: 5471: 5464: 5457: 5449: 5443: 5442: 5437: 5431:Raizo Ichikawa 5426: 5425:External links 5423: 5422: 5421: 5404: 5390: 5366: 5352: 5338: 5324: 5310: 5296: 5279: 5241: 5227: 5213: 5210:Ichikawa Raizō 5199: 5185: 5171: 5155: 5152: 5149: 5148: 5136:www.jmdb.ne.jp 5123: 5111: 5099: 5087: 5083:Muramatsu 2006 5075: 5063: 5051: 5047:Muramatsu 2005 5039: 5037:, pp. 135-136. 5035:Muramatsu 2006 5027: 5025:, pp. 265-266. 5015: 5011:Muramatsu 2006 5003: 5001:, pp. 104-106. 4991: 4987:Muramatsu 2006 4979: 4977:, pp. 243-244. 4963: 4951: 4939: 4935:Muramatsu 2005 4924: 4920:Muramatsu 2005 4912: 4900: 4888: 4876: 4872:Muramatsu 2006 4864: 4852: 4848:Muramatsu 2006 4837: 4833:Muramatsu 2006 4825: 4823:, pp. 103-104. 4813: 4809:Muramatsu 2005 4801: 4789: 4777: 4761: 4759:, pp. 327-328. 4749: 4730: 4718: 4706: 4694: 4682: 4667: 4651: 4639: 4627: 4615: 4603: 4575: 4541: 4517: 4493: 4465: 4453: 4433: 4421: 4409: 4397: 4381: 4377:Muramatsu 2006 4369: 4352: 4348:Muramatsu 2006 4340: 4328: 4313: 4294: 4277: 4265: 4263:, pp. 325-333. 4249: 4233: 4231:, pp. 328-329. 4221: 4209: 4194: 4182: 4180:, pp. 218-220. 4170: 4158: 4146: 4144:, pp. 206-208. 4134: 4122: 4110: 4098: 4089: 4087:, pp. 12, 271. 4077: 4065: 4063:, pp. 282-283. 4046: 4034: 4022: 4010: 3998: 3986: 3969: 3957: 3945: 3933: 3921: 3912: 3900: 3888: 3876: 3864: 3862:, pp. 234-236. 3860:Muramatsu 2006 3849: 3834: 3832:, pp. 297-298. 3819: 3804: 3792: 3780: 3754: 3728: 3717:kabuki-bito.jp 3701: 3676: 3664: 3645: 3633: 3621: 3605: 3593: 3581: 3569: 3553: 3541: 3522: 3510: 3508:), Chronology. 3485: 3471: 3470: 3468: 3465: 3463: 3462: 3445: 3428: 3424:Ichikawa Ebizō 3415: 3406: 3375: 3373: 3370: 3369: 3368: 3354: 3338: 3335: 3334: 3333: 3327: 3319: 3311: 3305: 3292: 3279: 3266: 3253: 3250:Yukinojo henge 3240: 3232: 3224: 3216: 3203: 3190: 3182: 3181: 3180: 3172: 3164: 3156: 3139: 3131: 3118: 3110: 3097: 3084: 3081:Tateshi Danpei 3076:Fencing Master 3071: 3064:The Great Wall 3060: 3047: 3041: 3030: 3019: 3008: 2995: 2992: 2984: 2976: 2973: 2972: 2971: 2951: 2932: 2907: 2882: 2857: 2830: 2811: 2786: 2761: 2742: 2717: 2692: 2673: 2668:Hitohada botan 2650: 2631: 2608: 2585: 2572:Nuregami kenpō 2566: 2543: 2516: 2493: 2480:Megitsune Buro 2474: 2449: 2430: 2411: 2388: 2382:Hanatarō Jumon 2365: 2342: 2323:Princess Tsuki 2319: 2294: 2271: 2248: 2225: 2202: 2179: 2156: 2132: 2109: 2089:An Osaka Story 2084: 2059: 2034: 2010:Flowery Hood 2 2005: 1980: 1955: 1932: 1908: 1901:Hana no Kyōdai 1883: 1876:Kenka Oshidori 1863:Fighting Birds 1858: 1852:Asatarō garasu 1835: 1812: 1787: 1762: 1739: 1714: 1688:The Taira Clan 1680: 1655: 1630: 1627:The Rose Again 1619:Bara Ikutabika 1601: 1583:The Young Lord 1578: 1573:Jinanbō