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191:, who replaced the former residence and Studio A with a newer, larger recording studio, mastering and editing studios, and administrative offices, while keeping Studio B (the Quonset hut studio) intact. Columbia continued to host sessions for various record labels until 1965, when they began using the studios exclusively with Columbia artists. Between 1962 and 1982, hits by Johnny Cash,
270:, who had experimented with putting together and running a television/film production studio previously, purchased a house at 804 16th Avenue South in Nashville for $ 7500 and tore out the first floor of the house to create a 30 x 35-foot basement recording space with 20-foot high ceiling. Initially called Music City Recordings, it was the first recording studio in what would become
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an engineering room. The new building's address was 804 16th Avenue South (which would become 34 Music Square East when the street was renamed in 1975). The revered Studio B in the
Quonset hut attached to the rear of the building was retained, while the new Studio A, which measured 58 feet by 37 feet wide, and was 25 feet high, opened on 22 October, 1965.
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The same year, Columbia announced plans to demolish the former residential structure housing Studio A in order to construct a new three-story office building with estimated cost of $ 100,000 that included a new, larger recording studio, two editing rooms, two mastering rooms, a musicians lounge, and
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for $ 300,000, with
Columbia assuming operation on February 1st. The sale agreement included a non-compete that the Bradleys would not operate a studio in Davidson County, and would not open another recording studio within two years. Under Columbia ownership, the studios initially continued hosting
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topped the country charts and crossed over to the pop charts, the unique sound of the mixing console's faulty channel rapidly became sought after in
Nashville studios. Snoddy and fellow WSM radio engineer Revis Virgil Hobbs built a stand-alone device entirely based around three 1n270
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film programs in the
Quonset hut, but the demand for recording music in the Quonset hut (which was much larger than the house's basement Studio A) eventually overtook the Bradley's film production business, and the Bradleys purchased a 3-track
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from Decca and built a control room in the
Quonset hut to turn it into Studio B. The Quonset hut location of Studio B also offered sufficient space for recording the musical elements essential to the developing
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sound. "I'm pretty sure what happened was the primary transformer opened up, causing session player Grady Martin's guitar sound to go from clean to bludgeoning", Snoddy told The
Tennessean in 2013. As
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recorded her debut studio album at
Columbia's Nashville studios, and would record there almost exclusively through the 1970s, including several duet albums with
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would be the last to be recorded at the studio before
Columbia closed their Nashville recording studios and converted them to office space.
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In 2011, the Mike Curb
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Philanthropist Mike Curb bought the structure in 2006 and restored it; it is now a recording classroom for
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that would intentionally recreate the novel fuzzy effect, and the two engineers sold their circuit to
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were moved from
Columbia's studios in New York City to Nashville, and that album was followed up by
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bought the structure and had it restored. Studio B was reopened as a recording classroom for
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for Bradley Studios at the intersection of Music Square East and Music Circle South.
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That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde
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In 1963, Johnny Cash returned to the Quonset hut studio and recorded his hit song "
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and many others were produced at the studio. CBS closed the facility in 1982.
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songs. Other artists who recorded at Columbia's Nashville studios included
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Bradley's proposal to build a Nashville recording studio was a response to
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The Bradleys' new studio hosted recording sessions that produced hits for
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Bradley Studios Digital Archive at Country Music Hall of Fame and Museum
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Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever
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A steady string of hits were produced at Bradley Studios, including
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and attached it to the back of the house to create a 78 x 35-foot
1319:"Columbia Buys Bradley Studios; Operation to Continue as Usual"
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1226:"Bradley Studios' Quonset Hut and the Nashville Sound (Bonus)"
979:
How Nashville Became Music City, U.S.A.: 50 Years of Music Row
902:. New York City, US: Oxford University Press. pp. 50–51.
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How Nashville Became Music City, U.S.A.: 50 Years of Music Row
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for filming musical performances, and renamed the studios to
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Music City Recordings, Bradley's Film & Recording Studios
1346:"Nashville's Music City Gives Whole Neighborhood a Facelift"
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Toontrack produced an expansion library for their EZdrummer
230:'s Mike Curb College of Entertainment & Music Business.
156:, the studio produced hundreds of hits by artists including
925:"The Selling Sound: The Rise of the Country Music Industry"
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Inside Nashville's famous Quonset Hut studio at CBC.com
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in the Quonset hut studio (Columbia B). The same year,
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Grammy Award for Best Female Country Vocal Performance
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In January 1962, the Bradleys sold Bradley Studios to
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Music recording studio in Nashville, Tennessee, U.S.
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635:at Columbia A, with the song winning Anderson the
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1269:. National Trust for Historic Preservation. 2016
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1290:"Glenn Snoddy, Fuzz Pedal Inventor, Dead at 96"
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1260:"Recording Studios on Nashville's Music Row"
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1605:Columbia Recording Studio images at Discogs
1567:"Review: Toontrack Traditional Country EZX"
1517:. Mixonline.com. 2009-11-01. Archived from
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1197:"Nashville's Music Row Is Waiting for You"
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1104:Schinder, Scott; Schwartz, Andy (2007).
951:A Guide to Historic Nashville, Tennessee
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433:". In 1958, Bradley asked a 13-year old
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1464:"Quonset Hut Hosts Reunion Celebration"
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1168:"Classic Tracks: Patsy Cline's "Crazy""
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1470:from the original on September 4, 2011
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1417:from the original on November 27, 2022
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1224:Allbritten, Stephen (September 2016).
