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to Dr. Maud Bailey, an established modern LaMotte scholar and distant relative of LaMotte. Protective of LaMotte, Bailey is drawn into helping
Michell with the unfolding mystery. The two scholars find more letters and evidence of a love affair between the poets (with evidence of a holiday together during which – they suspect – the relationship may have been consummated); they become obsessed with discovering the truth. At the same time, their own romantic lives – neither of which is satisfactory – develop, and they become romantically entwined in an echo of Ash and LaMotte. The stories of the two couples are told in parallel, and include letters and poetry by the poets.
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related to LaMotte's sister, as she has always believed, she is directly descended from LaMotte and Ash's illegitimate daughter. Maud is thus heir to the correspondence by the poets. Now that the original letters are in her possession, Roland
Michell escapes the potential dire consequences of having stolen the original drafts from the library. He sees an academic career open up before him. Bailey, who has spent her adult life emotionally untouchable, sees possible future happiness with Michell.
222:), as uncovered by present-day academics Roland Michell and Maud Bailey. Following a trail of clues from letters and journals, they collaborate to uncover the truth about Ash and LaMotte's relationship, before it is discovered by rival colleagues. Byatt provides extensive letters, poetry and diaries by major characters in addition to the narrative, including poetry attributed to the fictional Ash and LaMotte.
293:, have, for the latter half of the book, misunderstood the significance of one of Ash's key mementoes. Ash asks the girl to give LaMotte a message that he has moved on from their relationship and is happy. After he walks away, Maia returns home, breaks the crown of flowers while playing, and forgets to pass the message on to LaMotte.
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In an epilogue, Ash has an encounter with his daughter Maia in the countryside. Maia talks with Ash for a brief time. Ash makes her a crown of flowers, and asks for a lock of her hair. This lock of hair is the one buried with Ash which was discovered by the scholars, who believed it to be LaMotte’s.
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poet
Randolph Henry Ash, which lead him to suspect that the married Ash had a hitherto unknown romance. He secretly takes away the documents – a highly unprofessional act for a scholar – and begins to investigate. The trail leads him to Christabel LaMotte, a minor poet and contemporary of Ash, and
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warmth and wit" ... "Anyone and everything that falls under Byatt's gaze is a source of fun." Commenting on the invented 'historical' texts he said their "effect is dazzling – and similarly ludic erudition is on display throughout." ... "Yet more impressive are in excess of 1,700 lines of original
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strikes
England, the interested modern characters come together at Ash's grave, where they intend to exhume documents buried with Ash by his wife, which they believe hold the final key to the mystery. They also uncover a lock of hair. Reading the documents, Maud Bailey learns that rather than being
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true centre is a big, red, beating heart. It's the warmth and spirit that Byatt has breathed into her characters rather than their cerebral pursuits that makes us care". Concluding, "There's real magic behind all the brainy trickery and an emotional journey on top of the academic quest. So I loved
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The revelation of an affair between Ash and LaMotte would make headlines and reputations in academia because of the prominence of the poets, and colleagues of Roland and Maud become competitors in the race to discover the truth, for all manner of motives. Ash's marriage is revealed to have been
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Fowles has said that the nineteenth-century narrator was assuming the omniscience of a god. I think rather the opposite is the case—this kind of fictive narrator can creep closer to the feelings and inner life of characters—as well as providing a Greek chorus—than any first-person mimicry. In
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unconsummated, although he loved and remained devoted to his wife. He and LaMotte had a short, passionate affair; it led to the suicide of LaMotte's companion (and possibly lover), Blanche Glover, and the secret birth of LaMotte's illegitimate daughter during a year spent in
251:'Possession' I used this kind of narrator deliberately three times in the historical narrative—always to tell what the historians and biographers of my fiction never discovered, always to heighten the reader's imaginative entry into the world of the text.
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highlights many of the major themes in the novel: questions of ownership and independence between lovers; the practice of collecting historically significant cultural artefacts; and the possession that biographers feel toward their subjects.
512:(2001), p. 56. qtd in Lisa Fletcher "Historical Romance, Gender and Heterosexuality: John Fowles’s The French Lieutenant’s Woman and A.S. Byatt’s Possession", Journal of Interdisciplinary Gender Studies vol.7 2003, p30.