Hangan 1560:The Magistrate 1555: 1550:Jinanbō Garasu 1537:The Second Son 1532: 1509: 1486: 1463: 1440: 1410: 1407: 1402: 1399: 1398: 1397: 1386: 1382: 1378: 1375: 1367: 1364:Chiezō Kataoka 1352:Nemuri Kyōjiro 1348: 1337: 1318:Tamao Nakamura 1248:performer and 1236:Shintaro Katsu 1223: 1220: 1196: 1193: 1141: 1138: 1136: 1133: 1132: 1131: 1128: 1121: 1106: 1099: 1086: 1075: 1066:January 1959: 1052: 1049: 1037: 1034: 1004: 1001: 924: 921: 885:Shintarō Katsu 793: 790: 722:Jinanbō Garasu 717:The Second Son 702:Kazuo Hasegawa 673:Nissay Theater 640: 637: 514: 511: 483:) in the play 465: 462: 417:Ichikawa Raizō 413: 410: 408: 405: 401:Yukinojo henge 297:Ichikawa Raizō 142: 141: 138: 134: 133: 126: 122: 121: 118: 114: 113: 108: 106:(aged 37) 100: 96: 95: 90: 77: 75: 71: 70: 67: 59: 58: 55: 26: 18:Raizō Ichikawa 9: 6: 4: 3: 2: 5933: 5922: 5919: 5917: 5914: 5912: 5909: 5907: 5904: 5902: 5899: 5897: 5894: 5892: 5891:Kabuki actors 5889: 5887: 5884: 5882: 5879: 5878: 5876: 5860: 5857: 5854: 5851: 5848: 5847:Junichi Okada 5845: 5842: 5839: 5836: 5833: 5830: 5829:Hiroshi Tachi 5827: 5824: 5821: 5818: 5815: 5812: 5809: 5806: 5803: 5800: 5797: 5794: 5791: 5788: 5785: 5782: 5779: 5776: 5773: 5770: 5767: 5764: 5761: 5758: 5755: 5752: 5749: 5746: 5743: 5740: 5737: 5734: 5731: 5728: 5727:Mansai Nomura 5725: 5722: 5719: 5716: 5713: 5710: 5707: 5704: 5701: 5698: 5695: 5692: 5689: 5686: 5683: 5680: 5677: 5674: 5671: 5668: 5665: 5662: 5661:Yoshio Harada 5659: 5656: 5653: 5650: 5647: 5644: 5641: 5638: 5635: 5632: 5629: 5626: 5623: 5620: 5617: 5614: 5611: 5608: 5605: 5602: 5599: 5596: 5593: 5590: 5587: 5584: 5581: 5578: 5575: 5572: 5569: 5566: 5563: 5560: 5557: 5554: 5551: 5548: 5545: 5542: 5539: 5536: 5533: 5530: 5527: 5524: 5521: 5518: 5515: 5512: 5511:Frankie Sakai 5509: 5506: 5503: 5500: 5497: 5494: 5491: 5488: 5485: 5484: 5481: 5477: 5470: 5465: 5463: 5458: 5456: 5451: 5450: 5447: 5441: 5438: 5436: 5432: 5429: 5428: 5419: 5416: 5405: 5402: 5391: 5385: 5378: 5367: 5364: 5353: 5350: 5339: 5336: 5325: 5322: 5311: 5308: 5297: 5294: 5291: 5280: 5277: 5265: 5253: 5242: 5239: 5228: 5225: 5214: 5211: 5200: 5197: 5186: 5183: 5172: 5169: 5158: 5157: 5137: 5133: 5127: 5120: 5119:Muro'oka 1993 5115: 5108: 5103: 5096: 5095:Muro'oka 1993 5091: 5084: 5079: 5072: 5071:Muro'oka 1993 5067: 5060: 5059:Muro'oka 1993 5055: 5048: 5043: 5036: 5031: 5024: 5023:Muro'oka 1993 5019: 5012: 5007: 5000: 4999:Muro'oka 1993 4995: 4988: 4983: 4976: 4974: 4967: 4960: 4959:Muro'oka 1993 4955: 4948: 4943: 4936: 4931: 4929: 4921: 4916: 4909: 4904: 4897: 4892: 4885: 4884:Muro'oka 1993 4880: 4873: 4868: 4861: 4860:Muro'oka 1993 4856: 4849: 4844: 4842: 4835:, pp. 99-100. 