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Quasi-Objects

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188: 183: 178: 173: 168: 29: 330:'s Sean Cooper called the album "both an improvement and a disappointment", with the musicians letting "the schtick of let's-make-tracks-entirely-out-of-weird-noises get the better of their aesthetic judgement." 334:'s Mark Richard-San similarly described the album as "too reliant on novelty", and thought that its central gimmick "smothered the music." 588: 539: 525: 480: 417: 560: 214:. Matmos created the album's music by incorporating ordinary sounds recorded around their home. 665: 620: 553: 356: 355:
Sequenced by, sampler, synthesizer , edited by , mixed by, banjo, electric guitar, effects –
532: 446: 660: 473: 398: 8: 581: 574: 595: 567: 518: 203: 126: 62: 546: 466: 331: 504: 211: 108: 654: 613: 375: 360: 350: 85: 57: 638: 327: 160: 344: 28: 489: 366: 207: 95: 41: 264:"Schwitt/Urs" (retitled to "Lift Up Your Hat!" on rereleases) 36: 458: 652: 326:has received mixed reviews from music critics. 474: 165: 426:, 31 March 2001. Retrieved 6 November 2015. 412: 410: 540:The Rose Has Teeth in the Mouth of a Beast 481: 467: 393: 391: 27: 442: 440: 438: 436: 434: 432: 407: 452:Discogs.com. Retrieved 6 November 2015. 388: 653: 429: 589:Regards/Ukłony dla Bogusław Schaeffer 462: 304: 293: 282: 271: 260: 249: 238: 146: 404:AllMusic. Retrieved 6 November 2015. 526:A Chance to Cut Is a Chance to Cure 420:A Chance to Cut is a Chance to Cure 13: 14: 677: 167: 371:Guitar on track 2 – Tim Furnish 217: 186: 181: 176: 171: 166: 16:1998 studio album by Matmos 226: 1: 381: 286:"The Banjo's Categorical Gut" 337: 318: 7: 10: 682: 561:The Marriage of True Minds 488: 374:Slide guitar on track 2 – 253:"Cloth Mother/Wire Mother" 630: 605: 496: 233: 230: 225: 154: 151: 102: 94: 84: 68: 56: 48: 35: 26: 21: 210:, which followed their 621:California Rhinoplasty 349:Cover illustration – 275:"Always Three Words" 142:Professional ratings 582:The Consuming Flame 575:Plastic Anniversary 297:"The Purple Island" 143: 416:Mark Richard-San, 141: 648: 647: 596:Return to Archive 315: 314: 242:"Stupid Fambaloo" 212:self-titled debut 195: 194: 139: 138: 135: 134: 673: 631:Related articles 568:Ultimate Care II 483: 476: 469: 460: 459: 453: 444: 427: 414: 405: 395: 228: 223: 222: 204:electronic music 191: 190: 189: 185: 184: 180: 179: 175: 174: 170: 169: 144: 140: 104: 103: 80: 79: 75: 31: 19: 18: 681: 680: 676: 675: 674: 672: 671: 670: 651: 650: 649: 644: 626: 601: 547:Supreme Balloon 492: 487: 457: 456: 445: 430: 415: 408: 396: 389: 384: 340: 332:Pitchfork Media 321: 316: 220: 187: 182: 177: 172: 130: 121: 112: 77: 73: 72: 44: 17: 12: 11: 5: 679: 669: 668: 663: 646: 645: 643: 642: 634: 632: 628: 627: 625: 624: 617: 609: 607: 603: 602: 600: 599: 592: 585: 578: 571: 564: 557: 554:Treasure State 550: 543: 536: 529: 522: 515: 508: 500: 