229:
519:
590:
859:
359:
186:
475:(1982). Both projects focus on the increase of ecological awareness through a green urban design process, bringing Denes to plant a two-acre field of wheat in downtown Manhattan and Beuys to plant 7000 oaks coupled with basalt blocks in Kassel, Germany in a guerrilla or community garden fashion. In recent years, programs of green urban regeneration aiming at converting abandoned lots into green areas regularly include public art programs. This is the case for High Line Art, 2009, a commission program for the
661:
645:
746:
177:, where the artwork is "created in response to the place and community in which it resides" and by the relationship between its content and the public. Cher Krause Knight states that "art's publicness rests in the quality and impact of its exchange with audiences ... at its most public, art extends opportunities for community engagement but cannot demand particular conclusion,” it introduces social ideas but leaves room for the public to come to their own conclusions.
301:
36:
127:) lacks official or tangible public sanction has not been recognized as part of the public art genre, however this attitude is changing due to the efforts of several street artists. Such unofficial artwork may exist on private or public property immediately adjacent to the public realm, or in natural settings but, however ubiquitous, it sometimes falls outside the definition of public art by its absence of public process or public sanction as "bona fide" public art.
94:
421:
136:
2306:
1021:
Online databases of local and regional public art emerged in the 1990s and 2000s in tandem with the development of web-based data. Online public art databases can be general or selective (limited to sculptures or murals), and they can be governmental, quasi-governmental, or independent. Some online
402:
programs, a structure for funding public art still utilized today. This program allotted one half of one percent of total construction costs of all government buildings to the purchase of contemporary
American art for them. A-i-A helped solidify the policy that public art in the United States should
720:
In the 21st
Century public art has often been a significant component of public realm projects in UK cities and towns, often via engagement with local residents where artists will work with the community in developing an idea or sourcing content to be featured in the artwork. Examples would include
490:
The 1980s also witnessed the institutionalization of sculpture parks as curated programs. While the first public and private open-air sculpture exhibitions and collections dating back to the 1930s aimed at creating an appropriate setting for large-scale sculptural forms difficult to show in museum
546:
In another public artwork titled "Mission leopard" was commissioned in 2016 in
Haryana, India, among the remote deciduous terrain of Tikli village a team coordinated by Artist Hunny Mor painted two leopards perched on branches on a water source tank 115 feet high. The campaign was aimed to spread
393:
but was wrought with propaganda goals. New Deal art programs were intended to develop national pride in
American culture while avoiding addressing the faltering economy. Although problematic, New Deal art programs such as FAP altered the relationship between the artist and society by making art
215:
Some public art is planned and designed for stability and permanence. Its placement in, or exposure to, the physical public realm requires both safe and durable materials. Public artworks are designed to withstand the elements (sun, wind, water) as well as human activity. In the United States,
406:
The approach to public art radically changed during the 1970s, following the civil rights movement's claims on public space, the alliance between urban regeneration programs and artistic efforts at the end of the 1960s, and revised ideas of sculpture. Public art acquired a status beyond mere
115:
whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor
601:
Some public art is designed to encourage direct hands-on interaction. Examples include public art that contain interactive musical, light, video, or water components. For example, the architectural centerpiece in front of the
Ontario Science Centre is a fountain and musical instrument
411:
and urban or regional
Percent for Art programs in the United States and Europe. Moreover, public art discourse shifted from a national to a local level, consistent with the site-specific trend and criticism of institutional exhibition spaces emerging in contemporary art practices.
765:
The term "curated public art" is used to define the way of producing public art that significantly takes into account the context, the process and the different actors involved. It defines itself slightly differently from top-down approaches of direct commissioning.
198:
Public art is often characterized by community involvement and collaboration. Public artists and organizations often work in conjunction with architects, fabricators/construction workers, community residents and leaders, designers, funding organizations, and others.
769:
If it mainly designates the fact that a curator conducts and supervises the realization of a public art work for a third party, it can also mean that the art work is produced by a community or public who commissions a work in collaboration with a curator-mediator.
968:, a huge inflatable maze erected in Chester-le-Street, County Durham, killed two women and seriously injured a three-year-old girl in 2006 when a strong wind broke its moorings and carried it 30 ft (9.1 m) into the air, with thirty people trapped inside.
116:
settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
538:
since the 1980s, includes economical, social, and ecological aspects. A sustainable public art work would include plans for urban regeneration and disassembly. Sustainability has been widely adopted in many environmental planning and engineering projects.
157:
Common characteristics of public art are public accessibility, public realm placement, community involvement, public process (including public funding); these works can be permanent or temporary. According to the curator and art/architecture historian,
708:
is an example of an interactive, social activist public art project. Rather than metaphorically reflecting social issues, new genre public art strove to explicitly empower marginalized groups while maintaining aesthetic appeal. An example was curator
1056:
project began in 2009 and strove to document public art around the globe. While this project received initial attention from the academic community, it mainly relied on temporary student contributions. Its status is currently unknown.
923:
has been a focus for local politicians and other groups complaining about the governance of the town and allocation of resources. Artists and cultural leaders mounted a campaign to rehabilitate the reputation of the work with the
1049:, and others. Public Art Online, maintains a database of public art works, essays and case studies, with a focus on the UK. The Institute for Public Art, based in the UK, maintains information about public art on six continents.
407:
decoration and visualization of official national histories in public space. Public art became much more about the public. This perspective was reinforced in the 1970s by urban cultural policies, for example the New York-based
618:
in
Detroit, Michigan of a large outdoor mandala of lights that reacted in complex ways to sounds and movements detected by radar (mistakenly destroyed 25 years later). Another example is Rebecca Hackemann's two works
202:
Public art is often created and provided within formal "art in public places" programs that can include community arts education and art performance. Such programs may be financed by government entities through
1841:
455:
and ecological issues surfaced in public art practice both as a commission motive and as a critical focus by artists. The individual, Romantic retreat element implied in the conceptual structure of
246:
The following forms of public art identify to what extent public art may be physically integrated with the immediate context or environment. These forms, which can overlap, employ different
684:
In the 1990s, some artists called for artistic social intervention in public space. These efforts employed the term "new genre public art" in addition to the terms "contextual art", "
2693:
2290:
997:
1033:
There are dozens of non-government organizations and educational institutions that maintain online public art databases of public artworks covering numerous areas, including the
622:
903:
in New York City in 1989 after office workers complained their work routine was disrupted by the piece. A public court hearing ruled against continued display of the work.
170:
Public art is publicly accessible, both physically and/or visually. When public art is installed on privately owned property, general public access rights still exist.
381:
In the 1930s, the production of national symbolism implied by 19th century monuments began being regulated by long-term national programs with propaganda goals (
814:, 1991) is based on a commissioning system that brings together the community, the artist and the commissioning institution for the realization of the project.
637:
008, 20013, 2021, 2022. The Public
Utteraton Machines records people's opinions of other public art in New York, such as Jeff Koon's Split Rocker and displays
610:
where people can produce sounds by blocking water jets to force water through sound-producing mechanisms. An early and unusual interactive public artwork was
2749:
228:
2219:
487:, 2012, an urban park derived from the partial conversion of a railway station in Berlin which hosts, since 2012, an open-air contemporary art exhibition.
2599:
2493:
2238:
1866:
1447:
3673:
3452:
2507:
2328:
1764:
510:(1986) in Texas, which advocates for the permanent nature of large-scale installations whose fragility may be destroyed when re-locating the work.