4834: 4829: 4822: 4821:Muro'oka 1993 4817: 4810: 4805: 4798: 4793: 4786: 4781: 4774: 4772: 4765: 4758: 4753: 4746: 4744: 4737: 4735: 4727: 4726:Muro'oka 1993 4722: 4715: 4714:Muro'oka 1993 4710: 4703: 4702:Kawamoto 2005 4698: 4691: 4686: 4679: 4674: 4672: 4664: 4662: 4655: 4648: 4643: 4636: 4631: 4624: 4619: 4612: 4607: 4592:(in Japanese) 4591: 4587: 4579: 4568:September 23, 4563: 4559: 4558: 4553: 4545: 4529: 4521: 4505: 4497: 4482:on 2009-05-17 4481: 4477: 4469: 4462: 4457: 4450: 4446: 4444: 4437: 4430: 4429:Muro'oka 1993 4425: 4418: 4413: 4406: 4401: 4394: 4392: 4385: 4378: 4373: 4366: 4361: 4359: 4357: 4349: 4344: 4337: 4332: 4325: 4320: 4318: 4310: 4306: 4301: 4299: 4291: 4286: 4284: 4282: 4274: 4269: 4262: 4260: 4253: 4246: 4244: 4237: 4230: 4225: 4218: 4213: 4206: 4205:Muro'oka 1993 4201: 4199: 4192:, p. 113-116. 4191: 4190:Muro'oka 1993 4186: 4179: 4178:Ichikawa 1995 4174: 4167: 4162: 4155: 4150: 4143: 4142:Muro'oka 1993 4138: 4131: 4130:Muro'oka 1993 4126: 4119: 4118:Muro'oka 1993 4114: 4107: 4106:Muro'oka 1993 4102: 4093: 4086: 4085:Muro'oka 1993 4081: 4074: 4073:Muro'oka 1993 4069: 4062: 4060: 4053: 4051: 4043: 4042:Muro'oka 1993 4038: 4031: 4030:Muro'oka 1993 4026: 4019: 4014: 4007: 4002: 3995: 3990: 3983: 3982:Muro'oka 1993 3978: 3976: 3974: 3966: 3965:Muro'oka 1993 3961: 3954: 3949: 3942: 3937: 3930: 3925: 3916: 3909: 3904: 3897: 3892: 3885: 3880: 3873: 3868: 3861: 3856: 3854: 3846: 3845:Muro'oka 1993 3841: 3839: 3831: 3826: 3824: 3816: 3811: 3809: 3801: 3796: 3789: 3784: 3770: 3766: 3758: 3744: 3740: 3732: 3718: 3714: 3705: 3698: 3694: 3690: 3686: 3680: 3673: 3668: 3662:1991, p. 195. 3661: 3660:) (collected) 3659: 3652: 3650: 3642: 3637: 3630: 3625: 3618: 3616: 3609: 3602: 3597: 3590: 3585: 3578: 3577:Ichikawa 1995 3573: 3566: 3565:) (collected) 3564: 3557: 3550: 3545: 3538: 3536: 3529: 3527: 3519: 3514: 3507: 3503: 3498: 3496: 3494: 3492: 3490: 3482: 3476: 3472: 3459: 3457: 3449: 3442: 3438: 3432: 3425: 3419: 3410: 3403: 3399: 3395: 3391: 3387: 3386:Ichikawa 1995 3380: 3376: 3366: 3355: 3352: 3341: 3332: 3328: 3326: 3325: 3320: 3318: 3317: 3312: 3310: 3306: 3303: 3299: 3298: 3293: 3290: 3289: 3284: 3280: 3277: 3276: 3271: 3267: 3264: 3263: 3258: 3254: 3251: 3247: 3246: 3241: 3239: 3238: 3233: 3231: 3230: 3225: 3223: 3222: 3217: 3214: 3213: 3208: 3204: 3201: 3200: 3195: 3191: 3189: 3188: 3183: 3179: 3178: 3173: 3171: 3170: 3165: 3163: 3162: 3157: 3155: 3154: 3149: 3148: 3146: 3145: 3140: 3138: 3137: 3132: 3129: 3125: 3124: 3119: 3117: 3116: 3111: 3108: 3104: 3103: 3102:Destiny's Son 3098: 3095: 3091: 3090: 3085: 3082: 3078: 3077: 3072: 3069: 3068:Shin shikōtei 3065: 3061: 3058: 3057: 3052: 3048: 3046: 3045:A Lustful Man 3042: 3039: 3035: 