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The novel follows two modern-day academics as they research the paper trail around the previously unknown love life between famous fictional poets
Randolph Henry Ash and Christabel LaMotte.
330:, noted that what he describes as the "wonderfully extravagant novel" is "pointedly subtitled 'A Romance'." He says it is at once "a detective story" and "an adultery novel."
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218:, whose work is more consonant with the themes expressed by Ash, as well as Tennyson's having been poet-laureate to Queen Victoria) and Christabel LaMotte (based on
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is a tour de force that opens every narrative device of
English fiction to inspection without, for a moment, ceasing to delight." Also "The most dazzling aspect of
311:, wrote "a plenitude of surprises awaits the reader of this gorgeously written novel. A. S. Byatt is a writer in mid-career whose time has certainly come, because
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is set both in the present day and the
Victorian era, contrasting the two time periods, as well as echoing similarities and satirising modern
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Wells, Lynn K. (Fall 2002). "Corso, Ricorso: Historical
Repetition and Cultural Reflection in A. S. Byatt's Possession: A Romance".
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as the fictional poets
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poetry". "In short, the whole book is a gigantic tease – which is certainly satisfying on an intellectual level" but,
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The novel was also adapted as a radio play, serialised in 15 parts between 19 December 2011 and 6 January 2012, on
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by the same name in 2002, and a serialised radio play that ran from 2011 to 2012 on BBC Radio 4. In 2005
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and mating rituals. The structure of the novel incorporates many different styles, including fictional
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and poetry, and uses these styles and other devices to explore the
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concerns of the authority of textual narratives. The title
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concerns of similar novels, which are often categorised as
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The novel concerns the relationship between two fictional
629:"Woman's Hour Drama – Possession (Programme Information)"
665:(Edinburgh: Edinburgh University Press, 2008), 140–48.
604:"FILM; Can Bookish Be Sexy? Yeah, Says Neil LaBute"
260:Obscure scholar Roland Michell, researching in the
194:. In 2003 the novel was listed on the BBC's survey
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370:Irish Times-Aer Lingus International Fiction Prize
192:100 Best English-language Novels from 1923 to 2005
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242:(1969). In an essay in Byatt's nonfiction book,
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542:"Guardian book club: Possession by AS Byatt"
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1600:The Narrow Road to the Deep North
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453:. 16 October 2005. Archived from
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147:historiographic metafiction
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1296:The God of Small Things
894:The Siege of Krishnapur
816:Something to Answer For
569:"That thinking feeling"
392:as Roland Michell; and
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1155:The Remains of the Day
778:The Best of the Booker
357:Awards and nominations
291:(and hence the reader)
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166:diary entries, letters
22:Possession: A Romance
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447:"All-Time 100 Novels"
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468:"BBC – The Big Read"
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1747:The Promise
1636:The Sellout
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1440:Kiran Desai
1377:Yann Martel
1362:Peter Carey
1281:Last Orders
1231:Roddy Doyle
1176:A. S. Byatt
1135:Peter Carey
874:John Berger
811:P. H. Newby
508:A.S. Byatt
425:as Ash and
421:as Roland,
405:BBC Radio 4
376:Adaptations
234:John Fowles
226:A. S. Byatt
151:metafiction
135:A. S. Byatt
43:A. S. Byatt
1801:Categories
1778:Paul Lynch
1667:Anna Burns
1392:DBC Pierre
1382:Life of Pi
1306:Ian McEwan
1261:Pat Barker
1181:Possession
1125:Moon Tiger
1090:Keri Hulme
964:Staying On
959:Paul Scott
715:Possession
552:19 October
494:23 October
433:References
317:Possession
313:Possession
303:Jay Parini
230:Possession
202:Background
174:Possession
170:postmodern
158:Possession
143:postmodern
1499:Wolf Hall
1311:Amsterdam
699:162372789
417:as Maud,
297:Reception
266:Victorian
208:Victorian
65:Publisher
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994:Offshore
849:Troubles
339:online,
336:Guardian
275:Brittany
236:' novel
162:academia
49:Language
1672:Milkman
1427:The Sea
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802:1969–79
322:Critic
280:As the
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639:3 June
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110:511 pp
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695:S2CID
635:. BBC
368:1990
362:1990
353:it."
214:, or
107:Pages
60:Novel
57:Genre
1774:2023
1756:2022
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116:ISBN
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