3402:
3202:
782:
2476:
1001:
557:
is an example of an artist whose works constitute temporary public art works in the form of public food gardens that addresses sustainability,
311:
46:
638:
1738:
1920:
3722:
3457:
2742:
2059:
3165:
1946:
547:
awareness on co-habitation and environmental conservation. The art work can be seen from several miles across in all directions.
2196:
1650:
1630:
526:
Public art faces a design challenge by its very nature: how best to activate the images in its surroundings. The concept of “
950:'s garden represented the gallows used in seven government hangings. Native American groups found the work offensive, as 38
773:
For the first, significant examples of these prospective manners of commissioning art projects have been established by the
3479:
2735:
717:" that investigated social systems though engagement with audiences that typically did not visit traditional art museums.
3601:
2917:
1739:"Interview with Rafael Schacter, Author of the Amazing New Book: The World Atlas of Street Art and Graffiti ~ L.A. TACO"
700:
as "socially engaged, interactive art for diverse audiences with connections to identity politics and social activism".
3611:
3501:
1555:
1530:
1403:
1279:
925:
1894:
3669:
3435:
2707:
2179:
1580:
1434:
1350:
1249:
345:
216:
unlike gallery, studio, or museum artworks, which can be transferred or sold, public art is legally protected by the
80:
2712:
1713:
518:
459:, and its will to reconnect the urban environment with nature, is turned into a political claim in projects such as
3665:
3636:
3579:
1053:
2127:
2637:
1034:
1023:
916:
822:
Memorials for individuals, groups of people or events are sometimes represented through public art. Examples are
589:
1367:
1038:
984:
was considered so visually offensive that it was moved several times and referred by much of the public by the
17:
3589:
3278:
2256:
1005:
847:
3606:
3440:
3242:
1066:
484:
3596:
3574:
3395:
2721:
705:
628:
3621:
3506:
2439:
1078:
985:
758:
2656:
499:, New York (1985) reflect the necessity of a permanent relationship between the artwork and its site.
2395:
835:
217:
3660:
3653:
3631:
3254:
1842:"Gurgaon needs public art on wildlife conservation, say artists who painted leopards on water tank"
1027:
327:
62:
2457:
Monument Wars: Washington, DC, the
National Mall, and the Transformation of the Memorial Landscape
2271:
1083:
737:
includes local residents own stories alongside official civic history and the town's origin myth.
3584:
3445:
3102:
2910:
2717:
1473:
1088:
877:
Public art is sometimes controversial. The following public art controversies have been notable:
531:
282:
ephemeral (or non-permanent): performances, temporary installations: for example, a precarious
3616:
3559:
3383:
2884:
929:
887:
was controversial for several decades since its inception in 1986 due to its garish appearance.
2353:. IXIA - Public Art Think Tank (owner and manager of Public Art Online/Arts Council of England
279:
installation (where artwork and site are mutually embedded): for example, transit station art
3643:
3564:
3549:
3310:
3197:
3160:
1972:
981:
665:
607:
3429:
3516:
3469:
3266:
3155:
2974:
1098:
827:
143:
1316:
8:
3717:
3569:
3533:
3511:
3390:
3305:
2944:
2604:
2220:"Sam Durant Sculpture of Gallows in Minneapolis to be Dismantled and Ceremonially Burned"
1128:
971:
958:. The artist agreed to dismantle and permit the tribal elders to burn and bury the piece.
693:
632:
573:
395:
382:
1788:
858:
3691:
3474:
3300:
3150:
2903:
2573:
Spirit Poles and Flying Pigs: Public Art and
Cultural Democracy in American Communities
2512:
2250:
2102:
2040:
1977:
1688:
1619:
1215:
1177:
1009:
955:
933:
884:
866:
649:
554:
507:
430:
185:
2309:. Smithsonian American Art Museum; Smithsonian Institution Research Information System
1134:
358:
3648:
3626:
3554:
3295:
3109:
3028:
2959:
2866:
2445:
2291:'From yellow peril to pure gold: 40 years on, Vault has been vindicated', RAY EDGAR,
2175:
1651:"Public Art Resource Center: Intertwining Practices of Public Art and Arts Education"
1626:
1576:
1551:
1526:
1430:
1399:
1346:
1275:
1245:
1118:
1093:
976:
947:
881:
831:
714:
689:
385:, United States; Cultural Office, Soviet Union). Programs like President Roosevelt's
236:
174:
2044:
319:
54:
3528:
3330:
3325:
3315:
3114:
2984:
2538:
2094:
2032:
1485:
1169:
440:
390:
220:
of 1990 (VARA) which requires an official deaccession process for sale or removal.
2627:, (catalog for exhibition of the same name, at University of Bremen), Bremen, 1976
1921:"Gardens 'This is no damn hobby': the 'gangsta gardener' transforming Los Angeles"
795:
3686:
3496:
3464:
3358:
3335:
3050:
2806:
2698:
2688:
2651:
2156:
1871:
1811:
1393:
1113:
1042:
911:
778:
774:
734:
726:
710:
540:
408:
399:
323:
204:
190:
159:
98:
58:
2895:
1814:, “Sculpture in the Expanded Field”, in: October, vol. 8, spring 1979, pp. 30-44
798:
in 1990 with the idea a project can respond to a community's wish. The New York
257:
integrated (into façades, pavements, or landscapes): for example, bas reliefs,
3350:
3340:
3237:
3119:
2954:
2350:
906:
870:
685:
535:
527:
492:
452:
283:
232:
165:
839:
3711:
3489:
3378:
3368:
3290:
3129:
3124:
3023:
2799:
2683:
2060:"Fundred Dollar Bill Project Aims to Fix New Orleans' Lead-Contaminated Soil"
1046:
951:
890:
603:
594:
568:
558:
480:
240:
1490:
530:” arises in response to the perceived environmental deficiencies of a city.
119:
Independent art created or staged in or near the public realm (for example,
3373:
3055:
2979:
2789:
2769:
989:
961:
900:
803:
754:
730:
722:
697:
660:
644:
578:
562:
468:
362:
112:
1895:"Meet the "Gangsta Gardener" Changing South Central Los Angeles With Soil"
777:
launched by Doris C. Freedman in 1977, with a new approach in the way the
3696:
3484:
3363:
3285:
3249:
3232:
3222:
3187:
3065:
3038:
3033:
2994:
2989:
2926:
2846:
2841:
2821:
2784:
2758:
2036:
790:
745:
503:
464:
434:
403:
be truly owned by the public. It also promoted site-specific public art.
276:
applied (to a surface): for example, murals, building-mounted sculptures
258:
2372:
1714:"Forms of Public Art | Western Australia Department of Arts and Culture"
1692:
1676:
1219:
1203:
1000:
regarding monuments in the United States, many of which have to do with
3523:
3418:
3273:
3261:
3227:
3182:
3172:
3075:
2871:
2826:
2568:
2450:
500 x Art in Public: Masterpieces from the Ancient World to the Present
2396:"Scholars Use Knowledge to Save Public Art From the Dustbin of History"
939:
895:
611:
550:
266:
124:
2106:
2082:
1999:
1181:
1157:
733:
where a 35m long text artwork in the public square outside the town's
250:
of public art that suit a particular form of environment integration.
3192:
3082:
2999:
2930:
2861:
2831:
2428:
2425:
The Everyday Practice of Public Art: Art, Space, and Social Inclusion
2023:
Pallas, Jim (2017). "Century of Light Shines for Twenty-Five Years".