3031: 3028: 3024: 3020: 3017: 3013: 3009: 3006: 3002: 3001: 3000:Satan's Sword 2996: 2993: 2991: 2990: 2985: 2982: 2981: 2980: 2967: 2966: 2958: 2957: 2952: 2940: 2939: 2933: 2926: 2914: 2913: 2908: 2903: 2902: 2889: 2888: 2883: 2878: 2877: 2864: 2863: 2858: 2851: 2850: 2837: 2836: 2831: 2819: 2818: 2817:Jirō Nagafuji 2812: 2807: 2806: 2793: 2792: 2787: 2782: 2781: 2768: 2767: 2762: 2750: 2749: 2743: 2738: 2737: 2724: 2723: 2718: 2713: 2712: 2711:Hebi-himesama 2699: 2698: 2693: 2681: 2680: 2674: 2669: 2657: 2656: 2651: 2639: 2638: 2632: 2627: 2615: 2614: 2609: 2604: 2592: 2591: 2586: 2574: 2573: 2567: 2562: 2561: 2548: 2544: 2539: 2538: 2525: 2521: 2517: 2512: 2511: 2498: 2494: 2482: 2481: 2475: 2468: 2456: 2455: 2450: 2438: 2437: 2431: 2419: 2418: 2412: 2407: 2395: 2394: 2389: 2384: 2383: 2370: 2366: 2361: 2360: 2347: 2343: 2338: 2337: 2324: 2320: 2313: 2301: 2300: 2295: 2290: 2289: 2276: 2272: 2267: 2255: 2254: 2249: 2244: 2243: 2242:Inazuma Kaidō 2230: 2229:Inazuma Kaidō 2226: 2221: 2220: 2219:Mangorō Tengu 2207: 2206:Tengu Mangorō 2203: 2198: 2197: 2184: 2180: 2175: 2174: 2161: 2157: 2152: 2139: 2138: 2133: 2128: 2127: 2114: 2110: 2103: 2091: 2090: 2085: 2078: 2066: 2065: 2060: 2053: 2041: 2040: 2035: 2031: 2030:Hana Zukin II 2026: 2025: 2012: 2011: 2006: 1999: 1998: 1990:月形半平太　花の巻　嵐の巻 1985: 1981: 1974: 1962: 1961: 1956: 1951: 1939: 1938: 1933: 1928: 1916: 1914: 1909: 1902: 1890: 1889: 1884: 1877: 1865: 1864: 1859: 1854: 1853: 1840: 1836: 1831: 1830: 1817: 1813: 1806: 1794: 1793: 1788: 1781: 1769: 1768: 1763: 1758: 1746: 1745: 1740: 1733: 1732:Iroha Bayashi 1721: 1720: 1715: 1708: 1707: 1693: 1689: 1685: 1681: 1674: 1662: 1661: 1656: 1649: 1637: 1636: 1631: 1629: 1628: 1620: 1608: 1607: 1602: 1597: 1585: 1584: 1579: 1574: 1562: 1561: 1556: 1551: 1539: 1538: 1533: 1528: 1516: 1515: 1510: 1505: 1493: 1492: 1487: 1482: 1470: 1469: 1464: 1459: 1447: 1446: 1441: 1434: 1422: 1421: 1416: 1415: 1414: 1406: 1395: 1391: 1387: 1383: 1379: 1376: 1372: 1368: 1365: 1361: 1357: 1353: 1349: 1346: 1342: 1338: 1335: 1334: 1333: 1330: 1325: 1323: 1319: 1314: 1309: 1307: 1305: 1300: 1299: 1294: 1293: 1288: 1287: 1282: 1278: 1273: 1272: 1267: 1266: 1260: 1256: 1253: 1252: 1247: 1246: 1237: 1233: 1228: 1219: 1217: 1213: 1208: 1204: 1200: 1192: 1190: 1186: 1181: 1178: 1174: 1170: 1166: 1164: 1158: 1156: 1152: 1147: 1129: 1126: 1122: 1119: 1115: 1111: 1107: 1104: 1100: 1097: 1093: 1092: 1087: 1084: 1080: 1076: 1073: 1069: 1065: 1064: 1063: 1062: 1060: 1057:“雷蔵, 雷蔵を語る” ( 1048: 1046: 1045: 1033: 1029: 1026: 1021: 1014: 1009: 1000: 998: 994: 990: 988: 983: 978: 974: 972: 968: 963: 959: 955: 951: 946: 944: 940: 939: 934: 933:rectal cancer 930: 920: 918: 