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313:Bradleys' Film & Recording Studios
187:The facility was purchased in 1962 by
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1195:Flynn, Katherine (28 November 2017).
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927:. Duke University Press. p. 91.
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1010:"The History Of Nashville Recording"
1344:Bates, Mark-Clark (20 April 1963).
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1166:Schultz, Barbara (August 1, 2003).
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954:. The History Press. p. 105.
546:at the studio, and the same year,
460:" at the studios, a defect in the
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899:The Encyclopedia of Country Music
680:at the studio, including the hit
452:In 1961, during the recording of
439:Rockin' Around the Christmas Tree
297:'s recording sessions for Decca.
266:In 1954, Bradley and his brother
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1409:Chenoweth, Paul (May 19, 2014).
46:Nashville, Tennessee, U.S. (1955
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1462:Skates, Sarah (June 30, 2011).
1300:from the original on 2021-06-25
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875:. Hal Leonard. pp. 11–12.
300:In 1955 the Bradleys bought an
140:complex established in 1954 in
1620:Recording studios in Tennessee
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845:. Tennessee Historical Society
839:"Nashville Recording Industry"
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667:If We Make It Through December
511:recording sessions for Decca,
280:Gene Vincent and His Blue Caps
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1630:Music of Nashville, Tennessee
1490:"Historic Quonset Hut Studio"
1438:"Legendary Recording Studios"
1288:Kim, Michelle (24 May 2018).
896:Kingsbury, Paul, ed. (1998).
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1380:Cardona, Nick (9 May 2014).
837:Cusic, Don (March 1, 2018).
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1008:Flans, Robyn (March 1988).
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530:", and would later record "
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1544:Historical Marker Database
1138:(epub ed.). Chicago:
1083:Country Music Hall of Fame
948:Hoobler, James A. (2008).
370:" in 1958. That same year
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99:Columbia Recording Studios
1108:. Greenwood. p. 97.
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641:13th Annual Grammy Awards
587:at the studio, including
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975:Kosser, Michael (2006).
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766:In 2005, philanthropist
263:had a recording studio.
1442:Recording Session Vault
1134:Sanders, Daryl (2020).
983:. Hal Leonard. p.
686:The Most Beautiful Girl
674:recorded his hit album
376:his second studio album
843:Tennessee Encyclopedia
596:Songs of Love and Hate
495:Maestro FZ-1 Fuzz-Tone
423:Walkin' After Midnight
368:It's Only Make Believe
362:'s "Gone", as well as
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253:country music division
542:recorded his #1 song
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486:germanium transistors
475:tone into an unusual
366:'s first hit single "
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1140:Chicago Review Press
404:the Nashville A-Team
142:Nashville, Tennessee
108:Nashville, Tennessee
1142:. pp. 99–100.
677:Behind Closed Doors
574:John Wesley Harding
119:Number of locations
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772:Belmont University
653:For the Good Times
614:recorded her hit "
538:in 1967. In 1963,
412:Anita Kerr Quartet
382:. 1959's #1 song,
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318:Country Style, USA
228:Belmont University
130:Quonset Hut Studio
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1540:"Bradley Studios"
1325:. 27 January 1962
1149:978-1-61373-550-3
1115:978-0-313-33845-8
909:978-0-19-517608-7
784:historical marker
719:Dusty Springfield
618:" at the studio.
616:Harper Valley PTA
590:Songs from a Room
580:Nashville Skyline
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1570:
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1543:
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1519:the original
1509:
1499:20 September
1497:. Retrieved
1494:mikecurb.com
1493:
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1457:
1447:19 September
1445:. Retrieved
1441:
1436:Long, John.
1431:
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1267:newschannel5
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715:George Jones
707:covers album
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528:Ring of Fire
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1474:February 1,
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1413:. Belmont.
1022:5 September
762:Restoration
702:Almost Blue
682:title track
633:title track
628:Rose Garden
610:. In 1968,
593:(1969) and
577:(1967) and
544:Blue Velvet
536:June Carter
481:Don't Worry
458:Don't Worry
437:to record "
419:Patsy Cline
380:Sun Records
372:Johnny Cash
352:Sonny James
309:sound stage
305:Quonset hut
295:Buddy Holly
182:Sonny James
166:Patsy Cline
158:Johnny Cash
1614:Categories
1525:2013-02-01
1304:2021-03-14
1273:August 30,
1089:August 14,
849:August 16,
824:References
739:John Hiatt
727:Patti Page
643:in 1971.
435:Brenda Lee
421:recorded "
396:Teen Angel
356:Young Love
333:orchestras
331:, such as
247:, head of
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174:Brenda Lee
1353:Billboard
1323:Billboard
1294:Pitchfork
808:Music Row
768:Mike Curb
752:'s album
748:In 1982,
723:The Byrds
664:recorded
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646:In 1970,
625:recorded
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565:'s album
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477:distorted
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447:I'm Sorry
417:In 1957,
374:recorded
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287:Roy Acuff
272:Music Row
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197:Bob Dylan
170:Red Foley
154:Music Row
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1468:Archived
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1298:Archived
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490:Gibson
473:guitar
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