1073:
799:
476:
437:
93:
2128:"Historic heart of Grimsby re-opened to public after ÂŁ1.8m makeover"
1244:. Ann Arbor and London: UMI Research Press (University of Michigan.
420:
3423:
3320:
3060:
3045:
3016:
2969:
2856:
2836:
2625:
Kunst im Stadtbild - Von Kunst am Bau zu Kunst im öffentlichen Raum
2620:. Michigan State University Center for Urban Affairs, Lansing, 1978
2098:
1173:
1108:
920:
823:
811:
701:
543:
is a challenge to respond the needs of an opening space in public.
522:
The Gangsta Gardener, Ron Finley, in one of his public food gardens
456:
444:
425:
386:
262:
120:
2671:
2666:
2623:
Herlyn, Sunke, Manske, Hans-Joachim, and Weisser, Michael (eds.).
1448:"Rafael Schacter and His "World Atlas of Street Art and Graffiti""
135:
3177:
3087:
2964:
2949:
2816:
2779:
2464:
Temporary Art and Public Place: Comparing Berlin with Los Angeles
2144:
151:
147:
2580:
Critical Issues in Public Art: Content, Context, and Controversy
2197:"'Scaffold' sculpture's wood to be buried, Dakota official says"
235:'s "The House That Will Not Pass for Any Color Than its Own" in
3145:
3097:
3092:
3011:
2811:
2702:
1867:"Guerrilla Gardener Sparks Food Revolution in South Central LA"
1123:
1103:
807:
802:
from 2009 is a good example although less art is involved. The
496:
270:
2727:
1030:. It currently holds over six thousand works in its database.
3006:
2794:
669:
653:
166:
Public accessibility: placement in public space/public realm
2466:. European University Studies, Peter Lang Publishers, 2009.
785:
project involving a very large urban environnement in 2005.
696:", and "activist art". "New genre public art" is defined by
2272:"Peril in the Square: The Sculpture that Challenged a City"
1656:. Americans for the Arts Public Arts Resource Center (PARC)
553:'s work as the Gangsta Gardener (or Guerrilla Gardener) of
656:, 2005), which everybody can modify by using a cell phone.
479:, derived from the conversion of a portion of railroad in
254:
stand alone: for example, sculptures, statues, structures
2774:
108:
2676:
2550:
In/Different Spaces: Place and Memory in Visual Culture
2452:. Braun Publishing, 1. Auflage, 2011, 309 S., in Engl.
2373:"Institute for Public Art: Research. Network. Advocacy"
1302:. Maastrict/De Balie, Amsterdam: Jan van Eyck Akademie.
673:
2375:. Institute for Public Art/Network for Public Art, LTD
2134:. May 28, 2021 – via www.grimsbytelegraph.co.uk.
1947:"Andrea Zittel discusses her work for IMA's 100 Acres"
2557:
Art, Space and the City: Public Art and Urban Futures
2245:. London. Archived from the original on 12 June 2008.
1343:
Space, Site, Intervention: Situating Installation Art
863:
Sculpture for an objective experience of architecture
781:
was used, or the public art funds of Geneva with the
389:
facilitated the development of public art during the
1575:. New York: John Wiley & Sons, Inc. p. 23.
980:, an abstract yellow polygonal structure erected in
593:
Public sculpture that is also a musical instrument (
2677:
CultureNOW's MuseumWithoutWalls Public Art Database
2481:
Stadt, Umbau, Kunst: Sofas und Badewannen aus Beton
2611:Kunst im öffentlichen Raum. Anstöße der 80er Jahre
2471:Outdoor Monuments of Manhattan: A Historical Guide
1618:
2925:
753:, Bonamouti-Deido, Douala, 2010. Commissioned by
180:
3709:
2563:Academy Group Ltd. Public Art, Art & Design
1886:
1525:. New York: Rizzoli International Publications.
513:
443:with fire jets, fog machines, and a fountain in
130:
3403:Timeline of 20th century printmaking in America
2436:Public Artopia: Art in Public Space in Question
1912:
1365:
394:accessible to all people. The New Deal program
1858:
1345:. Minneapolis: University of Minnesota Press.
1149:
376:
2911:
2743:
2720:, web dossier compiled by the library of the
2423:Cartiere, Cameron, and Martin Zebracki, eds.
1938:
1265:
1263:
1261:
581:with which participants can actively engage.
308:The examples and perspective in this article
43:The examples and perspective in this article
2174:. London, United Kingdom: Pall Mall Press.
1789:"Silence / Shapes – Filippo Minelli Studio"
1644:
1642:
1269:
597:) by Steve Mann, which the public can play.
415:
2918:
2904:
2750:
2736:
2713:Public sculpture in Cape Town South Africa
2169:
1964:
1612:
1427:The World Atlas of Street Art and Graffiti
1258:
2578:Senie, Harriet, and Sally Webster, eds.
2533:Mapping the Terrain: New Genre Public Art
2163:
1668:
1621:Public Art: theory, practice and populism
1610:
1608:
1606:
1604:
1602:
1600:
1598:
1596:
1594:
1592:
1489:
1471:
1340:
1004:dedicated to soldiers and leaders of the
584:
346:Learn how and when to remove this message
81:Learn how and when to remove this message
2692:) is being considered for deletion. See
2552:. University of California Press, 1996.
2483:in: STADTundRAUM, H., S. 62–65, 2/2006.
1892:
1639:
1516:
1514:
1512:
1510:
1508:
1334:
1293:
1291:
1155:
857:
744:
659:
643:
588:
517:
419:
357:
290:
227:
184:
162:, public art brings art closer to life.
134:
92:
2667:Infecting the City Public Arts Festival
2459:. University of California Press, 2009.
2269:
2217:
2211:
1681:Soundings: An Interdisciplinary Journal
1545:
1539:
1366:Ellsworth-Jones, Will (February 2013).
1016:
679:
648:An outdoor interactive installation by
14:
3710:
2594:Art For Public Places: Critical Essays
2519:Public Art. Kunst im öffentlichen Raum
2393:
2263:
2236:
2057:
2022:
1970:
1944:
1918:
1864:
1762:
1674:
1616:
1589:
1570:
1391:
817:
223:
2899:
2731:
2618:The Lansing Area Arts Attitude Survey
2331:. Americans for the Arts. 15 May 2019
2218:Miranda, Carolina A. (June 1, 2017).
2080:
2074:
1840:Patra, Pratyush (November 26, 2016).
1839:
1520:
1505:
1385:
1317:"Americans for the Arts | Public Art"
1300:Place, Position, Presentation, Public
1288:
1239:
1201:
794:launched by Fondation de France with
740:
2299:
2239:"Women killed as artwork floats off"
2194:
2188:
2051:
1973:"100 Acres to Roam, No Restrictions"
1865:Crouch, Angie (September 22, 2020).
1826:, in Zurich, Switzerland, 1931, and
1311:
1309:
1233:
1195:
294:
194:, designed 1962–1963, installed 1967
29:
2708:Public sculpture in Perth Australia
2543:Evictions: Art and Spatial Politics
2394:Miller, Mary Helen (4 April 2010).
2365:
2343:
2321:
1465:
1359:
502:This relationship also develops in
24:
3723:Types of art museums and galleries
3502:Index of painting-related articles
2473:. New York University Press, 2007.
1971:Sheets, Hillary M. (9 June 2010).
1472:Bacharach, Sondra (October 2015).