914: 910: 906: 901: 899: 895: 890: 886: 882: 878: 874: 870: 866: 865: 859: 857: 853: 849: 844: 842: 837: 832: 829: 825: 820: 816: 815:Yukio Mishima 812: 811: 806: 804: 799: 789: 787: 782: 778: 772: 770: 766: 762: 761: 756: 752: 748: 744: 740: 739: 734: 730: 725: 723: 719: 718: 713: 709: 708: 703: 699: 695: 694: 688: 686: 682: 678: 674: 670: 669: 664: 662: 657: 656: 649: 647: 636: 634: 630: 625: 612: 608: 595: 581: 577: 572: 568: 564: 555: 541: 528: 519: 510: 508: 504: 488: 486: 482: 478: 473: 471: 461: 459: 450: 437: 432: 430: 426: 425:Akio Kamezaki 422: 418: 404: 402: 398: 397: 391: 389: 388: 383: 382: 381:Destiny's Son 377: 376:Yukio Mishima 373: 372: 367: 363: 359: 358:Nakano School 355: 351: 350: 346:) series and 345: 341: 337: 333: 332: 327: 326: 320: 318: 317:rectal cancer 314: 310: 306: 305: 300: 298: 288: 272: 271:Ichikawa Enzō 260: 259:Ichikawa Enzō 251: 238: 233: 228: 216: 209: 197: 190: 189:Kamezaki Akio 178: 177:Akio Kamezaki 174: 171: 167: 160: 148: 139: 135: 131: 127: 125:Occupation(s) 123: 119: 115: 111: 102:July 17, 1969 101: 97: 93: 78:Akio Kamezaki 76: 72: 65: 60: 53: 48: 44: 40: 39:Japanese name 33: 19: 5835:Kiichi Nakai 5757:Ken Watanabe 5715:Ken Takakura 5703:Koji Yakusho 5697:Koji Yakusho 5637:Kunie Tanaka 5583:Ken Takakura 5516: 5417: 5414: 5400: 5376: 5362: 5357:『市川雷蔵の映画と時代』 5348: 5334: 5329:『孤愁市川雷蔵写真集』 5320: 5306: 5293:Nōberu Shobo 5292: 5289: 5275: 5263: 5251: 5237: 5223: 5209: 5196:Raizō Konomi 5195: 5182:Raizō no Iro 5181: 5167: 5139:. Retrieved 5135: 5126: 5114: 5102: 5090: 5078: 5066: 5054: 5049:, pp. 84-85. 5042: 5030: 5018: 5006: 4994: 4982: 4973:Nōberu Shobo 4972: 4966: 4954: 4942: 4915: 4903: 4891: 4879: 4867: 4855: 4828: 4816: 4804: 4799:, pp. 34-35. 4792: 4780: 4771:Nōberu Shobo 4770: 4764: 4752: 4743:Nōberu Shobo 4742: 4721: 4709: 4697: 4685: 4661:Nōberu Shobo 4660: 4654: 4642: 4630: 4618: 4606: 4596:September 8, 4594:. Retrieved 4589: 4578: 4566:. Retrieved 4555: 4544: 4532:. Retrieved 4520: 4510:February 16, 4508:. Retrieved 4496: 4486:February 16, 4484:. Retrieved 4480:the original 4468: 4456: 4442: 4436: 4424: 4412: 4400: 4391:Nōberu Shobo 4390: 4384: 4372: 4343: 4331: 4309:Bungeishunjū 4308: 4268: 4259:Nōberu Shobo 4258: 4252: 4247:, pp. 38-39. 4242: 4236: 4224: 4219:, pp. 72-73. 4212: 4185: 4173: 4168:, pp. 54-57. 4161: 4149: 4137: 4125: 4120:, pp. 17-18. 4113: 4101: 4092: 4080: 4075:, pp. 11-12. 4068: 4059:Nōberu Shobo 4058: 4037: 4025: 4013: 4001: 3989: 3960: 3955:, pp. 34-35. 3948: 3936: 3931:, pp. 76-77. 3924: 3915: 3910:, pp. 20-21. 3903: 3898:, pp. 28-30. 3891: 3879: 3867: 3817:, pp. 27-28. 3795: 3790:, pp. 22-23. 