498: 494: 493: 486: 485: 478: 471: 463: 455: 454: 428: 406: 386: 385: 383: 380: 379: 378: 372: 369: 363: 353: 347: 339: 336: 320: 317: 313: 312: 309: 306: 302: 301: 298: 295: 291: 290: 287: 284: 280: 279: 276: 273: 269: 268: 265: 262: 258: 257: 254: 251: 247: 246: 243: 240: 236: 235: 232: 229: 221: 219: 216: 193: 192: 163: 157: 156: 153: 149: 148: 137: 136: 133: 132: 123: 114: 100: 99: 92: 91: 88: 82: 81: 70: 66: 65: 60: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 678: 667: 666:Matmos albums 664: 662: 659: 658: 656: 641: 640: 636: 635: 633: 629: 623: 622: 618: 616: 615: 614:Full On Night 611: 610: 608: 604: 598: 597: 593: 591: 590: 586: 584: 583: 579: 577: 576: 572: 570: 569: 565: 563: 562: 558: 556: 555: 551: 549: 548: 544: 542: 541: 537: 535: 534: 533:The Civil War 530: 528: 527: 523: 521: 520: 516: 514: 513: 512:Quasi-Objects 509: 507: 506: 502: 501: 499: 497:Studio albums 495: 491: 484: 479: 477: 472: 470: 465: 464: 461: 451: 450:track listing 449: 448:Quasi-Objects 443: 441: 439: 437: 435: 433: 425: 422: 421: 413: 411: 403: 401: 400:Quasi-Objects 397:Sean Cooper, 394: 392: 387: 377: 373: 370: 368: 365:Written by – 364: 362: 358: 354: 352: 348: 346: 342: 341: 335: 333: 329: 325: 324:Quasi-Objects 310: 307: 303: 299: 296: 292: 288: 285: 281: 277: 274: 270: 266: 263: 259: 255: 252: 248: 244: 241: 237: 224: 218:Track listing 215: 213: 209: 205: 201: 200: 199:Quasi-Objects 164: 162: 159: 158: 150: 147:Review scores 145: 129: 128: 124: 120: 119: 118:Quasi-Objects 115: 111: 110: 106: 105: 101: 97: 93: 90:Vague Terrain 89: 87: 83: 71: 67: 64: 61: 59: 55: 52:June 16, 1998 51: 47: 43: 38: 34: 30: 25: 22:Quasi-Objects 20: 637: 619: 612: 594: 587: 580: 573: 566: 559: 552: 545: 538: 531: 524: 517: 511: 510: 503: 447: 423: 419: 399: 376:M.C. Schmidt 361:M.C. Schmidt 351:M.C. Schmidt 323: 322: 198: 197: 196: 125: 117: 116: 107: 37:Studio album 661:1998 albums 357:Drew Daniel 655:Categories 639:Vespertine 418:Review of 382:References 202:is a 1998 98:chronology 63:Electronic 424:Pitchfork 343:Design – 338:Personnel 319:Reception 206:album by 519:The West 328:AllMusic 161:AllMusic 127:The West 49:Released 39: by 345:Rex Ray 308:"Latex" 131:(1999) 122:(1998) 113:(1997) 505:Matmos 490:Matmos 402:review 367:Matmos 234:Length 208:Matmos 155:Rating 152:Source 109:Matmos 96:Matmos 69:Length 42:Matmos 231:Title 86:Label 58:Genre 311:7:39 300:6:59 289:6:07 278:5:14 267:5:05 256:5:08 245:4:55 606:EPs 227:No. 657:: 431:^ 409:^ 390:^ 359:, 305:7. 294:6. 283:5. 272:4. 261:3. 250:2. 239:1. 78:49 74:39 482:e 475:t 468:v 76::

Index


Studio album
Matmos
Genre
Electronic
Label
Matmos
Matmos
The West
AllMusic
electronic music
Matmos
self-titled debut
AllMusic
Pitchfork Media
Rex Ray
M.C. Schmidt
Drew Daniel
M.C. Schmidt
Matmos
M.C. Schmidt


Quasi-Objects review


Review of A Chance to Cut is a Chance to Cure


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