1297:
1204:"Public Art, Eyesore to Eye Candy"
926:Baltic Centre for Contemporary Art
577:that reference sustainability and
25:
3734:
2696:to help reach a consensus. ›
2631:
2616:Love, Suzanne, and Kim Dammers.
2400:The Chronicle of Higher Education
1893:McNeilly, Claudia (6 June 2017).
1306:
873:, Kivik Art Centre, Sweden (2008)
491:galleries, installations such as
451:Between the 1970s and the 1980s,
2083:"New Genre Public Art Education"
1919:Weston, Phoebe (28 April 2020).
1648:
1625:. Oxford: Blackwell Publishing.
853:
788:For the second one can refer to
633:Visionary Sightseeing Binoculars
299:
286:or an instance of colored smoke.
34:
2757:
2417:
2387:
2284:
2230:
2149:
2138:
2120:
2062:. WWNO/New Orleans Public Radio
2058:Abrams, Eve (5 November 2009).
2016:
1992:
1833:
1817:
1805:
1781:
1756:
1731:
1718:Government of Western Australia
1706:
1564:
1440:
1419:
1208:Landscape Architecture Magazine
1035:National Endowment for the Arts
1024:Smithsonian American Art Museum
844:Cenotaph for the A-bomb Victims
173:Public art is characterized by
2145:https://www.publicartfund.org/
1945:Eishen, James (23 June 2010).
1763:Brooks, Raillan (2013-12-06).
1341:Suderburg, Erika, ed. (2000).
1084:Canary Wharf Art Trail, London
181:Public process, public funding
13:
1:
2681:
2237:Stokes, Paul (24 July 2006).
2195:Kerr, Euan (September 2017).
2157:"Les Nouveaux commanditaires"
1677:"Public Art and Public Space"
1546:Doherty, Claire, ed. (2009).
1478:British Journal of Aesthetics
1398:. New York: Harry N. Abrams.
1156:Phillips, Patrica C. (1989).
1142:
1006:Confederate States of America
848:Hiroshima Peace Memorial Park
629:The Urban Field Glass Project
514:Sustainability and public art
131:Characteristics of public art
3441:Museum collection management
3364:Art history (academic study)
3243:alternative exhibition space
2657:Resources in other libraries
2502:Mobile A2K Methodology guide
2329:"Public Art Resource Center"
2270:Attwood, Alan (2004-06-19).
1617:Knight, Cher Krause (2008).
1573:Privately Owned Public Space
1550:. Cambridge, MA: MIT Press.
1274:. Cambridge, MA: MIT Press.
1158:"Temporality and Public Art"
1067:Category:Lists of public art
836:AIDS Monument in New Orleans
571:has produced works, such as
461:Wheatfield – A Confrontation
210:
7:
3602:Colossal sculptures in situ
3306:Artist-in-residence program
2575:. Smithsonian Books, 1995.
1240:Raven, Arlene, ed. (1989).
1060:
791:Les Nouveaux Commanditaires
706:Fundred Dollar Bill Project
377:United States, 20th century
322:, discuss the issue on the
57:, discuss the issue on the
10:
3739:
3612:Contemporary art galleries
3507:Outline of the visual arts
2440:Amsterdam University Press
1571:Kayden, Jerold S. (2000).
1242:Art in the Public Interest
1079:Association for Public Art
1064:
759:SUD Salon Urbain de Douala
463:(1982) by American artist
3682:
3542:
3411:
3349:
3213:
3138:
2937:
2880:
2765:
2652:Resources in your library
2307:"Art Inventories Catalog"
2255:: CS1 maint: unfit URL (
2000:"Pallas/Century of Light"
1675:Fisher, David J. (1996).
1521:Jacob, Mary Jane (1992).
1452:www.brooklynstreetart.com
1368:"The Story Behind Banksy"
1270:Finklepearl, Tom (2001).
946:(2017), installed in the
713:'s 1993 public art show "
664:Public art on display at
218:Visual Artists Rights Act
3666:Most expensive paintings
3453:Conservation-restoration
3255:Contemporary art gallery
2694:templates for discussion
2486:Goldstein, Barbara, ed.
2170:Kultermann, Udo (1970).
1474:"Street Art and Consent"
1392:Deitch, Jeffrey (2010).
1028:Archives of American Art
936:about the piece in 2003.
416:Environmental public art
3674:works by living artists
3436:Classificatory disputes
2592:Miles, Malcolm, et al.
2582:. HarperCollins, 1992.
2526:Dialogues in Public Art
2524:Finkelpearl, Tom, ed.
1272:Dialogues in Public Art
1202:Smith, Roberta (2008).
1089:Environmental sculpture
1022:databases, such as the
725:'s 'Come Follow Me' in
532:Sustainable development
2885:List of artistic media
2722:African Studies Centre
2488:Public Art by the Book
1830:, 1932, South Carolina
1793:www.filippominelli.com
1321:Americans for the Arts
1054:WikiProject Public art
998:numerous controversies
986:racist colour metaphor
930:Jane and Louise Wilson
928:commissioning artists
874:
762:
676:
657:
598:
585:Interactive public art
523:
448:
373:
243:
195:
154:
101:
3311:Artist-run initiative
3198:Visual arts education
2587:On the Museum's Ruins
1491:10.1093/aesthj/ayv030
982:Melbourne City Square
861:
748:
663:
647:
621:The Public Utteraton
592:
521:
423:
361:
291:History of public art
231:
188:
138:
96:
3607:Contemporary artists
3470:Destination painting
3267:Single-artist museum
3156:Conservator-restorer
2718:Public art in Africa
2531:Lacy, Susanne, ed.
2081:Green, Gaye (1999).
2037:10.1162/LEON_a_01151
1429:", September, 2013;
1372:Smithsonian Magazine
1099:Lock On (street art)
1017:Online documentation
893:'s minimalist piece
828:Vietnam War Memorial
680:New genre public art
328:create a new article
320:improve this article
310:may not represent a
144:Niki de Saint Phalle
63:create a new article
55:improve this article
45:may not represent a
3597:Art reference books
3391:History of painting
2975:Fine-art photograph
2672:Public Art Archive™
2434:Zebracki, Martin.
2351:"Public Art Online"
2243:The Daily Telegraph
1298:Gevers, Ine (ed.).
1129:Street installation
972:Ron Robertson-Swann
818:Memorial public art
694:community-based art
574:Indianapolis Island
506:’s project for the
396:Art-in-Architecture
383:Federal Art Project
224:Forms of public art
27:Art in public space
3692:Visual arts portal
3622:National galleries
3475:Eclecticism in art
3430:Catalogue raisonné
3301:Artist cooperative
2589:. MIT Press, 1993.
2545:. MIT Press, 1998.
2535:. Bay Press, 1995.
2528:. MIT Press, 2000.
2469:Durante, Dianne.
1978:The New York Times
1846:The Times of India
1828:Brookgreen Gardens
1769:The New York Times
1523:Places with a Past
1425:Rafael Schacter, "
1010:American Civil War
956:Mankato, Minnesota
934:video installation
885:Heidelberg Project
875:
867:David Chipperfield
830:in Washington DC,
763:
741:Curated public art
692:", "dialog art", "
677:
658:
650:Maurizio Bolognini
599:
555:South Central L.A.
534:, promoted by the
524:
508:Chinati Foundation
449:
431:Jean-Paul Riopelle
398:(A-i-A) developed
374:
370:Stationary traffic
273:, digital lighting
244:
196:
155:
102:
3705:
3704:
3296:Artist collective
3110:Site-specific art
2960:Cultural artifact
2893:
2892:
2867:Site-specific art
2638:Library resources
2585:Crimp, Douglas.