3783: 3772:. Retrieved 3768: 3757: 3746:. Retrieved 3742: 3731: 3720:. Retrieved 3716: 3704: 3696: 3689:Henshū Techō 3688: 3679: 3667: 3658:Nōberu Shobo 3657: 3636: 3631:, pp. 18-19. 3624: 3614: 3608: 3596: 3584: 3572: 3563:Nōberu Shobo 3562: 3556: 3551:, pp. 15-17. 3544: 3535:Nōberu Shobo 3534: 3520:, pp. 14-15. 3513: 3505: 3475: 3456:Nōberu Shobo 3455: 3448: 3431: 3418: 3409: 3379: 3351:Japan portal 3331:Hitori okami 3322: 3314: 3308: 3301: 3295: 3286: 3282: 3273: 3269: 3260: 3256: 3249: 3243: 3235: 3227: 3219: 3210: 3206: 3197: 3193: 3185: 3175: 3167: 3159: 3151: 3142: 3134: 3127: 3121: 3113: 3106: 3100: 3093: 3087: 3080: 3074: 3067: 3063: 3054: 3050: 3044: 3037: 3033: 3026: 3022: 3015: 3011: 3004: 2998: 2987: 2983:1960: Bonchi 2978: 2954: 2910: 2885: 2860: 2833: 2789: 2764: 2720: 2695: 2679:Yūtarō kōdan 2653: 2611: 2588: 2546: 2523: 2519: 2496: 2452: 2391: 2368: 2345: 2322: 2297: 2274: 2266:Naruto Hichō 2251: 2228: 2205: 2182: 2159: 2135: 2112: 2087: 2062: 2037: 2029: 2008: 1983: 1958: 1944:銭形平次捕物控　人肌蜘蛛 1935: 1913:Flowery Hood 1911: 1886: 1861: 1838: 1815: 1790: 1765: 1742: 1717: 1690:, lit. "New 1687: 1683: 1658: 1633: 1625: 1604: 1581: 1558: 1535: 1512: 1489: 1466: 1452:銭形平次捕物控　幽霊大名 1443: 1418: 1412: 1404: 1393: 1392:and Katsu’s 1389: 1359: 1355: 1351: 1344: 1340: 1326: 1310: 1302: 1296: 1290: 1284: 1280: 1276: 1269: 1263: 1261: 1257: 1249: 1243: 1241: 1215: 1211: 1209: 1205: 1201: 1198: 1182: 1172: 1167: 1159: 1150: 1143: 1124: 1117: 1114:Kinema Junpō 1113: 1109: 1102: 1095: 1091:Cinema Nuovo 1089: 1082: 1078: 1071: 1068:Kinema Junpō 1067: 1058: 1054: 1044:Bungeishunjū 1042: 1039: 1030: 1025:Kinema Junpō 1024: 1022: 1018: 1012: 993:Kōji Tsuruta 985: 981: 979: 975: 957: 953: 949: 947: 942: 936: 928: 926: 913:Kenji Misumi 902: 897: 888: 880: 876: 868: 862: 860: 847: 845: 840: 835: 833: 808: 801: 798:Kon Ichikawa 795: 786:Kenji Misumi 773: 768: 764: 758: 742: 737: 731:in director 726: 721: 715: 711: 705: 697: 691: 689: 683:produced by 680: 666: 659: 653: 650: 642: 628: 626: 594:Kotobuki Ebi 566: 565:in the play 542: 524: 506: 503:montei agari 502: 489: 484: 481:Musume Ohana 480: 476: 474: 467: 449:Kanbukōhosei 433: 428: 424: 416: 415: 400: 394: 392: 385: 379: 369: 365: 362:Kenji Misumi 353: 347: 343: 339: 335: 329: 323: 321: 313:Kinema Junpo 302: 295: 258: 234: 214: 195: 176: 146: 145: 128:film actor, 104:(1969-07-17) 46: 5886:1969 deaths 5881:1931 births 5793:Hiroshi Abe 5745:Akira Terao 5733:Kōichi Satō 5649:Hajime Hana 5565:Hajime Hana 5487:So Yamamura 5301:『市川雷蔵とその時代』 5154:Works cited 5107:Hosaka 2001 4947:Tayama 1988 4896:Hosaka 2001 4797:Tayama 1988 4785:Hosaka 2001 4757:Hosaka 2001 4678:Hosaka 2001 4635:Hosaka 2001 4461:Hosaka 2001 4417:Tayama 1988 4336:Tayama 1988 4324:Tayama 1988 4290:Tayama 1988 4273:Hosaka 2001 4229:Hosaka 2001 4217:Tayama 1988 4166:Tayama 1988 4154:Tayama 1988 4018:Tayama 1988 4006:Tayama 1988 3953:Tayama 1988 3941:Hosaka 2001 3929:Tayama 1988 3896:Tayama 1988 3884:Tayama 1988 3872:Tayama 1988 3815:Tayama 1988 3800:Tayama 1988 3788:Tayama 1988 3743:naritaya.jp 3738:『團十郎辞典』「壽海」 3685:Rokusuke Ei 3674:, p. 21-22. 