150:
112:
132:
22:
287:
173:
149:
111:
65:. A person is seen from behind in the foreground of the image, contemplating the view before them, and is a means by which the viewer can identify with the image's figure and then recreate the space to be conveyed. It is commonly associated with
162:(1830s): " emblematize the contemporary viewer's belatedness ... they belonged precisely to an earlier epoch, one before the advent of landscape; and thus their portrayal as Romantic
84:
motif dates to antiquity and has since been employed in many different eras and styles of art. Before
Friedrich, such figures were not generally the subject of the work.
131:
328:
236:
352:
172:
35:
357:
260:
215:
179:
321:
347:
314:
21:
122:
70:
30:
302:
8:
139:
256:
232:
211:
155:
66:
77:
actually invites identification or rather encourages second-order observation.
298:
207:
199:
92:(1300s) is an early example of non-subject figures turned from the viewer. The
286:
341:
166:
represents less a continuity with Rome than a rift between present and past"
58:
54:
97:
50:
231:(2nd ed.). London and New York: Prestel. pp. 203–222.
85:
62:
294:
73:. In art historical research, it is debated whether the
49:(literally "back-figure") is a compositional device in
204:
Caspar David
Friedrich and the Subject of Landscape
125:(Padova) has figures with their backs to the scene.
253:Visual Proficiency: A Perspective on Art Education
339:
100:. The trope commonly appears in advertisements.
69:painting and particularly the landscape painter
322:
329:
315:
20:
340:
251:Kunibert Bering, Rolf Niehoff (2015),
226:
281:
13:
14:
369:
285:
171:
148:
130:
110:
36:Der Wanderer über dem Nebelmeer
265:
245:
220:
193:
180:Jean Louis Marie Eugène Durieu
16:Figure seen from behind in art
1:
186:
301:. You can help Knowledge by
7:
10:
374:
280:
103:
96:may also take the form of
353:Composition in visual art
358:Artistic technique stubs
293:This article related to
227:Grave, Johannes (2017).
160:Raphael and Michelangelo
123:Cappella degli Scrovegni
25:A famous example of the
229:Caspar David Friedrich
121:(1300s) fresco at the
71:Caspar David Friedrich
40:
31:Caspar David Friedrich
119:Lamentation of Christ
90:Lamentation of Christ
24:
178:Early photograph by
348:Artistic techniques
200:Koerner, Joseph Leo
140:The Art of Painting
41:
310:
309:
255:. Athena-Verlag.
238:978-3-7913-8357-6
156:Carl Gustav Carus
365:
331:
324:
317:
289:
282:
272:
269:
263:
249:
243:
242:
224:
218:
197:
175:
152:
134:
114:
373:
372:
368:
367:
366:
364:
363:
362:
338:
337:
336:
335:
278:
276:
275:
271:Koerner, 278–79
270:
266:
250:
246:
239:
225:
221:
206:, 2nd edition,
198:
194:
189:
182:
176:
167:
153:
144:
135:
126:
115:
106:
67:German Romantic
17:
12:
11:
5:
371:
361:
360:
355:
350:
334:
333:
326:
319:
311:
308:
307:
295:art techniques
290:
274:
273:
264:
244:
237:
219:
208:Reaktion Books
191:
190:
188:
185:
184:
183:
177:
170:
168:
154:
147:
145:
136:
129:
127:
116:
109:
105:
102:
15:
9:
6:
4:
3:
2:
370:
359:
356:
354:
351:
349:
346:
345:
343:
332:
327:
325:
320:
318:
313:
312:
306:
304:
300:
296:
291:
288:
284:
283:
279:
268:
262:
261:9783898967747
258:
254:
248:
240:
234:
230:
223:
217:
216:9781861897503
213:
209:
205:
201:
196:
192:
181:
174:
169:
165:
164:Rückenfiguren
161:
157:
151:
146:
142:
141:
133:
128:
124:
120:
113:
108:
107:
101:
99:
95:
91:
87:
83:
78:
76:
72:
68:
64:
60:
56:
52:
48:
47:
38:
37:
32:
28:
23:
19:
303:expanding it
292:
277:
267:
252:
247:
228:
222:
203:
195:
163:
159:
138:
118:
93:
89:
81:
79:
74:
45:
44:
42:
34:
26:
18:
94:Rückenfigur
82:Rückenfigur
75:Rückenfigur
59:photography
55:graphic art
46:Rückenfigur
27:Rückenfigur
342:Categories
187:References
137:Vermeer's
117:Giotto's
210:, 2009,
98:staffage
51:painting
143:(1660s)
104:Gallery
29:motif:
259:
235:
214:
86:Giotto
61:, and
39:, 1818
297:is a
299:stub
257:ISBN
233:ISBN
212:ISBN
80:The
63:film
43:The
88:'s
33:'s
344::
202:,
158:,
57:,
53:,
330:e
323:t
316:v
305:.
241:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.