2555:Miles, Malcolm.
2548:Burgin, Victor.
2539:Deutsche, Rosalyn
2521:, Ostfildern 2001
2446:Chris van Uffelen
2224:Los Angeles Times
1632:978-1-4051-5559-5
1119:Site-specific art
1094:List of sculptors
954:had been hung at
948:Walker Art Center
899:was removed from
715:Culture in Action
690:participatory art
356:
355:
348:
330:, as appropriate.
237:Battery Park City
91:
90:
83:
65:, as appropriate.
16:(Redirected from
3730:
3661:Stolen paintings
3529:Sociology of art
3480:Economics of art
3331:Sculpture garden
3316:Artist-run space
3115:Social sculpture
2985:Installation art
2920:
2913:
2906:
2897:
2896:
2752:
2745:
2738:
2729:
2728:
2608:
2600:Volker Plagemann
2516:
2494:Federica Martini
2411:
2410:
2408:
2406:
2391:
2385:
2384:
2382:
2380:
2369:
2363:
2362:
2360:
2358:
2347:
2341:
2340:
2338:
2336:
2325:
2319:
2318:
2316:
2314:
2303:
2297:
2288:
2282:
2281:
2279:
2278:
2267:
2261:
2260:
2254:
2246:
2234:
2228:
2227:
2215:
2209:
2208:
2206:
2204:
2192:
2186:
2185:
2167:
2161:
2160:
2153:
2147:
2142:
2136:
2135:
2124:
2118:
2117:
2115:
2113:
2078:
2072:
2071:
2069:
2067:
2055:
2049:
2048:
2020:
2014:
2013:
2011:
2010:
1996:
1990:
1989:
1987:
1985:
1968:
1962:
1961:
1959:
1957:
1942:
1936:
1935:
1933:
1931:
1916:
1910:
1909:
1907:
1905:
1890:
1884:
1883:
1881:
1879:
1862:
1856:
1855:
1853:
1852:
1837:
1831:
1821:
1815:
1809:
1803:
1802:
1800:
1799:
1785:
1779:
1778:
1776:
1775:
1760:
1754:
1753:
1751:
1750:
1735:
1729:
1728:
1726:
1724:
1710:
1704:
1703:
1701:
1699:
1672:
1666:
1665:
1663:
1661:
1655:
1646:
1637:
1636:
1624:
1614:
1587:
1586:
1568:
1562:
1561:
1543:
1537:
1536:
1518:
1503:
1502:
1500:
1498:
1493:
1469:
1463:
1462:
1460:
1459:
1444:
1438:
1423:
1417:
1416:
1414:
1412:
1389:
1383:
1382:
1380:
1378:
1363:
1357:
1356:
1338:
1332:
1331:
1329:
1327:
1313:
1304:
1303:
1295:
1286:
1285:
1267:
1256:
1255:
1237:
1231:
1230:
1228:
1226:
1199:
1193:
1192:
1190:
1188:
1153:
1002:public monuments
996:There have been
749:Salifou Lindou,
639:responses online
493:Noguchi's Garden
467:, as well as in
391:Great Depression
366:Ruhender Verkehr
351:
344:
340:
337:
331:
303:
302:
295:
175:site specificity
86:
79:
75:
72:
66:
38:
37:
30:
21:
3738:
3737:
3733:
3732:
3731:
3729:
3728:
3727:
3708:
3707:
3706:
3701:
3687:Painting portal
3678:
3585:sculpture parks
3538:
3497:Elements of art
3465:Cultural policy
3407:
3359:Timeline of art
3345:
3336:Sculpture trail
3215:
3209:
3134:
3051:Performance art
2933:
2924:
2894:
2889:
2876:
2807:Decorative arts
2761:
2756:
2697:
2663:
2662:
2661:
2646:
2645:
2641:
2634:
2602:
2569:Doss, Erika Lee
2565:. London, 1996
2510:
2508:Florian Matzner
2462:Powers, John.
2455:Savage, Kirk.
2420:
2415:
2414:
2404:
2402:
2392:
2388:
2378:
2376:
2371:
2370:
2366:
2356:
2354:
2349:
2348:
2344:
2334:
2332:
2327:
2326:
2322:
2312:
2310:
2305:
2304:
2300:
2289:
2285:
2276:
2274:
2268:
2264:
2248:
2247:
2235:
2231:
2216:
2212:
2202:
2200:
2193:
2189:
2182:
2168:
2164:
2155:
2154:
2150:
2143:
2139:
2126:
2125:
2121:
2111:
2109:
2079:
2075:
2065:
2063:
2056:
2052:
2021:
2017:
2008:
2006:
1998:
1997:
1993:
1983:
1981:
1969:
1965:
1955:
1953:
1943:
1939:
1929:
1927:
1917:
1913:
1903:
1901:
1891:
1887:
1877:
1875:
1872:NBC Los Angeles
1863:
1859:
1850:
1848:
1838:
1834:
1822:
1818:
1812:Rosalind Krauss
1810:
1806:
1797:
1795:
1787:
1786:
1782:
1773:
1771:
1761:
1757:
1748:
1746:
1737:
1736:
1732:
1722:
1720:
1712:
1711:
1707:
1697:
1695:
1673:
1669:
1659:
1657:
1653:
1647:
1640:
1633:
1615:
1590:
1583:
1569:
1565:
1558:
1544:
1540:
1533:
1519:
1506:
1496:
1494:
1470:
1466:
1457:
1455:
1446:
1445:
1441:
1424:
1420:
1410:
1408:
1406:
1390:
1386:
1376:
1374:
1364:
1360:
1353:
1339:
1335:
1325:
1323:
1315:
1314:
1307:
1296:
1289:
1282:
1268:
1259:
1252:
1238:
1234:
1224:
1222:
1214:(12): 128–127.