3672:Tayama 1988 3641:Tayama 1988 3629:Tayama 1988 3601:Hosaka 2001 3589:Tayama 1988 3549:Tayama 1988 3518:Tayama 1988 3402:Hosaka 2001 3398:Tayama 1988 3365:Film portal 3302:Sword Devil 3141:1963–1969: 3123:The Outcast 2748:Ojō kichisa 2626:Benten Kozō 2613:Benten Kozō 2406:Chūshingura 2196:Yatarō gasa 1822:柳生連也斎　秘伝月影抄 1401:Filmography 1377:Personality 1327:The author 1232:Ayako Wakao 1146:Fuji Yahiro 987:ninkyō eiga 894:Akira Inoue 873:protagonist 655:Kōya Hijiri 629:Yoshiya Ōta 227:Ōta Yoshiya 215:Yoshiya Ōta 5875:Categories 5799:Kengo Kora 5685:Eiji Okuda 5505:Keiji Sada 5246:『写真集市川雷蔵』 5162:『雷蔵、雷蔵を語る』 5141:22 January 4527:大雷蔵祭 FINAL 4419:, pp. 6-7. 4275:, pp. 319. 3774:2010-02-16 3748:2010-02-16 3722:2010-02-16 3337:References 2901:Kagerō ezu 2766:The Gaijin 2425:旅は気まぐれ風まかせ 2288:Onibi Kago 2052:Abare Tobi 1927:Hana Zukin 1498:歌ごよみ　お夏清十郎 1195:Appearance 1169:Tadao Satō 1163:Kazuo Mori 997:bankruptcy 958:Aa, Kaigun 747:Tadao Sato 646:Daiei film 338:) series, 244:三代目市川九團次 84:1931-08-29 5823:Sadao Abe 5811:Yo Oizumi 5619:Ken Ogata 5589:Ken Ogata 5258:「市川雷蔵の霊気」 5121:, p. 300. 5109:, p. 320. 5097:, p. 106. 5073:, p. 208. 5061:, p. 118. 5013:, p. 103. 4961:, p. 104. 4910:, p. 264. 4898:, p. 309. 4886:, p. 228. 4862:, p. 393. 4787:, p. 328. 4775:, p. 258. 4747:, p. 287. 4716:, p. 390. 4704:, p. 164. 4692:, p. 368. 4690:Satō 2006 4680:, p. 325. 4665:, p. 245. 4637:, p. 332. 4590:ameblo.jp 4534:August 1, 4463:, p. 311. 4431:, p. 122. 4395:, p. 257. 4379:, p. 260. 4350:, p. 243. 4207:, p. 256. 4132:, p. 107. 4044:, p. 254. 3996:, p. 298. 3994:Satō 2006 3984:, p. 210. 3967:, p. 102. 3943:, p. 324. 3847:, p. 208. 3802:, p. 27. 3619:, p. 260. 3603:, p. 321. 3539:, p. 265. 3502:雷蔵, 雷蔵を語る 3467:Citations 3404:, p. 321） 3400:, p. 18, 3372:Footnotes 3283:The Sword 3136:Onnakeizu 2773:山田長政　王者の剣 2126:Suzakumon 2028:, a.k.a. 1521:潮来出島　美男剣法 1173:jidaigeki 1151:jidaigeki 1023:In 2000, 943:Kanjinchō 905:directing 681:jidaigeki 668:Kanjinchō 661:jidaigeki 548:三代目市川壽海 407:Biography 366:The Sword 325:jidaigeki 281:三代目市川壽海 153:八代目市川雷蔵 5763:Ryo Kase 5721:Yūji Oda 5418:no Sekai 5384:ビクターブックス 5315:『完本市川雷蔵』 5270:「市川雷蔵の年」 5218:『わたしの雷蔵』 5085:, p. 90. 4971:ノーベル書房 ( 4949:, p. 36. 4937:, p. 86. 4922:, p. 82. 4874:, p. 99. 4811:, p. 78. 4769:ノーベル書房 ( 4741:ノーベル書房 ( 4659:ノーベル書房 ( 4557:KINENOTE 4475:京都映画スポット 4449:colophon 4441:わたしの雷蔵 ( 4389:ノーベル書房 ( 4338:, p. 79. 4326:, p. 58. 4305:Ōta 2009 4292:, p. 86. 4257:ノーベル書房 ( 4241:わたしの雷蔵 ( 4156:, p. 57. 4108:, p. 23. 4057:ノーベル書房 ( 4020:, p. 34. 4008:, p. 47. 3886:, p. 28. 3874:, p. 74. 3656:ノーベル書房 ( 3643:, p. 17. 3613:わたしの雷蔵 ( 3591:, p. 18. 3561:ノーベル書房 ( 3533:ノーベル書房 ( 3460:, 196.） 3454:ノーベル書房 ( 2842:ジャン有馬の襲撃 2553:日蓮と蒙古大襲来 2369:Hanatarō 2166:二十九人の喧嘩状 2064:Gonpachi 1613:薔薇はいくたびか 1481:Sen Hime 1360:Zatoichi 1356:Zatoichi 1304:san’yaku 1298:yokozuna 1271:Zatoichi 1255:actors. 1251:shamisen 1110:NHK Film 1079:NHK Film 971:Ōta ward 909:producer 877:Sappōchō 796:In 1958 779:club at 760:chanbara 648:studio. 311:and the 47:Ichikawa 37:In this 3384:actor,（ 3270:Ninja 5 3257:Ninja 4 3207:Ninja 2 3194:Ninja 3 3051:Ninja 1 2925:Hakuōki 2145:源氏物語　浮舟 1967:弥次喜多道中記 1839:Asatarō 1686:a.k.a. 1667:綱渡り見世物侍 1624:a.k.a. 1374:agile.” 1341:Goterai 1286:banzuke 1245:nagauta 1230:Raizō, 1135:Acclaim 969:in the 898:Tajōken 881:Joyōken 828:stammer 751:samurai 535:中村雀右衛門 456:in the 421:Nakagyō 43:surname 5861:(2023) 5855:(2022) 5849:(2021) 5843:(2020) 5837:(2019) 5831:(2018) 5825:(2017) 5819:(2016) 5813:(2015) 5807:(2014) 5801:(2013) 5795:(2012) 5789:(2011) 5783:(2010) 5777:(2009) 5771:(2008) 5765:(2007) 5759:(2006) 5753:(2005) 5747:(2004) 5741:(2003) 5735:(2002) 5729:(2001) 5723:(2000) 5717:(1999) 5711:(1998) 5705:(1997) 5699:(1996) 5693:(1995) 5687:(1994) 5681:(1993) 5675:(1992) 5669:(1991) 5663:(1990) 5657:(1989) 5651:(1988) 5645:(1987) 5639:(1986) 5633:(1985) 5627:(1984) 5621:(1983) 5615:(1982) 5609:(1981) 5603:(1980) 5597:(1979) 5591:(1978) 5585:(1977) 5579:(1976) 5573:(1975) 5567:(1966) 5561:(1965) 5555:(1964) 5549:(1963) 5543:(1962) 5537:(1961) 5531:(1960) 5525:(1959) 5519:(1958) 5513:(1957) 5507:(1956) 5501:(1955) 5495:(1951) 5489:(1950) 5389:, 1992 5204:『市川雷蔵』 5190:『雷蔵好み』 5176:『雷蔵の色』 5132:"市川雷蔵" 4908:市川1995 4647:太田2009 4623:太田2009 4611:太田2009 4562:キネマ旬報社 4405:太田2009 4365:太田2009 3908:市川1995 3830:市川1995 3709:奈河彰輔. 3579:p. 16. 3394:myopia 3329:1968: 3321:1967: 3313:1967: 3307:1966: 3297:Ken Ki 3294:1965: 3281:1964: 3268:1964: 3255:1964: 3242:1963: 3234:1963: 3229:Teuchi 3226:1963: 3218:1963: 3205:1963: 3192:1963: 3184:1963: 3174:1969: 3166:1964: 3158:1964: 3150:1963 3133:1962: 3120:1962: 3112:1962: 3099:1962: 3086:1962: 3073:1962: 3062:1962: 3049:1962: 3043:1961: 3032:1961: 3021:1961: 3010:1960: 2997:1960: 2986:1960: 2953:1959: 2946:浮かれ三度笠 2934:1959: 2909:1959: 2894:かげろう絵図 2884:1959: 2869:濡れ髪三度笠 2859:1959: 2832:1959: 2813:1959: 2788:1959: 2763:1959: 2744:1959: 2729:若き日の信長 2719:1959: 2694:1959: 2675:1959: 2652:1959: 2645:化け猫御用だ 2633:1958: 2610:1958: 2587:1958: 2568:1958: 2545:1958: 2518:1958: 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