1200:
1196:
1186:
1184:
1154:
1150:
1145:
1140:
1114:Sculpture trail
1069:
1063:
1043:Public Art Fund
1019:
915:in the English
912:Apollo Pavilion
856:
820:
779:percent for art
775:Public Art Fund
743:
711:Mary Jane Jacob
682:
616:entury of Light
587:
541:Sustainable art
516:
418:
409:Public Art Fund
400:percent for art
379:
372:, Cologne, 1969
352:
341:
335:
332:
317:
304:
300:
293:
226:
213:
205:Percent for Art
191:Chicago Picasso
183:
168:
160:Mary Jane Jacob
133:
99:Spire of Dublin
87:
76:
70:
67:
52:
39:
35:
28:
23:
22:
15:
12:
11:
5:
3736:
3726:
3725:
3720:
3703:
3702:
3700:
3699:
3694:
3689:
3683:
3680:
3679:
3677:
3676:
3663:
3658:
3657:
3656:
3646:
3641:
3640:
3639:
3637:by nationality
3634:
3624:
3619:
3617:Modern artists
3614:
3609:
3604:
3599:
3594:
3593:
3592:
3587:
3582:
3577:
3567:
3562:
3560:Art techniques
3557:
3552:
3546:
3544:
3540:
3539:
3537:
3536:
3531:
3526:
3521:
3520:
3519:
3514:
3504:
3499:
3494:
3493:
3492:
3487:
3477:
3472:
3467:
3462:
3461:
3460:
3450:
3449:
3448:
3446:deaccessioning
3438:
3433:
3426:
3421:
3415:
3413:
3409:
3408:
3406:
3405:
3400:
3399:
3398:
3388:
3387:
3386:
3376:
3371:
3366:
3361:
3355:
3353:
3351:History of art
3347:
3346:
3344:
3343:
3341:Virtual museum
3338:
3333:
3328:
3323:
3318:
3313:
3308:
3303:
3298:
3293:
3288:
3283:
3282:
3281:
3271:
3270:
3269:
3259:
3258:
3257:
3247:
3246:
3245:
3238:Art exhibition
3235:
3230:
3225:
3219:
3217:
3211:
3210:
3208:
3207:
3206:
3205:
3195:
3190:
3185:
3180:
3175:
3170:
3169:
3168:
3163:
3153:
3148:
3142:
3140:
3136:
3135:
3133:
3132:
3127:
3122:
3120:Soft sculpture
3117:
3112:
3107:
3106:
3105:
3100:
3095:
3090:
3080:
3079:
3078:
3068:
3063:
3058:
3053:
3048:
3043:
3042:
3041:
3036:
3031:
3021:
3020:
3019:
3014:
3004:
3003:
3002:
2992:
2987:
2982:
2977:
2972:
2967:
2962:
2957:
2955:Conceptual art
2952:
2947:
2941:
2939:
2935:
2934:
2923:
2922:
2915:
2908:
2900:
2891:
2890:
2888:
2887:
2881:
2878:
2877:
2875:
2874:
2869:
2864:
2859:
2854:
2849:
2844:
2839:
2834:
2829:
2824:
2819:
2814:
2809:
2804:
2803:
2802:
2792:
2787:
2782:
2777:
2772:
2766:
2763:
2762:
2755:
2754:
2747:
2740:
2732:
2726:
2725:
2715:
2710:
2705:
2679:
2674:
2669:
2660:
2659:
2654:
2648:
2647:
2636:
2635:
2633:
2632:External links
2630:
2629:
2628:
2621:
2614:
2597:
2590:
2583:
2576:
2566:
2560:
2553:
2546:
2536:
2529:
2522:
2505:
2491:
2484:
2474:
2467:
2460:
2453:
2443:
2432:
2419:
2416:
2413:
2412:
2386:
2364:
2342:
2320:
2298:
2283:
2262:
2229:
2210:
2187:
2180:
2162:
2148:
2137:
2119:
2099:10.2307/777886
2073:
2050:
2031:(3): 246–252.
2015:
1991:
1963:
1937:
1911:
1885:
1857:
1832:
1816:
1804:
1780:
1755:
1730:
1705:
1687:(1/2): 41–57.
1667:
1649:Gude, Olivia.
1638:
1631:
1588:
1581:
1563:
1557:978-0262513050
1556:
1538:
1532:978-0847815104
1531:
1504:
1484:(4): 481–495.
1464:
1439:
1418:
1405:978-0810984851
1404:
1384:
1358:
1351:
1333:
1305:
1287:
1281:978-0262561488
1280:
1257:
1250:
1232:
1194:
1174:10.2307/777018
1168:(4): 331–335.
1147:
1146:
1144:
1141:
1139:
1138:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1070:
1062:
1059:
1018:
1015:
1014:
1013:
1008:following the
994:
969:
959:
937:
907:Victor Pasmore
904:
888:
871:Antony Gormley
855:
852:
819:
816:
742:
739:
686:relational art
681:
678:
586:
583:
536:United Nations
528:sustainability
515:
512:
453:gentrification
417:
414:
378:
375:
354:
353:
314:of the subject
312:worldwide view
307:
305:
298:
292:
289:
288:
287:
280:
277:
274:
255:
233:Mildred Howard
225:
222:
212:
209:
182:
179:
167:
164:
132:
129:
89:
88:
71:September 2020
49:of the subject
47:worldwide view
42:
40:
33:
26:
18:Public artwork
9:
6:
4:
3:
2:
3735:
3724:
3721:
3719:
3716:
3715:
3713:
3698:
3695:
3693:
3690:
3688:
3685:
3684:
3681:
3675:
3671:
3667:
3664:
3662:
3659:
3655:
3652:
3651:
3650:
3647:
3645:
3644:Photographers
3642:
3638:
3635:
3633:
3630:
3629:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3591:
3590:single artist
3588:
3586:
3583:
3581:
3578:
3576:
3573:
3572:
3571:
3568:
3566:
3565:Art movements
3563:
3561:
3558:
3556:
3553:
3551:
3550:Art magazines
3548:
3547:
3545:
3541:
3535:
3532:
3530:
3527:
3525:
3522:
3518:
3515:
3513:
3510:
3509:
3508:
3505:
3503:
3500:
3498:
3495:
3491:
3490:art valuation
3488:
3486:
3483:
3482:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3459:
3456:
3455:
3454:
3451:
3447:
3444:
3443:
3442:
3439:
3437:
3434:
3432:
3431:
3427:
3425:
3422:
3420:
3417:
3416:
3414:
3410:
3404:
3401:
3397:
3394:
3393:
3392:
3389:
3385:
3382:
3381:
3380:
3377:
3375:
3374:Art movements
3372:
3370:
3369:Art manifesto
3367:
3365:
3362:
3360:
3357:
3356:
3354:
3352:
3348:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3291:Arts festival
3289:
3287:
3284:
3280:
3277:
3276:
3275:
3272:
3268:
3265:
3264:
3263:
3260:
3256:
3253:
3252:
3251:
3248:
3244:
3241:
3240:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3220:
3218:
3212:
3204:
3201:
3200:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3167:
3164:
3162:
3159:
3158:
3157:
3154:
3152:
3149:
3147:
3144:
3143:
3141:
3137:
3131:
3130:Artwork title
3128:
3126:
3125:Stained glass
3123:
3121:
3118:
3116:
3113:
3111:
3108:
3104:
3101:
3099:
3096:
3094:
3091:
3089:
3086:
3085:
3084:
3081:
3077:
3074:
3073:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3054:
3052:
3049:
3047:
3044:
3040:
3037:
3035:
3032:
3030:
3027:
3026:
3025:
3024:New media art
3022:
3018:
3015:
3013:
3010:
3009:
3008:
3005:
3001:
2998:
2997:
2996:
2993:
2991:
2988:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2968:
2966:
2963:
2961:
2958:
2956:
2953:
2951:
2948:
2946:
2945:Appropriation
2943:
2942:
2940:
2936:
2932:
2928:
2921:
2916:
2914:
2909:
2907:
2902:
2901:
2898:
2886:
2883:
2882:
2879:
2873:
2870:
2868:
2865:
2863:
2860:
2858:
2855:
2853:
2850:
2848:
2845:
2843:
2840:
2838:
2835:
2833:
2830:
2828:
2825:
2823:
2820:
2818:
2815:
2813:
2810:
2808:
2805:
2801:
2800:pallet crafts
2798:
2797:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2767:
2764:
2760:
2753:
2748:
2746:
2741:
2739:
2734:
2733:
2730:
2723:
2719:
2716:
2714:
2711:
2709:
2706:
2704:
2700:
2695:
2691:
2690:
2685:
2680:
2678:
2675:
2673:
2670:
2668:
2665:
2664:
2658:
2655:
2653:
2650:
2649:
2644:
2639:
2626:
2622:
2619:
2615:
2612:
2606:
2601:
2598:
2595:
2591:
2588:
2584:
2581:
2577:
2574:
2570:
2567:
2564:
2561:
2558:
2554:
2551:
2547:
2544:
2540:
2537:
2534:
2530:
2527:
2523:
2520:
2514:
2509:
2506:
2503:
2499:
2495:
2492:
2489:
2485:
2482:
2478:
2475:
2472:
2468:
2465:
2461:
2458:
2454:
2451:
2447:
2444:
2441:
2437:
2433:
2430:
2426:
2422:
2421:
2401:
2397:
2390:
2374:
2368:
2352:
2346:
2330:
2324:
2308:
2302:
2296:
2295:30 March 2018
2294:
2287:
2273:
2266:
2258:
2252:
2244:
2240:
2233:
2225:
2221:
2214:
2198:
2191:
2183:
2181:0-269-02686-X
2177:
2173:
2166:
2158:
2152:
2146:
2141:
2133:
2129:
2123:
2108:
2104:
2100:
2096:
2092:
2088:
2084:
2077:
2061:
2054:
2046:
2042:
2038:
2034:
2030:
2026:
2019:
2005:
2001:
1995:
1980:
1979:
1974:
1967:
1952:
1948:
1941:
1926:
1922:
1915:
1900:
1896:
1889:
1874:
1873:
1868:
1861:
1847:
1843:
1836:
1829:
1825:
1820:
1813:
1808:
1794:
1790:
1784:
1770:
1766:
1765:"Aerosol Art"
1759:
1744:
1740:
1734:
1719:
1715:
1709:
1694:
1690:
1686:
1682:
1678:
1671:
1652:
1645:
1643:
1634:
1628:
1623:
1622:
1613:
1611:
1609:
1607:
1605:
1603:
1601:
1599:
1597:
1595:
1593:
1584:
1582:0-471-36257-3
1578:
1574:
1567:
1559:
1553:
1549:
1542:
1534:
1528:
1524:
1517:
1515:
1513:
1511:
1509:
1492:
1487:
1483:
1479:
1475:
1468:
1453:
1449:
1443:
1436:
1435:9780300199420
1432:
1428:
1422:
1407:
1401:
1397:
1396:
1388:
1373:
1369:
1362:
1354:
1352:0-8166-3158-1
1348:
1344:
1337:
1322:
1318:
1312:
1310:
1301:
1294:
1292:
1283:
1277:
1273:
1266:
1264:
1262:
1253:
1251:0-8357-1970-7
1247:
1243:
1236:
1221:
1217:
1213:
1209:
1205:
1198:
1183:
1179:
1175:
1171:
1167:
1163:
1159:
1152:
1148:
1137:
1136:
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1071:
1068:
1058:
1055:
1050:
1048:
1047:Creative Time
1044:
1040:
1036:
1031:
1029:
1025:
1011:
1007:
1003:
999:
995:
992:
991:
987:
983:
979:
978:
973:
970:
967:
963:
960:
957:
953:
952:Dakota people
949:
945:
941:
938:
935:
931:
927:
922:
918:
914:
913:
908:
905:
902:
898:
897:
892:
891:Richard Serra
889:
886:
883:
880:
879:
878:
872:
868:
864:
860:
854:Controversies
851:
849:
845:
841:
837:
833:
829:
825:
815:
813:
809:
805:
801:
797:
796:François Hers
793:
792:
786:
784:
783:Neon Parallax
780:
776:
771:
767:
760:
756:
752:
747:
738:
736:
732:
728:
724:
718:
716:
712:
707:
703:
699:
695:
691:
687:
675:
671:
667:
666:Clarence Dock
662:
655:
651:
646:
642:
640:
636:
634:
630:
625:
624:
617:
613:
609:
605:
604:hydraulophone
596:
595:hydraulophone
591:
582:
580:
576:
575:
570:
569:Andrea Zittel
566:
564:
560:
559:food security
556:
552:
548:
544:
542:
537:
533:
529:
520:
511:
509:
505:
500:
498:
494:
488:
486:
482:
481:New York City
478:
474:
470:
466:
462:
458:
454:
446:
442:
439:
436:
433:, an outdoor
432:
428:
427:
422:
413:
410:
404:
401:
397:
392:
388:
384:
371:
367:
364:
360:
350:
347:
339:
336:December 2015
329:
325:
321:
315:
313:
306:
297:
296:
285:
281:
278:
275:
272:
268:
264:
260:
256:
253:
252:
251:
249:
242:
241:New York City
238:
234:
230:
221:
219:
208:
207:initiatives.
206:
200:
193:
192:
187:
178:
176:
171:
163:
161:
153:
149:
145:
141:
137:
128:
126:
122:
117:
114:
110:
106:
100:
95:
85:
82:
74:
64:
60:
56:
50:
48:
41:
32:
31:
19:
3580:most visited
3428:
3070:
3056:Plastic arts
2980:Found object
2851:
2790:Computer art
2770:Architecture
2687:
2642:
2624:
2617:
2613:, Köln, 1989
2610:
2593:
2586:
2579:
2572:
2562:
2556:
2549:
2542:
2532:
2525:
2518:
2501:
2497:
2487:
2480:
2477:Ronald Kunze
2470:
2463:
2456:
2449:
2435:
2424:
2418:Bibliography
2403:. Retrieved
2399:
2389:
2379:22 September
2377:. Retrieved
2367:
2357:22 September
2355:. Retrieved
2345:
2335:22 September
2333:. Retrieved
2323:
2313:22 September
2311:. Retrieved
2301:
2292:
2286:
2275:. Retrieved
2265:
2242:
2232:
2223:
2213:
2203:26 September
2201:. Retrieved
2190:
2171:
2165:
2151:
2140:
2132:Grimsby Live
2131:
2122:
2112:21 September
2110:. Retrieved
2093:(1): 80–83.
2090:
2086:
2076:
2066:22 September
2064:. Retrieved
2053:
2028:
2024:
2018:
2007:. Retrieved
2003:
1994:
1984:22 September
1982:. Retrieved
1976:
1966:
1956:22 September
1954:. Retrieved
1950:
1940:
1930:22 September
1928:. Retrieved
1925:The Guardian
1924:
1914:
1904:22 September
1902:. Retrieved
1898:
1888:
1876:. Retrieved
1870:
1860:
1849:. Retrieved
1845:
1835:
1827:
1823:
1819:
1807:
1796:. Retrieved
1792:
1783:
1772:. Retrieved
1768:
1758:
1747:. Retrieved
1745:. 2013-11-13
1742:
1733:
1721:. Retrieved
1717:
1708:
1698:21 September
1696:. Retrieved
1684:
1680:
1670:
1660:22 September
1658:. Retrieved
1620:
1572:
1566:
1547:
1541:
1522:
1497:22 September
1495:. Retrieved
1481:
1477:
1467:
1456:. Retrieved
1454:. 2014-02-13
1451:
1442:
1426:
1421:
1411:22 September
1409:. Retrieved
1394:
1387:
1377:22 September
1375:. Retrieved
1371:
1361:
1342:
1336:
1324:. Retrieved
1320:
1299:
1271:
1241:
1235:
1225:21 September
1223:. Retrieved
1211:
1207:
1197:
1187:21 September
1185:. Retrieved
1165:
1161:
1151:
1135:Trompe-l'Ĺ“il
1133:
1051:
1032:
1020:
990:Yellow Peril
988:
975:
966:Dreamspace V
965:
962:Maurice Agis
943:
910:
901:Foley Square
894:
876:
862:
843:
821:
789:
787:
772:
768:
764:
751:Face Ă l'eau
750:
731:Lincolnshire
723:Adrian Riley
719:
698:Suzanne Lacy
683:
627:
626:of 2015 and
620:
615:
600:
579:permaculture
572:
567:
563:food justice
549:
545:
525:
501:
489:
485:Gleisdreieck
472:
469:Joseph Beuys
460:
450:
441:installation
424:
405:
380:
369:
365:
363:Wolf Vostell
342:
333:
309:
284:rock balance
247:
245:
214:
201:
197:
189:
172:
169:
156:
139:
118:
104:
103:
77:
68:
44:
3697:Arts portal
3570:Art museums
3485:art finance
3286:Arts centre
3250:Art gallery
3233:Art commune
3223:Art auction
3066:Printmaking
2995:Mixed media
2990:Kinetic art
2927:Visual arts
2847:Printmaking
2842:Photography
2822:Digital art
2759:Visual arts
2724:, July 2019
2682:‹ The
2603: [
2511: [
2172:Kenzo Tange
2087:Art Journal
2004:jpallas.com
1162:Art Journal
840:KenzĹŤ Tange
806:project in
504:Donald Judd
465:Agnes Denes
259:Hill figure
3718:Public art
3712:Categories
3670:sculptures
3524:Provenance
3419:Art market
3326:Commission
3274:Art school
3262:Art museum
3228:Art colony
3216:and events
3076:street art
3071:Public art
2872:Street art
2852:Public art
2827:Filmmaking
2699:Public art
2643:Public art
2498:Public Art
2405:16 October
2277:2013-10-24
2009:2018-10-26
1851:2019-12-30
1798:2018-10-26
1774:2018-10-26
1749:2018-10-26
1458:2018-10-26
1143:References
1065:See also:
940:Sam Durant
932:to make a
896:Tilted Arc
850:in Japan.
612:Jim Pallas
608:Steve Mann
551:Ron Finley
267:Petroglyph
125:street art
105:Public art
3649:Sculptors
3555:Art media
3517:sculpture
3458:paintings
3379:Criticism
3161:paintings
3151:Collector
3083:Sculpture
3000:bricolage
2931:art world
2862:Sculpture
2832:Light art
2429:Routledge
2251:cite news
2199:. MPRNews
1743:L.A. TACO
1548:Situation
1074:ART/MEDIA
882:Detroit's
804:doual'art
800:High Line
755:doual'art
483:; and of
477:High Line
473:7000 Oaks
438:sculpture
324:talk page
211:Longevity
59:talk page
3627:Painters
3512:painting
3424:The arts
3384:feminist
3321:Biennale
3061:Portrait
3046:Painting
3017:graffiti
2970:Fine art
2929:and the
2857:Rock art
2837:Painting
2785:Ceramics
2684:template
2045:57560593
2025:Leonardo
1951:Artforum
1878:April 5,
1723:March 6,
1693:41178737
1326:March 6,
1220:44794099
1109:Plop art
1061:See also
944:Scaffold
921:Peterlee
917:New Town
832:Tim Tate
824:Maya Lin
812:Cameroon
757:for the
702:Mel Chin
623:Machines
614:' 1980 C
457:land art
445:Montreal
426:La Joute
387:New Deal
318:You may
263:Geoglyph
121:graffiti
53:You may
3632:by name
3575:largest
3412:Related
3396:outline
3178:Curator
3166:frescos
3103:tallest
3088:carving
3039:virtual
3034:digital
3029:history
2965:Drawing
2950:Collage
2938:Artwork
2817:Drawing
2780:Cartoon
2686:below (
2609:(ed.).
2596:, 1989.
2559:, 1997.
2517:(ed.):
2504:, 2002.
2490:, 2005.
2442:, 2012.
2431:, 2016.
2293:The Age
1824:Plastik
735:Minster
727:Minster
435:kinetic
271:mosaics
152:Germany
148:Hanover
111:in any
3654:female
3279:Europe
3214:Places
3203:Europe
3193:Patron
3183:Dealer
3173:Critic
3146:Artist
3098:statue
3093:relief
3012:fresco
2812:Design
2703:Curlie
2689:Curlie
2640:about
2178:
2107:777886
2105:
2043:
1691:
1629:
1579:
1554:
1529:
1433:
1402:
1349:
1278:
1248:
1218:
1182:777018
1180:
1124:Statue
1104:Murals
1039:WESTAF
838:, and
808:Douala
497:Queens
3543:Lists
3534:Style
3188:Model
3139:Roles
3007:Mural
2795:Craft
2607:]
2515:]
2103:JSTOR
2041:S2CID
1899:Vogue
1689:JSTOR
1654:(PDF)
1395:Swoon
1216:JSTOR
1178:JSTOR
977:Vault
670:Leeds
654:Genoa
606:) by
326:, or
248:types
140:Nanas
113:media
61:, or
2407:2010
2381:2020
2359:2020
2337:2020
2315:2020
2257:link
2205:2020
2176:ISBN
2114:2020
2068:2020
1986:2020
1958:2020
1932:2020
1906:2020
1880:2017
1725:2020
1700:2020
1662:2020
1627:ISBN
1577:ISBN
1552:ISBN
1527:ISBN
1499:2020
1431:ISBN
1413:2020
1400:ISBN
1379:2020
1347:ISBN
1328:2020
1276:ISBN
1246:ISBN
1227:2020
1189:2020
1052:The
869:and
688:", "
561:and
97:The
2775:Art
2701:at
2571:.
2541:.
2500:in
2095:doi
2033:doi
1486:doi
1170:doi
1026:'s
974:'s
942:'s
919:of
909:'s
846:in
842:'s
834:'s
826:'s
729:in
704:'s
641:.
495:in
429:by
146:in
142:by
109:art
107:is
3714::
3672:,
3668:,
2605:de
2513:de
2496:,
2479::
2448::
2438:.
2427:.
2398:.
2253:}}
2249:{{
2241:.
2222:.
2130:.
2101:.
2091:58
2089:.
2085:.
2039:.
2029:50
2027:.
2002:.
1975:.
1949:.
1923:.
1897:.
1869:.
1844:.
1791:.
1767:.
1741:.
1716:.
1685:79
1683:.
1679:.
1641:^
1591:^
1507:^
1482:55
1480:.
1476:.
1450:.
1370:.
1319:.
1308:^
1290:^
1260:^
1212:98
1210:.
1206:.
1176:.
1166:48
1164:.
1160:.
1045:,
1041:,
1037:,
964:'
865:–
674:UK
672:,
668:,
631:/
565:.
471:’
368:/
269:,
265:,
261:,
239:,
150:,
123:,
2919:e
2912:t
2905:v
2751:e
2744:t
2737:v
2409:.
2383:.
2361:.
2339:.
2317:.
2280:.
2259:)
2226:.
2207:.
2184:.
2159:.
2116:.
2097::
2070:.
2047:.
2035::
2012:.
1988:.
1960:.
1934:.
1908:.
1882:.
1854:.
1801:.
1777:.
1752:.
1727:.
1702:.
1664:.
1635:.
1585:.
1560:.
1535:.
1501:.
1488::
1461:.
1437:.
1415:.
1381:.
1355:.
1330:.
1284:.
1254:.
1229:.
1191:.
1172::
1012:.
993:.
810:(
761:.
652:(
635:2
602:(
447:.
349:)
343:(
338:)
334:(
316:.
84:)
78:(
73:)
69:(
51:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
